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Non classifié
2861
PIANO & CLAVIERS
Piano seul
2126
Piano, Voix
457
Piano, Voix et Guitare
315
Piano Facile
310
Accompagnement Piano
187
Orgue
172
Instruments en Do
163
1 Piano, 4 mains
86
Piano Trio: piano, violon, violoncelle
52
2 Pianos, 4 mains
37
Piano (partie séparée)
34
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano grosses notes
7
Accordéon
6
Clavecin
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
3
Orgue, Trompette (duo)
3
Orgue, Piano (duo)
3
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
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GUITARES
Guitare notes et tablatures
3645
Ligne De Mélodie, (Paroles) et Accords
322
Guitare
189
Guitare (partie séparée)
59
Basse electrique
53
Ukulele
45
2 Guitares (duo)
23
Paroles et Accords
21
Dulcimer
12
Mandoline
11
4 Guitares (Quatuor)
10
Banjo
9
Ensemble de guitares
3
3 Guitares (trio)
2
Piano, Guitare (duo)
2
Cithare
1
Basse électrique (partie séparée)
1
Orchestre à Plectres
1
Mandoline, Guitare (duo)
1
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VOIX
Chorale SATB
982
Chorale 3 parties
275
Chorale TTBB
170
Chorale 2 parties
150
Chorale SSAA
102
Chorale Unison
92
Voix duo, Piano
39
Voix seule
37
Voix duo
25
Voix Soprano, Piano
14
Voix haute
9
Chorale
8
Voix Alto, Piano
8
Voix Tenor, Piano
6
Voix Baryton, Piano
6
Voix moyenne, Piano
5
Voix basse, Piano
3
Voix Mezzo-Soprano, Piano
3
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
2
Voix, Guitare
2
Voix Tenor
2
Chorale SSAATTBB
1
Voix Baryton
1
Voix basse
1
Voix Soprano
1
Chorale SSATB
1
Voix Soprano, Orchestre
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
231
Saxophone (partie séparée)
217
Flûte traversière et Piano
198
Quatuor de Saxophones: 4 saxophones
179
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
176
Clarinette et Piano
171
Clarinette
169
2 Flûtes traversières (duo)
145
Saxophone Alto et Piano
142
Hautbois, Piano (duo)
139
Flûte traversière
124
Flûte, Hautbois, Clarinette, Basson
120
2 Clarinettes (duo)
113
Saxophone, Clarinette (duo)
103
Saxophone Tenor et Piano
91
Saxophone Alto
89
Quintette de Saxophone: 5 saxophones
81
Saxophone Soprano et Piano
78
Clarinette, Violon (duo)
71
Quatuor de Clarinettes: 4 clarinettes
66
Saxophone Tenor
63
Clarinette, Trompette (duo)
62
Saxophone Baryton, Piano
54
Flûte, Clarinette (duo)
50
2 Hautbois (duo)
48
Ensemble de saxophones
43
3 Saxophones (trio)
43
Cor anglais, Piano
38
Ensemble de Flûtes
38
Ensemble de Clarinettes
36
Hautbois (partie séparée)
35
Clarinette et Alto
34
Hautbois, Clarinette (duo)
34
Flûte, Saxophone (duo)
33
Quatuor de Flûtes : 4 flûtes
32
Flûte, Violon
30
Clarinette (partie séparée)
29
Hautbois
29
Hautbois, Flûte
28
Flûte, Trompette (duo)
27
Flute (partie séparée)
27
Flûte et Guitare
25
Flûte, Alto (duo)
24
Hautbois, Basson (duo)
24
3 Clarinettes (trio)
23
Trio de Flûtes: 3 flûtes
23
Saxophone Soprano
22
Quintette de Clarinettes: 5 clarinettes
22
Clarinette Basse, Piano
20
Instruments en Mib
18
Quatuor de Flûtes à bec
16
2 Flûte à bec (duo)
16
Quintette de Flûte : 5 flûtes
16
Clarinette, Guitare (duo)
15
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Hautbois, Clarinette (trio)
11
Flûte, Violon, Piano
9
Flûte à Bec
9
Clarinette, Basson (duo)
9
Flûte, Clarinette et Basson
8
Saxophone Baryton
7
5 Flûtes à bec
7
3 Flûtes à bec (trio)
6
Flûte, Clarinette, Piano (trio)
5
Harmonica
5
Flûte à bec Soprano
5
Hautbois, Guitare (duo)
4
Ocarina
4
Flûte à bec Alto
4
Cor anglais, Guitare (duo)
4
Clarinette, Violoncelle (duo)
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte, Trombone (duo)
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Flûte, Violoncelle
3
Cor Anglais
3
Flûte, Basson et Piano
3
Flûte à bec Alto, Piano
3
2 Flûtes traversières, Piano
3
Clarinette, Harpe (duo)
3
Saxophone et Guitare
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flute, harpe et violon
2
Flûte, Hautbois (duo)
2
Flûte et Trio à cordes
2
Flûte, Violoncelle, Piano (trio)
2
Flûte à bec Soprano, Piano
2
Hautbois et alto (duo)
2
Piccolo
2
Hautbois, Violoncelle
2
Clarinette Basse
2
2 Saxophones, Piano
2
Flûte, Violon et Violoncelle
1
Saxophone et violoncelle
1
Clarinette, Basson, Piano (trio)
1
2 Clarinettes, Basson
1
Flûte traversière, Orgue (duo)
1
Ensemble à vent
1
Hautbois, violon (duo)
1
3 Hautbois
1
Saxophone et Piano
1
Saxophone
1
Flûte à bec Tenor
1
Flûte à bec, Guitare (duo)
1
Flûte à Bec, Piano
1
Ensemble de Hautbois
1
2 Clarinettes, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Orchestre
