English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Trad German
Non classifié
173
Piano & claviers
Piano seul
42
Piano, Voix
12
Piano Facile
8
Piano Trio: piano, violon, violoncelle
7
Orgue
7
Accordéon
4
1 Piano, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano, Voix et Guitare
1
+ 4 instrumentations
Retracter
Guitares
Guitare
4
Ukulele
3
Guitare, Violon, Violoncelle (trio)
1
2 Guitares (duo)
1
Voix
Voix Tenor, Piano
27
Voix Soprano, Piano
27
Voix Alto, Piano
26
Voix Baryton, Piano
26
Chorale 3 parties
25
Chorale SATB
18
Voix Soprano, Orchestre
4
Chorale TTBB
2
Voix basse, Piano
1
Voix moyenne, Piano
1
Voix duo, Piano
1
Chorale
1
Voix haute
1
Chorale Unison
1
+ 9 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
11
Flûte, Hautbois, Clarinette, Basson
10
Flûte traversière et Piano
10
Quintette de Saxophone: 5 saxophones
9
Clarinette et Piano
8
Quatuor de Clarinettes: 4 clarinettes
7
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Piano (duo)
6
Clarinette
6
3 Saxophones (trio)
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
2 Flûte à bec (duo)
5
Flûte traversière
5
2 Saxophones (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Quintette de Flûte : 5 flûtes
4
Saxophone Baryton, Piano
3
Saxophone Alto et Piano
3
2 Flûtes traversières (duo)
3
2 Clarinettes (duo)
3
Ensemble de saxophones
2
Quatuor de Flûtes à bec
2
Hautbois
2
Saxophone Soprano et Piano
2
Saxophone Tenor et Piano
2
Cor anglais, Piano
2
Clarinette, Basson (duo)
1
3 Clarinettes (trio)
1
5 Flûtes à bec
1
Clarinette Basse, Piano
1
Flûte à bec, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Clarinette (duo)
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à Bec
1
Clarinette, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Violoncelle
1
2 Hautbois (duo)
1
Flûte à bec Soprano
1
Flûte irlandaise
1
Flûte, Violon, Violoncelle et Piano
1
+ 39 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette, Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trombone et Piano
3
Trompette
3
Tuba et Piano
2
Euphonium, Piano (duo)
2
Cor
2
Trombone
2
Cor et Piano
2
Quatuor de cuivres: 4 trombones
2
Tuba
2
Cor anglais, Piano
2
2 Euphoniums et 2 Tubas
1
4 Tubas
1
Cor, Orchestre
1
2 Trombones (duo)
1
Quatuor de Cuivres
1
Ensemble de Trompettes
1
2 Cors (duo)
1
2 Trompettes (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
30
Violon et Piano
8
Trio à Cordes: violon, alto, violoncelle
7
Violoncelle
7
Violon
6
Alto, Piano
6
Alto seul
6
Trio à Cordes: 2 violons, violoncelle
4
Violoncelle, Piano
4
Alto, Violoncelle (duo)
3
2 Violoncelles (duo)
2
2 Violons (duo)
2
2 Altos (duo)
2
Violon, Violoncelle (duo)
2
Violon, Alto (duo)
2
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
Violoncelle, Orchestre
1
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes : 4 altos
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre
54
Orchestre à Cordes
13
Orchestre d'harmonie
8
Orchestre de chambre
8
Ensemble de cuivres
6
Piano et Orchestre
4
Cloches
1
Jazz combo
1
Cajon
1
Voix et Orchestre
1
Fanfare
1
Orchestre, Violon
1
+ 7 instrumentations
Retracter
Autres
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Instruments
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CITHARE
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CLARINETTE
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COR ANGLAIS
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DOBRO - GUI…
DULCIMER
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FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
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LUTH, THEOR…
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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RAGTIME
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Trad German
Orchestre de chambre
Partitions à imprimer
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1
Concerto Grosso in F minor.
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Fr…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
27.61 €
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Orchestre de chambre
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.53 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Joseph White: La Bella Cubana for chamber orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph Wh…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
9.19 €
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Orchestre de chambre
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Joseph White
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Robert Debbaut
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Joseph White: La Bella Cubana for chamber orchestra - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Concerto in E flat "Dumbarton Oaks"
Orchestre de chambre
Chamber orchestra - Digital Download SKU: S9.Q21374 For chamber orchestra. C…
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Chamber orchestra - Digital Download SKU: S9.Q21374 For chamber orchestra. Composed by Igor Stravinsky. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 15 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q21374. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21374). English • German.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$13.99
12.88 €
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Orchestre de chambre
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Igor Stravinsky
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Concerto in E flat "Dumbarton Oaks"
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.67 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Cantata No. 12 (Dominica Jubilate)
Orchestre de chambre
3 solo parts, choir and chamber orchestra - Digital Download SKU: S9.Q4578 Weepi…
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3 solo parts, choir and chamber orchestra - Digital Download SKU: S9.Q4578 Weeping, crying, sorrowing, sighing. Composed by Johann Sebastian Bach. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q4578. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4578). German.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$10.99
10.11 €
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Orchestre de chambre
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Johann Sebastian Bach
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Cantata No. 12
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Cantata No. 104 (Dominica Misericordias Domini)
Orchestre de chambre
2 solo parts, choir and chamber orchestra - Digital Download SKU: S9.Q12486 Thou…
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2 solo parts, choir and chamber orchestra - Digital Download SKU: S9.Q12486 Thou Shepherd bountiful. Composed by Johann Sebastian Bach. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 23 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q12486. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12486). German.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$11.99
11.03 €
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Orchestre de chambre
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Johann Sebastian Bach
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Cantata No. 104
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Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Cantata No. 56 (Cross-staff Cantata, Dominica 19 post Trinitatis)
Orchestre de chambre
Bass, choir and chamber orchestra - Digital Download SKU: S9.Q4582 I will my cro…
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Bass, choir and chamber orchestra - Digital Download SKU: S9.Q4582 I will my cross-staff gladly carry. Composed by Johann Sebastian Bach. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q4582. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4582). German.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$10.99
10.11 €
#
Orchestre de chambre
#
Johann Sebastian Bach
#
Cantata No. 56
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
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