English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
340
Partitions
Numériques
27
Librairie
Musicale
0
Matériel
de Musique
219
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
821
PIANO & CLAVIERS
Piano seul
791
Piano, Voix
139
Piano, Voix et Guitare
117
Piano Facile
83
Instruments en Do
48
Orgue
45
1 Piano, 4 mains
24
2 Pianos, 4 mains
13
Piano Quatuor: piano, violon, alto, violoncelle
12
Accompagnement Piano
7
Piano Trio: piano, violon, violoncelle
7
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accordéon
3
Clavecin
2
Piano grosses notes
2
2 Accordéons
1
1 Piano, 6 mains
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
51
Ukulele
42
Guitare notes et tablatures
34
Ligne De Mélodie, (Paroles) et Accords
14
Guitare (partie séparée)
9
4 Guitares (Quatuor)
9
2 Guitares (duo)
4
Dulcimer
3
Basse electrique
2
Mandoline
2
Piano, Guitare (duo)
1
Ensemble de guitares
1
Banjo
1
3 Guitares (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
246
Chorale 3 parties
84
Chorale 2 parties
41
Chorale TTBB
35
Chorale SSAA
22
Chorale Unison
17
Voix duo, Piano
9
Voix Soprano, Piano
7
Voix Alto, Piano
5
Voix haute
5
Voix Baryton, Piano
5
Voix duo
3
Voix Tenor, Piano
3
Voix seule
2
Voix moyenne, Piano
2
Voix basse, Piano
1
Voix Tenor
1
Chorale
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
84
Quatuor de Saxophones: 4 saxophones
83
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
80
Clarinette et Piano
63
Saxophone Alto et Piano
53
Flûte, Hautbois, Clarinette, Basson
52
Hautbois, Piano (duo)
52
Saxophone (partie séparée)
38
2 Saxophones (duo)
37
Saxophone Soprano et Piano
36
Clarinette
35
Quintette de Saxophone: 5 saxophones
35
2 Flûtes traversières (duo)
32
Flûte traversière
32
Saxophone Tenor et Piano
32
2 Clarinettes (duo)
31
Saxophone Alto
31
Quatuor de Clarinettes: 4 clarinettes
24
Saxophone Tenor
21
Saxophone Baryton, Piano
21
Ensemble de Flûtes
19
Ensemble de Clarinettes
16
Flûte, Clarinette (duo)
15
Cor anglais, Piano
13
Saxophone, Clarinette (duo)
12
Hautbois (partie séparée)
12
Clarinette, Violon (duo)
11
Clarinette, Trompette (duo)
11
Quatuor de Flûtes : 4 flûtes
10
Clarinette Basse, Piano
9
Hautbois, Basson (duo)
9
Flûte, Alto (duo)
8
Quintette de Clarinettes: 5 clarinettes
7
2 Hautbois (duo)
7
Hautbois, Flûte
7
Hautbois, Clarinette (duo)
7
Flûte à Bec
6
Trio de Flûtes: 3 flûtes
6
Flûte, Trompette (duo)
6
3 Clarinettes (trio)
6
5 Flûtes à bec
5
Clarinette et Alto
5
Clarinette, Guitare (duo)
5
Flûte, Violon
4
Flûte, Saxophone (duo)
4
Flûte, Clarinette, Piano (trio)
4
Saxophone Soprano
4
Ensemble de saxophones
4
Quintette de Flûte : 5 flûtes
3
Hautbois, Guitare (duo)
3
Quatuor de Flûtes à bec
3
Flûte et Guitare
3
Hautbois
3
Flûte, Violon, Piano
3
Clarinette, Basson (duo)
3
2 Flûte à bec (duo)
3
Cor anglais, Guitare (duo)
3
Clarinette, Violoncelle, Piano (trio)
2
Saxophone et Harpe
2
Saxophone Baryton
2
Flute (partie séparée)
2
Clarinette, Violoncelle (duo)
2
Harmonica
2
3 Saxophones (trio)
2
Piccolo, Piano
2
Flûte, Hautbois (duo)
2
Saxophone et Guitare
1
Flûte, Clarinette et Basson
1
Flûte, Basson et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano, Piano
1
2 Flûtes traversières, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Alto, Basse continue
1
Clarinette, Trombone (duo)
1
Clarinette, Harpe (duo)
1
Flute, alto, violoncelle et guitare
1
Flûte, Violoncelle, Guitare
1
Flûte, Hautbois, Piano (trio)
1
Cor Anglais
1
Hautbois et alto (duo)
1
Hautbois, violon (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
68
Trombone et Piano
45
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trompette
39
Trompette, Piano
35
Cor et Piano
29
Cor
22
Trombone (partie séparée)
22
Tuba et Piano
21
Trombone