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Flûte irlandaise
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Alto et Piano
1
Flûte, trombone et piano
1
Flûte, Hautbois, Basson
1
Flûte, alto et harpe
1
Flûte de Pan
1
Ensemble De Flûte à bec
1
2 Cors Anglais Et Pianoforte
1
Saxophone, Basson (duo)
1
Clarinette, Trombone (duo)
1
Piccolo, Piano
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
208
Trombone (partie séparée)
166
Trompette (partie séparée)
127
Trombone et Piano
124
Trompette
119
Quatuor de Cuivres : 2 trompettes, trombone, tuba
114
Quatuor de Cuivres
112
Trompette, Piano
111
Cor et Piano
83
Trombone
81
Trompette, Saxophone (duo)
64
2 Trompettes (duo)
60
2 Trombones (duo)
58
Cor
53
Trompette, Trombone (duo)
51
Tuba et Piano
50
Tuba
44
Euphonium, Piano (duo)
41
Cor anglais, Piano
38
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Cor (partie séparée)
29
Bass Clef Instruments
26
2 Cors (duo)
25
Tuba (partie séparée)
25
Ensemble de Trompettes
17
Ensemble de Trombones
13
Quatuor de cuivres: 4 trombones
13
Instruments en Sib
11
Ensemble de Cors
10
3 Trombones (trio)
10
Quatuor de cuivres: 4 cors
9
2 Tubas (duo)
9
Trompette, Cor (duo)
8
2 Euphoniums et 2 Tubas
7
4 Tubas
5
Trio de Cuivres
5
Cor et Harpe
4
Tuba et Orgue
4
Cor anglais, Guitare (duo)
4
3 Cors (trio)
3
Cor Anglais
3
3 Tubas (trio)
3
Quatuor de cuivres: 4 trompettes
3
Euphonium
3
Trompette et Guitare
2
Trombone basse
2
Instruments en Fa
2
Trombone, Cor (duo)
2
Trombone basse et Piano
2
Trompette, Tuba (duo)
2
Euphonium, Tuba (duo)
2
Tuba ou Euphonium ou Saxhorn
1
Trompette, Harpe
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Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Violon (duo)
1
3 Euphoniums
1
Trombone, violoncelle (duo)
1
2 Cors, Piano
1
2 Cors Anglais Et Pianoforte
1
3 Trompettes (trio)
1
Trombone, Orgue
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
744
Violon, Violoncelle (duo)
419
Violon
368
Trio à Cordes: violon, alto, violoncelle
353
Violon et Piano
296
Violoncelle, Piano
188
Quintette à cordes: 2 violons, alto, violoncelle, basse
175
Violoncelle
164
Alto, Piano
140
2 Violons (duo)
111
Alto seul
102
2 Violoncelles (duo)
90
Violon, Alto (duo)
76
2 Harpes (duo)
58
2 Altos (duo)
56
Contrebasse (partie séparée)
48
Contrebasse, Piano (duo)
43
Trio à Cordes: 2 violons, violoncelle
43
Contre Basse
42
Harpe
41
Violon (partie séparée)
33
Alto (partie séparée)
30
Alto, Violoncelle (duo)
27
Piano Trio: Violon, Alto, Piano
13
Violon, Guitare (duo)
13
Violoncelle , Guitare (duo)
12
Trio à cordes: 3 violins
10
Violoncelle (partie séparée)
8
4 Violoncelles
6
Trio à cordes: 3 altos
5
Trio à Cordes: 3 violoncelles
5
Ensemble de Violons
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Harpe, Flûte (duo)
4
2 Contrebasses (duo)
4
Violon, Clarinette, Piano (trio)
3
Violon, Basson (duo)
3
Alto et Harpe
3
Ensemble d'Altos
3
Harpe, Violon, Violoncelle
3
Harpe, Violoncelle (duo)
3
Violoncelle, Orgue
2
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes: 4 violons
2
Alto, Guitare (duo)
2
Quatuor à cordes : 4 altos
2
Violon, Orgue
1
Harpe et Piano
1
2 Violons, Piano
1
Autoharp
1
4 Contrebasses
1
Trio à cordes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1410
Orchestre à Cordes
360
Orchestre
238
Ensemble Jazz
213
Cloches
143
Ensemble de cuivres
112
Batterie
48
Orchestre de chambre
43
Batterie (partie séparée)
41
Fanfare
33
Ensemble de Percussions
29
Jazz combo
26
Percussion (partie séparée)
16
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Xylophone, Piano
6
Percussion
4
Instrumentation Flexible
4
Vibraphone
4
Marimba
3
2 Xylophones
2
Timbales (partie séparée)
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
Timbales
1
Vibraphone et Marimba
1
Xylophone
1
Ensemble d'École
1
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AUTRES
Formation musicale - Solfège
1
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Orchestre de chambre
Partitions à imprimer
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... And Then I Kissed Him
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1437113 Composed by Hans Zim…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1437113 Composed by Hans Zimmer. Arranged by Daniel de la Rosa Oliva. Film/TV. 38 pages. Daniel de la Rosa Oliva #1017183. Published by Daniel de la Rosa Oliva (A0.1437113). For Orchestra.
$50.00
45.1 €
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Orchestre de chambre
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Hans Zimmer
