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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Traditional Jewish Music
Non classifié
149
Piano & claviers
Piano, Voix
127
Piano Facile
62
Piano, Voix et Guitare
60
Piano seul
42
Accordéon
26
Instruments en Do
8
1 Piano, 4 mains
5
Orgue
5
Accordéon, Voix
4
Piano grosses notes
2
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
Accompagnement Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Ligne De Mélodie, Piano
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
181
Guitare notes et tablatures
53
Guitare
31
Ukulele
4
Guitare, Violon, Violoncelle (trio)
1
Mandoline
1
Ensemble de guitares
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
42
Chorale 2 parties
15
Chorale Unison
11
Chorale 3 parties
10
Voix duo, Piano
6
Chorale
6
Chorale SSAA
4
Chorale TTBB
3
Voix seule
2
Voix haute
1
+ 5 instrumentations
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Vents
2 Saxophones (duo)
46
2 Clarinettes (duo)
27
Saxophone, Clarinette (duo)
23
2 Flûtes traversières (duo)
20
Clarinette, Trompette (duo)
16
Clarinette, Violon (duo)
16
Quatuor de Saxophones: 4 saxophones
12
Quatuor de Clarinettes: 4 clarinettes
12
Flûte, Clarinette (duo)
12
Flûte, Violon
11
2 Hautbois (duo)
10
Hautbois, Basson (duo)
9
Hautbois, Flûte
9
Clarinette et Alto
9
Flûte, Saxophone (duo)
8
Quatuor de Flûtes à bec
8
Flûte, Alto (duo)
7
Flûte, Trompette (duo)
7
Hautbois, Clarinette (duo)
7
Clarinette et Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte traversière et Piano
4
Ensemble de Flûtes
3
Ensemble de Clarinettes
3
Saxophone Alto et Piano
3
Quatuor de Flûtes : 4 flûtes
2
Hautbois, Piano (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
3 Saxophones (trio)
2
Saxophone Tenor et Piano
2
Saxophone Alto
2
Trio de Flûtes: 3 flûtes
2
Clarinette
2
Ocarina
1
2 Clarinettes, Basson
1
Flûte traversière
1
3 Clarinettes (trio)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Basson
1
Hautbois, violon (duo)
1
Saxophone Soprano et Piano
1
Flûte, Hautbois (duo)
1
Flûte, Violon et Violoncelle
1
Flûte et Guitare
1
Quintette de Saxophone: 5 saxophones
1
Clarinette, Guitare (duo)
1
+ 41 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
17
2 Trompettes (duo)
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
2 Trombones (duo)
9
Trompette, Trombone (duo)
9
Instruments en Sib
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Tubas (duo)
2
Trombone
2
Trio de Cuivres
2
Trompette, Piano
2
Quatuor de cuivres: 4 trombones
2
2 Cors (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres
1
+ 12 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
55
2 Violons (duo)
17
Violon, Violoncelle (duo)
15
Violon et Piano
11
2 Altos (duo)
10
2 Violoncelles (duo)
10
Violon, Alto (duo)
9
Violon
7
Alto, Piano
7
Harpe
6
Violoncelle
5
Trio à cordes
4
Trio à Cordes: violon, alto, violoncelle
4
Alto seul
3
Violoncelle, Piano
3
Violon (partie séparée)
3
Violon, Guitare (duo)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
Trio à cordes: 3 violins
1
Violoncelle (partie séparée)
1
4 Violoncelles
1
Trio à cordes: 3 altos
1
+ 22 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
12
Orchestre à Cordes
11
Ensemble de cuivres
6
Orchestre de chambre
5
Cloches
2
Orchestre
2
Percussion (partie séparée)
1
Ensemble Jazz
1
+ 3 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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TROMPETTE
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Vous avez sélectionné:
Traditional Jewish Music
Orchestre de chambre
Partitions à imprimer
5 partitions trouvées
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Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
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Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Bashana for String Quartet (3 Violins & Cello) or Piano Quintet
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Orchestre de chambre
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INTERMÉDIAIRE
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traditional Jewish
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Daniel Kelley
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Bashana for String Quartet
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Last Resort Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.530122 Composed by traditional Jewish. Arranged by Daniel Kelley. Concert,Jewish,Standards,Wedding,World. Score an...
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Chamber Orchestra - Level 3 - SKU: A0.530122 Composed by traditional Jewish. Arranged by Daniel Kelley. Concert,Jewish,Standards,Wedding,World. Score and parts. 13 pages. Last Resort Music Publishing #1920797. Published by Last Resort Music Publishing (A0.530122). Enjoy this gorgeous arrangement of Bashana, a Traditional Jewish Song. Includes a set of parts for string quartet plus an optional part for Part 3 Violin (instead of Viola). The Violin parts may also be played by Flute or Oboe. Parts included: Part 1 Flute or Oboe or Violin Part 2 Flute or Oboe or Violin Part 3 Viola (in alto clef) Part 3 Violin (optional) Part 4 Cello or Bassoon Keyboard or Guitar (optional) and Score. 2016 Arrangement New Release. Check out more flexible arrangements at www.lastresortmusic.com.
$7.95
Klezmer Fantasy: Concertino for Klezmer Clarinet and String Quartet
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Orchestre de chambre
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AVANCÉ
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Harold Seletsky
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Klezmer Fantasy: Concertino fo
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Robin Seletsky
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.978024 Composed by Harold Seletsky. Concert,Contemporary,Jewish. Score and parts. 86 pages. Robin Seletsky #498540...
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Chamber Orchestra - Level 5 - SKU: A0.978024 Composed by Harold Seletsky. Concert,Contemporary,Jewish. Score and parts. 86 pages. Robin Seletsky #4985407. Published by Robin Seletsky (A0.978024). Klezmer Fantasy fuses the unbridled joyousness of traditional klezmer with the complexity and demands of true chamber music. Composed in 1997 by Harold Seletsky, this 12-minute composition was awarded first prize by the American Society for Jewish Music with the citation reading: Seletsky has written an extraordinary work that pulls out all the stops for the klezmer player. It is fully notated but with ample room to inflect and improvise in the klezmer style if the player so chooses.
$30.00
Concertino - for clarinet, mandolin and symphony orchestra
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Orchestre de chambre
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Klezmer
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, man
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029....
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Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
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Traditional Jewish Music
