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465
Piano seul
271
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101
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97
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56
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36
Accompagnement Piano
11
1 Piano, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Trio: piano, violon, violoncelle
7
Piano grosses notes
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Piano Quatuor: piano, 2 violons, violoncelle
4
Piano (partie séparée)
2
2 Pianos, 4 mains
2
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon, Voix
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2 Pianos, 8 mains
1
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GUITARES
Guitare
29
Guitare notes et tablatures
19
Piano, Guitare (duo)
13
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9
Basse electrique
9
2 Guitares (duo)
8
Ukulele
6
Guitare (partie séparée)
4
3 Guitares (trio)
2
4 Guitares (Quatuor)
1
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VOIX
Chorale SATB
250
Chorale 3 parties
151
Chorale 2 parties
49
Chorale TTBB
31
Voix Alto, Piano
29
Voix Tenor
27
Chorale SSAA
26
Chorale Unison
25
Voix Soprano
23
Voix duo, Piano
13
Voix seule
10
Voix Soprano, Piano
10
Voix duo
5
Voix moyenne, Piano
4
Chorale
3
Voix haute
2
Voix Mezzo-Soprano, Piano
2
Voix basse, Piano
2
Voix Tenor, Piano
1
Chorale SSATTB
1
Chorale SSATB
1
Voix duo, Orgue
1
Chorale SATTBB A Cappella
1
Instrumentations suivantes
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VENTS
Hautbois, Piano (duo)
112
Flûte traversière et Piano
99
Clarinette
99
Quatuor de Saxophones: 4 saxophones
89
Saxophone (partie séparée)
84
Clarinette et Piano
84
Saxophone Alto et Piano
72
Flûte, Hautbois, Clarinette, Basson
70
Flûte traversière
64
Saxophone Alto
58
2 Saxophones (duo)
58
Saxophone Tenor et Piano
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
43
Hautbois (partie séparée)
41
2 Flûtes traversières (duo)
38
Quintette de Saxophone: 5 saxophones
29
2 Clarinettes (duo)
26
Saxophone Tenor
25
Quatuor de Clarinettes: 4 clarinettes
25
Saxophone Baryton, Piano
24
Hautbois
24
Saxophone Soprano et Piano
24
Saxophone, Clarinette (duo)
23
Flûte, Clarinette (duo)
20
Clarinette, Violon (duo)
16
Hautbois, Basson (duo)
16
2 Flûte à bec (duo)
15
Quatuor de Flûtes : 4 flûtes
13
3 Saxophones (trio)
13
2 Hautbois (duo)
13
3 Clarinettes (trio)
12
Hautbois, Clarinette (duo)
12
Clarinette (partie séparée)
12
Saxophone Soprano
11
Clarinette, Trompette (duo)
10
Flûte, Saxophone (duo)
8
Flûte, Trompette (duo)
8
Clarinette et Alto
8
Hautbois, Flûte
8
Saxophone Baryton
8
Ensemble de saxophones
8
Cor anglais, Piano
7
Quintette de Clarinettes: 5 clarinettes
7
Clarinette, Basson (duo)
7
Flûte à bec Soprano
7
Ensemble de Clarinettes
6
Quatuor de Flûtes à bec
5
Flûte, Clarinette et Basson
5
Trio de Flûtes: 3 flûtes
5
Flûte et Guitare
5
Flûte, Violon
5
Flûte irlandaise
4
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4
Clarinette Basse, Piano
4
Flûte à bec Alto
4
Flûte, Basson et Piano
3
Flûte, Violon, Piano
3
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3
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3
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3
5 Flûtes à bec
3
Quintette de Flûte : 5 flûtes
3
Flûte, Hautbois, Clarinette (trio)
2
Flute, harpe et violon
2
Cor Anglais
2
Saxophone et Guitare
2
Flûte, Violon et Violoncelle
2
Flute (partie séparée)
2
Flûte, Hautbois, Basson
2
Harmonica
2
Hautbois, Guitare (duo)
2
Clarinette, Basson, Piano (trio)
1
2 Flûtes à bec, Guitare
1
Flûte et Trio à cordes
1
2 Saxophones, Piano
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Violoncelle
1
Flûte, trombone et piano
1
2 Clarinettes, Piano
1
Ensemble De Flûte à bec
1
Flûte, Hautbois (duo)
1
3 Hautbois
1
Clarinette, trompette et piano
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto, Piano
1
3 Flûtes à bec (trio)
1
Flûte à Bec
1
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CUIVRES
Trompette
77
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
72
Trompette, Piano
70
Trombone et Piano
68
Cor et Piano
66
Quatuor de Cuivres : 2 trompettes, trombone, tuba
62
Cor
52
Trombone
49
Tuba et Piano
40
Tuba
38
Trompette (partie séparée)
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trombone (partie séparée)
19
2 Cors (duo)
16
Trompette, Saxophone (duo)
16
Trompette, Trombone (duo)
13
2 Trompettes (duo)
13
Quatuor de Cuivres
12
2 Trombones (duo)
10
2 Tubas (duo)
9
Cor anglais, Piano
7
Euphonium, Piano (duo)
5
3 Trombones (trio)
4
Ensemble de Trompettes
4
Cor (partie séparée)
3
Ensemble de Cors
3
Quatuor de cuivres: 4 trombones
3
Tuba (partie séparée)
3
Ensemble de Trombones
2
2 Euphoniums et 2 Tubas
2
Trompette, Cor (duo)
2
Cor Anglais
2
Trio de Cuivres
2
Instruments en Sib
2
Quatuor de cuivres: 4 cors
2
Trombone, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