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Daniel de la Rosa Oliva
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... And Then I Kissed Him
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Daniel de la Rosa Oliva
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SheetMusicPlus
Turkish March from the Ruins of Athens
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.942999 Composed by Ludwig va…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.942999 Composed by Ludwig van Beethoven. Arranged by Dmitry Ganin. Classical,World. Score and parts. 23 pages. Dmitry Ganin #4852735. Published by Dmitry Ganin (A0.942999). For symphonic orchestra. Trombones in C, Horns in F. Triangle on one line.
$15.99
14.42 €
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Orchestre de chambre
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Ludwig van Beethoven
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Dmitry Ganin
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Turkish March from the Ruins of Athens
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Dmitry Ganin
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SheetMusicPlus
Pat Metheny: Road To The Sun - chamber ensemble (Transcribed Score)
Orchestre de chambre
Instantly printable sheet music by Pat Metheny for chamber ensemble (Transcribed Score) of…
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Instantly printable sheet music by Pat Metheny for chamber ensemble (Transcribed Score) of MEDIUM skill level. / jazz
$18.99
17.13 €
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Orchestre de chambre
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Pat Metheny
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Virtualsheetmusic
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
35.13 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Shining Space: Quintet for Horn and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.21 €
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Orchestre de chambre
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
Badinerie. From BWV 1067 Suite
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742465 Composed by Johann Se…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742465 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 7 pages. Arte Nova Music Lab #4411061. Published by Arte Nova Music Lab (A0.742465). Bach's four orchestral suites were probably written between 1717 and 1723, when Bach served as the Kapellmeister to the Cöthen court of music-loving Prince Leopold von Anhalt-Cöthen. The Badinerie comes from the second suite. .
$15.00
13.53 €
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Orchestre de chambre
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Johann Sebastian Bach
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Arte Nova Music Lab
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Badinerie. From BWV 1067 Suite
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Arte Nova Music Lab
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SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.24 €
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Orchestre de chambre
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869311 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32293. Published by Thomas Oboe Lee (A0.869311). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
9.01 €
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Orchestre de chambre
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869299 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32649. Published by Thomas Oboe Lee (A0.869299). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
9.01 €
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Orchestre de chambre
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
"The Flying Hat" for chamber orchestra (excerpts)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.886736 Composed by Panagioti…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.886736 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 60 pages. Panagiotis Theodossiou #6019921. Published by Panagiotis Theodossiou (A0.886736). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006) a. A Little Fanfare b. The Hatland c. Dad, the Giant Hat d. Dance of the Little Hats e. The Wind f. The Flight g. Farewell A fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleutherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.
