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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This Is Home
Non classifié
1 121
Piano & claviers
Piano, Voix
690
Piano seul
674
Piano, Voix et Guitare
227
Piano Facile
184
Instruments en Do
104
Orgue
35
Accompagnement Piano
25
Piano Trio: piano, violon, violoncelle
23
1 Piano, 4 mains
18
Piano grosses notes
14
2 Pianos, 4 mains
7
Piano (partie séparée)
5
Clavier
4
Accordéon
3
Piano Quatuor: piano, violon, alto, violoncelle
3
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
57
Guitare
42
Ukulele
23
Ligne De Mélodie, (Paroles) et Accords
18
Guitare (partie séparée)
10
Basse electrique
8
Ukulele Baryton
5
2 Guitares (duo)
5
Dulcimer
3
Mandoline
3
Banjo
2
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Paroles et Accords
1
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
379
Chorale 3 parties
64
Chorale TTBB
56
Chorale Unison
41
Chorale SSAA
31
Chorale 2 parties
24
Voix Soprano, Piano
9
Voix duo
6
Voix seule
5
Voix duo, Piano
4
Voix Alto, Piano
3
Voix basse, Piano
2
Voix haute
2
Voix basse
1
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Voix Tenor
1
Voix Baryton, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
95
Clarinette et Piano
84
Clarinette
71
Hautbois, Piano (duo)
69
Quatuor de Saxophones: 4 saxophones
56
Saxophone Alto et Piano
53
Saxophone (partie séparée)
51
Flûte traversière
49
2 Flûtes traversières (duo)
45
Flûte, Hautbois, Clarinette, Basson
43
Quatuor de Clarinettes: 4 clarinettes
32
Saxophone Alto
30
2 Clarinettes (duo)
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Hautbois (partie séparée)
30
Quintette de Saxophone: 5 saxophones
29
Hautbois
27
Saxophone Tenor et Piano
27
Flûte, Clarinette (duo)
26
2 Saxophones (duo)
24
Ensemble de Flûtes
21
3 Clarinettes (trio)
20
Quatuor de Flûtes : 4 flûtes
19
Flûte, Violon
18
Saxophone Baryton, Piano
17
Saxophone Tenor
16
Ensemble de Clarinettes
15
Saxophone Soprano et Piano
13
3 Saxophones (trio)
12
Cor anglais, Piano
12
Ensemble de saxophones
11
Clarinette Basse, Piano
11
2 Flûte à bec (duo)
9
Flûte, Hautbois, Clarinette (trio)
8
Saxophone, Clarinette (duo)
8
Clarinette, Violon (duo)
8
Hautbois, Clarinette (duo)
7
Hautbois, Basson (duo)
7
Flûte et Guitare
6
Trio de Flûtes: 3 flûtes
6
Quintette de Flûte : 5 flûtes
6
Hautbois, Flûte
5
Clarinette (partie séparée)
5
Clarinette, Trompette (duo)
5
Flûte, Violon, Piano
5
Flûte, Clarinette et Basson
5
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Hautbois (duo)
4
Flute (partie séparée)
4
Flûte, Violoncelle
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte à Bec
3
2 Hautbois (duo)
3
Flute, harpe et violon
3
Clarinette, Basson (duo)
3
Saxophone Soprano
3
Flûte, Basson et Piano
2
Flûte, Alto (duo)
2
Flûte, Harpe et Violoncelle
2
Flûte, Saxophone (duo)
2
Cor Anglais
2
Hautbois, Violon, Piano
2
Flûte, Hautbois, Violon
2
Clarinette, Guitare (duo)
2
Flûte, Clarinette, Violon (trio)
2
Clarinette, Harpe (duo)
2
Clarinette et Alto
2
Flûte, Clarinette, Piano (trio)
1
Saxophone Baryton
1
Cor anglais, Guitare (duo)
1
Harmonica
1
Ensemble De Flûte à bec
1
Flûte à bec Soprano, Piano
1
Saxophone et Guitare
1
Piccolo, Piano
1
Hautbois, Harpe
1
Hautbois, Violoncelle
1
Flûte à bec Alto, Basse continue
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Basson
1
Flûte à bec Soprano
1
Flûte, Alto et Piano
1
3 Flûtes à bec (trio)
1
Saxophone et Orgue
1
