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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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FLUTE A BEC
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FLUTE TRAVERSI…
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
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SAXOPHONE
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expert
avec audio
avec vidéo
avec play-along
Non classifié
4547
PIANO & CLAVIERS
Piano seul
6515
Piano, Voix
3348
Piano Facile
1224
Piano, Voix et Guitare
820
Instruments en Do
232
1 Piano, 4 mains
214
Accompagnement Piano
204
Orgue
111
Piano Trio: piano, violon, violoncelle
68
Piano grosses notes
57
Accordéon
48
2 Pianos, 4 mains
28
Piano (partie séparée)
18
Piano Quatuor: piano, 2 violons, violoncelle
15
Piano Quatuor: piano, violon, alto, violoncelle
14
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavecin
3
Orgue, Piano (duo)
3
1 Piano, 6 mains
3
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
2 Accordéons
1
Ensemble de Pianos
1
Instrumentations suivantes
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GUITARES
Guitare
291
Guitare notes et tablatures
219
Ligne De Mélodie, (Paroles) et Accords
97
Basse electrique
87
2 Guitares (duo)
45
Ukulele
42
Guitare (partie séparée)
31
Paroles et Accords
15
4 Guitares (Quatuor)
14
Piano, Guitare (duo)
13
Mandoline
10
Dulcimer
9
Basse électrique (partie séparée)
7
3 Guitares (trio)
7
Banjo
6
Ensemble de guitares
5
Guitare, Violon, Violoncelle (trio)
2
Mandoline, Piano (duo)
1
2 Ukuleles
1
Mandoline, Guitare (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
1654
Chorale 3 parties
347
Chorale 2 parties
337
Chorale TTBB
157
Chorale Unison
150
Voix Tenor, Piano
110
Chorale SSAA
104
Voix Soprano, Piano
89
Voix Alto, Piano
86
Voix duo, Piano
73
Voix Baryton, Piano
73
Voix seule
64
Voix duo
43
Voix haute
14
Voix Tenor
9
Voix moyenne, Piano
4
Chorale
3
Chorale SSAB, Piano
3
Chorale SSAATTBB
2
Chorale SSATB
2
Voix basse
1
Voix basse, Piano
1
Chorale SAATB A Cappella
1
Voix Soprano
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
1017
2 Clarinettes (duo)
425
Flûte traversière et Piano
417
Saxophone, Clarinette (duo)
414
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
403
2 Flûtes traversières (duo)
397
Quatuor de Saxophones: 4 saxophones
350
Clarinette et Piano
346
Hautbois, Piano (duo)
320
Clarinette
320
Flûte traversière
292
Saxophone Alto et Piano
288
Flûte, Hautbois, Clarinette, Basson
282
Clarinette, Violon (duo)
279
Quintette de Saxophone: 5 saxophones
249
Clarinette, Trompette (duo)
246
Saxophone
238
2 Hautbois (duo)
228
Quatuor de Clarinettes: 4 clarinettes
216
Flûte, Clarinette (duo)
208
Saxophone (partie séparée)
193
Hautbois, Clarinette (duo)
186
Saxophone Tenor et Piano
179
Saxophone Alto
176
Saxophone Soprano et Piano
160
2 Flûte à bec (duo)
158
Hautbois, Basson (duo)
149
Flûte, Violon
141
Clarinette et Alto
140
Flûte, Saxophone (duo)
139
Hautbois, Flûte
130
Saxophone Tenor
126
Flûte, Alto (duo)
114
Flûte, Trompette (duo)
111
Hautbois
103
Saxophone Baryton, Piano
92
3 Saxophones (trio)
89
Hautbois (partie séparée)
87
Flûte irlandaise
78
Ensemble de Clarinettes
61
3 Clarinettes (trio)
58
Flûte à bec Soprano
52
Quintette de Clarinettes: 5 clarinettes
50
Quatuor de Flûtes : 4 flûtes
48
Cor anglais, Piano
48
Ensemble de Flûtes
45
Ensemble de saxophones
40
Trio de Flûtes: 3 flûtes
40
Flûte, Clarinette et Basson
37
Cor Anglais
36
Clarinette Basse, Piano
36
Saxophone Soprano
32
Quintette de Flûte : 5 flûtes
30
Saxophone Baryton
28
Flûte à Bec
26
Flute (partie séparée)
