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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
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POP ROCK - POP MUSIC
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SOUL - R&B - HIP HOP…
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Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
2908
PIANO & CLAVIERS
Piano seul
5015
Piano, Voix
2713
Piano, Voix et Guitare
572
Piano Facile
500
Orgue
161
Instruments en Do
62
Piano grosses notes
58
1 Piano, 4 mains
55
Accompagnement Piano
27
Piano Trio: piano, violon, violoncelle
18
Accordéon
12
Piano Quatuor: piano, 2 violons, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
8
2 Pianos, 4 mains
7
Clavecin
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
2
Piano (partie séparée)
2
2 Pianos, 8 mains
2
Clavier
1
Ensemble d'Accordéons
1
Instrumentations suivantes
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GUITARES
Guitare
163
Guitare notes et tablatures
82
Basse electrique
47
Ligne De Mélodie, (Paroles) et Accords
45
Ukulele
29
2 Guitares (duo)
22
Mandoline
12
Banjo
10
Dulcimer
9
Paroles et Accords
8
Piano, Guitare (duo)
7
Guitare (partie séparée)
6
4 Guitares (Quatuor)
5
3 Guitares (trio)
3
Guitare, Violon, Violoncelle (trio)
2
Cithare
1
2 Ukuleles
1
Basse électrique (partie séparée)
1
Dobro
1
Mandoline, Guitare (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
580
Chorale Unison
322
Chorale 3 parties
124
Chorale SSAA
75
Chorale TTBB
62
Chorale 2 parties
61
Voix seule
52
Voix Soprano, Piano
48
Voix duo, Piano
18
Voix Alto, Piano
13
Voix Tenor, Piano
11
Voix duo
9
Voix Tenor
4
Voix Baryton, Piano
4
Voix haute
4
Voix Mezzo-Soprano, Piano
2
Voix moyenne, Piano
2
Chorale SATBB
1
Voix Soprano
1
Soli, choeur mixte et accompagnement
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
348
Clarinette
207
Quatuor de Saxophones: 4 saxophones
201
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
190
Clarinette et Piano
179
Flûte traversière et Piano
178
Saxophone
175
Flûte traversière
174
Hautbois, Piano (duo)
171
Flûte, Hautbois, Clarinette, Basson
167
Saxophone, Clarinette (duo)
152
2 Clarinettes (duo)
143
Saxophone Alto et Piano
137
2 Flûtes traversières (duo)
135
Saxophone Alto
124
Quintette de Saxophone: 5 saxophones
117
Saxophone Tenor et Piano
109
Clarinette, Violon (duo)
102
Saxophone Tenor
95
Quatuor de Clarinettes: 4 clarinettes
92
Saxophone Soprano et Piano
87
Flûte, Clarinette (duo)
83
2 Hautbois (duo)
77
Hautbois, Clarinette (duo)
74
Clarinette, Trompette (duo)
73
Saxophone Baryton, Piano
68
Saxophone (partie séparée)
65
Hautbois, Basson (duo)
63
Ensemble de saxophones
61
Flûte, Violon
57
Hautbois (partie séparée)
55
Hautbois, Flûte
51
Hautbois
50
Clarinette et Alto
49
Flûte, Saxophone (duo)
45
3 Saxophones (trio)
44
Ensemble de Clarinettes
39
Flûte, Trompette (duo)
38
Quatuor de Flûtes : 4 flûtes
37
Flûte, Alto (duo)
33
Saxophone Soprano
32
Cor anglais, Piano
32
Clarinette Basse, Piano
31
3 Clarinettes (trio)
27
Flûte à bec Soprano
23
Saxophone Baryton
23
Quintette de Clarinettes: 5 clarinettes
21
2 Flûte à bec (duo)
19
Ensemble de Flûtes
19
Flûte et Guitare
18
Trio de Flûtes: 3 flûtes
17
Quintette de Flûte : 5 flûtes
16
Hautbois, Clarinette, Basson (trio d'anches)
15
Flûte, Hautbois, Clarinette (trio)
13
Clarinette, Violoncelle (duo)
13
Clarinette, Basson (duo)
12
Flûte, Violoncelle
10
Flûte, Hautbois (duo)
10
Flûte, Clarinette et Basson
9
Clarinette (partie séparée)
8
Flûte à bec Alto
8
Harmonica
8
Quatuor de Flûtes à bec
7
Hautbois, Violoncelle
7
Flûte à Bec
7
Cor Anglais
7
Clarinette, Guitare (duo)
7
Hautbois, violon (duo)
6
5 Flûtes à bec
6
Flûte, Hautbois, Basson
6
Flûte, Violon et Violoncelle
4
Piccolo, Piano
4
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte irlandaise
3
Clarinette Basse
3
Flute (partie séparée)
3
Flûte, Basson et Piano