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trompette (partie séparée)
15
Cor anglais, Piano
13
Tuba
11
Trompette, Saxophone (duo)
11
2 Trompettes (duo)
10
Euphonium, Piano (duo)
10
2 Trombones (duo)
8
Trompette, Trombone (duo)
6
Ensemble de Trombones
5
Quatuor de Cuivres
5
Quatuor de cuivres: 4 trombones
4
2 Cors (duo)
4
Trompette, violon (duo)
3
Ensemble de Trompettes
3
Cor anglais, Guitare (duo)
3
2 Euphoniums et 2 Tubas
2
Trio de Cuivres
2
Ensemble de Cors
2
Quatuor de cuivres: 4 cors
2
Cor et Harpe
1
Tuba et Orgue
1
Trompette, Harpe
1
3 Trombones (trio)
1
Trompette, Cor (duo)
1
Tuba (partie séparée)
1
Cor Anglais
1
Cor (partie séparée)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
194
Violon et Piano
93
Violoncelle, Piano
74
Alto, Piano
66
Violon
54
Violoncelle
46
Harpe
43
2 Violons (duo)
28
Trio à Cordes: violon, alto, violoncelle
26
Violon, Violoncelle (duo)
25
Contrebasse, Piano (duo)
20
Alto seul
15
Trio à Cordes: 2 violons, violoncelle
15
Violon, Alto (duo)
14
2 Violoncelles (duo)
12
Contre Basse
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Alto (partie séparée)
9
2 Altos (duo)
9
Contrebasse (partie séparée)
6
Violon (partie séparée)
5
2 Harpes (duo)
4
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 violins
3
Violoncelle , Guitare (duo)
3
Harpe, Violon (duo)
2
Ensemble de Violons
2
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
2
4 Violoncelles
2
Alto, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle (partie séparée)
2
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Basse continue
1
Alto et Basson
1
Harpe, Voix
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
229
Orchestre
121
Orchestre à Cordes
92
Cloches
69
Ensemble Jazz
69
Ensemble de cuivres
60
Orchestre de chambre
27
Jazz combo
17
Ensemble de Percussions
11
Batterie
9
Fanfare
6
Batterie (partie séparée)
4
Xylophone, Piano
2
Vibraphone
1
Piano et Orchestre
1
Marimba
1
3 Percussions
1
Orchestre, Violon
1
Marimba, Piano (duo)
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Turn It Down!
Orchestre de chambre
Partitions à imprimer
27 partitions trouvées
<
1
26
Turning Point At Midnight
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.779081 Composed by Don Hodel…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.779081 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Rock,Video Game,World. Score and parts. 3 pages. Don Hodell Chilcote #6231317. Published by Don Hodell Chilcote (A0.779081). Turning Point At Midnight is for piano solo or ensemble. This is an original tune with a great funky vibe. The piece has a distinct and unique introduction, and development. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. This is a sketch chart and there is some improvisation in it.
$2.99
2.72 €
#
Orchestre de chambre
#
Don Hodell Chilcote
#
Don Hodell Chilcote
#
Turning Point At Midnight
#
Don Hodell Chilcote
#
SheetMusicPlus
Nocturne for Strings- Op. 26
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.987737 Composed by Dana Tayl…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.987737 Composed by Dana Taylor. Contemporary. Score and parts. 13 pages. Dana Taylor Music #28939. Published by Dana Taylor Music (A0.987737). Nocturne for Strings is a rondo where each section of the orchestra has a chance to stand out. I chose Advanced Intermediate because the mode tends to be mixolydian, with shifting tonal centers and keys, but always melodic,and the parts are interesting. Depending on your group Nocturne is full of teachable moments, from what makes it modal to how go we modulate from one key to the next, and why. And your musicians and audience alike will be humming this afterward. Parts sold separately.