$20.00
18.04 €
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Orchestre de chambre
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Panagiotis Theodossiou
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"The Flying Hat" for chamber orchestra
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Panagiotis Theodossiou
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SheetMusicPlus
Barbara Allen for piccolo and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringe…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
14.43 €
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Orchestre de chambre
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and orchestra
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David Warin Solomons
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SheetMusicPlus
In Memoriam - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
7.21 €
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Orchestre de chambre
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Robert A
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In Memoriam - Score Only
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Robert A. Howard
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SheetMusicPlus
One Second to the Future - Guitar Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
67.65 €
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Orchestre de chambre
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
WAGNER: Vorspiel to 'Die Meistersingers von Nürnberg' 13 player ensemble - PARTS ONLY
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1094114 Composed by Richard …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1094114 Composed by Richard Wagner. Arranged by Matthew Toogood. Classical,Opera,Patriotic,Romantic Period,Traditional. Score and parts. 58 pages. Matthew Toogood #698220. Published by Matthew Toogood (A0.1094114). Commissioned for the Swiss Richard Wagner Society for a performance in the Richard Wagner Museum (Tribschen) 2022, this chamber arrangement of Richard Wagners Vorspiel (Prelude/Overture) to his opera 'Die Meistersingers von Nürnberg' endeavours to maintain the original sound and intention of the full orchestra but executed by an ensemble of 13 solo players. The arrangement is designed to pair with Wagner's original Siegfried Idyll using the same instrumentation. String parts are as close as possible to the original, thus can be expanded without modification to string sections of more players. Instrumentation: Flute, Oboe, 2 Clarinets in Bb, Bassoon, 2 Horns in F, Trumpet in C, Strings (V1, V2, Vla, Vc, DB) PARTS ONLY!! - score sold separately. A transposed Trumpet part in Bb is included. Each part is designed to be printed on a double sided A3 sheet of paper, then folded to create a booklet part of up to 4 pages. (*note exception Viola, which is adapted to help manage page turns). ALSO AVAILABLE is a 12 player ensemble, with modifications to the horn parts in order to dispense with the Trumpet.
$50.00
45.1 €
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Orchestre de chambre
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Richard Wagner
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Matthew Toogood
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WAGNER: Vorspiel to 'Die Meistersingers von Nürnberg' 13 player ensemble - PARTS ONLY
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Matthew Toogood
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SheetMusicPlus
Wagner WESENDONCK LIEDER Chamber Orchestra COMPLETE PARTS
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011698 Composed by Richard …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011698 Composed by Richard Wagner. Arranged by Matthew Toogood. 20th Century,Multicultural,Opera,Romantic Period,World. Score and parts. 100 pages. Matthew Toogood #6674891. Published by Matthew Toogood (A0.1011698). Richard Wagner'sWESENDONCK LIEDERFive Poems for Female VoiceWWV 91Arranged for chamber ensemble by Matthew Toogood after Felix Mottl & Richard Wagner(2021 for the Swiss Richard Wagner Society)SET OF COMPLETE INSTRUMENTAL PARTS1. Der Engel2. Stehe Still!3. Im Treibhaus4. Schmerzen5. TräumeEach Instrumental part is designed to be printed out double sided on an A3 sheet of paper (then folded to A4) as a booklet. Therefore there are intentional blank pages. Full score available separatelyArranged for:Solo Voice, Flute, Oboe, Clarinet in Bb, Basson, Horn in F, Violin I, Violin II, Viola, Cello, Double Bass .
$50.00
45.1 €
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Orchestre de chambre
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Richard Wagner
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Matthew Toogood
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Wagner WESENDONCK LIEDER Chamber Orchestra COMPLETE PARTS
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Matthew Toogood
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SheetMusicPlus
Concerto for Piccolo Clarinet and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.980579 Composed by William Grosvenor N…
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Chamber Orchestra - Digital Download SKU: A0.980579 Composed by William Grosvenor Neil. Contemporary. Score and parts. 61 pages. TheComposerStudio.Com, LLC #3501905. Published by TheComposerStudio.Com, LLC (A0.980579). Concerto for Piccolo Clarinet and Chamber Orchestra (2017) The music makes dramatic shifts between the E-flat clarinet’s high virtuous technical flights and its mystical, expressive qualities. The sound resources for entire work are entirely derived from the clarinet’s opening descending line that quickly develops into a succession of firey cadenzas. The soloist then leads the ensemble in a highly spirited dance of counterpoint and rhythm. Click here to order parts: https://www.thecomposerstudio.com/concerto/#tab-15982 Rental support: thecomposerstudio@gmail.com Information on the composer: www.williamneil.net .