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Violon, Piano
3
Cor anglais, Guitare (duo)
3
Flûte, Clarinette, Piano (trio)
2
Hautbois, Violoncelle et Piano
2
2 Clarinettes, Piano
2
Clarinette, Tuba
2
2 Flûtes traversières, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Hautbois et alto (duo)
2
Saxophone et Guitare
2
Flûte à bec Soprano, Piano
2
Flûte traversière, Basse continue
2
Flûte, Trombone (duo)
2
Clarinette, Harpe (duo)
2
Ensemble à vent
1
Clarinette, Trombone (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Piccolo
1
Flûte, Tuba (duo)
1
Hautbois, trombone (duo)
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Basson, Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Harpe
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Guitare (duo)
1
Saxophone et Orgue
1
Clarinette, Alto et Piano (trio)
1
Flûte à bec Alto, Basse continue
1
Cornemuse
1
Flute, Cor (duo)
1
Cor anglais et Harpe (duo)
1
Flûte, trombone et piano
1
2 Hautbois, Piano
1
Flûte traversière, Orchestre
1
Clarinette, Contrebasse (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
222
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
214
Trombone
147
Trompette, Piano
147
Trombone et Piano
118
Cor et Piano
108
Trompette, Saxophone (duo)
102
Quatuor de Cuivres : 2 trompettes, trombone, tuba
81
2 Trombones (duo)
74
Tuba et Piano
71
2 Trompettes (duo)
71
Cor
63
Trompette, Trombone (duo)
62
Quatuor de Cuivres: 2 trompettes, Cor, trombone
59
Tuba
56
Euphonium, Piano (duo)
45
Quatuor de Cuivres
42
Cor anglais, Piano
32
2 Cors (duo)
31
Trompette (partie séparée)
30
Trombone (partie séparée)
28
Quatuor de cuivres: 4 trombones
15
Ensemble de Trompettes
13
2 Tubas (duo)
12
Ensemble de Trombones
12
Quatuor de cuivres: 4 cors
10
Trompette, Cor (duo)
9
Cor Anglais
7
3 Trombones (trio)
7
Cor (partie séparée)
7
Ensemble de Cors
6
Quatuor de cuivres: 4 trompettes
5
Tuba (partie séparée)
4
Trompette, Basson (duo)
3
Trombone basse et Piano
3
Cor, Violoncelle (duo)
3
Cor anglais, Guitare (duo)
3
Trombone basse
2
Euphonium
2
Cor et Basson (duo)
2
Trombone, Cor (duo)
2
Cor, Tuba (duo)
2
Trompette, Violoncelle (duo)
2
2 Euphoniums et 2 Tubas
2
Trio de Cuivres
1
3 Euphoniums
1
Ensemble de Tubas
1
2 Cors Anglais Et Pianoforte
1
2 Cors, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Violon (duo)
1
Trompette, Euphonium (duo)
1
Tuba et Orgue
1
Trompette, Tuba (duo)
1
4 Tubas
1
Trompette, Trombone, Piano
1
Cor anglais et Harpe (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
402
Violon et Piano
211
Violon
195
Alto, Piano
170
Violoncelle
155
Violoncelle, Piano
143
Violon, Violoncelle (duo)
141
2 Violons (duo)
108
Alto seul
104
2 Altos (duo)
86
Violon, Alto (duo)
82
Quintette à cordes: 2 violons, alto, violoncelle, basse
79
2 Violoncelles (duo)
77
Harpe
67
Contre Basse
58
Contrebasse, Piano (duo)
55
Trio à Cordes: violon, alto, violoncelle
54
Trio à Cordes: 2 violons, violoncelle
48
Alto, Violoncelle (duo)
20
4 Violoncelles
13
Piano Trio: Violon, Alto, Piano
12
2 Contrebasses (duo)
12
Violon (partie séparée)
11
Trio à Cordes: 3 violoncelles
11
Alto (partie séparée)
9
Harpe, Flûte (duo)
7
Quatuor à cordes: 4 violons
7
Contrebasse (partie séparée)
6
Trio à cordes: 3 violins
6
Violon, Basson (duo)
5
Trio à Cordes: 2 violons, alto
5
Violon, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
3
Quatuor à cordes : 4 altos
3
Violoncelle (partie séparée)
3
2 Harpes (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle , Guitare (duo)
2
Flûte, Contrebasse (duo)
2
Violon, Tuba (duo)
2
Ensemble de Violons
2
2 Altos, Piano
2
Violon, Clarinette, Piano (trio)
2
Ensemble d'Altos
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à cordes: 3 altos
1
Alto, Guitare (duo)
1
Alto et Harpe
1
4 Harpes
1
Violon, Violoncelle, Clarinette
1
Ensemble de Violoncelles
1
Alto et Basson
1
Harpe, Violon (duo)
1
Violoncelle, Orgue