$30.00
27.32 €
#
Orchestre de chambre
#
Dana Taylor
#
Nocturne for Strings- Op. 26
#
Dana Taylor Music
#
SheetMusicPlus
Entre Nous for Strings
Orchestre de chambre
String Ensemble,String Quintet - Level 1 - Digital Download SKU: A0.799652 Composed…
(+)
String Ensemble,String Quintet - Level 1 - Digital Download SKU: A0.799652 Composed by D. M. Gardner. Concert. Score and parts. 25 pages. D. M. Gardner Music #481035. Published by D. M. Gardner Music (A0.799652). This very popular piece has enjoyed performances across the country. Entre Nous was originally premiered in Omaha, Nebraska with the University of Nebraska Chamber Orchestra. Soon, Entre Nous made it's way to places such as Florida, Texas, and most recently, Iowa, where this newest revision was premiered. Entre Nous has faired well in competition and recital and is sure to be a great addition the repertoire of any chamber orchestra.Entre Nous (between me and thee) is a conversation between a man and his God. It is a single movement, ternary composition, mirroring the Holy Trinity. Beginning in a solemn g minor, it quickly moves forward with an endless flow of eighth note counterpoint, emerging enchantingly into the flowing melancholy melody of the B section. The second A surfaces in a minor with a sudden new energy and direction, slipping into a deeply contemplative, ethereally enchanting ending.Entre Nous is also a very unique and interesting piece, perhaps the reason for its popularity. Structurally, it turns upside-down a number of times, each line becoming the melody at some point. A very linear piece, melodic interweaving and predominance give Entre Nous a characteristic that can be best described as enchanting. Much of the melody being perceived is actually a combination of several lines of music at once, often in contrast to another melody or two beneath.Premiere: University of Nebraska at Omaha - Chamber Orchestra - April 30, 1997Difficulty: Moderate - A great piece for middle school or youth orchestras. Great for competition. Entre Nous has been performed for several competitions and a graduate audition at Florida State.Number of Pages: 25 total printed pagesApprox. 7 minutes and 34 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$19.99
18.2 €
#
Orchestre de chambre
#
D
#
Entre Nous for Strings
#
D. M. Gardner Music
#
SheetMusicPlus
Legacy for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brand…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
36.42 €
#
Orchestre de chambre
#
Sy Brandon
#
Legacy for Chamber Orchestra
#
Sy Brandon
#
SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.98 €
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
H.M.S. Surprise
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1410415 Composed by Julian H…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. Published by Julian Harvey (A0.1410415). Having read many of the novels of Patrick O'Brian about the British Navy during the Napoleonic Wars, I thought I would write music for a hypothetical film based on these novels. I started H.M.S. Surprise long before I learned that such a film, Master and Commander: The Far Side of the World was actually being made. I had neither seen the movie nor heard the music used in it.H.M.S. Surprise consists of two movements for chamber orchestra. The first, In the Harbour, serves as an introducton. It portrays an existence which is peaceful and devoid of the difficulties to be encountered later. To be sure, there is some back-street intrigue and romantic entanglement, but life is generally pleasant. The second movement, At Sea, immediately follows the first and is considerably longer and more programmatic. It begins with typical adventure at sea music and soon becomes an imitation of a sailor's hornpipe, begun by the flute. Next comes the storm or the battle or perhaps both at the same time. Calm returns and the sailors give thanks by singing a hymn. Thanksgiving turns to celebration as everyone on deck plays one tune or another, including even the Captain, Jack Aubrey, who plays the violin. Later Captain Aubrey and his friend, Steven Maturin, physician, spy and cellist, play a duet before the music comes to a rousing conclusion.
