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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Theme from Ant-Man
Non classifié
548
Piano & claviers
Piano seul
581
Instruments en Do
228
Piano Facile
191
Piano, Voix et Guitare
71
Piano, Voix
37
Orgue
31
1 Piano, 4 mains
10
Piano Quatuor: piano, violon, alto, violoncelle
6
Ligne De Mélodie, Piano
5
Piano Trio: piano, violon, violoncelle
3
Piano grosses notes
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 4 mains
2
Accompagnement Piano
2
Clavier
1
Orgue, Trompette (duo)
1
Accordéon
1
Piano (partie séparée)
1
Instrument seul et Orgue
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
44
Guitare
39
Ligne De Mélodie, (Paroles) et Accords
23
Piano, Guitare (duo)
12
Mandoline
7
2 Guitares (duo)
5
4 Guitares (Quatuor)
5
Ukulele
3
Paroles et Accords
2
Basse electrique
2
3 Guitares (trio)
2
Ensemble de Ukulélés
1
Guitare, Violon, Violoncelle (trio)
1
Basse électrique (partie séparée)
1
Ensemble de guitares
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
42
Chorale 2 parties
12
Chorale 3 parties
11
Voix Alto, Piano
10
Chorale TTBB
5
Chorale Unison
5
Voix duo, Piano
4
Voix duo
2
Chorale
2
Chorale SSAA
2
Soli, choeur mixte et accompagnement
1
+ 6 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
144
Quintette de Saxophone: 5 saxophones
118
Quatuor de Saxophones: 4 saxophones
80
Flûte traversière et Piano
79
Clarinette et Piano
74
Flûte, Hautbois, Clarinette, Basson
70
Saxophone Alto et Piano
59
Hautbois, Piano (duo)
58
Saxophone Tenor et Piano
40
Saxophone Soprano et Piano
35
Clarinette
34
Quatuor de Clarinettes: 4 clarinettes
32
2 Saxophones (duo)
30
Flûte traversière
28
Saxophone Baryton, Piano
27
Clarinette Basse, Piano
24
Saxophone
17
Ensemble de saxophones
16
Cor anglais, Piano
16
2 Flûtes traversières (duo)
15
Quatuor de Flûtes : 4 flûtes
14
Saxophone Tenor
13
Saxophone Alto
13
2 Clarinettes (duo)
12
Ensemble de Clarinettes
11
Saxophone (partie séparée)
11
3 Saxophones (trio)
10
Clarinette (partie séparée)
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Quintette de Flûte : 5 flûtes
8
Flûte, Clarinette (duo)
8
Quintette de Clarinettes: 5 clarinettes
7
3 Clarinettes (trio)
7
Saxophone, Clarinette (duo)
6
Trio de Flûtes: 3 flûtes
6
Ensemble de Flûtes
6
Hautbois (partie séparée)
5
Saxophone Soprano
5
Hautbois, Clarinette (duo)
5
Clarinette, Violon (duo)
5
2 Hautbois (duo)
5
Flute (partie séparée)
4
Saxophone Baryton
4
Clarinette, Trompette (duo)
4
Clarinette et Alto
3
Flûte, Violon
3
Flûte, Saxophone (duo)
3
Flûte et Guitare
3
Hautbois, Flûte
3
Clarinette, Basson (duo)
3
Hautbois, Basson (duo)
2
Piccolo, Piano
2
2 Flûte à bec (duo)
2
Saxophone et Orgue
2
Flûte à bec Soprano
2
Flûte, Trompette (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Basson et Piano
1
Flûte, trombone et piano
1
Hautbois, Violoncelle et Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Alto (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte traversière, Orgue (duo)
1
Clarinette, Violoncelle (duo)
1
Clarinette, Orgue
1
2 Saxophones, Piano
1
Flûte à bec, Guitare (duo)
1
Instruments en Mib
1
Flûte, Hautbois (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Clarinette et Basson
1
Clarinette, Trombone (duo)
1
Clarinette, trompette et piano
1
Ensemble à vent
1
+ 71 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Quatuor de Cuivres
65
Trompette, Piano
50
Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Trombone et Piano
46
Cor et Piano
37
Euphonium, Piano (duo)
20
Trompette
19
Cor anglais, Piano
16
Tuba et Piano
13
Trompette (partie séparée)
10
Trompette, Trombone (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Ensemble de Trombones
9
Trombone (partie séparée)
7
2 Trombones (duo)
6
Trombone
6
Ensemble de Trompettes
5
Trompette, Cor (duo)
5
Quatuor de cuivres: 4 trombones
5
2 Cors (duo)
5
Tuba
4
2 Trompettes (duo)
4
Trompette, Saxophone (duo)
4
Cor
3
Cor (partie séparée)
2
Trombone, Cor (duo)
2
Ensemble de Cors
2
3 Trompettes (trio)
2
Ensemble de Tubas
1
Quatuor de cuivres: 4 cors
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors Anglais Et Pianoforte
1
Trombone, Orgue
1
Trompette, Euphonium (duo)
1
3 Trombones (trio)
1
Instruments en Sib
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trompettes
1
Tuba (partie séparée)
1
Cor, Violoncelle (duo)
1
3 Tubas (trio)
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
171
Violon et Piano
92
Quintette à cordes: 2 violons, alto, violoncelle, basse
74
Violoncelle, Piano
65
Alto, Piano
49
Violon
38
Violon, Violoncelle (duo)
22
Harpe
16
Trio à Cordes: violon, alto, violoncelle
16
Violoncelle
15
2 Violons (duo)
14
2 Violoncelles (duo)
14
Alto seul
14
Contrebasse, Piano (duo)
11
Trio à Cordes: 2 violons, violoncelle
11
4 Violoncelles
11
Violon (partie séparée)
10
2 Harpes (duo)
10
Violon, Alto (duo)
8
Ensemble de Violons
6
2 Altos (duo)
6
Contrebasse (partie séparée)
5
Trio à cordes