1
3 Harpes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
452
Orchestre à Cordes
156
Orchestre
123
Batterie
80
Ensemble Jazz
73
Ensemble de cuivres
69
Orchestre de chambre
44
Jazz combo
42
Cloches
28
Fanfare
22
Ensemble de Percussions
19
Batterie (partie séparée)
7
Percussion (partie séparée)
5
Marimba
5
Xylophone
3
Ensemble d'École
3
Xylophone, Piano
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Percussion
1
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
Vous avez sélectionné:
Time over
Orchestre de chambre
Partitions à imprimer
44 partitions trouvées
<
1
26
Time To Say Goodbye
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.753620 By Andrea Bocelli & S…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.753620 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John Hoesly. Opera. Score and parts. 22 pages. PRS&B #3859537. Published by PRS&B (A0.753620). Time To Say Goodbye (Con te partirò)- Soprano and baritone duet with chamber ensemble. Stirring setting for one of the most popular songs of all time. Opera/pop crossover. In both Italian and English. Includes scores and parts. All parts could be doubled or assigned to another instrument (example: substitute flute for the violin part). Includes an optional bass part.
$20.00
18.11 €
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Orchestre de chambre
#
Andrea Bocelli & Sarah Brightman
#
John Hoesly
#
Time To Say Goodbye
#
PRS&B
#
SheetMusicPlus
The Most Wonderful Time Of The Year
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296725 Composed by Eddie Po…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296725 Composed by Eddie Pola and George Wyle. Arranged by George Naff. 20th Century,Christmas,Film/TV. Score and Parts. 47 pages. Craig Robert Levesque #886892. Published by Craig Robert Levesque (A0.1296725). This short arrangement ofthe holiday classic is great for any concert. Scored for Jazz orchestra of winds and strings, a piano reduction is included that covers the string parts.
$49.99
45.28 €
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Orchestre de chambre
#
Eddie Pola and George Wyle
#
George Naff
#
The Most Wonderful Time Of The Year
#
Craig Robert Levesque
#
SheetMusicPlus
Tchaikovsky: Romeo and Juliet Overture (for School Orchestra) Full Score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.873514 Composed by Peter Ily…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.873514 Composed by Peter Ilyich Tchaikovsky. Arranged by Youngsuk Kim. Classical,Romantic Period. Score and parts. 47 pages. Youngsuk Kim #3259219. Published by Youngsuk Kim (A0.873514). For school orchestra. Composed by Tchaikovsky. Arranged by Youngsuk Kim. Popular Classics for Orchestra. Grade 4.Arranged to fit conventional school orchestra.Instrumentation: 2 Flutes, 1 Oboe, 2 Bb Clarinets, 1 Bassoon, 2 F Horns, 1 Trumpet, 1 Trombone, Timpani, Cymbals, Bass Drum, StringsPlay time: 10 min
$3.99
3.61 €
#
Orchestre de chambre
#
Peter Ilyich Tchaikovsky
#
Youngsuk Kim
#
Tchaikovsky: Romeo and Juliet Overture
#
Youngsuk Kim
#
SheetMusicPlus
Tchaikovsky: Romeo and Juliet Overture (for School Orchestra) Complete Parts
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.873513 Composed by Peter Ilyich Tchaik…
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Chamber Orchestra - Digital Download SKU: A0.873513 Composed by Peter Ilyich Tchaikovsky. Arranged by Youngsuk Kim. Classical,Romantic Period. Score and parts. 57 pages. Youngsuk Kim #3259221. Published by Youngsuk Kim (A0.873513). For school orchestra. Composed by Tchaikovsky. Arranged by Youngsuk Kim. Popular Classics for Orchestra. Grade 4.Arranged to fit conventional school orchestra.Instrumentation: 2 Flutes, 1 Oboe, 2 Bb Clarinets, 1 Bassoon, 2 F Horns, 1 Trumpet, 1 Trombone, Timpani, Cymbals, Bass Drum, StringsPlay time: 10 min.