24
Flûte, Hautbois (duo)
24
Hautbois, Clarinette, Basson (trio d'anches)
21
Flûte et Guitare
21
Flûte, Hautbois, Clarinette (trio)
18
Quatuor de Flûtes à bec
14
Flûte, Hautbois, Basson
13
Clarinette, Basson (duo)
13
3 Flûtes à bec (trio)
13
Clarinette, Guitare (duo)
13
Clarinette, Trombone (duo)
12
Flûte, Violoncelle, Piano (trio)
10
Clarinette, Violoncelle (duo)
10
Clarinette (partie séparée)
10
Clarinette Basse
9
Flûte, Clarinette, Piano (trio)
8
Harmonica
8
2 Clarinettes, Piano
8
Flûte, Violon, Piano
8
Flûte à bec Alto, Piano
8
Flûte, Violoncelle
8
Hautbois, violon (duo)
7
Flûte à bec Tenor
6
Flûte à bec Soprano, Piano
5
Flûte, Violon et Violoncelle
5
Clarinette, Violoncelle, Piano (trio)
5
Hautbois, Violoncelle
5
2 Flûtes traversières, Piano
5
5 Flûtes à bec
5
Ensemble De Flûte à bec
4
Flûte à bec Alto
4
Flûte, Hautbois, Piano (trio)
3
Piccolo, Piano
3
Flûte à Bec, Piano
3
Hautbois, Guitare (duo)
3
Ensemble à vent
2
Flûte, Alto et Piano
2
Hautbois, Basson et Piano
2
Flûte, trombone et piano
2
Flûte traversière, Orgue (duo)
2
2 Saxophones, Piano
2
2 Hautbois, Piano
2
Cor anglais, Guitare (duo)
2
Flûte, Basson et Piano
2
Clarinette, Harpe (duo)
2
Clarinette, Contrebasse (duo)
1
4 Hautbois
1
Flûte à bec Alto, Basse continue
1
Saxophone et Orgue
1
Flûte, Clarinette, Violon (trio)
1
2 Cors Anglais Et Pianoforte
1
Saxophone et Guitare
1
Hautbois, trombone (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois et alto (duo)
1
Flûte, Trombone (duo)
1
Flûte traversière, Orchestre
1
Clarinette, Basson, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Piccolo
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, trompette et piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Alto et Piano (trio)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
470
Trompette, Saxophone (duo)
293
Trompette, Piano
290
Trompette
275
Trombone et Piano
249
Quatuor de Cuivres : 2 trompettes, trombone, tuba
246
2 Trombones (duo)
231
Cor et Piano
231
Trombone
224
2 Trompettes (duo)
220
Trompette, Trombone (duo)
200
Tuba et Piano
164
Cor
163
Tuba
142
Quatuor de Cuivres: 2 trompettes, Cor, trombone
91
Trompette (partie séparée)
85
Trombone (partie séparée)
84
2 Cors (duo)
70
Euphonium, Piano (duo)
48
Cor anglais, Piano
48
2 Tubas (duo)
46
Quatuor de Cuivres
39
Cor Anglais
36
Cor (partie séparée)
30
Ensemble de Trombones
30
Trompette, Cor (duo)
26
Quatuor de cuivres: 4 trombones
23
Euphonium
22
Tuba (partie séparée)
22
Ensemble de Trompettes
20
Trio de Cuivres
13
Tuba et Orgue
12
2 Euphoniums (duo)
10
Quatuor de cuivres: 4 cors
10
2 Euphoniums et 2 Tubas
8
3 Trompettes (trio)
7
3 Trombones (trio)
6
Ensemble de Cors
5
Trombone basse et Piano
5
Trombone, Cor (duo)
4
4 Tubas
4
Trompette, Tuba (duo)
2
Trombone, Orgue
2
Instruments en Sib
2
Trombone basse
2
Cor anglais, Guitare (duo)
2
Cor, Tuba (duo)
2
Euphonium, Tuba (duo)
2
Ensemble de Tubas
1
2 Cors Anglais Et Pianoforte
1
Trompette, Euphonium (duo)
1
2 Cors, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trompettes
1
Cor, Violoncelle et Piano
1
Cor, Violoncelle (duo)
1
3 Euphoniums
1
Cor anglais et Harpe (duo)
1
Trompette, Trombone, Piano
1
Bass Clef Instruments
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
736
Violon et Piano
475
Violon
375
Alto, Piano
373
Violon, Violoncelle (duo)
369
Violoncelle, Piano
339
2 Violons (duo)
285
Violoncelle
280
2 Violoncelles (duo)
235
2 Altos (duo)
230
Violon, Alto (duo)
229
Alto seul
203
Quintette à cordes: 2 violons, alto, violoncelle, basse
185
Trio à Cordes: violon, alto, violoncelle
177
Contrebasse, Piano (duo)
130
Contre Basse
124
Trio à Cordes: 2 violons, violoncelle
