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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
To Morning
Non classifié
436
Piano & claviers
Piano seul
484
Piano, Voix
150
Piano, Voix et Guitare
128
Piano Facile
111
Orgue
57
Instruments en Do
37
Piano grosses notes
14
Accordéon
12
1 Piano, 4 mains
10
Accompagnement Piano
9
Piano Trio: piano, violon, violoncelle
4
Orgue, Piano (duo)
2
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
1
2 Pianos, 4 mains
1
+ 11 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
58
Guitare notes et tablatures
54
Guitare
30
Ukulele
22
Paroles et Accords
17
Basse electrique
14
Guitare (partie séparée)
4
Dulcimer
2
Piano, Guitare (duo)
2
Banjo
2
Mandoline
2
2 Guitares (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
231
Chorale 3 parties
63
Chorale Unison
31
Chorale 2 parties
30
Voix seule
29
Chorale TTBB
25
Chorale
15
Chorale SSAA
8
Voix haute
7
Voix duo, Piano
7
Voix duo
6
Voix Soprano, Piano
5
Soli, choeur mixte et accompagnement
2
Voix moyenne, Piano
2
Chorale SSATB
1
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Chorale SSATTB
1
Voix Alto, Piano
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière
46
Clarinette
45
Flûte traversière et Piano
32
Saxophone Alto
29
2 Saxophones (duo)
28
Saxophone Tenor
26
Clarinette et Piano
24
Saxophone Alto et Piano
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Hautbois, Piano (duo)
20
Quatuor de Saxophones: 4 saxophones
19
Flûte, Hautbois, Clarinette, Basson
17
2 Clarinettes (duo)
15
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone (partie séparée)
15
Saxophone
13
2 Flûtes traversières (duo)
10
Cor anglais, Piano
9
Hautbois
9
Saxophone Tenor et Piano
9
Saxophone Baryton
8
Quatuor de Flûtes : 4 flûtes
8
Saxophone Soprano
8
3 Clarinettes (trio)
8
Saxophone Baryton, Piano
7
Hautbois, Basson (duo)
7
2 Hautbois (duo)
6
Quintette de Saxophone: 5 saxophones
6
Cor Anglais
6
Harmonica
5
Hautbois (partie séparée)
5
Clarinette, Harpe (duo)
5
Saxophone Soprano et Piano
4
Flûte et Guitare
4
Clarinette, Violon (duo)
4
Saxophone, Clarinette (duo)
4
Flûte à Bec
3
Clarinette Basse
3
Clarinette, Basson (duo)
3
Flute (partie séparée)
3
Flûte, Clarinette (duo)
3
Clarinette, Trompette (duo)
3
Flûte à bec Soprano, Piano
3
Quintette de Flûte : 5 flûtes
3
Ensemble de Flûtes
2
Hautbois, Flûte
2
Flûte, Violon, Piano
2
Flûte, Saxophone (duo)
2
Ensemble de Clarinettes
2
Flûte, Trompette (duo)
2
3 Saxophones (trio)
2
Flûte à bec Alto, Piano
2
Clarinette et Alto
2
Clarinette (partie séparée)
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette Basse, Piano
2
Flûte, Violon
2
Flûte, Hautbois (duo)
1
Flûte à bec Soprano
1
Ocarina
1
Flûte, Clarinette, Piano (trio)
1
Cor anglais, Guitare (duo)
1
Piccolo, Piano
1
Saxophone et Guitare
1
Hautbois, Clarinette (duo)
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Trombone (duo)
1
Hautbois, Guitare (duo)
1
Hautbois, Harpe
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec, Piano
1
Saxophone et Harpe
1
Flûte, Alto (duo)
1
Ensemble de saxophones
1
Quatuor de Flûtes à bec
1
3 Flûtes à bec (trio)
1
Flûte, Violoncelle
1
+ 72 instrumentations
Retracter
Cuivres
Trompette
41
Trombone
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Cor
19
Tuba et Piano
15
Trompette, Piano
13
Trombone et Piano
11
2 Trombones (duo)
10
Trombone (partie séparée)
10
Tuba
9
Cor anglais, Piano
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
2 Cors (duo)
8
Trompette (partie séparée)
8
2 Trompettes (duo)
7
Cor Anglais
6
