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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two For Tea
Sheetmusicplus
Non classifié
878
Piano & claviers
Piano seul
386
Piano Facile
164
1 Piano, 4 mains
86
Piano, Voix
54
Instruments en Do
42
Orgue
36
Accompagnement Piano
30
2 Pianos, 4 mains
29
Piano, Voix et Guitare
26
2 Accordéons
5
Orgue, Trompette (duo)
4
Orgue, Piano (duo)
4
Accordéon
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
3
Piano grosses notes
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
148
Piano, Guitare (duo)
112
Guitare
53
2 Guitares (duo)
41
Ukulele
27
Ligne De Mélodie, (Paroles) et Accords
9
Basse electrique
9
Mandoline
7
4 Guitares (Quatuor)
7
Dulcimer
3
3 Guitares (trio)
3
Ensemble de guitares
2
2 Dulcimers (duo)
2
2 Mandolines (duo)
1
2 Ukuleles
1
Banjo
1
+ 11 instrumentations
Retracter
Voix
Chorale 2 parties
110
Chorale SATB
81
Chorale Unison
60
Chorale 3 parties
25
Chorale TTBB
8
Voix Soprano, Piano
7
Chorale SSAA
5
Voix haute
5
Voix Baryton, Piano
3
Voix duo, Piano
2
Voix duo
2
Voix Alto, Piano
2
Voix basse, Piano
2
Voix moyenne, Piano
2
Chorale SSAB a cappella
1
Voix Soprano
1
Voix seule
1
Chorale SSAATTBB
1
Voix Tenor
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
354
Hautbois, Piano (duo)
215
Clarinette et Piano
199
Flûte traversière et Piano
192
Saxophone Alto et Piano
146
Saxophone Tenor et Piano
145
2 Flûtes traversières (duo)
142
2 Clarinettes (duo)
140
2 Hautbois (duo)
90
Saxophone, Clarinette (duo)
67
2 Flûte à bec (duo)
55
Clarinette, Violon (duo)
45
Clarinette
35
Clarinette, Trompette (duo)
32
Flûte, Clarinette (duo)
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Quatuor de Saxophones: 4 saxophones
31
2 Flûtes traversières, Piano
27
Clarinette et Alto
24
Hautbois, Flûte
23
Hautbois, Clarinette (duo)
23
Flûte, Violon
23
Hautbois (partie séparée)
23
Flûte traversière
23
Hautbois, Basson (duo)
19
Flûte, Saxophone (duo)
19
Flûte, Hautbois, Clarinette, Basson
19
Saxophone Soprano et Piano
18
Flûte, Alto (duo)
17
Quatuor de Clarinettes: 4 clarinettes
16
Cor anglais, Piano
14
3 Clarinettes (trio)
14
Flûte, Trompette (duo)
14
Saxophone Alto
13
Flûte à bec Soprano
12
Saxophone Baryton, Piano
12
3 Saxophones (trio)
10
Saxophone (partie séparée)
9
Saxophone Tenor
9
Quintette de Saxophone: 5 saxophones
8
Flûte à bec Soprano, Piano
8
Quatuor de Flûtes : 4 flûtes
7
Ensemble de Clarinettes
6
Flûte à bec Tenor
5
Clarinette Basse, Piano
5
Flûte à bec Alto, Piano
5
Cor Anglais
4
Trio de Flûtes: 3 flûtes
4
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Violoncelle (duo)
3
Quatuor de Flûtes à bec
3
Clarinette, Guitare (duo)
2
Flûte à Bec, Piano
2
Clarinette, Basson (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte à Bec
2
Flûte irlandaise
2
Piccolo, Piano
2
Clarinette, Trombone (duo)
2
Saxophone Soprano
2
Flûte et Guitare
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone et Orgue
2
Flûte, Violon, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
2 Clarinettes, Basson
2
2 Flûtes, Basse continue
1
Flûte, Hautbois (duo)
1
5 Flûtes à bec
1
Ensemble de Flûtes
1
Hautbois, violon (duo)
1
Flûte, Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette Basse
1
Flûte à bec Alto
1
Flûte et Quatuor à Cordes
1
Ensemble de Hautbois
1
Ensemble de saxophones
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
+ 75 instrumentations
Retracter
Cuivres
Trombone et Piano
161
2 Trombones (duo)
100
Trompette
94
2 Trompettes (duo)
94
Trompette, Piano
76
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Trompette, Saxophone (duo)
49
Trombone
25
Trompette, Trombone (duo)
25
Trompette (partie séparée)
19
2 Cors (duo)
17
Cor anglais, Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