85
Harpe
78
2 Contrebasses (duo)
47
Alto (partie séparée)
28
Contrebasse (partie séparée)
22
Alto, Violoncelle (duo)
22
Trio à cordes: 3 violins
19
Quintette à cordes : 2 violons, alto et 2 violoncelles
18
Piano Trio: Violon, Alto, Piano
17
Trio à Cordes: 3 violoncelles
15
Violon (partie séparée)
15
Ensemble de Violons
13
Ensemble d'Altos
11
Trio à Cordes: 2 violons, alto
11
Harpe, Flûte (duo)
10
4 Violoncelles
9
Violon, Guitare (duo)
8
2 Harpes (duo)
7
Quatuor à cordes : 4 altos
6
Trio à cordes: 3 altos
5
Violoncelle , Guitare (duo)
5
Quatuor à cordes: 4 violons
4
2 Altos, Piano
4
2 Violons, Piano
3
Harpe, Voix
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Violoncelles, Piano
3
Violoncelle, Contrebasse (duo)
3
Violon, Basson (duo)
3
Violon, Clarinette, Piano (trio)
2
Harpe, Violon, Violoncelle
2
Violoncelle, Orchestre
2
Alto et Basson
2
4 Contrebasses
2
Flûte, Contrebasse (duo)
1
3 Harpes
1
Violon, Violoncelle, Clarinette
1
Harpe, Violon (duo)
1
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
Alto et Harpe
1
4 Harpes
1
Ensemble de Violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
815
Orchestre à Cordes
277
Orchestre
241
Ensemble Jazz
211
Batterie
189
Ensemble de cuivres
133
Fanfare
120
Orchestre de chambre
85
Cloches
66
Batterie (partie séparée)
50
Jazz combo
45
Ensemble de Percussions
31
Marimba
30
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
21
Xylophone
17
Xylophone, Piano
16
Percussion (partie séparée)
11
Vibraphone
4
Ensemble d'École
4
2 Marimbas
1
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Time Out
Orchestre de chambre
Partitions à imprimer
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Quiet Times - Solo Flugelhorn Feature for Studio Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.817154 Composed by Richard D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.817154 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Jazz,Pop. 41 pages. Charles Decker Music Press #5740917. Published by Charles Decker Music Press (A0.817154). This very accessible and moderately difficult original jazz-influenced, lush sounding ballad for studio orchestra featuring solo flugelhorn creates lasting memories for performers and audiences. New York State School Music News review: This slow ballad has an effective legato flow with remarkably colorful orchestration … a very original and playable creation. The audio file is an actual studio orchestra performance of the entire work and not a computer playback of the score. See also the piano reduction accompaniment for Quiet Times at Charles Decker Music Press. See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.
$18.95
17.17 €
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Orchestre de chambre
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Richard Decker
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Quiet Times - Solo Flugelhorn Feature for Studio Orchestra
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Charles Decker Music Press
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SheetMusicPlus
Christmas Time In Hell
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1117283 Composed by Mark Sha…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1117283 Composed by Mark Shaiman and Trey Parker. Arranged by Alan MacRae. Christmas,Comedy,Film/TV. Score and Parts. 43 pages. Alan MacRae #718865. Published by Alan MacRae (A0.1117283). Fun Christmas piece for small orchestra, from South Park. Due to frequent modulations I have chosen to arrange this in open key to make reading easier, but it is still quite tricky.