$4.99
4.52 €
#
Orchestre de chambre
#
Peter Ilyich Tchaikovsky
#
Youngsuk Kim
#
Tchaikovsky: Romeo and Juliet Overture
#
Youngsuk Kim
#
SheetMusicPlus
< Piano Octet＞ Overture to Orpheus in the Underworld (Orphée aux Enfers)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.711626 Composed by Jacques O…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.711626 Composed by Jacques Offenbach. Arranged by Tsuyoshi Yoroiguma. Contemporary,Opera,Romantic Period,Standards,World. Score and parts. 39 pages. Tsuyoshi Yoroiguma #6534799. Published by Tsuyoshi Yoroiguma (A0.711626). Let's play a famous French cancan music in style Piano Octet.This is good for salon concert, show time event, etc.Instrumentation:Flute/ Oboe/ Bb Clarinet/ F Horn/ Bassoon/ 2 Violins/ Piano.
$30.00
27.17 €
#
Orchestre de chambre
#
Jacques Offenbach
#
Tsuyoshi Yoroiguma
#
< Piano Octet＞ Overture to Orpheus in the Underworld
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Overture per il Sisio (Chamber Orchestra) (Full Score)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.945583 Composed by Tony Matt…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.945583 Composed by Tony Matthews. 20th Century,Classical,Contemporary. Score and parts. 38 pages. Archway Publications #6332499. Published by Archway Publications (A0.945583). In Classical Times, if were aliveThis would be what I'd contriveA happy go-lucky classical pastiche.Orchestral parts are available at:https://www.sheetmusicplus.com/title/21997964
$4.99
4.52 €
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Orchestre de chambre
#
Tony Matthews
#
Overture per il Sisio
#
Archway Publications
#
SheetMusicPlus
Overture per il Sisio - Chamber Orchestra (Set of Parts)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.945584 Composed by Tony Matt…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.945584 Composed by Tony Matthews. Contemporary. Score and parts. 82 pages. Archway Publications #6332501. Published by Archway Publications (A0.945584). In Classical Times, if were aliveThis would be what I'd contriveA happy go-lucky classical pastiche.Full score is available at:https://www.sheetmusicplus.com/title/21997963
$35.00
31.7 €
#
Orchestre de chambre
#
Tony Matthews
#
Overture per il Sisio - Chamber Orchestra
#
Archway Publications
#
SheetMusicPlus
Metamorphosis for solo flute, solo pedal or lever harp, and strings
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Inglis (ASCAP) #6383557. Published by Adrienne Inglis (ASCAP) (A0.953627). Celebrate women scientists!Metamorphosis (2019) by Adrienne Inglis (ASCAP) for flute, harp, and string orchestra, commissioned by Balcones Community Orchestra, celebrates the life and work of Maria Sibylla Merian (1647-1717), pioneering entomologist, naturalist, and artist.Duration 5:30 minutes.Commissioned by the Balcones Community Orchestra of Austin, Texas, Metamorphosis (2019) by Adrienne Inglis for solo flute, solo harp, and string orchestra, honors the life and work of pioneering entomologist, naturalist, and artist Maria Sibylla Merian (1647-1717). As she carefully documented in illustrated detail the life cycle of so many insects, Metamorphosis musically follows a butterfly from adult, egg, larva, pupa, and adult. The piece opens with an ostinato pattern in the strings over which the flute and harp play fluttering modal melodies. The strings and harp represent the egg stage with minimalistic layers of a single pitch. To recognize Merian’s time in Suriname and her discovery of many insect species there, a cheerful tune fashioned after traditional Arawak folk songs informs the busy larvae in the caterpillar canon. A bit of contemplative dorian polyphony laced with metamorphic machinations demonstrate the remarkable transformation of the pupa as well as Merian’s time at a devout Labadist religious commune. The butterfly emerges from the pupa with a flute/harp cadenza and then the strings underscore the adult butterfly with a return of the ostinato. The piece ends with the same ostinato as the beginning such that the piece could loop seamlessly as in a true life cycle.This performance does not include the revisions made in this version of the music: https://youtu.be/GIjQpkXl6Uc
$9.99
9.05 €
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Orchestre de chambre
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Adrienne Inglis
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Metamorphosis for solo flute, solo pedal or lever harp, and strings
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Adrienne Inglis
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SheetMusicPlus
On The road To Mandalay for Tenor and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.771584 Composed by Oley Spea…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.771584 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 113 pages. PRS&B #379228. Published by PRS&B (A0.771584). On The Road To Mandalay- for Tenor and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Tenor (C- F Sharp)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.