$20.00
18.21 €
#
Orchestre de chambre
#
Julian Harvey
#
H.M.S. Surprise
#
Julian Harvey
#
SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.43 €
#
Orchestre de chambre
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
For String Quartet and Piano: Mozart's 24th Piano Concerto, K. 491 - 2nd Movement
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882865 Composed by Wolfgang …
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882865 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 23 pages. Geoffrey Loff #2881387. Published by Geoffrey Loff (A0.882865). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
3.64 €
#
Orchestre de chambre
#
arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art
#
Wolfgang Amadeus Mozart
#
Geoffrey Loff
#
For String Quartet and Piano: Mozart's 24th Piano Concerto, K. 491 - 2nd Movement
#
Geoffrey Loff
#
SheetMusicPlus
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 2nd Movement
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882858 Composed by Wolfgang …
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882858 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 24 pages. Geoffrey Loff #1988435. Published by Geoffrey Loff (A0.882858). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
3.64 €
#
Orchestre de chambre
#
arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art
#
Wolfgang Amadeus Mozart
#
Geoffrey Loff
#
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 2nd Movement
#
Geoffrey Loff
#
SheetMusicPlus
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 1st Movement
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882855 Composed by Wolfgang …
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882855 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 70 pages. Geoffrey Loff #1988433. Published by Geoffrey Loff (A0.882855). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
3.64 €
#
Orchestre de chambre
#
arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art
#
Wolfgang Amadeus Mozart
#
Geoffrey Loff
#
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 1st Movement
#
Geoffrey Loff
#
SheetMusicPlus
BH015REC - Recorder Quartet Songs, Book 15 (>70 pages)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921196 Composed by Carl Van …
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921196 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 94 pages. Carl Van Pevenage #4324591. Published by Carl Van Pevenage (A0.921196). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 141 Folk dance: The ballad of the King's cookChansonnette 142 Romantic song: Broken Wings Chansonnette 143 Folk dance: His castle on the hill Chansonnette 144 Daughter's reflection Chansonnette 145 Maybe old, probably not wise, happy for sure Chansonnette 146 Romantic song: Turn your face to the sun Chansonnette 147 Hello Mr. Fun Chansonnette 148 A day of my lifeChansonnette 149 PrayerChansonnette 150 A strong personality.
$9.95
9.06 €
#
Orchestre de chambre
#
Carl Van Pevenage
#
BH015REC - Recorder Quartet Songs, Book 15
#
Carl Van Pevenage
#
SheetMusicPlus
On The road To Mandalay for Tenor and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.771584 Composed by Oley Spea…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.771584 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 113 pages. PRS&B #379228. Published by PRS&B (A0.771584). On The Road To Mandalay- for Tenor and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Tenor (C- F Sharp)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.
$70.00
63.74 €
#
Orchestre de chambre
#
the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Tenor
#
Oley Speaks, Rudyard Kipling
#
John Hoesly
#
On The road To Mandalay for Tenor and Chamber Orchestra
#
PRS&B
#
SheetMusicPlus
Ding Dong Merrily on High - Strings
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801491 Composed by Jehan Tab…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801491 Composed by Jehan Tabourout. Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 4 pages. Connie Boss #6039567. Published by Connie Boss (A0.801491). This is a fun strings version of this song. It has lots of moving parts and a unique intro. Everyone gets to take a turn at melody and harmonies...etc.....cdboss@cvalley.net
$5.00
4.55 €
#
Orchestre de chambre
#
Jehan Tabourout
#
Connie Boss
#
Ding Dong Merrily on High - Strings
#
Connie Boss
#
SheetMusicPlus
On The road To Mandalay for Baritone and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.771583 Composed by Oley Spea…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.771583 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 109 pages. PRS&B #379227. Published by PRS&B (A0.771583). On The Road To Mandalay- for Baritone and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Baritone (A Flat- D)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.
$70.00
63.74 €
#
Orchestre de chambre
#
the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Baritone
#
Oley Speaks, Rudyard Kipling
#
John Hoesly
#
On The road To Mandalay for Baritone and Chamber Orchestra
#
PRS&B
#
SheetMusicPlus
Fitch Overture for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Di…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00
9.11 €
#
Orchestre de chambre
#
Joseph Dillon Ford
#
Fitch Overture for chamber orchestra
#
David Warin Solomons2
#
SheetMusicPlus
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Co…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
15.43 €
#
Orchestre de chambre
#
Carson Cooman
#
Symphony No. 2, "Litanies of Love and Rain"
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Ob…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
9.1 €
#
Orchestre de chambre
#
Thomas Oboe Lee
#
Symphony No. 8 ... City of Light
#
Thomas Oboe Lee
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.63 €
#
Orchestre de chambre
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Where Have I Danced With You Before
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1275397 By Return To Forever…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1275397 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. Score and Parts. 26 pages. Jeff Tincher #867324. Published by Jeff Tincher (A0.1275397). Here is a short lively composition from Jazz Fusion artists Return To Forever. It highlights Chick Corea's composition and playing styles. In the original key from their Where Have I Known You Before LP. Duration = 1:18. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$50.00
45.53 €
#
Orchestre de chambre
#
Return To Forever
#
Jeff Tincher
#
Where Have I Danced With You Before
#
Jeff Tincher
#
SheetMusicPlus
Autumn's Winter
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1262617 Composed by Mitchell…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1262617 Composed by Mitchell Woodruff. 21st Century,Chamber,Contemporary,Contest,Festival,Pop. Score and Parts. 17 pages. M. Woodruff #855634. Published by M. Woodruff (A0.1262617). Autumn's Winter is a piece that displays both good and bad times. Farmers and gardeners alike have a fear of an early freeze, one that destroys the crops they spent time cultivating. This song depicts that fear, turning the meaning of the common phrase Ending on a high note into something full of anxiety. It ends with a release into silence, telling us that life goes on, hard moments are only temporary.