$49.99
45.28 €
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Orchestre de chambre
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Mark Shaiman and Trey Parker
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Alan MacRae
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Christmas Time In Hell
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Alan MacRae
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SheetMusicPlus
Hopewell Farmscapes from Hopewell Suite for Trumpet Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.750316 Composed by Eddie Lew…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.750316 Composed by Eddie Lewis. Folk. Score and parts. 19 pages. Tiger Music #4785795. Published by Tiger Music (A0.750316). Hopewell Farmscapes Third Movement from Hopewell Suite for Trumpet Ensemble by Eddie Lewis Hopewell Suite is a trumpet ensemble composition for four trumpets and two flugelhorns. It was composed in 2016 using inspirations Eddie Lewis collected while he was in South Africa for the jazz festival in Grahamstown, in the Eastern Cape. Hopewell is the name of the farm where Eddie and his wife stayed most of the time while they were in South Africa. The farm is owned by their brother-in-law. While Hopewell Farm was not the first farm Eddie ever visited, it is more common for him to see the farms from outside the fences. As a guest at Hopewell, Eddie had many opportunities to explore the land, accompanying his brother-in-law as he took care of the cattle. Some of this was on foot and sometimes they drove (off road) across the property in a bakkie. The scenes, the smells, the sounds, all of it calls out gladly to welcome you. If you are interested in purchasing the full suite with all seven movements, you can do so at: Sheet Music Plus: https://goo.gl/ry175L (affiliate link)
$17.79
16.12 €
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Orchestre de chambre
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Eddie Lewis
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Hopewell Farmscapes from Hopewell Suite for Trumpet Sextet
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Tiger Music
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SheetMusicPlus
Fantasy for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
36.19 €
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Orchestre de chambre
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.61 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Sinfonia #26
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1321486 Composed by Steven K…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1321486 Composed by Steven Kudlo. 20th Century,21st Century,Chamber,Classical,Contemporary. 78 pages. Steven Mark Kudlo #909948. Published by Steven Mark Kudlo (A0.1321486). A Beautiful short symphony (hear mp3 or YouTube video) for chamber orchestra: 1.1.1.1; 2.1.0.0; strings. Intermediate in skills needed. The meters are not difficult (double and triple times). About 12 minutes long. Four movements.
$7.99
7.24 €
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Orchestre de chambre
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Steven Kudlo
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2.1.0.0
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Sinfonia #26
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Steven Mark Kudlo
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SheetMusicPlus
American Patriotic Music for All, Volume 1
Orchestre de chambre
Composed by Various. Arranged by Randy Calistri-Yeh. Fourth of July, Recital, Patriotic,…
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Composed by Various. Arranged by Randy Calistri-Yeh. Fourth of July, Recital, Patriotic, Old-time, Americana. Score, Set of Parts. 468 pages. Published by Custom Chamber Music
Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has 15 minutes of music that both you and your audience are sure to love. These arrangements can be played with anywhere from 3 to 7 parts, suitable for a small chamber group, accompaniment for a choir, or a full band or orchestra (school, community, or professional). This is one of the most versatile collections you'll ever use! To demonstrate the flexibility of this collection, the audio clip has "America the Beautiful" performed as a full concert band, a string orchestra, and a woodwind trio. The songs included in Volume 1 are: The Star-Spangled Banner (US National Anthem), by John Stafford Smith. America the Beautiful, by Samuel Ward. Battle Hymn of the Republic ("Mine Eyes Have Seen the Glory"). My Country, 'Tis of Thee ("America", known as "God Save the King/Queen" in England). Stars and Stripes Forever, by John Philip Sousa. Washington Post March, by John Philip Sousa. Semper Fidelis, by John Philip Sousa. These songs are also available separately through the publisher link above. Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. This collection contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles: Brass trio, quartet, quintet, and sextet. Woodwind trio, quartet, quintet, and sextet. String trio, quartet, quintet, and sextet. Clarinet trio, quartet, quintet, and sextet. Saxophone trio, quartet, and quintet. Mixed trio, quartet, quintet, and sextet, with optional percussion. Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band. The parts are described as follows: Part 1 [D4-Ab5] is the main melody. Flute/Piccolo, Oboe, Bb Clarinet, Alto Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola. Part 2 [G3-Eb5] has some B-section melody and harmony. Bb Clarinet, Alto/Bass Clarinet, Alto Saxophone, French Horn, Bb Trumpet, Violin, Viola. Part 3 [G3-Bb4] is additional harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Baritone, Trombone, C/Bb Euphonium, Violin, Viola, Cello. Part 4 [F2-C4] is the main bass line. Bass Clarinet, Baritone/Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass. Part 5 [E2-C4] is other harmony. Bass Clarinet, Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass. Part 6 [E2-F4] is the main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass. Part 7 is an optional percussion part (snare drum, cymbal, bass drum) that can be added to any of the above combinations, or skipped entirely. We recommend the following combinations: Trio: Parts 1, 2, 4 (4 works better than 3 for trio). Quartet: Parts 1, 2, 3, 4. Quintet: Parts 1, 2, 3, 4, 5. Sextet: Parts 1, 2, 3, 4, 5, 6. Septet: Part 1, 2, 3, 4, 5, 6, 7. Be sure to also check out our three volumes of Christmas Carols for All!