3 Cors (trio)
1
Quatuor de cuivres: 4 trompettes
1
Euphonium
1
Trompette, Tuba (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
202
Violon et Piano
136
Alto, Piano
126
Violoncelle, Piano
105
Violon
53
Violon, Violoncelle (duo)
45
Contre Basse
44
Alto seul
43
Contrebasse, Piano (duo)
36
Violoncelle
34
Violoncelle (partie séparée)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
2 Violons (duo)
27
Trio à Cordes: violon, alto, violoncelle
25
Trio à Cordes: 2 violons, violoncelle
21
Harpe
21
Violon, Alto (duo)
19
2 Altos (duo)
14
Contrebasse (partie séparée)
13
Alto (partie séparée)
13
2 Violoncelles (duo)
13
Violon (partie séparée)
8
Trio à Cordes: 3 violoncelles
6
Harpe, Voix
6
4 Violoncelles
6
2 Contrebasses (duo)
6
Alto, Violoncelle (duo)
6
Piano Trio: Violon, Alto, Piano
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Trio à Cordes: 2 violons, alto
4
Trio à cordes: 3 violins
4
Alto, Guitare (duo)
3
2 Harpes (duo)
3
Violoncelle , Guitare (duo)
3
Violoncelle, Contrebasse (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 altos
2
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
2
Violon, Clarinette, Piano (trio)
2
Quatuor à cordes : 4 altos
2
2 Violons, Piano
1
Harpe, Violon, Violoncelle
1
3 Harpes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
116
Orchestre
79
Orchestre à Cordes
60
Ensemble de cuivres
33
Cloches
24
Orchestre de chambre
19
Ensemble Jazz
13
Percussion (partie séparée)
11
Ensemble de Percussions
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Batterie
6
Jazz combo
6
Marimba
4
Batterie (partie séparée)
4
Xylophone
2
Fanfare
2
Timbales (partie séparée)
2
Xylophone, Piano
1
Percussion
1
Marimba, Piano (duo)
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
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Thou Art Love
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For String Quartet and Piano: Mozart's 24th Piano Concerto, K. 491 - 2nd Movement
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882865 Composed by Wolfgang …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.882865 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 23 pages. Geoffrey Loff #2881387. Published by Geoffrey Loff (A0.882865). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
3.68 €
#
Orchestre de chambre
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arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art
#
Wolfgang Amadeus Mozart
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Geoffrey Loff
#
For String Quartet and Piano: Mozart's 24th Piano Concerto, K. 491 - 2nd Movement
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Geoffrey Loff
#
SheetMusicPlus
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 2nd Movement
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882858 Composed by Wolfgang …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.882858 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 24 pages. Geoffrey Loff #1988435. Published by Geoffrey Loff (A0.882858). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
3.68 €
#
Orchestre de chambre
#
arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art
#
Wolfgang Amadeus Mozart
#
Geoffrey Loff
#
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 2nd Movement
#
Geoffrey Loff
#
SheetMusicPlus
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 1st Movement
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882855 Composed by Wolfgang …
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882855 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 70 pages. Geoffrey Loff #1988433. Published by Geoffrey Loff (A0.882855). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
3.68 €
#
Orchestre de chambre
#
arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art
#
Wolfgang Amadeus Mozart
#
Geoffrey Loff
#
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 1st Movement
#
Geoffrey Loff
#
SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.61 €
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
9.2 €
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Orchestre de chambre
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
Be Thou My Vision
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditio…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
69.06 €
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Orchestre de chambre
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
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SheetMusicPlus
BH019REC - Recorder Quartet Songs, Book 19 (>70 pages)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921214 Composed by Carl Van …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.921214 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 120 pages. Carl Van Pevenage #4350311. Published by Carl Van Pevenage (A0.921214). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 181 Vibrant waves, tundering breakers and silent sand Chansonnette 182 Perfect chords Chansonnette 183 Who can fly without a friend Chansonnette 184 A little smile is the power to all Chansonnette 185 MotherhoodChansonnette 186 Get up and danceChansonnette 187 Pop song: Writing LoveChansonnette 188 A happy flowerChansonnette 189 Preparing for the weddingChansonnette 190 The voluntary service.