Saxophone et Harpe
1
2 Clarinettes, Basson
1
Flûte, Trompette (duo)
1
Quatuor de Flûtes à bec
1
2 Flûtes traversières, Piano
1
+ 84 instrumentations
Retracter
Cuivres
Trombone et Piano
62
Cor et Piano
55
Quatuor de Cuivres : 2 trompettes, trombone, tuba
50
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
50
Tuba
45
Trompette, Piano
44
Trombone
36
Cor
35
Trombone (partie séparée)
33
Trompette
32
Trompette (partie séparée)
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Euphonium, Piano (duo)
16
Quatuor de Cuivres
14
Ensemble de Trombones
12
Cor anglais, Piano
12
Tuba et Piano
12
2 Trombones (duo)
11
Euphonium
8
Trompette, Saxophone (duo)
8
Ensemble de Trompettes
8
Cor (partie séparée)
7
Quatuor de cuivres: 4 trombones
7
2 Trompettes (duo)
6
Tuba (partie séparée)
6
Trompette, Trombone (duo)
5
3 Trombones (trio)
4
Cor Anglais
2
2 Euphoniums et 2 Tubas
2
Cor anglais, Guitare (duo)
1
Cor, Tuba (duo)
1
2 Cors (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Harpe
1
Trompette, Trombone, Piano
1
Ensemble de Cors
1
Trio de Cuivres
1
Trombone, Orgue
1
Tuba et Orgue
1
Trombone basse et Piano
1
Cor et Basson (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
Cornet et orchestre
1
+ 41 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
204
Violon, Violoncelle (duo)
127
Violon et Piano
104
Violoncelle
99
Violoncelle, Piano
98
Violon
93
Trio à Cordes: 2 violons, violoncelle
73
Alto, Piano
69
Harpe
48
Trio à Cordes: violon, alto, violoncelle
42
Violon, Alto (duo)
40
2 Violoncelles (duo)
38
2 Violons (duo)
38
Alto seul
33
Contrebasse, Piano (duo)
25
Contre Basse
21
Alto, Violoncelle (duo)
19
Alto (partie séparée)
18
Violon (partie séparée)
13
Violon, Basson (duo)
11
2 Altos (duo)
9
2 Harpes (duo)
8
Contrebasse (partie séparée)
7
Trio à cordes: 3 violins
7
Trio à cordes
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Ensemble de Violons
5
2 Contrebasses (duo)
4
Violon, Guitare (duo)
4
Harpe, Flûte (duo)
3
Trio à Cordes: 2 violons, alto
3
Ensemble d'Altos
3
Violoncelle (partie séparée)
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Violon, Violoncelle
2
Trio à cordes: 3 altos
2
Trio à Cordes: 3 violoncelles
2
Autoharp
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
2 Violons, Piano
1
4 Violoncelles
1
Alto et Harpe
1
Quatuor à cordes : 4 altos
1
Harpe, Violon (duo)
1
Harpe, Voix
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
+ 43 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
376
Orchestre à Cordes
109
Orchestre
76
Ensemble Jazz
43
Ensemble de cuivres
39
Cloches
29
Batterie
28
Orchestre de chambre
15
Jazz combo
13
Fanfare
12
Ensemble de Percussions
8
Batterie (partie séparée)
5
Percussion (partie séparée)
4
Xylophone, Piano
3
Marimba
2
Xylophone
1
Percussion
1
2 Marimbas
1
+ 13 instrumentations
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COR ANGLAIS
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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FLUTE TRAVERSI…
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Vous avez sélectionné:
This Is Home
Orchestre de chambre
Partitions à imprimer
15 partitions trouvées
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1
Fantasy for Flute and Strings
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Orchestre de chambre
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AVANCÉ
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee ...