$70.00
63.4 €
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Orchestre de chambre
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the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Tenor
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Oley Speaks, Rudyard Kipling
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John Hoesly
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On The road To Mandalay for Tenor and Chamber Orchestra
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PRS&B
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SheetMusicPlus
On The road To Mandalay for Baritone and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.771583 Composed by Oley Spea…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.771583 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 109 pages. PRS&B #379227. Published by PRS&B (A0.771583). On The Road To Mandalay- for Baritone and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Baritone (A Flat- D)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.
$70.00
63.4 €
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Orchestre de chambre
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the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Baritone
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Oley Speaks, Rudyard Kipling
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John Hoesly
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On The road To Mandalay for Baritone and Chamber Orchestra
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PRS&B
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
22.64 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.89 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.89 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
29.89 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Little Laser Lady for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.59 €
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Orchestre de chambre
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David Warin Solomons
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Colin Bayliss
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Little Laser Lady for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Capriccio Borgogna, for bassoon (or alto clarinet, basset horn) & chamber orchestra (SCORE)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.923636 Composed by Franklin …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.923636 Composed by Franklin Stover. 20th Century,Concert,Contemporary. Score and parts. 22 pages. Edition Hohenstaufen #3447743. Published by Edition Hohenstaufen (A0.923636). Facsimile score of Capriccio Borgogna for alto clarinet (basset horn or bassoon) and chamber orchestra. The audio here features Tristan Willems-bassoon and members of the Slovak Radio Orchestra, Trevor Kirk conducting. Parts will be added at a future time. In the meantime, parts may be had by contacting the composer at komponist53@gmail.com
$5.00
4.53 €
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Orchestre de chambre
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Franklin Stover
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komponist53@gmail
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Capriccio Borgogna, for bassoon
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Edition Hohenstaufen
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SheetMusicPlus
Landscape before sunrise for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.59 €
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Orchestre de chambre
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David Warin Solomons
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Colin Bayliss
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Landscape before sunrise for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
An amble round Mercury for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.59 €
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Orchestre de chambre
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David Warin Solomons
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Colin Bayliss
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An amble round Mercury for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Lullabye (Goodnight, My Angel)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.796624 By Billy Joel. By Bil…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.796624 By Billy Joel. By Billy Joel. Arranged by Gary D.Belshaw (ASCAP). Pop,Rock. Score and parts. 26 pages. DR GARY D BELSHAW #3109511. Published by DR GARY D BELSHAW (A0.796624). For String Quartet plus a guest artist: Alto Sax, Clarinet, Flute, Oboe, or Trumpet. From Billy Joel's final album, River of Dreams (1993).How would you answer a 7-year-old's question, Where do we go when we die? The hint of Medieval ambience came from Joel's plans to make this song part of a suite, with lyrics sung in Latin. The song has been covered more than 2 dozen times. Don't let our version become maudlin or morose. It's got plenty of meaning without getting gushy or sentimental. I chose the Alto sax for its contrast with the strings; the other instruments allow you to select from a variety of guest artists.Thank you for considering this work; your impressions are valuable. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus).
$14.99
13.58 €
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Orchestre de chambre
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Billy Joel
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Gary D
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Lullabye
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DR GARY D BELSHAW
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SheetMusicPlus
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
9.05 €
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Orchestre de chambre
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Thomas Oboe Lee
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Symphony No. 8 ... City of Light
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Thomas Oboe Lee
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.71 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
To Idleness for string quartet and guitar
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.576889 Composed by David War…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.576889 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 23 pages. David Warin Solomons #485761. Published by David Warin Solomons (A0.576889). Instrumental quintet based on my choral setting of Dave Dunning's poem To Idleness. The pdf file contains score and parts. The sound sample is an electronic preview. These are the words of the original poem: When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song. once when the fresh new spring was here I lavished though to sow the year oh dreaming seasons never interfere with worldly bounty, scorned the prudent song and prayed March winds to buffet time along Soon in the heat of summer haze I floundered on through deep green maize, where heavy herds lowed as they grazed, I saw that I would reap in thought among the rich; and time moved on with busy song, now in the heat of summer Now winter creeps between the sashes and rain upon the window lashes while wild wind moans round rafters dashes and I to annual poverty belong, yet know that spring flows richly on in song When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song.