$9.95
9.16 €
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Orchestre de chambre
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Carl Van Pevenage
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BH019REC - Recorder Quartet Songs, Book 19
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Carl Van Pevenage
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SheetMusicPlus
Sonetos del amor oscuro (Set of Parts)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1028293 Composed by Josh Arm…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1028293 Composed by Josh Armenta, Federico Garcia-Lorca. Contemporary. Score and parts. 124 pages. NoteTaker Publications #3860241. Published by NoteTaker Publications (A0.1028293). I think of you all the time, and you know this without me having to say it, but silently, and between the lines, you should be able to read the love I feel for you, and the tenderness in my heart… –From the last letter of Federico Garcia-Lorca to Juan RamÃrez de Lucas, circa 1936
$80.00
73.66 €
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Orchestre de chambre
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Josh Armenta, Federico Garcia-Lorca
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Sonetos del amor oscuro
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NoteTaker Publications
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.9 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
92.08 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
The Hunt
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco E…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
9.2 €
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Orchestre de chambre
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Prayer of Saint Francis (SSAA, Chamber Strings and Bb Trumpet)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.799648 Composed by D. M. Gar…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.799648 Composed by D. M. Gardner. Christian,Contemporary,Sacred. Score and parts. 32 pages. D. M. Gardner Music #61775. Published by D. M. Gardner Music (A0.799648). ****SSAA, Piano, and Bb Trumpet version is INCLUDED with this chamber string version!****Lord, make me an instrument of Thy peacePrayer of Saint Francis features poetry attributed to 13th Century Monk, St Francis of Assisi, Italy.Though attributed to Saint Francis many centuries after his death, Saint Francis' great devotion to God is beautifully echoed in this poem, as much a work of art, as a humble prayer.This powerful setting of the Prayer of St Francis reflects a deeply intimate relationship between St Francis and the Lord, illustrating the internal conflict of God's Will versus man's. On his knees in prayer, hands folded, eyes closed, face turned away from the heavens... he asks so humbly to give what he cannot himself completely offer... The unconditional, perfect love of Christ.Prayer of Saint Francis was originally written for children's chorus, but could easily accommodate women's or boy's choir.Approx. 4 minutes in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$2.50
2.3 €
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Orchestre de chambre
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D
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Prayer of Saint Francis
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D. M. Gardner Music
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SheetMusicPlus
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.49 €
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Orchestre de chambre
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Johann Sebastian Bach and Netherlands Bach Society
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.67 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Away In A Manger
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1150288 Composed by Traditio…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1150288 Composed by Traditional. Arranged by James C. Ivy. Christmas,Holiday,Praise & Worship,Religious,Traditional. Score and Parts. 29 pages. Jim Ivy #750464. Published by Jim Ivy (A0.1150288). A charming setting of one of the most loved Christmas carols for Chamber Orchestra with optional SATB choir parts. It can also be performed without the voices or even as an audience sing-along. It is easy to play but sounds full and has enough interest to set it apart. It will surely become a tradition for your Winter and Holiday season concerts.
