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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Violin I
Non classifié
3 859
Piano & claviers
Piano seul
215
Piano Trio: piano, violon, violoncelle
153
Accompagnement Piano
83
Instruments en Do
81
Piano, Voix et Guitare
42
Piano, Voix
41
Piano Quatuor: piano, 2 violons, violoncelle
35
Piano Quintette: piano, 2 violons, alto, violoncelle
34
Piano Quatuor: piano, violon, alto, violoncelle
32
Piano Facile
26
Orgue
6
2 Pianos, 4 mains
5
Accordéon
3
1 Piano, 4 mains
3
Piano grosses notes
2
Orgue, Trompette (duo)
1
Clavecin
1
2 Pianos, 8 mains
1
+ 13 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
52
Ligne De Mélodie, (Paroles) et Accords
22
Guitare
12
Guitare notes et tablatures
8
2 Guitares (duo)
5
Guitare, Violon, Violoncelle (trio)
4
Ukulele
3
Basse electrique
3
Mandoline
2
Guitare, Orchestre
1
4 Guitares (Quatuor)
1
+ 6 instrumentations
Retracter
Voix
Pack Instrumental pour Chorale
152
Chorale SATB
143
Chorale 3 parties
36
Chorale 2 parties
33
Voix duo
15
Chorale TTBB
13
Chorale Unison
11
Voix duo, Piano
11
Voix Soprano, Piano
7
Voix Tenor, Piano
4
Voix Alto, Piano
3
Chorale SSAA
2
Voix seule
2
Voix Baryton, Piano
1
Voix Mezzo-Soprano, Piano
1
Soli, choeur mixte et accompagnement
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
128
Hautbois, Piano (duo)
112
Saxophone Tenor et Piano
103
Clarinette et Piano
101
Saxophone Alto et Piano
99
Flûte, Violon
80
Clarinette, Violon (duo)
55
Flûte, Violon, Piano
47
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Flûte, Violon et Violoncelle
24
Flûte traversière
22
2 Flûtes traversières (duo)
14
Quintette de Saxophone: 5 saxophones
13
Clarinette
13
Hautbois, violon (duo)
12
Quatuor de Clarinettes: 4 clarinettes
12
Flûte, Hautbois, Clarinette, Basson
12
2 Clarinettes (duo)
11
Ensemble de saxophones
11
Hautbois (partie séparée)
11
Flûte et Guitare
11
Saxophone, Violon (duo)
10
Quatuor de Saxophones: 4 saxophones
10
Flute, harpe et violon
10
2 Saxophones (duo)
10
Ensemble de Clarinettes
8
Saxophone Tenor
8
Saxophone Alto
8
Saxophone Soprano et Piano
8
Flûte et Trio à cordes
8
Flûte, Clarinette, Violon (trio)
7
Flûte, Hautbois, Violon
7
Flûte, Clarinette (duo)
6
Saxophone (partie séparée)
5
2 Hautbois (duo)
5
Clarinette, Guitare (duo)
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Ensemble à vent
4
Quatuor de Flûtes : 4 flûtes
4
Clarinette (partie séparée)
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Quintette de Flûte : 5 flûtes
3
Trio de Flûtes: 3 flûtes
3
3 Saxophones (trio)
2
Ensemble de Flûtes
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon, Guitare
2
Hautbois
2
Saxophone et Orgue
2
Cor anglais, Guitare (duo)
2
3 Clarinettes (trio)
2
Clarinette, Violoncelle, Piano (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette et Alto
2
Flûte, Clarinette et Basson
2
Clarinette, Trompette (duo)
1
Flute (partie séparée)
1
Cor anglais, Piano
1
Hautbois, Violon, Piano
1
Quatuor de Flûtes à bec
1
Flûte, Alto (duo)
1
Clarinette Basse, Piano
1
Flûte, alto et harpe
1
Clarinette, Orgue
1
Clarinette, Violoncelle (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Orgue (duo)
1
Cornemuse
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Basson (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violoncelle, Guitare
1
Saxophone Baryton, Piano
1
Flûte à bec Soprano, Piano
1
Flûte traversière, Orchestre
1
Hautbois, Flûte
1
Flûte, Basson et Piano
1
Saxophone et Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle
1
Flûte, Hautbois (duo)
1
Flûte à Bec
1
Hautbois, Clarinette (duo)
1
2 Saxophones, Piano
1
+ 80 instrumentations
Retracter
Cuivres
Trombone et Piano
76
Trompette, Piano
50
Trompette
38
Cor et Piano
29
Trompette, violon (duo)
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trombone
8
Ensemble de Trombones
7
Cor
5
Tuba
5
2 Trompettes (duo)
5
Ensemble de Trompettes
4
Trompette (partie séparée)
4
2 Cors (duo)
4
Euphonium
4
Trombone, Violon (duo)
3
Quatuor de Cuivres
3
2 Trombones (duo)
3
Ensemble de Cors
2
Cor anglais, Guitare (duo)
2
Tuba et Orgue
2
Trompette, Cor (duo)
1
Cor (partie séparée)
1
Cor anglais, Piano
1
2 Euphoniums et 2 Tubas
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
Trombone (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Tuba (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Trombone, Orgue
