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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This Old Man March
Non classifié
146
Piano & claviers
Piano seul
61
Piano, Voix et Guitare
14
Piano, Voix
10
Piano Facile
9
Instruments en Do
5
Orgue
5
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
2
Accordéon
1
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3
Banjo
2
Guitare
2
Voix
Chorale SATB
13
Chorale 3 parties
7
Chorale 2 parties
3
Voix duo, Piano
2
Chorale Unison
2
Voix Soprano, Piano
1
Chorale TTBB
1
Chorale SSAA
1
Voix moyenne, Piano
1
+ 4 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Flûte, Hautbois, Clarinette, Basson
16
Quatuor de Saxophones: 4 saxophones
14
Flûte traversière et Piano
13
2 Saxophones (duo)
10
Hautbois, Piano (duo)
8
Clarinette et Piano
8
Quintette de Saxophone: 5 saxophones
7
2 Clarinettes (duo)
7
Saxophone Alto et Piano
6
2 Flûtes traversières (duo)
5
Saxophone Soprano et Piano
5
Saxophone Tenor et Piano
4
Quatuor de Clarinettes: 4 clarinettes
3
Quatuor de Flûtes à bec
3
Quintette de Clarinettes: 5 clarinettes
3
Quatuor de Flûtes : 4 flûtes
3
2 Hautbois (duo)
3
Saxophone Tenor
2
Clarinette
2
Saxophone Baryton, Piano
2
Flûte traversière
2
Saxophone Alto
2
Flûte, Hautbois (duo)
1
Cor anglais, Piano
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Basson (duo)
1
Ensemble de Flûtes
1
Hautbois, Flûte
1
2 Flûte à bec (duo)
1
Clarinette, Violon (duo)
1
Hautbois, Basson (duo)
1
Flute, harpe et violon
1
Flûte, Clarinette (duo)
1
Ensemble de Clarinettes
1
Clarinette Basse, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone, Clarinette (duo)
1
Saxophone (partie séparée)
1
5 Flûtes à bec
1
Hautbois, Violoncelle
1
Flûte, Violon
1
+ 39 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette, Piano
11
Trombone et Piano
6
Ensemble de Trombones
5
2 Trompettes (duo)
4
Cor et Piano
4
2 Cors (duo)
4
Quatuor de cuivres: 4 trombones
4
2 Trombones (duo)
4
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums (duo)
2
Trompette
2
Trombone
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor, Violoncelle (duo)
1
Cor anglais, Piano
1
Trompette, Trombone (duo)
1
Euphonium, Piano (duo)
1
Tuba et Piano
1
Trompette, Violoncelle (duo)
1
Trompette, Basson (duo)
1
Cor et Basson (duo)
1
Ensemble de Trompettes
1
2 Tubas (duo)
1
Tuba
1
Quatuor de Cuivres
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon et Piano
12
2 Violons (duo)
6
Violon
6
Violoncelle, Piano
6
Alto, Piano
5
Violon, Alto (duo)
4
Violoncelle
3
Violon, Violoncelle (duo)
3
Harpe
3
Quatuor à cordes : 4 altos
3
2 Harpes (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Contrebasse, Piano (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Basson (duo)
1
2 Violoncelles (duo)
1
Alto et Basson
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
2 Altos (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
118
Fanfare
48
Ensemble de cuivres
15
Orchestre
9
Orchestre à Cordes
8
Orchestre de chambre
8
Cloches
3
+ 2 instrumentations
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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UKULELE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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METHODE : TECHNIQUES
NOËL
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
This Old Man March
Orchestre de chambre
Partitions à imprimer
8 partitions trouvées
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1
Soldiers' March
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Robert Schumann
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Christopher Kalstad
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Soldiers' March
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Christopher Kalstad
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1466526 Composed by Robert Schumann. Arranged by Christopher Kalstad. 19th Century,Children,Classical,Romantic Per...
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Chamber Orchestra - Level 3 - SKU: A0.1466526 Composed by Robert Schumann. Arranged by Christopher Kalstad. 19th Century,Children,Classical,Romantic Period. 35 pages. Christopher Kalstad #1045095. Published by Christopher Kalstad (A0.1466526). Soldiers' March from Schumann's beloved piano work Album for the Young is now arranged for chamber orchestra. The composer's musical charm is on full display in this attractive light piece - perfect as an encore!