$50.00
45.1 €
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Orchestre de chambre
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William Grosvenor Neil
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Concerto for Piccolo Clarinet and Chamber Orchestra
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Rejoice Mary (tune of O Come O Come Emmanuel) Advent - strings and piano with parts
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801534 Arranged by Connie Bo…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801534 Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 11 pages. Connie Boss #6073301. Published by Connie Boss (A0.801534). The melody to this Advent song is O Come O Come Emmanuel. It has a unique intro that is slow and then move at a faster pace. The lyrics have been changed. They tell the story of Mary finding out from the angel, that she would bear God's son. cdboss@cvalley.net see lyrics below:
$5.50
4.96 €
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Orchestre de chambre
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Connie Boss
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Rejoice Mary
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Connie Boss
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SheetMusicPlus
Scarborough Affair
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.955747 Composed by Phil Thri…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.955747 Composed by Phil Thrift. Arranged by Phil Thrift. 20th Century,Folk,Jazz. Score and parts. 80 pages. Phil Thrift #6674855. Published by Phil Thrift (A0.955747). If you’re looking for a respectable, for the listener undemanding, arrangement of the well-known English folk song Scarborough Fair, then this version may not be for you. Scarborough Affair is a refreshing new take on the original: The familiar melody is never heard in its entirety, there are jazzy harmonies and jazzy syncopations, 5/8 and 7/8 measures, and the arrangement isn’t even in the 3/4 time of the original song. When a 3/4 section does finally appear, featuring a solo for your cor anglais player, the listener gets to hear a variation on the well-known tune.This arrangement is the chamber orchestra edition of the original arrangement I wrote for a wind ensemble and has parts for the following instruments:3 flutes (3rd flute doubling piccolo)2 oboesCor anglais2 Bb clarinets2 bassoonsTrumpet (C and Bb parts included)TromboneHarpsichord doubling pianoStringsYour horn and percussion players can take a break and you may wish to reduce the number of strings.
$26.99
24.35 €
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Orchestre de chambre
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Phil Thrift
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Phil Thrift
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Scarborough Affair
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Phil Thrift
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SheetMusicPlus
WAGNER: Vorspiel to 'Die Meistersingers von Nürnberg' 12 player ensemble - Parts only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1092164 Composed by Richard …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1092164 Composed by Richard Wagner. Arranged by Matthew Toogood. Classical,Opera,Patriotic,Romantic Period,Traditional. Score and parts. 49 pages. Matthew Toogood #696281. Published by Matthew Toogood (A0.1092164). Commissioned for the Swiss Richard Wagner Society for a performance in the Richard Wagner Museum (Tribschen) 2022, this chamber arrangement of Richard Wagners Vorspiel (Prelude/Overture) to his opera 'Die Meistersingers von Nürnberg' retains the original sound and intention of the full orchestra but for an ensemble of 12 players. String parts are as close as possible to the original, and can be expanded without modification to string sections of more players. Instrumentation: Flute, Oboe, 2 Clarinets in Bb, Bassoon, 2 Horns, Strings (V1, V2, Vla, Vc, DB) Parts only - score sold separately Each part is designed to be printed on a double sided A3 sheet of paper, then folded to create a booklet part of up to 4 pages. (*note exception Viola, which is adapted to help manage page turns). ALSO AVAILABLE is a 13 player ensemble, with modifications to include a Trumpet and therefore be the same ensemble as Wagner's original Siegfried Idyll.
$50.00
45.1 €
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Orchestre de chambre
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Richard Wagner
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Matthew Toogood
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WAGNER: Vorspiel to 'Die Meistersingers von Nürnberg' 12 player ensemble - Parts only
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Matthew Toogood
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SheetMusicPlus
7 Fragments for Pierrot Ensemble
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1016966 Composed by Per Chri…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1016966 Composed by Per Christian Arnesen. 20th Century,Contemporary. Score and parts. 56 pages. Per Christian Arnesen #5994499. Published by Per Christian Arnesen (A0.1016966). Seven Fragments were composed in 1995 – 1996, and had its first performance the fall same year, at the famous Aula in Oslo University, Norway. Seven Fragments were then described as Psychedelic Doll Theater Music. The fragments was first written for piano, clarinet, double bass and one percussion player (vibraphone, triangle, chimes and five roto-toms, or octobans if toms are not available), and was rearranged in 2016 for Pierrot Ensemble, for recording by musicians of Brno Philharmonic Orchestra, and released on ABLAZE Records, Pierrot Ensemble Series vol. 1 in 2017.