1
Euphonium, Piano (duo)
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 836
Violon
2 205
Violon et Piano
1 493
Violon, Violoncelle (duo)
783
Trio à Cordes: violon, alto, violoncelle
690
Violon (partie séparée)
628
2 Violons (duo)
580
Quintette à cordes: 2 violons, alto, violoncelle, basse
382
Violon, Alto (duo)
301
Trio à Cordes: 2 violons, violoncelle
177
Alto, Piano
136
Violoncelle, Piano
125
Violon, Guitare (duo)
86
Trio à cordes: 3 violins
79
Piano Trio: Violon, Alto, Piano
73
Quatuor à cordes: 4 violons
58
Alto seul
40
Alto (partie séparée)
39
Trio à Cordes: 2 violons, alto
38
Harpe, Violon (duo)
37
Violoncelle
32
Ensemble de Violons
30
2 Altos (duo)
29
2 Violoncelles (duo)
25
2 Violons, Piano
23
Trio à cordes
22
Quintette à cordes: 2 violons, 2 altos, violoncelle
20
Violoncelle, Contrebasse (duo)
18
Violon, Basson (duo)
14
Alto et Harpe
13
Harpe, Flûte (duo)
13
4 Violoncelles
11
Harpe, Violoncelle (duo)
11
Contre Basse
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Alto, Violoncelle (duo)
7
Harpe, Violon, Violoncelle
6
Harpe
5
Ensemble d'Altos
4
Contrebasse, Piano (duo)
4
Alto, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Harpe, Voix
2
Violon, Tuba (duo)
2
Trio à cordes: 3 altos
1
Flûte, Contrebasse (duo)
1
Violoncelle (partie séparée)
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 3 violoncelles
1
Violon, Violoncelle, Clarinette
1
Violoncelle, Orchestre
1
2 Violons et Basse continue
1
Alto, Orgue
1
Contrebasse (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
698
Orchestre
581
Orchestre d'harmonie
204
Orchestre de chambre
168
Ensemble Jazz
17
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
11
Jazz combo
10
Ensemble de Percussions
8
Ensemble de cuivres
8
Cloches
5
Big band
3
Piano et Orchestre
2
Ensemble d'École
2
Vibraphone (partie séparée)
1
Batterie
1
Orchestre, Violon
1
Vibraphone
1
Fanfare
1
Percussion (partie séparée)
1
Xylophone, Piano
1
+ 15 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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TROMPETTE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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Vous avez sélectionné:
Violin I
Orchestre de chambre
Partitions à imprimer
168 partitions trouvées
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51
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151
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
#
Classique
#
Georg Philipp Telemann
#
Sneakwood Editions
#
TELEMANN – VIOLIN CONCER
#
Sneakwood Editions
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Vivaldi - Violin Concerto in B flat major RV 375 for Violin, Strings and Cembalo
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Orchestre de chambre
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto in B
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Santino Cara
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.503075 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 96 pages. Published by Sa...
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Chamber Orchestra - SKU: A0.503075 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 96 pages. Published by Santino Cara (A0.503075). Complete score and parts of the Violin Concerto in B flat major RV 375 for Violin concertante, Strings and Cembalo. Composed in Venice presumably between 1723 and 1724 by Antonio Vivaldi. Reconstructed and elaborated in Rome in 2002 by Santino Cara. Single PDF file with full score and separate parts for: Violin concertante, Violins I and Violins II, Cellos (with solo cello), Double basses, Harpsichord. 3 Movements: 1. Calmo-Allegro non tanto, 2. Largo, 3. Allegro Source: this concert was reconstructed from the manuscript kept at the From the manuscript kept at the State Library of the University of Dresden.
$18.90
Vivaldi - Violin Concerto in D major RV 222 for Violin, Strings and Cembalo
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Orchestre de chambre
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto in D
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Santino Cara
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.503077 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 86 pages. Published by Sa...