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Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
ALES STENAR, suite for violin and chamber orchestra - Score Only
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Orchestre de chambre
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AVANCÉ
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Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin
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Stefano Olcese
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,R...
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Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts...
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Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
Last Door of Light
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Orchestre de chambre
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Sir Peter Maxwell Davies
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Last Door of Light
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Schott Music - Digital
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SheetMusicPlus
1.2.0.2-2.2.0.0-timp-str(7.6.5.4.3) chamber orchestra - SKU: S9.Q19150 For chamber orchestra. Composed by Sir Peter Maxwell Davies. This edition:...
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1.2.0.2-2.2.0.0-timp-str(7.6.5.4.3) chamber orchestra - SKU: S9.Q19150 For chamber orchestra. Composed by Sir Peter Maxwell Davies. This edition: study score. Music Of Our Time. Downloadable, Study score. Op. 293. Duration 20 minutes. Schott Music - Digital #Q19150. Published by Schott Music - Digital (S9.Q19150). Peter Maxwell Davies was thinking of individual and communal vulnerability when composing this piece, especially in relation to the problem of climate change and his home in the Orkney Islands, which is under threat from rising sea levels. However, this theme is not a completely negative one: Davies claims we must all enter the last door of light but the journey is full of light and joy. The melody at the start of the work, which Davies composed in the ‘70’s and never used, could be an Island folk melody and is subject to constant transformation throughout the piece before reaching apotheosis at the end.
$21.99
Triple Concerto
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Orchestre de chambre
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AVANCÉ
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Olli Mustonen
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Triple Concerto
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Schott Music - Digital
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SheetMusicPlus
2 Ob. - Pk. (auch Trgl.) - Str. 3 violins and chamber orchestra - difficult - SKU: S9.Q6420 Composed by Olli Mustonen. This edition: piano reduction wit...
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2 Ob. - Pk. (auch Trgl.) - Str. 3 violins and chamber orchestra - difficult - SKU: S9.Q6420 Composed by Olli Mustonen. This edition: piano reduction with solo parts. Violin Library. Downloadable, Piano reduction with solo parts. Duration 17 minutes. Schott Music - Digital #Q6420. Published by Schott Music - Digital (S9.Q6420). Mustonen is one of the composing piano virtuosos of the young generation. What is remarkable in his works is that he does not give priority to 'his instrument'. He has composed pieces for strings, sonatas with piano accompaniment, orchestral works and even a piece for guitar which refers to the history of his home country Finland. In his 'Triple Concerto', the three highly virtuoso solo violins compete with a colourfully orchestrated string orchestra. As a special feature, timpani and triangle are used in an effective and sophisticated way. We now publish the piano score of this frequently performed work. Even this chamber music version reveals the spirited and simply beautiful music of Mustonen.
$40.99
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (9x12)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jamey Aston
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Far and Away: Concerto for Obo
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Montana Knites Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Knites Publishing #...
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Chamber Orchestra - Level 4 - SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Knites Publishing #5802253. Published by Montana Knites Publishing (A0.1025353). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 9 x 12 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (8 1/2 x 11)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jamey Aston
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Far and Away: Concerto for Obo
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Montana Knites Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1025352 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 82 pages. Montana Knites Publishing #...
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Chamber Orchestra - Level 4 - SKU: A0.1025352 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 82 pages. Montana Knites Publishing #5294211. Published by Montana Knites Publishing (A0.1025352). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 8 1/2 x 11 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95
MY DEAR PARENTS
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Orchestre de chambre
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INTERMÉDIAIRE
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Do Kien Cuong
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MY DEAR PARENTS
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Do Kien Cuong
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1024504 Composed by Do Kien Cuong. Holiday,World. Score and parts. 23 pages. Do Kien Cuong #3394943. Published by ...