$19.99
18.03 €
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Orchestre de chambre
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Per Christian Arnesen
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7 Fragments for Pierrot Ensemble
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Per Christian Arnesen
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SheetMusicPlus
Story No. 2, for narrator and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944028 Composed by Music by Ofer Ben-A…
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Chamber Orchestra - Digital Download SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's Own Press #4605319. Published by The Composer's Own Press (A0.944028). COMPOSER’S NOTE: Story Nr. 2 for chamber ensemble and a narrator, was written as a commission for the 1983 Children's Music Festival in St. Omer, France. Since its inception, the work has been widely performed in French, German and English. The narrative of Story Nr. 2 is a little known children's story by the great French author and playwright Eugene Ionesco (1912 – 1994). The story is about play on words. Little Josette has a conversation with her father who teaches her the new meaning of words: A Telephone is called Cheese, a Cheese is a Music Box, the Music Box is called a Rug and so on. The meanings become funnier and stranger ad absurdum. Then Josette and her father combine the words into sentences and practice the new mismatched names and objects. The characters participating in the story beside of Josette and her father are Josette's pretty mother and the maid Jacqueline. Each of the characters has its own musical theme and color represented by distinguished instrumentation: Jossette's theme is played by the flute, the father is represented by the trumpet and trombone, the pretty mother by the oboe and Jacqueline by the xylophone and piano. The new orchestral version which includes the string section was written in 1990. Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
32.47 €
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Orchestre de chambre
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Music by Ofer Ben-Amots, Story by Eugene Ionesco
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Story No. 2, for narrator and chamber orchestra
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The Composer's Own Press
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SheetMusicPlus
Metamorphosis
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1097212 Composed by Daniel B…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1097212 Composed by Daniel Burwasser. Classical,Contemporary. Score and Parts. 140 pages. Head and Stem #701166. Published by Head and Stem (A0.1097212). The composition of Metamorphosis for chamber orchestra began in the Fall of 1985 and was completed in February of 1986 when the composer was just 26. This score represents a newly revised edition done in 2022. Every effort was made to maintain the original intention of the piece. Metamorphosis is a work that conveys the essence of transformation and change. It explores the emotional and sonic journey of a metamorphic process, capturing the stages of evolution, growth, and eventual emergence. Metamorphosis represents a brief early period in the composer’s output where a more dissonant harmonic language was used or where the tonality becomes more ambiguous. The composition begins with a sense of anticipation, using subtle and mysterious musical elements to represent the initial state before transformation. In the opening bars for instance, one hears a suggestion of the Scriabin “mystic†chord which also loosely serves as the basis of the piece.. A brief hat-tipping moment is where a few bars of the Ravel string quartet is paraphrased (listen for it!). The work then travels through various cycles and episodes and only hints at the chord along the way. For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$60.00
54.12 €
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Orchestre de chambre
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Daniel Burwasser
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Metamorphosis
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Head and Stem
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SheetMusicPlus
Balloon Ride
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.923339 Composed by James Ale…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Published by James A. Pavlic (A0.923339). Are you ready for an exhilarating ride through the wild blue yonder and beyond? If the answer is yes, then look no further: Balloon Ride! It's lively melodies, lush string beds, and mesmerizing harmonies will keep you thoroughly engaged. As you are preparing for your journey, the escalating strings propel you forward and raise you up in the sky. Soon following, the wind gently keeps you afloat as the slight gusts (invoked by the escalating winds) push you forward and higher. Eventually, you hit a tornado (sporadic harmony changes) and snowstorm as you fighting for your life. Eventually, the sailing gets easier as you soon approach clear skies; and, the anticipation keeps rising as you eventually reach the home stretch. Would work great as an opening or closing to a concert. For performance, some sections may need to be slowed down maybe to make it less taxing on players. The key is momentum and minimal hand motion possibly for string parts. Scored for chamber orchestra. MP3 sample is included for your listening pleasure.
$18.99
17.13 €
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Orchestre de chambre
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James Alexander Pavlic
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Balloon Ride
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James A. Pavlic
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.71 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
Dreams - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Gue…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
144.32 €
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Orchestre de chambre
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
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