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COR ANGLAIS
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FLUTE DE PA…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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Non classifié
335
PIANO & CLAVIERS
Piano seul
179
Orgue
103
Accompagnement Piano
26
Piano, Voix
23
Piano Facile
18
Piano Trio: piano, violon, violoncelle
9
Piano, Voix et Guitare
8
Instruments en Do
7
1 Piano, 4 mains
6
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
2
2 Pianos, 4 mains
1
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GUITARES
Guitare notes et tablatures
14
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9
Mandoline
2
Dulcimer
2
Ukulele
2
4 Guitares (Quatuor)
1
Banjo
1
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VOIX
Chorale SATB
102
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41
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39
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25
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17
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12
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11
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3
Voix Alto, Piano
1
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Flûte traversière et Piano
33
Hautbois, Piano (duo)
26
2 Flûtes traversières (duo)
22
Saxophone Alto et Piano
19
2 Saxophones (duo)
18
Saxophone Tenor et Piano
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Clarinette et Piano
16
Quatuor de Clarinettes: 4 clarinettes
15
Quatuor de Saxophones: 4 saxophones
14
Flûte, Clarinette (duo)
14
Saxophone Soprano et Piano
12
2 Clarinettes (duo)
10
3 Saxophones (trio)
10
Flûte, Hautbois, Clarinette, Basson
9
Quintette de Saxophone: 5 saxophones
9
Saxophone Baryton, Piano
9
Trio de Flûtes: 3 flûtes
9
Quatuor de Flûtes : 4 flûtes
7
Clarinette
5
Flûte traversière
5
Ensemble de saxophones
4
Saxophone, Clarinette (duo)
4
Hautbois, Flûte
4
Clarinette, Basson (duo)
4
Clarinette, Harpe (duo)
3
Ensemble de Clarinettes
3
Flûte, Violon, Piano
3
Saxophone et Harpe
3
2 Flûte à bec (duo)
3
Cor anglais, Piano
3
Flûte, Violon
3
3 Clarinettes (trio)
3
Clarinette, Violon (duo)
3
Ensemble de Flûtes
3
Clarinette, Trompette (duo)
2
Flûte, Violoncelle
2
Quintette de Flûte : 5 flûtes
2
Flûte, Trombone (duo)
2
Hautbois, Basson (duo)
2
Flûte, Basson et Piano
2
Flûte, Saxophone (duo)
2
2 Clarinettes, Piano
2
Flûte, Alto (duo)
2
2 Flûtes traversières, Piano
1
Flûte, Trompette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
2 Hautbois (duo)
1
Flûte à bec Soprano
1
Saxophone, Violon (duo)
1
Flûte à bec Alto
1
Flûte, Clarinette et Basson
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
5 Flûtes à bec
1
Cornemuse
1
Clarinette et Alto
1
Saxophone
1
Flûte à Bec
1
Flûte et Guitare
1
Flûte, Alto et Piano
1
Clarinette, trompette et piano
1
Saxophone (partie séparée)
1
3 Flûtes à bec (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Alto
1
Hautbois, Clarinette (duo)
1
Quatuor de Flûtes à bec
1
Flûte, trombone et piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Harpe
1
2 Saxophones, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
42
Trombone et Piano
25
Trompette, Piano
20
Cor et Piano
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trompette
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de cuivres: 4 cors
6
Tuba et Piano
4
2 Trompettes (duo)
4
Cor et Harpe
3
2 Trombones (duo)
3
Quatuor de cuivres: 4 trombones
3
Trombone
3
Trompette, Trombone (duo)
3
Tuba
3
Cor anglais, Piano
3
Cor
3
Trompette, Saxophone (duo)
3
Quatuor de Cuivres
3
Trompette, Cor (duo)
3
Trombone, Orgue
2
Trombone (partie séparée)
2
Ensemble de Trombones
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Cors (duo)
1
Trompette, Violoncelle et Piano
1
Ensemble de Cors
1
Trompette, Violoncelle (duo)
1
Euphonium, Piano (duo)
1
Trompette, violon (duo)
1
Trompette, Harpe
1
Ensemble de Trompettes
1
Instrumentations suivantes
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CORDES
Violon et Piano
46
Quatuor à cordes: 2 violons, alto, violoncelle
32
Violoncelle, Piano
28
2 Harpes (duo)
26
2 Violons (duo)
25
Alto, Piano
24
Trio à Cordes: violon, alto, violoncelle
20
Trio à Cordes: 2 violons, violoncelle
19
Violon, Violoncelle (duo)
16
Harpe
12
2 Violoncelles (duo)
9
Violon
8
Piano Trio: Violon, Alto, Piano
5
Violon, Alto (duo)
4
Alto seul
4
Violoncelle (partie séparée)
4
Harpe, Violoncelle (duo)
3
Harpe, Violon (duo)
3
2 Altos (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Alto et Harpe
3
Trio à cordes: 3 violins
2
Contrebasse, Piano (duo)
2
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 altos
1
Ensemble de Violons
1
Violoncelle, Orgue
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Quatuor à cordes: 4 violons
1
Ensemble d'Altos
1
Violoncelle
1
Quatuor à cordes : 4 altos
1
Harpe, Flûte (duo)
1
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PERCUSSIONS & ORCHESTRES
Cloches
91
Orchestre d'harmonie
28
Orchestre
20
Ensemble de cuivres
17
Orchestre à Cordes
11
Orchestre de chambre
7
Ensemble Jazz
3
Marimba
1
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AUTRES
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Traditional hymn tune and Traditional hymn tune