$12.00
10.87 €
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Orchestre de chambre
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David Warin Solomons
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To Idleness for string quartet and guitar
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David Warin Solomons
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.845993 By Nat Cole With N. R…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classical,Holiday,Standards,Traditional. Score and parts. 22 pages. ViolinVagabond Music #6696667. Published by ViolinVagabond Music (A0.845993). There are over 500 arrangements of this tune for sale on this site, but there is exactly ONE reason you should choose this one over any of the rest of them. It is in THE KEY OF C!! As advertised, you will find absolutely no, none, zero, zilch, NADA! accidentals in the key signature. That said, the tune is pretty chromatic as you well know, so there will of course be ample accidentals, marked clearly & appropriately as needed. This key is a particularly good choice for a baritone (lower octave) or alto (higher octave) soloist, but would also work great with any sort of instrumental soloist as well. It's pretty much the version of this tune you know and love, with a nice little instrumental break right before the last verse. No frills, but the lines you need to hear are there.Difficulty level - A professional or college orchestra could sight read this at a glance. High schoolers might take a rehearsal or two, but can totally handle it as long as the concertmaster can grab a high F on that opening fermata.Performance time - 3 minutes, right on the nose (at which Jack Frost may or may not be nipping...)Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$49.99
45.28 €
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Orchestre de chambre
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Nat Cole With N
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Kyle Pudenz
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The Christmas Song
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ViolinVagabond Music
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SheetMusicPlus
The Platypus
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1008342 Composed by Sue Moor…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1008342 Composed by Sue Moore. Children,Instructional,Standards. Score and parts. 10 pages. Susie Moore #4766683. Published by Susie Moore (A0.1008342). An instructional Chamber Orchestra work written for beginning strings and early intermediate winds. This work is in 6/4 time. The string parts (depicting the bubbles that are seen as the Platypus are submerged) have been written where they are either using the open strings or the patterns are repeated over several bars so that beginning students are able to focus on the challenges of the 6/4 time. Mapping which beat each string part falls on is helpful when starting to teach this piece. Platypus are shy in nature and do not normally cohabit in the same location in large numbers. This piece was written as the composer observed an unusually large number of Platypus in one location. The wind parts depict the Platypus as they surfaced and descended in the billabong where they lived and as they happened to meet another Platypus or come up where she was sitting they quickly retreated with a loud splash. This is heard throughout the piece. Parts are available.
$4.99
4.52 €
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Orchestre de chambre
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Sue Moore
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The Platypus
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Susie Moore
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SheetMusicPlus
Appassionato
Orchestre de chambre
Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nos…
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Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagine Music - Digital (IZ.OMS128). 9 x 12 in inches.For Chamber Orchestra (Grade 3). By Peter Nostrand. Appassionato is a story about the struggle for love. While it was composed in a traditional ABA structure, there are many elements in this composition which are not at all traditional. As the piece awakens, the oboes and flutes seem innocent and coquettish. As orchestral participation grows, one has the sense of an entire field of rich colors growing before our very ears. Enter the piano. Simple, elegant and romantic. Softly supported by the strings, the piano issues an invitation to the winds. They respond cautiously, obviously curious to see what this charming piano has in mind. The strings express an opinion. It's not what the piano wants and he presses harder. The strings and winds question each other, back and forth with triplets. Who is this piano? The mid-section is an announcement by the strings that a love relationship may be in the cards. The piano replies with passion and tenderness.With eighth notes, the strings become entangled with the piano, counseling it, guiding it. The winds using triplets put their two cents on the table. They're not so sure. The piano makes a passionate plea; the strings are supportive. The piano and the winds have a conversation. They finally dance together. In the end,.Appassionato is a musical expression of the struggle over whether or not love is worth the risk Sometimes in conflict sometimes in harmony, the piano and winds do unite. Passion has won.
$30.00
27.17 €
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Orchestre de chambre
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Peter Nostrand
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Peter Nostrand
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the strings are supportive
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Appassionato
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Imagine Music - Digital
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SheetMusicPlus
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