$35.00
32.23 €
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Orchestre de chambre
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Traditional
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James C
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Away In A Manger
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Jim Ivy
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SheetMusicPlus
Leo: The Finest Thing
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1023465 Composed by J. C. Wa…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1023465 Composed by J. C. Walters. 20th Century,Contemporary,Pop. Score and parts. 13 pages. J. C. Walters #6063541. Published by J. C. Walters (A0.1023465). Boastful Leo's have a regal sense of warmth. Though they may sometimes appear to be loud and attention-seeking, it is true that passionate love is the one thing they cannot live without! This piece explores the ham of the Zodiac - Leo. .
$2.99
2.75 €
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Orchestre de chambre
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J
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Leo: The Finest Thing
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J. C. Walters
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SheetMusicPlus
Sonetos del amor oscuro (Full Score)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1028292 Composed by Josh Arm…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1028292 Composed by Josh Armenta, Federico Garcia-Lorca. 20th Century,Contemporary. Score and parts. 94 pages. NoteTaker Publications #3860215. Published by NoteTaker Publications (A0.1028292). I think of you all the time, and you know this without me having to say it, but silently, and between the lines, you should be able to read the love I feel for you, and the tenderness in my heart… –From the last letter of Federico Garcia-Lorca to Juan RamÃrez de Lucas, circa 1936
$25.00
23.02 €
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Orchestre de chambre
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Josh Armenta, Federico Garcia-Lorca
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Sonetos del amor oscuro
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NoteTaker Publications
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SheetMusicPlus
Clear Sky Morning for strings, flute and clarinet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.850800 Composed by Shelley R…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.850800 Composed by Shelley Rink. 20th Century,Contemporary. Score and parts. 20 pages. Shelley Rink #6520539. Published by Shelley Rink (A0.850800). Clear Sky Morning for strings, flute and clarinet is an upbeat, syncopated and lush work for intermediate and up players. Opening with a catchy rhythm for violas and cellos, this sunny four minute piece bubbles over into a gorgeous and satisfying melody, full of warmth and interplay of parts. May also be performed without flute and clarinet, or as a string quartet, or string orchestra. Your players will love this optimistic piece! Premiered by the Folsom Lake College Youth Chamber Orchestra, Dr. Evgeniy Sporov, Conductor, May 4-5, 2019, Harris Center, Folsom, CA. Another original from Shelley Rink Music.
$15.99
14.72 €
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Orchestre de chambre
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Shelley Rink
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Clear Sky Morning for strings, flute and clarinet
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Shelley Rink
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SheetMusicPlus
Were You There?
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1343102 By Thomas Quigley. B…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1343102 By Thomas Quigley. By Spiritual. Arranged by Thomas Quigley. Christian,Religious. 38 pages. Thomas Quigley #928616. Published by Thomas Quigley (A0.1343102). This is a sensitively crafted version of a well-loved Spiritual. Although the style is quite simple, the arrangement is very effective. The accessible parts merge beautifully with well chosen harmonies and it is ideal for a middle grade school or college orchestra to perform, either as a concert item or as an interlude at a religious service.
$59.95
55.2 €
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Orchestre de chambre
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Thomas Quigley
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Thomas Quigley
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Were You There?
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Thomas Quigley
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SheetMusicPlus
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