$11.99
Marches of the Wooden Soldiers (Chamber Orchestra)
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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Christopher Kalstad
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Marches of the Wooden Soldiers
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Christopher Kalstad
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1405366 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Holiday,Roma...
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Chamber Orchestra - Level 3 - SKU: A0.1405366 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Holiday,Romantic Period. 34 pages. Christopher Kalstad #988421. Published by Christopher Kalstad (A0.1405366). Marches of the Wooden Soldiers from Tchaikovsky's Album for the Young is now arranged for chamber orchestra. Tchaikovsky's melodic gift and musical charm are fully on display in this attractive light piece - perfect as a chamber orchestra encore!
$11.99
Marches of the Wooden Soldiers (Chamber Orchestra) - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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Christopher Kalstad
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Marches of the Wooden Soldiers
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Christopher Kalstad
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1406009 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Romantic Per...
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Chamber Orchestra - Level 3 - SKU: A0.1406009 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Romantic Period. 8 pages. Christopher Kalstad #989060. Published by Christopher Kalstad (A0.1406009). Marches of the Wooden Soldiers from Tchaikovsky's Album for the Young is now arranged for chamber orchestra. Tchaikovsky's melodic gift and musical charm are fully on display in this attractive light piece - perfect as a chamber orchestra encore! (Score only).
$3.99
Wedding March (Mendelssohn) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Various
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Dico
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Wedding March
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Dico Ferreira
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.509103 By Various. By Felix Bartholdy Mendelssohn. Arranged by Dico. Romantic Period,Wedding. Score and parts. 60 ...
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Chamber Orchestra - Level 4 - SKU: A0.509103 By Various. By Felix Bartholdy Mendelssohn. Arranged by Dico. Romantic Period,Wedding. Score and parts. 60 pages. Dico Ferreira #120198. Published by Dico Ferreira (A0.509103). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.WEDDING MARCH (for reduced orchestra) - this arrangement goes beyond the traditional excerpt but contains an indication of an alternate ending for purposes of timing with the bride's arrival at the altar.INSTRUMENTATION:Flute | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 | Percussion | Piano | Strings (-Viola)
$25.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...
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Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
The Saints' Hallelujah
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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The Canadian Brass
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Stephen Rumbold
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The Saints' Hallelujah
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Stephen J Rumbold
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.941242 By The Canadian Brass. By Luther Jr. Henderson. Arranged by Stephen Rumbold. Contemporary. Score and parts....
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Chamber Orchestra - Level 4 - SKU: A0.941242 By The Canadian Brass. By Luther Jr. Henderson. Arranged by Stephen Rumbold. Contemporary. Score and parts. 54 pages. Stephen J Rumbold #6413583. Published by Stephen J Rumbold (A0.941242). This is an adaptation of The Canadian Brass's famous arrangement for Horn Octet or Horn Choir with parts for optional bass guitar/tuba and drum set. Legend has it that their arranger, Luther Henderson, originally created it for a Royal Command Performance before Queen Elizabeth. In the preparation for the performance, The Canadian Brass was given a list of some of the Queen's favorite musical titles, and both When The Saints Go Marching in and Handel's Hallelujah Chorus were on that list - and the rest is history! The arrangement has parts for optional tuba/bass guitar and drum set, but plays well with just Horn Octet or Horn Choir. And, a tip 'o the hat to Herr Strauss for lending us a lustige streiche at measure 65. Chord symbols are included in some of the parts for those who might want to play some Dixie-style improvisation.
$15.00
The Hobby-Horse (Chamber Orchestra)
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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Christopher Kalstad
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The Hobby-Horse
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Christopher Kalstad
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1411210 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Romantic Per...
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Chamber Orchestra - Level 3 - SKU: A0.1411210 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Romantic Period. 34 pages. Christopher Kalstad #993539. Published by Christopher Kalstad (A0.1411210). The Hobby-Horse from Tchaikovsky's Album for the Young is now arranged for chamber orchestra. Tchaikovsky's musical charm is on full display in this kinetic scherzo-like piece - perfect as a chamber orchestra encore or as a pairing with Kalstad's other orchestrations of Tchaikovsky's enduring piano gems. Marches of the Wooden Soldiers (Chamber Orchestra) by Peter Ilyich Tchaikovsky - Chamber Orchestra - Digital Sheet Music | Sheet Music PlusMorning Prayer (Chamber Orchestra) by Peter Ilyich Tchaikovsky - Chamber Orchestra - Digital Sheet Music | Sheet Music Plus
$11.99
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This Old Man March
