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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
There Is A Ship
Non classifié
668
Piano & claviers
Piano seul
440
Piano, Voix
190
Orgue
80
Instruments en Do
63
Piano Facile
54
Piano, Voix et Guitare
51
Accompagnement Piano
45
Piano grosses notes
17
Piano Trio: piano, violon, violoncelle
17
1 Piano, 4 mains
7
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavier
1
Orgue, Trompette (duo)
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
16
Guitare
12
Guitare notes et tablatures
8
Paroles et Accords
3
Piano, Guitare (duo)
2
Basse electrique
1
2 Guitares (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
279
Chorale 2 parties
86
Chorale 3 parties
63
Chorale Unison
59
Voix duo, Piano
51
Chorale TTBB
15
Chorale SSAA
7
Voix duo
6
Voix moyenne, Piano
4
Chorale
2
Voix haute
2
Voix Mezzo-Soprano, Piano
1
Voix Soprano, Piano
1
Voix Tenor, Piano
1
Chorale SSATTB
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
185
Saxophone, Clarinette (duo)
104
2 Clarinettes (duo)
95
Clarinette, Violon (duo)
77
2 Flûtes traversières (duo)
74
Clarinette, Trompette (duo)
66
Flûte traversière et Piano
59
Clarinette et Piano
59
Hautbois, Piano (duo)
47
Clarinette et Alto
41
Saxophone Alto et Piano
40
Flûte, Clarinette (duo)
38
2 Hautbois (duo)
37
Saxophone Tenor et Piano
35
Hautbois, Basson (duo)
35
Hautbois, Clarinette (duo)
33
Flûte, Alto (duo)
33
Flûte, Saxophone (duo)
32
Flûte, Violon
31
Flûte, Trompette (duo)
28
Hautbois, Flûte
25
Flûte traversière
24
Cor anglais, Piano
24
Saxophone Baryton, Piano
23
Saxophone Soprano et Piano
20
Quatuor de Clarinettes: 4 clarinettes
12
Flûte irlandaise
11
Clarinette Basse, Piano
10
Flûte, Hautbois, Clarinette, Basson
8
Clarinette
8
Ensemble de Flûtes
7
Quatuor de Flûtes : 4 flûtes
7
Flûte à bec Soprano, Piano
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Flûte à bec Alto, Piano
5
Quatuor de Saxophones: 4 saxophones
4
Ensemble de Clarinettes
3
Saxophone Alto
3
Flûte, Clarinette et Basson
2
Saxophone Tenor
2
Flûte, Harpe et Violoncelle
2
Hautbois (partie séparée)
2
Quintette de Saxophone: 5 saxophones
2
Clarinette, Basson (duo)
2
Flûte, Clarinette, Piano (trio)
2
3 Clarinettes (trio)
2
2 Flûtes traversières, Piano
2
Flûte, Alto et Piano
2
Flûte à bec Soprano
2
Hautbois
2
Piccolo, Piano
1
2 Clarinettes, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Guitare
1
Flûte, trombone et piano
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violoncelle
1
3 Saxophones (trio)
1
Flûte, Basson et Piano
1
2 Flûtes traversières, Harpe
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte et Guitare
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à Bec
1
2 Saxophones, Piano
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon, Piano
1
Quatuor de Flûtes à bec
1
Ensemble de saxophones
1
Clarinette, Violoncelle, Piano (trio)
1
+ 67 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
73
Trombone et Piano
54
Trompette, Trombone (duo)
37
2 Trombones (duo)
34
2 Trompettes (duo)
32
Cor anglais, Piano
24
Trompette, Piano
21
Trompette
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Euphonium, Piano (duo)
16
Quatuor de Cuivres
16
Cor et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trombone
7
Tuba
7
Tuba et Piano
6
2 Cors (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Cor
2
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 4 cors
2
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Violon (duo)
1
+ 20 instrumentations
Retracter
Cordes
Violon et Piano
78
Harpe
64
Violoncelle, Piano
53
Violon, Violoncelle (duo)
44
2 Violons (duo)
42
Alto, Piano
42
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon, Alto (duo)
41
2 Violoncelles (duo)
37
2 Altos (duo)
36
Trio à Cordes: violon, alto, violoncelle
15
Violon
12
Harpe, Violon (duo)
11
Trio à Cordes: 2 violons, violoncelle
9
2 Harpes (duo)
8
Violoncelle
6
Alto seul
6
Contrebasse, Piano (duo)
5
Harpe, Voix
5
2 Violons, Piano
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Piano Trio: Violon, Alto, Piano
3
Alto, Violoncelle (duo)
2
Contre Basse
2
Violoncelle , Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
Alto (partie séparée)
1
Trio à cordes: 3 violins
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
78
Cloches
57
Orchestre
28
Orchestre à Cordes
21
Ensemble de cuivres
12
Jazz combo
7
Orchestre de chambre
7
Ensemble Jazz
3
Ensemble de Percussions
2
Fanfare
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