$45.00
40.76 €
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Orchestre de chambre
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Various
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American Patriotic Music for All, Volume 1
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Custom Chamber Music
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SheetMusicPlus
Haydn's Clock Symphony (slow mvt) amateur orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.847041 Composed by Franz Jos…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.847041 Composed by Franz Joseph Haydn. Arranged by Pam Moutoussi. Classical,Concert,Graduation,Standards. Score and parts. 66 pages. Pamela Moutoussi #3627131. Published by Pamela Moutoussi (A0.847041). This arrangement was intended for a local Youth Orchestra, but keeps quite faithfully to the original spirit. Haydn's original parts can be added if required, as it is in the same key and time. The original oboe part is divided between the clarinets and flute. The upper bassoon part has been put on the clarinet and the trumpet changed to a Bflat instrument. The string parts are more challenging but all should be playable for an intermediate/upper intermediate group.
$17.00
15.4 €
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Orchestre de chambre
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Franz Joseph Haydn
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Pam Moutoussi
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Haydn's Clock Symphony
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Pamela Moutoussi
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SheetMusicPlus
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038961. Published by Thomas Graf - the-hit-factory.com (A0.568673). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
3.61 €
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Orchestre de chambre
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Thomas Graf
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Instrumentation:
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German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1281935 By George Frideric H…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Sacred,Wedding. Score and Parts. 43 pages. Flavio Regis Cunha #873288. Published by Flavio Regis Cunha (A0.1281935). Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)Experience the power of composition with the classic 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' composed by the masterful Georg Friedrich Händel. Brighten your church or school orchestra with the timeless beauty of this work. Professional orchestras can stand out with its unique combination of instruments and dazzling strings. Treat your audience to this masterpiece for a night that will not be forgotten. Get your sheet music today and create a moment in music history with 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' by Händel.🎵 Introducing a Musical Masterpiece: The Trumpet Shall Sound Sheet Music! 🎵Are you ready to elevate your church, school, or professional orchestra performances to new heights of grandeur? Look no further! Unveil the majestic beauty of Georg Friedrich Händel's timeless composition with our meticulously crafted sheet music for The Trumpet Shall Sound.🎶 Experience the Elegance:Imagine the resounding harmony of a Bassoon and a Trumpet in Bb, accompanied by a captivating Bass Solo, the enchanting tones of a Harpsichord, and the lush backdrop of Strings. This composition is a celebration of musical artistry that will captivate hearts and souls.🌟 Elevate Your Performance:Whether you're aiming for a heavenly church performance, an educational masterpiece at your school, or a captivating showcase by your professional orchestra, The Trumpet Shall Sound offers a perfect blend of elegance, energy, and emotion. Leave your audience in awe as you bring this iconic piece to life.🎻 Immerse in Musical History:Georg Friedrich Händel's compositions have stood the test of time, enchanting generations with their unparalleled beauty. Now, you have the opportunity to immerse yourself in this rich musical heritage and deliver a performance that resonates with every listener.📚 Our Sheet Music:With utmost care, our sheet music has been transcribed to ensure accuracy and authenticity, capturing every intricate nuance of Händel's original masterpiece. Each note, each crescendo, and each glorious moment has been preserved for you to bring to life.🔥 Stand Out with Excellence:Set your performance apart with The Trumpet Shall Sound. Let the passion of Händel's music course through your ensemble, creating a lasting impact that will be talked about for years to come.🎉 Join the Musical Journey:Bring together the majestic harmonies of Bassoon, Trumpet in Bb, Bass Solo, Harpsichord, and Strings in a symphonic experience that will leave your audience mesmerized. Elevate your church, school, or professional orchestra's performance and become part of a musical journey that transcends time.👉 Get your The Trumpet Shall Sound sheet music today and prepare to deliver a performance that echoes through the ages. Unleash the power of Händel's genius and create a musical memory that will be cherished forever.Visit our website now to get your copy and embark on a transformative musical adventure! 🎼🌠Get Your Sheet Music Now#MajesticHarmony #MusicalElegance #HändelMagic🎵 Let the trumpets sound, and let your performance resound with brilliance! 🎵Advanced Intermediate LevelFormat: Concert, 9 x 12 inches43 pages.