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Chamber Orchestra - SKU: A0.503077 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 86 pages. Published by Santino Cara (A0.503077). Complete score and parts of the Violin Concerto in D major RV 222 for Violin concertante, Strings and Cembalo. Composed in Venice in 1724 by Antonio Vivaldi and dedicated to Signora Chiara. Reconstructed and elaborated in Rome in 2002 by Santino Cara. Single PDF file with full score and separate parts for: Violin concertante, Violins I and Violins II, Cellos (with solo cello), Double basses, Harpsichord. Movements: 1. Allegro non molto, 2. Andante, 3. Allegro. Source: The reconstruction of this concert was elaborated from a copy of the manuscript of 1740 kept in the State Library of the University of Dresden.
$18.90
I Hear Your Voice
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Orchestre de chambre
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Marti Lunn Lantz
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I Hear Your Voice
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1297703 Composed by Marti Lunn Lantz. Contemporary,Sacred. Score and Parts. 50 pages. Lantz Choral Publications #8...
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Chamber Orchestra - Level 3 - SKU: A0.1297703 Composed by Marti Lunn Lantz. Contemporary,Sacred. Score and Parts. 50 pages. Lantz Choral Publications #887674. Published by Lantz Choral Publications (A0.1297703). Chamber orchestration accompaniment for use with the SATB octavo by Marti Lunn Lantz, published by Lantz Choral Publications. (Score and parts included.)NOTE: The SATB choir parts and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies of the octavo for your chorus. Octavo is available at Sheet Music Direct and Sheet Music Plus.Instrumentation:SATB (for reference only)Piano (for reference only)Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IIBodhranViolin IViolin IIViolaCelloContrabassNOTE: Larger 8.5 x 14 score is available separately at Sheet Music Direct and Sheet Music Plus.
$60.00
John Field, Sonata I (Movement II) - orchestra by Scott Fields Davis
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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John Field
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Scott Fields Davis
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John Field, Sonata I
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Scott Fields Davis
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.998482 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 71 pages. Scott F...
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Chamber Orchestra - Level 3 - SKU: A0.998482 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 71 pages. Scott Fields Davis #6098865. Published by Scott Fields Davis (A0.998482). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was not only a phenomenal pianist, but a highly skilled composer. This is an orchestral arrangement of the first of four piano sonatas written by John Field. This download contains the conductor's score and all the parts to the second of the two movements of Field's first piano sonata.Instruments used: Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 4 minutes and 10 seconds. Â To download the other movement, please click the following link: John Field, Sonata I (Movement I) arranged for orchestra by Scott Fields Davis Â
$15.00
Beethoven, Piano Sonata No. I, Movement I - orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Scott Fields Davis
#
Beethoven, Piano Sonata No. I,
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Scott Fields Davis
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1168459 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. Score and Parts. 56 pages. Sc...
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Chamber Orchestra - Level 3 - SKU: A0.1168459 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. Score and Parts. 56 pages. Scott Fields Davis #768791. Published by Scott Fields Davis (A0.1168459). Ludwig van Beethoven (1770-1827) was a German pianist and composer. He is one of the world's most admired and celebrated composers. Beethoven composed 32 piano sonatas. The first piano sonata has four movements. This is an orchestral arrangement of the first movement of the first sonata. And is orchestrated by Scott Fields Davis.This download contains the conductor’s score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass Approximate performance duration is 4 minutes and 20 seconds.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$16.00
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, violin I part
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533685 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 5 pages. Musik Fabrik Music Publishing #30...
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Chamber Orchestra - Level 5 - SKU: A0.533685 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 5 pages. Musik Fabrik Music Publishing #3037727. Published by Musik Fabrik Music Publishing (A0.533685). This is the violin I part for this work by Carson Cooman
$4.99
Arabian Dance (Coffee) P.I. Tchaikovsky
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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Timothy Maloof
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Arabian Dance
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Timothy Maloof
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1023272 Composed by Peter Ilyich Tchaikovsky. Arranged by Timothy Maloof. Children,Christmas,Romantic Period. Scor...
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Chamber Orchestra - Level 3 - SKU: A0.1023272 Composed by Peter Ilyich Tchaikovsky. Arranged by Timothy Maloof. Children,Christmas,Romantic Period. Score and parts. 20 pages. Timothy Maloof #5756219. Published by Timothy Maloof (A0.1023272). Arranged for: Violin I, Violin II, Cello, Accordion (Piano), Guitar (Oud), Percussion (Tambourine, Triangle, two percussionists)
$25.00
John Field, Sonata III (Movement I) - orchestra by Scott Fields Davis
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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John Field
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Scott Fields Davis
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John Field, Sonata III
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Scott Fields Davis
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.998503 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 91 pages. Scott F...