Cor et Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette, Saxophone (duo)
4
Euphonium, Piano (duo)
4
Quatuor de Cuivres
3
2 Tubas (duo)
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 trombones
2
Cor anglais, Guitare (duo)
1
Euphonium
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 cors
1
Cor et Harpe
1
Cor, Trompette, Trombone (trio)
1
Ensemble de Cors
1
3 Trombones (trio)
1
Trompette, Harpe
1
+ 28 instrumentations
Retracter
Cordes
Violon et Piano
51
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violon
34
Harpe
32
Violoncelle, Piano
27
Violoncelle
24
Alto seul
17
2 Violons (duo)
13
Alto, Piano
12
Contre Basse
12
2 Altos (duo)
9
2 Violoncelles (duo)
9
2 Harpes (duo)
8
Violon, Violoncelle (duo)
6
Harpe, Flûte (duo)
6
Trio à Cordes: violon, alto, violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contrebasse, Piano (duo)
4
Alto, Violoncelle (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
4 Violoncelles
3
Violoncelle , Guitare (duo)
3
Harpe, Voix
3
Harpe, Violon (duo)
3
Violon, Alto (duo)
3
2 Contrebasses (duo)
2
Flûte, Contrebasse (duo)
2
Violon (partie séparée)
2
Violon, Guitare (duo)
2
Contrebasse (partie séparée)
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto (partie séparée)
1
Alto et Harpe
1
Quatuor à cordes: 4 violons
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
262
Orchestre
49
Cloches
49
Ensemble Jazz
31
Orchestre de chambre
24
Orchestre à Cordes
24
Batterie
21
Jazz combo
14
Ensemble de cuivres
10
Marimba
7
Xylophone
6
Fanfare
2
Percussion
2
Ensemble de Percussions
2
Batterie (partie séparée)
2
Xylophone, Piano
1
Vibraphone
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
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BALALAIKA
BANJO
BASSE
BASSON
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CELTIQUE - IRISH - S…
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COUNTRY
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
To Morning
Orchestre de chambre
Partitions à imprimer
24 partitions trouvées
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Morning Mood, from Peer Gynt Suite No. 1
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Dico
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Morning Mood, from Peer Gynt S
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.843028 Composed by Edvard Grieg. Arranged by Dico. Holiday,Romantic Period,Wedding. Score and Parts. 46 pages. Dic...
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Chamber Orchestra - Level 4 - SKU: A0.843028 Composed by Edvard Grieg. Arranged by Dico. Holiday,Romantic Period,Wedding. Score and Parts. 46 pages. Dico #6502567. Published by Dico (A0.843028). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.MORNING MOOD (from Peer Gynt Suite No. 1) - this arrangement was made for a wedding ceremony group and the instrumentation was very reduced (1 player for each part), but I suggest a minimal of 2 players in each string part, except the double bass.INSTRUMENTATION:Flute | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 | Timpani | Piano | Strings
$22.00
Morning Mood, from Peer Gynt Suite No. 1
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Various
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Dico
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Morning Mood, from Peer Gynt S
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Dico Ferreira
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.513327 By Various. By Edvard Grieg. Arranged by Dico. Romantic Period,Wedding. Score and Parts. 46 pages. Dico Fer...