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difficulté (tous)
débutant
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expert
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Vous avez sélectionné:
There Is A Ship
Orchestre de chambre
Partitions à imprimer
7 partitions trouvées
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1
I Saw Thee Ships for String Quartet (or Mixed Quartet or Piano Quintet)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional
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Daniel Kelley
#
Cello, Piano Quartet &
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I Saw Thee Ships for String Qu
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Last Resort Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.530721 Composed by Traditional. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 19 pages....
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Chamber Orchestra - Level 4 - SKU: A0.530721 Composed by Traditional. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 19 pages. Last Resort Music Publishing #4887799. Published by Last Resort Music Publishing (A0.530721). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$9.95
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
#
Contemporain
#
Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Colours of Day (for beginner strings)
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Orchestre de chambre
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DÉBUTANT
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Musique Sacrée
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trad
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P
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Colours of Day
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Pamela Moutoussi
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.847045 Composed by trad. Christian. Arranged by P.J.M. Children,Christian,Praise & Worship,Standards. Score and pa...
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Chamber Orchestra - Level 1 - SKU: A0.847045 Composed by trad. Christian. Arranged by P.J.M. Children,Christian,Praise & Worship,Standards. Score and parts. 18 pages. Pamela Moutoussi #4323171. Published by Pamela Moutoussi (A0.847045). The very easiest starter piece for full strings, this suits children who have been playing from just a few weeks to about 2 years. Ideal for a warm up on a beginner String Day, or when you start a group group the very first time. There is an added harp or guitar part.
$10.00
Symphony No. 8, after Beethoven's sketches, op. 80
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Adrian Gagiu
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Symphony No. 8, after Beethove
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Adrian Gagiu
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1038395 Composed by Adrian Gagiu. Classical. 451 pages. Adrian Gagiu #643336. Published by Adrian Gagiu (A0.103839...
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Chamber Orchestra - Level 4 - SKU: A0.1038395 Composed by Adrian Gagiu. Classical. 451 pages. Adrian Gagiu #643336. Published by Adrian Gagiu (A0.1038395). Throughout his career, Beethoven made dozens of concept sketches for many movements of symphonies, besides those for the completed nine compositions of that genre. In the period 1812-1816, mainly during the composition of the Seventh and Eighth Symphonies, there were three recurring such projected works in his sketchbooks, namely in D minor, E minor and E flat major respectively, and remarkably with sketches for more than one of their movements. The present symphony in late Classical style is based on those projects, making use of all their themes in a „combined†symphony in D minor and thus with peculiar tonal relationships. The incentive for this new work in the Classical idiom was in the quality and potential of some of the sketches, especially the one included now in the main theme of the slow movement. Some of the sketched material was subject to transpositions and adaptations to fit the formal outlook, and to editorial choices for the unclear pitches and durations. This publication includes the score and parts. The sketchbook sources for each passage are mentioned at the bottom of the score. Total duration: 36 min. Performing Rights Organization: SOCAN. The mp3 recording is the third, slow movement.
$100.00
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