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Chamber Orchestra - Level 4 - SKU: A0.998503 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 91 pages. Scott Fields Davis #6252035. Published by Scott Fields Davis (A0.998503). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the first movement of the third of four piano sonatas written by John Field arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 6 minutes and 12 seconds. Â To download the other movement, click the following link: John Field, Sonata III (Movement II) arranged for orchestra by Scott Fields Davis Â
$15.50
Vivaldi - Violin Concerto No.1 in B flat major Op.4 RV 383 for Violin solo, Strings and Continuo
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto No.1
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.516926 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 60 pages. Santino Cara #30...
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Chamber Orchestra - Level 3 - SKU: A0.516926 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 60 pages. Santino Cara #3007387. Published by Santino Cara (A0.516926). Violin Concerto No.1 in B flat major RV 383 for violin solo (with insertions of violin I solo and violin II solo) Strings and Continuo (cembalo), reconstructed in 2012 by Santino Cara from 12 Concertos La stravaganza Op.4 of Antonio Vivaldi.
$16.40
Vivaldi - Double Concerto in D major RV 512 for Flute, Violin, Strings and Cembalo
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Double Concerto in D
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.517526 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 62 pages. Santino Cara #60...
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Chamber Orchestra - Level 4 - SKU: A0.517526 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 62 pages. Santino Cara #6062271. Published by Santino Cara (A0.517526). Complete score and parts of the Double Concerto in D major RV 512 for Flute or Violin I concertanti, Violin II concertante, Strings and Cembalo. Composed in 1728 by Antonio Vivaldi. Reconstructed and elaborated by Santino Cara from the copy of the manuscript kept in the Manuscripts Room of the University Library of Turin.
$18.60
ALES STENAR, suite for violin and chamber orchestra - Score Only
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Orchestre de chambre
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AVANCÉ
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Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin
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Stefano Olcese
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,R...
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Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871...
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Chamber Orchestra - Level 5 - SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871. Published by Stefano Torchio (A0.1022759). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comYou can find me also on: facebook, instagram and twitter.
$4.00
Stefano Maria Torchio: En Archè en o Logos - Violin 2 part
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875...
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Chamber Orchestra - Level 5 - SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875. Published by Stefano Torchio (A0.1022758). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
I Saw Thee Ships for String Quartet (or Mixed Quartet or Piano Quintet)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional
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Daniel Kelley
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Cello, Piano Quartet &
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I Saw Thee Ships for String Qu
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Last Resort Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.530721 Composed by Traditional. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 19 pages....
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Chamber Orchestra - Level 4 - SKU: A0.530721 Composed by Traditional. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 19 pages. Last Resort Music Publishing #4887799. Published by Last Resort Music Publishing (A0.530721). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$9.95
I Know Whom I Have Believed / String Orch.
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Orchestre de chambre
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INTERMÉDIAIRE
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J
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Hyunsung Essie Lee
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I Know Whom I Have Believed /
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Hyunsung Essie Lee
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.874700 Composed by J. McGranahan. Arranged by Hyunsung Essie Lee. Sacred,Spiritual. Score and Parts. 16 pages. Hyu...
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Chamber Orchestra - Level 3 - SKU: A0.874700 Composed by J. McGranahan. Arranged by Hyunsung Essie Lee. Sacred,Spiritual. Score and Parts. 16 pages. Hyunsung Essie Lee #6549833. Published by Hyunsung Essie Lee (A0.874700). Sheet Music at a discounted price on essie-music.comâ¤ï¸ BEST PRICE $13.90 → $9.90 Click Here! This offer is for a limited period only only on essie-music.comArranged for String Orchestra with Piano.It can be played without Timpani.Full Score and PartsViolin1,2, Viola, Cello, Double Bass, Timpani, Piano
$13.90
I'm Pressing on the Upward Way(ì € ë†’ì€ ê³³ì„ í–¥í•˜ì—¬)
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Orchestre de chambre
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INTERMÉDIAIRE
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C
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Jae H Park
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I'm Pressing on the Upward Way
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Jae Park
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.891524 Composed by C.H. Gabriel. Arranged by Jae H Park. Christian,Concert,Contemporary,Easter,Sacred. 28 pages. J...