$25.00
22.76 €
#
Orchestre de chambre
#
Mitchell Woodruff
#
Autumn's Winter
#
M. Woodruff
#
SheetMusicPlus
THE PRINCE and the FIREBIRD for Baritone and instruments.
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1470457 Composed by Alan Edg…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1470457 Composed by Alan Edgar. 20th Century. 94 pages. Alan Edgar Ted Moon #1048177. Published by Alan Edgar Ted Moon (A0.1470457). The PRINCE & the FIREBIRD: Baritone, with String Quartet, optional Flute, Oboe, Clarinet, Bassoon, Horn, Double Bass. My version of the Slavic fairy tale which exists in many forms. Ogor, an immortal, evil Czar-wizard, stole children, pretended they were his princes and princesses but controlled and punished them with spells. He sent our hero Prince Ivan to capture the firebird which had been pecking at the Castle's golden apples. He faced many challenges, but he was helped by a wolf who turns out to be Princess Lenka under a spell. When the firebird was captured, it made a deal with Ivan and with its magic helped him deal with the Czar. Ivan, Lenka and the Kingdom are happy ever after.I attempted to create an exotic sound-world by using throughout the Hungarian Gypsy scale.
$32.00
29.14 €
#
Orchestre de chambre
#
Alan Edgar
#
THE PRINCE and the FIREBIRD for Baritone and instruments.
#
Alan Edgar Ted Moon
#
SheetMusicPlus
In Memoriam - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
7.28 €
#
Orchestre de chambre
#
Robert A
#
In Memoriam - Score Only
#
Robert A. Howard
#
SheetMusicPlus
Trumpet Concerto
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1456078 Composed by Julian H…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1456078 Composed by Julian Harvey. 21st Century,Classical,Contemporary. 127 pages. Julian Harvey #1034125. Published by Julian Harvey (A0.1456078). This work is written for solo trumpet in C and small orchestra. It consists of three movements: Introduction and Fugue, Romanza and Rondo. There is a maestoso return of the opening trumpet theme from the first movement in the Rondo. The Concerto was premiered by the Chicago Chamber Orchestra under the direction of Dieter Kober with Ross Beacraft as the soloist.
$20.00
18.21 €
#
Orchestre de chambre
#
Julian Harvey
#
Trumpet Concerto
#
Julian Harvey
#
SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.28 €
#
Orchestre de chambre
#
Karl Friedrich Abel
#
Guido Menestrina
#
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
#
Guido Menestrina
#
SheetMusicPlus
Trilogy for Chamber orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1363990 By Myrto A.Kostaropo…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1363990 By Myrto A.Kostaropoulou. By Myrto A.Kostaropoulou. 21st Century. 83 pages. Myrto A.Kostaropoulou #948312. Published by Myrto A.Kostaropoulou (A0.1363990). Trilogy for Chamber orchestra consists of six parts organized as three couples, i.e. first is Ades (1. Pluto, 2. Charon), second is Phaethon (3. Orion Nebula, 4. The Sun) and third is Prometheus (5. The Moon, 6. Earth). Written basically for woodwinds and string orchestra (1st couple), the chamber orchestra also contains in the second part Wind chimes, Glockenspiel, and in the third part a Mariba, a Drum set,and a Gong. It is a journey from the necrosis of Ades to the polemic return to our planet, earth.
$50.00
45.53 €
#
Orchestre de chambre
#
Myrto A
#
Trilogy for Chamber orchestra - Score Only
#
Myrto A.Kostaropoulou
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