5
Trio à Cordes: 3 violoncelles
5
Ensemble d'Altos
4
Violon, Guitare (duo)
3
Alto, Violoncelle (duo)
2
Contre Basse
2
Alto (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 violins
2
Alto, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
Harpe, Voix
1
Violoncelle, Orgue
1
Violoncelle (partie séparée)
1
Harpe, Flûte (duo)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Alto, Orgue
1
Violon, Orgue
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
185
Orchestre
75
Orchestre à Cordes
64
Ensemble de cuivres
22
Orchestre de chambre
20
Ensemble Jazz
10
Xylophone, Piano
8
Percussion (partie séparée)
8
Cloches
7
Fanfare
7
Batterie
4
Quintette de Cuivres: autres combinaisons
2
Ensemble de Percussions
2
Jazz combo
2
Instrumentation Flexible
1
Marimba, Piano (duo)
1
Timbales (partie séparée)
1
2 Xylophones
1
+ 13 instrumentations
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COR ANGLAIS
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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PERCU. ORCH…
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PIANO
SAXOPHONE
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TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
Theme from Ant-Man
Orchestre de chambre
Partitions à imprimer
20 partitions trouvées
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1
Manha De Carnaval
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1176006 Composed by Antonio …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1176006 Composed by Antonio Maria and Luiz Bonfa. Arranged by Marek Czekala. 20th Century,Broadway,Film/TV,Latin,Musical/Show. Score and parts. 36 pages. Marek Czekala #776132. Published by Marek Czekala (A0.1176006). Manhã de Carnaval (Carnival Morning), often referred to as Black Orpheus, is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. Manhã de Carnaval appeared as a principal theme in the 1959 Portuguese-language film Orfeu Negro by French director Marcel Camus. Orfeu Negro was an international success (winning, for example, an Academy Award in 1960), and brought the song to a large audience. (from Wikipedia).
$49.99
46.09 €
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Orchestre de chambre
#
Antonio Maria and Luiz Bonfa
#
Marek Czekala
#
Manha De Carnaval
#
Marek Czekala
#
SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.92 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Mary Poppins: A Symphonic Fantasy
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1500182 Composed by Irwin Ko…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1500182 Composed by Irwin Kostal, Richard M Sherman, and Robert B Sherman. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 81 pages. Demetrio Bonvecchio (Db Music) #1076260. Published by Demetrio Bonvecchio (Db Music) (A0.1500182). A musical selection of themes from the movie Mary Poppins, I tried to recreate the original orchestrations of Irwin Kostal, substituting the choir with soloists from the orchestra sections.This is the Chamber Orchestra version!I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio BonvecchioScore + Set of Parts includedOther Chamber Orchestra scores available: Bundle Of Joy (from Inside Out) A Dream Is A Wish Your Heart Makes (from Cinderella) (with Vocal Soloist) When I Am Older (from Frozen 2) (with Vocal Soloist) Let It Go (from Frozen) (with Vocal Soloist) Go The Distance (from Hercules) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists)
$100.00
92.19 €
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Orchestre de chambre
#
Irwin Kostal, Richard M Sherman, and Robert B Sherman
#
Demetrio Bonvecchio
#
Mary Poppins: A Symphonic Fantasy
#
Demetrio Bonvecchio
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SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.59 €
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Orchestre de chambre
#
Georg Philipp Telemann
#
Sneakwood Editions
#
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
#
Sneakwood Editions
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SheetMusicPlus
Fantaisie Brillante sur des Thèmes de Carmen for alto saxophone and orchestra, score and solo part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534428 Composed by Francois …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534428 Composed by Francois Borne. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3492217. Published by Musik Fabrik Music Publishing (A0.534428). The virutoso showstopper, also known as the Carmen Fantasy, orchestrated by Paul Wehage for chamber orchestra (2222/2200/timp/hp/strings). This well-known crowd-pleaser will be the hit of your concert! This item is the full score and the solo part only. The parts are on rental from the publisher. Versions for solo saxophone with piano, for solo saxophone with SATB saxophone quartet and for concert band are also available.