2 Euphoniums (duo)
10
Euphonium, Piano (duo)
9
2 Tubas (duo)
9
Quatuor de cuivres: 4 trombones
5
Cor Anglais
4
Trombone (partie séparée)
4
Quatuor de Cuivres
4
Tuba et Piano
4
Quatuor de cuivres: 4 cors
3
Euphonium
3
Cor et Piano
3
Trombone basse et Piano
3
Tuba
3
Trompette, Cor (duo)
2
Cor
2
2 Euphoniums et 2 Tubas
2
3 Trombones (trio)
1
Tuba (partie séparée)
1
Tuba et Orgue
1
3 Tubas (trio)
1
3 Euphoniums
1
Trombone, Tuba (duo)
1
Cor (partie séparée)
1
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Trombone basse
1
3 Cors (trio)
1
4 Tubas
1
Trompette, Violoncelle et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette et Guitare
1
Ensemble de Cors
1
Trio de Cuivres
1
+ 41 instrumentations
Retracter
Cordes
Violon et Piano
192
Alto, Piano
187
Violoncelle, Piano
153
2 Violons (duo)
142
2 Harpes (duo)
117
2 Altos (duo)
117
2 Violoncelles (duo)
113
Trio à Cordes: 2 violons, violoncelle
67
Quatuor à cordes: 2 violons, alto, violoncelle
67
Violon
58
Violoncelle
43
Violon, Violoncelle (duo)
40
Violon, Alto (duo)
31
Alto seul
22
Harpe
22
Alto (partie séparée)
12
Trio à Cordes: violon, alto, violoncelle
8
Violon (partie séparée)
6
2 Contrebasses (duo)
6
Contre Basse
6
Contrebasse, Piano (duo)
6
Quatuor à cordes: 4 violons
4
Violon, Guitare (duo)
4
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, alto
3
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 violins
2
Quatuor à cordes : 4 altos
2
Contrebasse (partie séparée)
2
Violoncelle, Basse continue
1
Alto et Basson
1
Harpe et Piano
1
Alto, Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 altos
1
3 Harpes
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
Violoncelle, Orgue
1
Harpe, Flûte (duo)
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
184
Orchestre à Cordes
35
Orchestre
33
Ensemble Jazz
26
Cloches
22
Ensemble de cuivres
17
Orchestre de chambre
11
Jazz combo
6
Percussion
4
Batterie
4
Ensemble de Percussions
4
Xylophone, Piano
3
Fanfare
3
2 Xylophones
2
Vibraphone
1
Ensemble d'École
1
Percussion (partie séparée)
1
Batterie (partie séparée)
1
2 Marimbas
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Two For Tea
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Partitions à imprimer
11 partitions trouvées
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1
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399....
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Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
L`Abeille (The Bee) for Two Trumpets and String Orchestra
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Orchestre de chambre
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AVANCÉ
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Classique
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Schubert, Francois
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Dorm 40 Music
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L`Abeille
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dorm40music.com
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.785336 Composed by Schubert, Francois. Arranged by Dorm 40 Music. Romantic Period. Score and parts. 50 pages. Dorm...
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Chamber Orchestra - Level 5 - SKU: A0.785336 Composed by Schubert, Francois. Arranged by Dorm 40 Music. Romantic Period. Score and parts. 50 pages. Dorm40music.com #3560811. Published by dorm40music.com (A0.785336). Long before Rimsky teamed up with Korsakov and wrote Flight of the Bumblebee, Schubert wrote L`Abeille (The Bee) for violin which is stolen here for dueling trumpets and string orchestra. An excellent encore piece or concert starter!
