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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Three Sacred Songs
Non classifié
181
Piano & claviers
Piano seul
34
Accompagnement Piano
13
Piano, Voix
9
Piano Trio: piano, violon, violoncelle
8
Piano Facile
8
Piano, Voix et Guitare
6
Orgue
4
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare
6
Guitare notes et tablatures
3
Voix
Chorale SATB
34
Chorale 3 parties
13
Chorale Unison
9
Chorale TTBB
6
Chorale 2 parties
5
Voix haute
3
Chorale SSAA
2
Voix duo, Piano
1
Chorale SSAATTBB
1
Voix duo
1
Voix Baryton, Piano
1
+ 6 instrumentations
Retracter
Vents
2 Saxophones (duo)
9
2 Flûtes traversières (duo)
5
2 Clarinettes (duo)
5
Flûte traversière et Piano
4
Hautbois, Piano (duo)
3
Saxophone, Clarinette (duo)
3
Hautbois, Basson (duo)
3
Saxophone Alto et Piano
3
Saxophone et Harpe
3
Clarinette et Piano
3
Clarinette, Harpe (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Clarinette, Violon (duo)
2
Flûte, Trompette (duo)
2
Saxophone Baryton, Piano
2
Clarinette, Basson (duo)
2
2 Hautbois (duo)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Hautbois, Harpe
2
Clarinette, Trompette (duo)
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone Tenor et Piano
2
3 Clarinettes (trio)
1
3 Saxophones (trio)
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette et Alto
1
Hautbois, Flûte
1
Trio de Flûtes: 3 flûtes
1
Clarinette
1
Flûte, Hautbois, Piano (trio)
1
Flûte à Bec
1
Flute, harpe et violon
1
Flûte traversière
1
Flûte, Saxophone (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble de Flûtes
1
Flûte, Clarinette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Cor anglais et Harpe (duo)
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
Quatuor de Flûtes à bec
1
+ 37 instrumentations
Retracter
Cuivres
Cor et Piano
3
Trombone et Piano
3
2 Cors (duo)
3
2 Trompettes (duo)
3
Tuba et Piano
2
Trompette, Harpe
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trombones
2
Euphonium, Piano (duo)
2
Trompette, Saxophone (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Cor et Harpe
2
2 Trombones (duo)
2
Quatuor de cuivres: 4 trompettes
1
Trompette, Trombone (duo)
1
3 Trompettes (trio)
1
Cor anglais et Harpe (duo)
1
Trompette, Piano
1
+ 13 instrumentations
Retracter
Cordes
Trio à Cordes: violon, alto, violoncelle
27
Trio à Cordes: 2 violons, violoncelle
25
Violon et Piano
12
Quatuor à cordes: 2 violons, alto, violoncelle
9
2 Harpes (duo)
5
Violoncelle, Piano
5
Violon, Violoncelle (duo)
5
Harpe
4
Alto, Piano
3
Harpe, Flûte (duo)
3
Violon, Alto (duo)
3
2 Violons (duo)
3
2 Violons, Piano
2
2 Violoncelles (duo)
2
2 Altos (duo)
2
Alto et Harpe
2
Harpe, Trombone (duo)
1
Trio à Cordes: 3 violoncelles
1
Harpe, Voix
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Alto (partie séparée)
1
Violon
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Cloches
7
Ensemble de cuivres
3
Orchestre de chambre
2
Orchestre à Cordes
1
Orchestre d'harmonie
1
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Instruments
ACCORDEON
ALTO
AUTRES INST…
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PARTITIONS …
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Crtitères actifs :
Three Sacred Songs
Orchestre de chambre
Partitions à imprimer
2 partitions trouvées
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Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
#
AVANCÉ
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MohammadHadi Ayanbod
#
Canticum Canticorum for Krzysz
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Rimorarte Edition
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
Be Thou My Vision
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Orchestre de chambre
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FACILE
#
Celtique/Irlandais
#
Traditional Irish Folk Tune
#
Robert Myers
#
Be Thou My Vision
#
WheatMyer Music
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pag...
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Chamber Orchestra - Level 2 - SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
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Three Sacred Songs