$18.99
17.2 €
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Orchestre de chambre
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George Frideric Handel
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Flavio Regis Cunha
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Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings
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Flavio Regis Cunha
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SheetMusicPlus
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
9.05 €
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Orchestre de chambre
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Thomas Oboe Lee
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Symphony No. 8 ... City of Light
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Thomas Oboe Lee
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SheetMusicPlus
Sinfonia #32
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1413767 Composed by Steven K…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1413767 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. 92 pages. Steven Mark Kudlo #995549. Published by Steven Mark Kudlo (A0.1413767). The small symphony contains four movements, with an instrumentation of 1,1,1,1; 2,1,0,0; strings. It's all rather romantic and contemporary at the same time. About 17 minutes long. Starts with an oboe solo.
$7.99
7.24 €
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Orchestre de chambre
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Steven Kudlo
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2,1,0,0
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Sinfonia #32
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Steven Mark Kudlo
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SheetMusicPlus
Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese B…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. Published by Musik Fabrik Music Publishing (A0.532832). This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222) Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining strings, with the support of the harpsichord, the vibraphone and other percussion. Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and the orchestra in different manners. Through this osmosis and through the tempo rubato suggested several times, by the absence of metronomic movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the infinite spirals of beauty and love, outside of space and time.. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage The orchestral parts are available from the publisher on rental.
$19.95
18.07 €
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Orchestre de chambre
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Therese Brenet
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Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Metamorphosis for solo flute, solo pedal or lever harp, and strings
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Inglis (ASCAP) #6383557. Published by Adrienne Inglis (ASCAP) (A0.953627). Celebrate women scientists!Metamorphosis (2019) by Adrienne Inglis (ASCAP) for flute, harp, and string orchestra, commissioned by Balcones Community Orchestra, celebrates the life and work of Maria Sibylla Merian (1647-1717), pioneering entomologist, naturalist, and artist.Duration 5:30 minutes.Commissioned by the Balcones Community Orchestra of Austin, Texas, Metamorphosis (2019) by Adrienne Inglis for solo flute, solo harp, and string orchestra, honors the life and work of pioneering entomologist, naturalist, and artist Maria Sibylla Merian (1647-1717). As she carefully documented in illustrated detail the life cycle of so many insects, Metamorphosis musically follows a butterfly from adult, egg, larva, pupa, and adult. The piece opens with an ostinato pattern in the strings over which the flute and harp play fluttering modal melodies. The strings and harp represent the egg stage with minimalistic layers of a single pitch. To recognize Merian’s time in Suriname and her discovery of many insect species there, a cheerful tune fashioned after traditional Arawak folk songs informs the busy larvae in the caterpillar canon. A bit of contemplative dorian polyphony laced with metamorphic machinations demonstrate the remarkable transformation of the pupa as well as Merian’s time at a devout Labadist religious commune. The butterfly emerges from the pupa with a flute/harp cadenza and then the strings underscore the adult butterfly with a return of the ostinato. The piece ends with the same ostinato as the beginning such that the piece could loop seamlessly as in a true life cycle.This performance does not include the revisions made in this version of the music: https://youtu.be/GIjQpkXl6Uc
$9.99
9.05 €
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Orchestre de chambre
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Adrienne Inglis
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Metamorphosis for solo flute, solo pedal or lever harp, and strings
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Adrienne Inglis
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SheetMusicPlus
Colours of Day (for beginner strings)
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.847045 Composed by trad. Chr…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.847045 Composed by trad. Christian. Arranged by P.J.M. Children,Christian,Praise & Worship,Standards. Score and parts. 18 pages. Pamela Moutoussi #4323171. Published by Pamela Moutoussi (A0.847045). The very easiest starter piece for full strings, this suits children who have been playing from just a few weeks to about 2 years. Ideal for a warm up on a beginner String Day, or when you start a group group the very first time. There is an added harp or guitar part.