$29.95
27.61 €
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Orchestre de chambre
#
Francois Borne
#
Paul Wehage
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Fantaisie Brillante sur des Thèmes de Carmen for alto saxophone and orchestra, score and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Variations on a Rossini Theme op.Posth
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
27.65 €
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Orchestre de chambre
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme op.Posth
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James Strauss
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SheetMusicPlus
Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Sc…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jmsgu3 #4598499. Published by jmsgu3 (A0.550196). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà An unexpected and welcome recital encore.Schumann's Träumerei (Dreaming), Op. 15 No. 7, is a solo piano piece that is part of his Scenes from Childhood (Kinderszenen) set, which was his first attempt at writing a piano solo. The piece is significant for several reasons:Emotional Appeal: Träumerei is considered a masterpiece due to its great emotional appeal, combining both haunting sadness and nostalgic tenderness. This emotional depth has allowed the piece to touch many people's hearts and become a beloved piece of music worldwide.Universal Themes: The piece explores themes of childhood, memories, and feelings from a sentimental adult perspective. These themes are universally cherished and can be appreciated by adults and children.Cultural Impact: Träumerei has been used in various cultural contexts, such as in the 1947 Hollywood film Song of Love and the 1944 German biographical film on Schumann. In Russia, a hummed choral, a cappella version that became known as mourning music, was played annually during the Minute of Silence on Victory Day.Influence on Other Artists: The piece has inspired other artists, such as violinist Fenella Humphreys, who released an arrangement of Träumerei for violin in 2021.Schumann's Träumerei is a significant piece of music due to its emotional appeal, universal themes, cultural impact, and influence on other artists. Its timeless beauty and emotional depth continue to resonate with audiences worldwide.
$48.95
45.13 €
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Orchestre de chambre
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Robert Schumann
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James M
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Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
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jmsgu3
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SheetMusicPlus
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126484 Composed by Igor Kor…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04
13.87 €
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Orchestre de chambre
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Igor Korneitchouk
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The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Studio at the Post
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SheetMusicPlus
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126491 Composed by Igor Kor…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
4.63 €
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Orchestre de chambre
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Igor Korneitchouk
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The Disqualification of Harry Semantix as Trial Juror for East County
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Studio at the Post
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SheetMusicPlus
A Dream from the Past
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published by Arianna Cunningham (A0.1164132). A couple or a few years ago during the Pandemic, there was a Discord Server vs Server Competition going on, and one of the online virtual group communities out of all the other servers took part in a theme called Dreams. When the event started, I immediately started composing this beautiful composition, and chose the instrumentation for Uncommon Woodwinds (Alto Flute, English Horn, and Sopranino Sax), Strings, Harp, and Crotales. However, my submission entry didn't make it to the final Dreams EP as expected. But the admins of the online orchestra group told me that I can still host it as a community project, and it just so happens that I actually did do that, and I've gotten a good amount of submissions from the members themselves, went through all the mixing and editing, etc, before releasing the final performance.This piece is meant to be described about dreaming to a wonderful place you might've remembered, and haven't forgotten in a long time, experiencing the deja vu moments of what you think might've happened long time ago, hence the title, of course.
$25.00
23.05 €
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Orchestre de chambre
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Arianna Cunningham
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A Dream from the Past
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Arianna Cunningham
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SheetMusicPlus
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig v…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.
$100.00
92.19 €
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Orchestre de chambre
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Ludwig van Beethoven
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Adrian Gagiu
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Overture and Minuet in C major, based on Beethoven's sketches, op. 83
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Adrian Gagiu
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SheetMusicPlus
The Girl From Ipanema (Garôta De Ipanema)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1426116 By Stan Getz & Astru…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1426116 By Stan Getz & Astrud Gilberto. By Antonio Carlos Jobim, Norman Gimbel, and Vinicius De Moraes. Arranged by Jim Bicigo. Chamber,Jazz,Latin. 50 pages. Polar Publications #1006912. Published by Polar Publications (A0.1426116). Based on the classic arrangement for big band by Glenn Osser, this setting for chamber orchestra is rich and lush. Perfect for a pops concert or any concert with a latin theme.