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Chamber Orchestra - Level 3 - SKU: A0.1024504 Composed by Do Kien Cuong. Holiday,World. Score and parts. 23 pages. Do Kien Cuong #3394943. Published by Do Kien Cuong (A0.1024504). I composed this composition MY DEAR PARENTS when I was far away from home for continuing my study at Brooklyn College - Conservatory of Music. The composition, is a letter to MY DEAR PARENTS, contains my emotions toward my parents.The duration is about 4 minutes.I think on the time of Mother's Day and Father's Day and Holidays can be a good reason to play this composition.The pdf file includes a full score and all parts.
$10.00
Prayer for Burma - SCORE
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Prayer for Burma - SCORE
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Stuart Brown Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.835413 Composed by Stuart Brown. Contemporary,Multicultural,World. Score and parts. 56 pages. Stuart Brown Music #...
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Chamber Orchestra - Level 4 - SKU: A0.835413 Composed by Stuart Brown. Contemporary,Multicultural,World. Score and parts. 56 pages. Stuart Brown Music #1285. Published by Stuart Brown Music (A0.835413). Contact the composer at themusicman55@gmail.com Performing rights apply in the United Kingdom (PRS for Music) and the United States of America Find us on Facebook (SB Vision Music: home of musician / composer / arranger Stuart Brown) Prayer for Burma is an orchestral tone poem in five sections, total duration 13 minutes. It was composed in 2010 for Christian Solidarity Worldwide, in support of the organisation's human rights work in Burma (Myanmar). 90% of all profits from this work are donated to Christian Solidarity Worldwide. The full score and sets of parts are available from sheetmusicplus.com The composer is available to assist in rehearsing the work or to conduct performances in Europe, the USA and Canada. A recording of the work is available from most major online stores (Amazon recommended).
$14.00
Dust On The Apron
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Orchestre de chambre
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Andy Fielman
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Dust On The Apron
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Gisela August Publishing
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1022718 Composed by Andy Fielman. 20th Century,Contemporary. Score and parts. 36 pages. Gisela August Publishing #3002969. P...
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Chamber Orchestra - SKU: A0.1022718 Composed by Andy Fielman. 20th Century,Contemporary. Score and parts. 36 pages. Gisela August Publishing #3002969. Published by Gisela August Publishing (A0.1022718). Inspired by a trip to the local pizzeria, this easily could have been called Flour On The Apron. The word Dust, though, makes it suitable for not only aficionados of fine dining, but the tenders of home, hearth, garden, and workshop as well. Ah, heck, it’s suitable for anyone and everyone. Dust On The Apron is a picturesque and fun little piece written in a 20th Century style. It clocks in at 3:25. Andy Fielman is a member of ASCAP
$22.95
H3
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Orchestre de chambre
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INTERMÉDIAIRE
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Lee Johnson
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Lee Johnson
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H3
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1147707 By Lee Johnson. By John Bacchus Dykes. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary. Score a...
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Chamber Orchestra - Level 3 - SKU: A0.1147707 By Lee Johnson. By John Bacchus Dykes. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary. Score and Parts. 27 pages. Lee Johnson Music #747925. Published by Lee Johnson Music (A0.1147707). H3 is a modern and freshly reimagined, Holy Holy Holy. This highly appealing work for both the audience and the orchestral performer is equally at home on the Americana concert stage as well as for use on a religious or civic program.
$10.00
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
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Orchestre de chambre
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DÉBUTANT
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YO
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
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Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909423. Published by Suomi Music (A0.1320978). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLOSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER CELLO STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellowmusicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
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Orchestre de chambre
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DÉBUTANT
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YO
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
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Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909421. Published by Suomi Music (A0.1320976). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASSSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER DOUBLE BASS STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
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