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ACCORDEON
ALTO
AUTOHARPE
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To Sit And Dream
Non classifié
104
Piano & claviers
Piano seul
102
Piano Facile
52
Piano, Voix
35
Piano, Voix et Guitare
27
Orgue
8
Instruments en Do
8
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
Orgue, Piano (duo)
1
+ 6 instrumentations
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Guitares
Guitare notes et tablatures
16
Guitare
6
Basse electrique
2
2 Guitares (duo)
2
Voix
Pack Instrumental pour Chorale
57
Chorale SATB
29
Chorale 3 parties
21
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14
Chorale TTBB
10
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6
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4
Chorale
1
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1
Voix moyenne, Piano
1
+ 5 instrumentations
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Flûte traversière et Piano
28
Clarinette et Piano
26
Saxophone Alto et Piano
16
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12
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11
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8
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7
Hautbois (partie séparée)
6
Clarinette (partie séparée)
6
2 Flûtes traversières (duo)
5
Cor anglais, Piano
5
2 Clarinettes (duo)
5
Clarinette
4
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4
Flûte, Hautbois, Clarinette, Basson
4
Flûte traversière
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Tenor et Piano
3
Hautbois, Basson (duo)
2
Flûte, Violoncelle
2
Saxophone Alto
2
Clarinette, Harpe (duo)
2
Clarinette, Guitare (duo)
2
Clarinette, Violon (duo)
2
Hautbois, violon (duo)
2
Hautbois, Violoncelle
2
Clarinette, Basson (duo)
2
Saxophone Baryton, Piano
2
Quintette de Saxophone: 5 saxophones
2
Saxophone
1
Flûte et Guitare
1
Flûte, Clarinette (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Trompette (duo)
1
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1
Clarinette, Trombone (duo)
1
Hautbois, trombone (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette et Alto
1
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1
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1
Clarinette, Violoncelle (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Contrebasse (duo)
1
Saxophone (partie séparée)
1
2 Hautbois (duo)
1
Flûte, Alto (duo)
1
Clarinette, Tuba
1
Flûte, Violon
1
Clarinette, Trompette (duo)
1
Flûte, Hautbois, Basson
1
Clarinette Basse, Piano
1
Flûte, Tuba (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois (duo)
1
Flûte, Trombone (duo)
1
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Cor et Piano
9
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9
Trompette, Piano
8
Trombone et Piano
7
Trombone (partie séparée)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette (partie séparée)
5
Cor anglais, Piano
5
Cor (partie séparée)
4
Tuba et Piano
4
2 Trompettes (duo)
4
Trompette
4
Quatuor de cuivres: 4 trompettes
3
Tuba
3
Cor
2
Trombone
2
Trompette, Basson (duo)
2
Tuba (partie séparée)
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres
1
Trompette, Tuba (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Violoncelle (duo)
1
2 Trombones (duo)
1
Trompette, Cor (duo)
1
Trompette, violon (duo)
1
Quatuor de cuivres: 4 cors
1
Trombone, Violon (duo)
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon et Piano
24
Violoncelle, Piano
24
Alto, Piano
17
Trio à Cordes: violon, alto, violoncelle
12
Violon
11
Violon (partie séparée)
10
Violon, Violoncelle (duo)
9
Alto (partie séparée)
7
2 Violons (duo)
6
Harpe
6
Contrebasse, Piano (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle
4
Contre Basse
3
Alto, Violoncelle (duo)
3
Alto seul
3
Contrebasse (partie séparée)
2
2 Harpes (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
1
Alto et Basson
1
Trio à cordes: 3 violins
1
Violoncelle (partie séparée)
1
Harpe, Violon (duo)
1
4 Violoncelles
1
Quatuor à cordes : 4 altos
1
Violoncelle, Contrebasse (duo)
1
Harpe, Voix
1
Flûte, Contrebasse (duo)
1
Violon, Tuba (duo)
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes: 4 violons
1
2 Violoncelles (duo)
1
Violon, Basson (duo)
1
Harpe, Flûte (duo)
1
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Orchestre d'harmonie
46
Ensemble Jazz
22
Orchestre
20
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13
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3
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3
Cloches
2
Orchestre de chambre
2
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2
Vibraphone (partie séparée)
1
Marimba
1
Jazz combo
1
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Vous avez sélectionné:
To Sit And Dream
Orchestre de chambre
Partitions à imprimer
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Dreams - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062...
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Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
Variations on a Rossini Theme op.Posth
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Orchestre de chambre
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Classique
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...
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Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
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