$65.00
59.92 €
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Orchestre de chambre
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Stan Getz & Astrud Gilberto
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Jim Bicigo
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The Girl From Ipanema
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Polar Publications
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SheetMusicPlus
Fauré: Pavane Op. 50 for Piano Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel F…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
43.28 €
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Orchestre de chambre
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 for Piano Sextet
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jmsgu3
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SheetMusicPlus
Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Set of parts. 71 pages. Ondine Press #6230163. Published by Ondine Press (A0.866121). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a set of parts to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The full score, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://bit.ly/3hJgXxP.
$100.00
92.19 €
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Orchestre de chambre
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Gioachino Rossini, Frederic Chopin
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Yoon Jae Lee
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Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
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Ondine Press
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SheetMusicPlus
Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. 40 pages. Ondine Press #5377029. Published by Ondine Press (A0.866119). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a full score to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The set of parts, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/00_full_score_e_major.
$25.00
23.05 €
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Orchestre de chambre
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Gioachino Rossini, Frederic Chopin
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Yoon Jae Lee
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Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
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Ondine Press
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.63 €
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concerto for Flute & String Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.927989 Composed by Malcolm D…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.927989 Composed by Malcolm D Robertson. Contemporary. Score and parts. 55 pages. Mr Malcolm D Robertson #5741515. Published by Mr Malcolm D Robertson (A0.927989). Composed during April & May 2020, and completed on the 6th May 2020. In three movements, it is among my most lyrical and relaxed works. I hope it provides a sense of optimism in these strange times. The writing for Flute & Strings is very straightforward. The main theme of the central Intermezzo is taken from a piano piece I composed back in February 1987. I've always like the tune and didn't want it to end up among my forgotten manuscripts. Parts are available upon request.
$15.59
14.37 €
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Orchestre de chambre
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Malcolm D Robertson
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Concerto for Flute & String Orchestra
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Mr Malcolm D Robertson
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SheetMusicPlus
Backwards Decade
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913637. Published by stanleymhoffman.com (A0.924854). This piece was composed for and is dedicated to the Vine Orchestra, Michael Mikulka, Conductor. His call for scores was for (if memory serves) works for chamber orchestra under eight seconds in duration. That is arguably the most unusual call for scores to which the composer has ever or will ever respond. Consider the resultant composition a novelty piece that is only six seconds in duration. If any orchestra performs this work, it is sure to illicit laughter in the audience even though, interestingly enough, the music itself is anything but humorous-sounding. The title is taken from the fact that the composer took the word decade and ran it backwards to get the main and only theme of the piece (E-D-A-C-E-D). Perhaps this brief piece will serve as the basis for a larger work one day. Who knows? It's an attractive little thing. In the meantime, enjoy! (PS: it is painful to charge more than $2.00 for six seconds of music, but if SMP Press ever prints an order, I have to make it worth their while, rather than costing them money.).
$8.00
7.38 €
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Orchestre de chambre
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Stanley M
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Backwards Decade
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stanleymhoffman.com
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SheetMusicPlus
<Bari-Tuba Sextet> Night In the Hall of the Bald Mountain King
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.711310 Composed by Edvard Gr…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.711310 Composed by Edvard Grieg,Modest Mussorgsky. Arranged by Tsuyoshi Yoroiguma. Concert,Jazz,Romantic Period,Standards,World. Score and parts. 31 pages. Tsuyoshi Yoroiguma #4569503. Published by Tsuyoshi Yoroiguma (A0.711310). An unique titled music contains two orchestral works as follows;Night on Bald Mountain by Modest Mussorgsky and In The Hall Of The Mountain King from Peer Gynt suite No.1 by Edvard Grieg.Two musical themes will be heard in this arrangement, and also feel a taste of swing jazz.Your concert will be more exciting by this program.Instrumentation: 3 Euphoniums / 3 TubasPDF file includes 18 pages of score and 13 pages of parts.Playing time is 4min 35sec.
$33.00
30.42 €
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Orchestre de chambre
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Edvard Grieg,Modest Mussorgsky
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Tsuyoshi Yoroiguma
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<Bari-Tuba Sextet> Night In the Hall of the Bald Mountain King
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Tsuyoshi Yoroiguma
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SheetMusicPlus
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Theme from Ant-Man