$10.00
9.06 €
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Orchestre de chambre
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trad
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P
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Colours of Day
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Pamela Moutoussi
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.72 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.51 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
22.65 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
A Dream from the Past
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published by Arianna Cunningham (A0.1164132). A couple or a few years ago during the Pandemic, there was a Discord Server vs Server Competition going on, and one of the online virtual group communities out of all the other servers took part in a theme called Dreams. When the event started, I immediately started composing this beautiful composition, and chose the instrumentation for Uncommon Woodwinds (Alto Flute, English Horn, and Sopranino Sax), Strings, Harp, and Crotales. However, my submission entry didn't make it to the final Dreams EP as expected. But the admins of the online orchestra group told me that I can still host it as a community project, and it just so happens that I actually did do that, and I've gotten a good amount of submissions from the members themselves, went through all the mixing and editing, etc, before releasing the final performance.This piece is meant to be described about dreaming to a wonderful place you might've remembered, and haven't forgotten in a long time, experiencing the deja vu moments of what you think might've happened long time ago, hence the title, of course.
$25.00
22.65 €
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Orchestre de chambre
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Arianna Cunningham
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A Dream from the Past
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Arianna Cunningham
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SheetMusicPlus
La Fee Verte Bagpipe Concerto
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christin…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
27.18 €
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Orchestre de chambre
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Sauterelle
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1022716 Composed by Andy Fielman. Cont…
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Chamber Orchestra - Digital Download SKU: A0.1022716 Composed by Andy Fielman. Contemporary. Score and parts. 8 pages. Gisela August Publishing #3000413. Published by Gisela August Publishing (A0.1022716). Sauterelle, a playful grasshopper once came inside to spend an evening or three. It subsisted on bell pepper strips and a bottle cap of water. Our time together was joyful and is represented in this buoyant and playful tune. Sauterelle eventually hopped back outside to resume the life of a grasshopper leaving me with a smile and this song clocking in at 2:48. The music can be previewed at the following link: https://www.youtube.com/watch?v=8OXWCMoAC18&t=3s Enjoy!
$8.95
8.11 €
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Orchestre de chambre
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Andy Fielman
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Sauterelle
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Gisela August Publishing
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SheetMusicPlus
In Dulci Jubilo - family band
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.851122 Composed by Traditional. Arrang…
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Chamber Orchestra - Digital Download SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and parts. 17 pages. Sophia Transistor #3684543. Published by Sophia Transistor (A0.851122). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly. Thisarrangement of the german traditional chistmas church song In Dulci Jubilo (In Sweet Rejoicing) offers several parts for many variableinstruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decentvocal scores with the original german lyrics and also english lyrics. The score includes: - Piano (piano with chordsymbols) - vocals (in english and in german); 3 verses for each language - solo instruments in C (violin, flute,etc.); quartet - solo instruments in bass clef (trombone, cello, bass, etc.); quartet - solo instruments in Bb(trumpet, clarinet, tenor saxophone, etc.); quartet - solo instruments in Eb (alto saxophone, Eb-clarinet, etc.);quartet - solo instruments in F (french horn, F-tuba, etc.); quartet - accordion / harmonica - guitar (notes/tabs/chord) - drumsYouTube Play Along: https://youtu.be/G4I5bI43wAIGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns dochwas zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht... DiesesArrangement des Weihnachtsklassikers In Dulci Jubilo (nun singet und seid froh!) beinhaltet Noten für die gängigstenHausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert undden Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt: -Klavier (leicht, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie) - Gesang (auf Englisch undauf Deutsch); jeweils 6 Strophen - Soloinstrumente in C (Geige, Flöte, etc.); Quartett - Soloinstrumente mitBassschlüssel (Posaune, Cello, Bass, etc.); Quartett - Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon,etc.); Quartett - Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett - Soloinstrumente in F(Waldhorn, F-Tuba, etc.); Quartett - Akkordeon / Harmonika - Gitarre (Noten/Akkorde/Tabs) - SchlagwerkViel Spaß beim Ausprobieren!This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put togetherad libitum. All parts are matching, can be combined or played alone.traditional german christmas church songarranged by Sophia Johannafor family band2018 Holiday Contest Entry Public Domain Instrumental
$4.99
4.52 €
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Orchestre de chambre
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Traditional
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Sophia Johanna
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In Dulci Jubilo - family band
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Sophia Transistor
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.89 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.89 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
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