$20.00
Sinfonia Concertante for 2 Horns & Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Trevor Denyer
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Trevor Denyer
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Sinfonia Concertante for 2 Hor
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Trevor Denyer
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1314538 By Trevor Denyer. By Heinrich Domnich. Arranged by Trevor Denyer. 19th Century,Classical. 203 pages. Trevo...
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Chamber Orchestra - Level 5 - SKU: A0.1314538 By Trevor Denyer. By Heinrich Domnich. Arranged by Trevor Denyer. 19th Century,Classical. 203 pages. Trevor Denyer #903290. Published by Trevor Denyer (A0.1314538). Heinrich Domnich (1767 - 1844) was an accoomplished horn player, teacher, composer and author of an instruction book, his Méthode de Premier et de Second Cor.This piece demonstrates a complete understanding of the possibilities for the instruments and performers of the time. It is both lively in the two outside movements and dramatic in the middle one. The orchestral writing is delightful and varied and the piece deserves to be performed regularly in the future.A piano reduction is available via the excellent disertation by Evan Chancellor, which is well worth reading: https://shareok.org/handle/11244/10503.
$35.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
La Fee Verte Bagpipe Concerto
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ear...
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Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
Spring waltz
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Orchestre de chambre
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INTERMÉDIAIRE
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Yevhen Martianov
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Yevhen Martianov
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two flutes, oboe and clarinet
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Spring waltz
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Yevhen Martianov
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.940573 Composed by Yevhen Martianov. Arranged by Yevhen Martianov. Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 3 - SKU: A0.940573 Composed by Yevhen Martianov. Arranged by Yevhen Martianov. Contemporary,Romantic Period. Score and parts. 20 pages. Yevhen Martianov #3381047. Published by Yevhen Martianov (A0.940573). This is a small classical piece for an extended chamber orchestra, which does include four violins, two violas, two cellos, double bass, and also the reed section - two flutes, oboe and clarinet. The piece is light sounding and is easy for the performance. It would be a nice addition to the teaching repertoire, as well as for the concert repertoire.
$19.99
I Told You, Dear Mother
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Orchestre de chambre
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Lazaros Delidemos
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instead of
dux and comes
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I Told You, Dear Mother
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Lazaros Delidemos
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SheetMusicPlus
Chamber Orchestra - SKU: A0.931490 Composed by Lazaros Delidemos. Folk,Instructional,Romantic Period,World. Score and parts. 16 pages. Lazaros Delidemos...
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Chamber Orchestra - SKU: A0.931490 Composed by Lazaros Delidemos. Folk,Instructional,Romantic Period,World. Score and parts. 16 pages. Lazaros Delidemos #3531861. Published by Lazaros Delidemos (A0.931490). I wrote this piece as an example for my composition students. It is a contrapuntal composition based on a Greek folk song,which is presented at the beginning with clarinet solo, and then it is used as a cantus firmus. In the second part of the composition a two part canon is created on this cantus firmus (shown with the words canon and resolutio instead ofdux and comes.
$11.99
1757-1813) PLEYEL Symphony No.1 in F Op.14 No.1
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ignaz Josef Pleyel
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Ian Butterworth
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1757-1813) PLEYEL Symphony No.
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Ian Butterworth
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1495619 Composed by Ignaz Josef Pleyel. Arranged by Ian Butterworth. Classical. 130 pages. Ian Butterworth #107214...
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Chamber Orchestra - Level 4 - SKU: A0.1495619 Composed by Ignaz Josef Pleyel. Arranged by Ian Butterworth. Classical. 130 pages. Ian Butterworth #1072143. Published by Ian Butterworth (A0.1495619). Pleyel (1757-1831) born in France, wrote 42 symphonies and came to London where his works rivalled those of his teacher, Haydn. Symphony No.1 is in four movements and is scored for 2 oboes, bassoon, two horns and strings. The score (42 pages) has been edited for bowing and phrasing, and the string parts may be copied for the sole use by the purchaser.ianbutterworthmusic.co.uk
$18.00
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Two For Tea