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Chamber Orchestra - Level 4 - SKU: A0.513327 By Various. By Edvard Grieg. Arranged by Dico. Romantic Period,Wedding. Score and Parts. 46 pages. Dico Ferreira #124094. Published by Dico Ferreira (A0.513327). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.MORNING MOOD (from Peer Gynt Suite No. 1) - this arrangement was made for a wedding ceremony group and the instrumentation was very reduced (1 player for each part), but I suggest a minimal of 2 players in each string part, except the double bass.INSTRUMENTATION:Flute | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 | Timpani | Piano | Strings
$22.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Dreams - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062...
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Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
Christmas Eve 10PM for piccolo and chamber group
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Nancy Shafer Rohar
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Christmas Eve 10PM for piccolo
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Nancy Shafer Rohar
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.957971 Composed by Nancy Shafer Rohar. Christmas,Contemporary. Score and parts. 77 pages. Nancy Shafer Rohar #3860...
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Chamber Orchestra - Level 4 - SKU: A0.957971 Composed by Nancy Shafer Rohar. Christmas,Contemporary. Score and parts. 77 pages. Nancy Shafer Rohar #3860767. Published by Nancy Shafer Rohar (A0.957971). Piccolo is prominent in this piece that was inspired by the joy and anticipation felt by children on Christmas Eve. The piece tells the story of children that are trying to stay awake to watch for Santa, and they also can't sleep because it's getting close to Christmas morning. They start out full of energy and try to sneak down the stairs to peek at packages under the tree. They run back up to their rooms and look out the window just in time to see the snow start to fall. Just before they nod off they think they DO hear Santa on the roof, and they try again to keep their eyes open but they can't, and they drift off to sleep. In the final bars you can imagine them dreaming of Santa flying on to the next house, while they are snug and warm in their beds.
$10.00
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Shining Space:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
Charpentier: Messe de Menuit pour Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Full
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Orchestre de chambre
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INTERMÉDIAIRE
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Marc-Antoine Charpentier
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Roar Kvam
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Charpentier: Messe de Menuit p
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KVAMusic Edition
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages....
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Chamber Orchestra - Level 3 - SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages. KVAMusic Edition #4717673. Published by KVAMusic Edition (A0.768506). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s freshness and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$20.00
Six Epigraphes Antiques for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Andrew Middleton
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Six Epigraphes Antiques for Ch
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Andrew Middleton
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1168347 Composed by Claude Debussy. Arranged by Andrew Middleton. 20th Century,Classical. Score and parts. 142 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1168347 Composed by Claude Debussy. Arranged by Andrew Middleton. 20th Century,Classical. Score and parts. 142 pages. Andrew Middleton #768678. Published by Andrew Middleton (A0.1168347). Six Epigraphes Antiques is a suite of pieces composed by Claude Debussy for piano duo. This arrangement for chamber orchestra (1111/1000/perc/cel/hrp/strings) includes all 6 movements of the suite, including: 1. Pour invoquer Pan, dieu du vent d'été (To invoke Pan, god of the summer wind) 2. Pour un tombeau sans nom (For a nameless tomb) 3. Pour que la nuit soit propice (In order that the night be propitious) 4. Pour la danseuse aux crotales (For the dancer with crotales) 5. Pour l'égyptienne (For the Egyptian woman) 6. Pour remercier la pluie au matin (To thank the morning rain)  For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/.
$49.99
Manha De Carnaval
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Antonio Maria and Luiz Bonfa
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Marek Czekala
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Manha De Carnaval
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Marek Czekala
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1176006 Composed by Antonio Maria and Luiz Bonfa. Arranged by Marek Czekala. 20th Century,Broadway,Film/TV,Latin,M...
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Chamber Orchestra - Level 4 - SKU: A0.1176006 Composed by Antonio Maria and Luiz Bonfa. Arranged by Marek Czekala. 20th Century,Broadway,Film/TV,Latin,Musical/Show. Score and parts. 36 pages. Marek Czekala #776132. Published by Marek Czekala (A0.1176006). Manhã de Carnaval (Carnival Morning), often referred to as Black Orpheus, is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. Manhã de Carnaval appeared as a principal theme in the 1959 Portuguese-language film Orfeu Negro by French director Marcel Camus. Orfeu Negro was an international success (winning, for example, an Academy Award in 1960), and brought the song to a large audience. (from Wikipedia).