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Partitions à imprimer
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All Will Be Well--Full score and Parts
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.829318 Composed by Text: Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.829318 Composed by Text: Mary Peters / Music: Traditional Welsh Tune. Arranged by Lyndell Leatherman. Contemporary. Score and parts. 36 pages. Leatherman Music Services #5732433. Published by Leatherman Music Services (A0.829318). All Will Be Well – the well-loved hymn of comfort and hope which is the basis for this new choral arrangement – is appropriate for church use almost year-round, but would be especially poignant in the midst of the 2020 Pandemic or its aftermath.
$24.99
23.06 €
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Orchestre de chambre
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Text: Mary Peters / Music: Traditional Welsh Tune
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Lyndell Leatherman
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All Will Be Well--Full score and Parts
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Leatherman Music Services
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SheetMusicPlus
Be Thou My Vision – String Quartet and Optional Keyboard
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753458 Composed by Unknown. …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.753458 Composed by Unknown. Arranged by Christina Harmon. Christian,Contemporary,Wedding. Score and parts. 20 pages. Christina Harmon #6050945. Published by Christina Harmon (A0.753458). Scored for String Quartet and Keyboard. Traditional Irish Tune: Slane. An exciting and challenging arrangement of a well-known hymn. Suitable all year for church services, weddings, and funerals. Advanced. Performance approx. 3 1/2 minutes.
$5.50
5.08 €
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Orchestre de chambre
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Unknown
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Christina Harmon
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Be Thou My Vision – String Quartet and Optional Keyboard
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Christina Harmon
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SheetMusicPlus
Be Thou My Vision
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditio…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
69.22 €
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Orchestre de chambre
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
#
SheetMusicPlus
Praise God, from Whom All Blessings Flow (Doxology)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1137414 Composed by Geistlic…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1137414 Composed by Geistlich Kirchengesänge (1623), harmonized by Ralph Vaughan Williams (1906). Arranged by D. Jason Bishop. Christian,Praise & Worship,Renaissance,Sacred,Traditional. Score and parts. 26 pages. Tully Road Music #737619. Published by Tully Road Music (A0.1137414). This is an orchestration by D. Jason Bishop of LASST UNS ERFREUEN, a hymn tune from the 1623 Geistliche Kirchengesänge harmonized by Ralph Vaughan Williams in 1906. It is commonly used for the Doxology “Praise God, from Whom All Blessings Flow†as printed in The United Methodist Hymnal (page 94) and in 435 other hymnals. Instrumentation is 2.2.2.2 – 2.3.3.0 - timp/perc - org - strings - choir. This orchestration incorporates brass parts by John F. Wilson and is designed to follow an introduction by a solo organist in worship (introduction not provided). PDF includes full score and all parts.
$10.00
9.23 €
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Orchestre de chambre
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Geistlich Kirchengesänge
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D
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Praise God, from Whom All Blessings Flow
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Tully Road Music
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.95 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Nearer, My God, to Thee
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1106806 By Matthew Still. By…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1106806 By Matthew Still. By Matthew Still. Arranged by Matthew Still. 20th Century,Chamber,Classical,Religious,Traditional. Score and Parts. 23 pages. Matthew Still #709680. Published by Matthew Still (A0.1106806). This is a new orchestral setting of the hymn tune BETHANY by Lowell Mason (Nearer, My God, to Thee), arranged for string quintet, flute/oboe, trumpet, harp, and piano accompaniment.
$5.00
4.61 €
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Orchestre de chambre
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Matthew Still
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Matthew Still
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Nearer, My God, to Thee
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Matthew Still
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
55.38 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
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