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Chamber Orchestra - Level 3 - SKU: A0.891524 Composed by C.H. Gabriel. Arranged by Jae H Park. Christian,Concert,Contemporary,Easter,Sacred. 28 pages. Jae Park #4319869. Published by Jae Park (A0.891524). Hymn titleI'm Pressing on the Upward Way Chamber arrangement.찬송가 543장 ì € ë†’ì€ ê³³ì„ í–¥í•˜ì—¬ ì±”ë²„ë²„ì „ìž…ë‹ˆë‹¤. This music is for Piano, Strings(Violin1, 2, Viola, Cello). You can use this music as a overture or offering song.ì´ ê³¡ì€ í”¼ì•„ë…¸ì™€ 스트ë§(ë°”ì´ì˜¬ë¦°, 비올ë¼, 첼로)를 위한 곡입니다. ì´ ìŒì•…ì„ ì„œê³¡ í˜¹ì€ ë´‰í—Œì†¡ìœ¼ë¡œ ì‚¬ìš©í• ìˆ˜ 있습니다.
$50.99
I Did It My Way
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Orchestre de chambre
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FACILE
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Jay-Z
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Alma RamÃrez
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I Did It My Way
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Alma RamÃrez
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1229566 By Jay-Z. By Claude Francois, Francois Revaud, Gilles Thibaut, Jacques Revaux, Jimmy Kendrix, Paul Anka, S...
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Chamber Orchestra - Level 2 - SKU: A0.1229566 By Jay-Z. By Claude Francois, Francois Revaud, Gilles Thibaut, Jacques Revaux, Jimmy Kendrix, Paul Anka, Sean Carter, and Shawn C. Carter. Arranged by Alma RamÃrez. Classical,Jazz,Pop. Score and Parts. 10 pages. Alma RamÃrez #825373. Published by Alma RamÃrez (A0.1229566). Easy arrangement for string orchestra: 3 violins, viola, cello and double bass. The viola part can be replaced by the violin 3 part, they are identical. In G Major.
$49.99
På väg ("On my way"), for violin and chamber orchestra
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Orchestre de chambre
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AVANCÉ
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Stefano Olcese
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På väg
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Stefano Olcese
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.934332 Composed by Stefano Olcese. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 8 pages. St...
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Chamber Orchestra - Level 5 - SKU: A0.934332 Composed by Stefano Olcese. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 8 pages. Stefano Olcese #5887933. Published by Stefano Olcese (A0.934332). På väg means , in Swedish, more or less on my way. I have been living in Sweden since 2014, so to me it felt natural to use a Swedish title :)This composition wants to express a journey feeling, through landscapes and through our inner soul. It is approximately 5 minutes long and is the 2nd movement of a suite for violin and orchestra called Ales Stenar, which is structured in 5 movements. The orchestration requires, as a minimum, the following instruments: 1 solo violin, 1 first violin, 1 second violin, 1 viola, 1 cello, 1 double bass, 1 oboe, 1 clarinet in B-flat, 1 bassoon. Upon request I can arrange the score for a bigger ensemble.The solo violin player should be a skilled one - though difficulties are not extreme - and someone who is able to deliver emotions. Among the orchestra players it would be wise to have a skilled bassoonist. I have been told by many that this is concert music, ballet music, film music.Some more practical infos:- I belong to the Swedish Performing Right Organization called STIM- My Instagram: https://www.instagram.com/stefano_olcese/- My website link is: http://www.stefano-olcese.com/- My Linkedin profile: https://www.linkedin.com/in/stefano-olcese-140a1810/
$9.99
Serenade Rondo (2013) for violin solo and chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Serenade Rondo
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 36 pages. Thomas Oboe Lee #2071135. Published by Thomas Oboe Lee (A0.869428). Instrumentation: oboe, english horn, 2 french horns, and strings. I met Sharon Roffman in the fall of 2011 when maestro Steven Lipsitt and the Boston Classical Orchestra premiered my Symphony No. 8 … The City of Light at Faneuil Hall in Boston, Massachusetts. Sharon was the featured concerto soloist on the same program. She was an electrifying soloist in concertos by Mozart and Haydn, respectively. She wowed every one with her chops and musicality! A year later I went to hear Sharon and the BCO again, and this time I said to Steven Lipsitt that I want to write a concerto for Sharon. He thought it was great idea, and so did she. The title Serenade Rondo has the same acronym as Sharon Roffman. So in this case, the form precedes the composition. Originally I had planned to compose the concerto in the usual three-movement format. And I thought I was going to make the last movement a rondo, something in the usual ABACA thing. But as I proceeded with the composition, I realized that the work was moving in such a way that the whole thing could be conceived of as a rondo. Ultimately Serenade Rondo ended up in this form: ABACDAAudio link: https://thomasoboelee.bandcamp.com/album/serenade-rondo-2013Video link: https://youtu.be/4UPHQlqVNp8
$9.99
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