$49.99
Vince Gassi: Metro Morning (Sound Innovations Soloist, Mallets) - chamber ensemble
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Orchestre de chambre
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FACILE
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Methodes
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Vince Gassi
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Virtualsheetmusic
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
$7.97
Vince Gassi: Metro Morning (Sound Innovations Soloist, Tuba) - chamber ensemble
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Orchestre de chambre
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FACILE
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Methodes
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Vince Gassi
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Virtualsheetmusic
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
$7.97
Vince Gassi: Metro Morning (Sound Innovations Soloist, Baritone Treble Clef) - chamber ensemble
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Orchestre de chambre
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FACILE
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Methodes
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Vince Gassi
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Virtualsheetmusic
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
$7.97
Vince Gassi: Metro Morning (Sound Innovations Soloist, Baritone Bass Clef) - chamber ensemble
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Orchestre de chambre
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FACILE
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Methodes
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Vince Gassi
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Virtualsheetmusic
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
$7.97
Vince Gassi: Metro Morning (Sound Innovations Soloist, Trombone) - chamber ensemble
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Orchestre de chambre
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FACILE
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Methodes
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Vince Gassi
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Virtualsheetmusic
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
$7.97
Vince Gassi: Metro Morning (Sound Innovations Soloist, French Horn) - chamber ensemble
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Orchestre de chambre
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FACILE
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Methodes
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Vince Gassi
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Virtualsheetmusic
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional,french
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional,french
$7.97
Vince Gassi: Metro Morning (Sound Innovations Soloist, Bb Trumpet) - chamber ensemble
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Orchestre de chambre
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FACILE
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Methodes
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Vince Gassi
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Virtualsheetmusic
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
$7.97
Vince Gassi: Metro Morning (Sound Innovations Soloist, Tenor Sax) - chamber ensemble
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Orchestre de chambre
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FACILE
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Methodes
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Vince Gassi
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Virtualsheetmusic
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
$7.97
Vince Gassi: Metro Morning (Sound Innovations Soloist, Baritone Sax) - chamber ensemble
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Orchestre de chambre
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FACILE
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Methodes
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Vince Gassi
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Virtualsheetmusic
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
$7.97
Vince Gassi: Metro Morning (Sound Innovations Soloist, Alto Sax) - chamber ensemble
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Orchestre de chambre
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FACILE
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Methodes
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Vince Gassi
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Virtualsheetmusic
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
$7.97
Vince Gassi: Metro Morning (Sound Innovations Soloist, Bass Clarinet) - chamber ensemble
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Orchestre de chambre
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FACILE
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Methodes
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Vince Gassi
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Virtualsheetmusic
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
$7.97
Vince Gassi: Metro Morning (Sound Innovations Soloist, Bb Clarinet) - chamber ensemble
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Orchestre de chambre
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FACILE
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Methodes
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Vince Gassi
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Virtualsheetmusic
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
$7.97
Vince Gassi: Metro Morning (Sound Innovations Soloist, Bassoon) - chamber ensemble
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Orchestre de chambre
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FACILE
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Methodes
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Vince Gassi
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Virtualsheetmusic
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
$7.97
Vince Gassi: Metro Morning (Sound Innovations Soloist, Oboe) - chamber ensemble
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Orchestre de chambre
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FACILE
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Methodes
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Vince Gassi
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Virtualsheetmusic
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
$7.97
Vince Gassi: Metro Morning (Sound Innovations Soloist, Flute) - chamber ensemble
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Orchestre de chambre
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FACILE
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Methodes
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Vince Gassi
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Virtualsheetmusic
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
Instantly printable sheet music by Vince Gassi for chamber ensemble of EASY/MEDIUM skill level. / instructional
$7.97
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