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7
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2
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345
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8
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7
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3
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1
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1
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68
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61
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54
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38
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26
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26
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24
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23
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22
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16
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14
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14
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13
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9
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7
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6
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5
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5
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4
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4
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3
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Trompette
54
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50
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40
Cor
35
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19
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19
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14
Trompette, Piano
14
Trombone et Piano
13
Tuba
11
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9
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8
Cor et Piano
7
Tuba et Piano
6
Instruments en Sib
6
2 Trombones (duo)
5
2 Trompettes (duo)
5
Cor anglais, Piano
3
Euphonium
3
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres
2
Cor Anglais
2
Quatuor de cuivres: 4 trombones
2
Instruments en Fa
2
Tuba et Orgue
1
Quatuor de cuivres: 4 cors
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Trio de Cuivres
1
2 Cors (duo)
1
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1
Ensemble de Cors
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Quatuor à cordes: 2 violons, alto, violoncelle
94
Violon
71
Alto seul
49
Violoncelle
38
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37
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22
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22
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21
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18
Harpe
17
2 Violons (duo)
16
Violon, Violoncelle (duo)
12
2 Violoncelles (duo)
11
Contrebasse (partie séparée)
11
Trio à Cordes: violon, alto, violoncelle
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Alto (partie séparée)
11
Violon, Alto (duo)
7
Contrebasse, Piano (duo)
6
Contre Basse
4
Trio à Cordes: 2 violons, violoncelle
4
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
2 Altos (duo)
1
Violoncelle , Guitare (duo)
1
Harpe, Voix
1
Violon, Basson (duo)
1
Trio à cordes: 3 violins
1
2 Violons, Piano
1
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1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
126
Orchestre
48
Batterie
43
Orchestre à Cordes
26
Ensemble de cuivres
14
Ensemble Jazz
13
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8
Cloches
7
Ensemble de Percussions
7
Batterie (partie séparée)
6
Percussion (partie séparée)
6
Jazz combo
5
Fanfare
4
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2
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AUTRES
Vous avez sélectionné:
Wait
Orchestre de chambre
Partitions à imprimer
8 partitions trouvées
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Shadow's Waiting
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1005084 Composed by Tim Yarh…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1005084 Composed by Tim Yarham. 20th Century,Contemporary. Score and parts. 51 pages. True Art is Angsty #5203379. Published by True Art is Angsty (A0.1005084). Shadow's Waiting (9'56) is an original work for chamber orchestra, inspired by the world of Robert Jordan's Wheel of Time. This exciting work will have audiences on the edge of their seats, with deliberate discomfort matched by lyrical passages.
$15.00
13.84 €
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Orchestre de chambre
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Tim Yarham
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Shadow's Waiting
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True Art is Angsty
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SheetMusicPlus
I Just Can't Wait To Be King
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1372263 Composed by Elton Jo…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1372263 Composed by Elton John and Tim Rice. Arranged by Melvin Tay. Broadway,Film/TV,Musical/Show. 47 pages. Melvin Tay #956541. Published by Melvin Tay (A0.1372263).
$49.99
46.14 €
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Orchestre de chambre
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Elton John and Tim Rice
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Melvin Tay
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I Just Can't Wait To Be King
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Melvin Tay
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SheetMusicPlus
While We Wait
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.923556 Composed by Lisa Came…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.923556 Composed by Lisa Cameron. Contemporary,Instructional. Score and parts. 15 pages. Lisa Cameron #2964255. Published by Lisa Cameron (A0.923556). Mixed Ensemble Quintet suitable for players of varying ability. Suitable for Upper Primary, High School or adult ensembles. Written in 6/8 with a time change to 4/4 in the middle section, this piece offers ample opportunity to practice different rhythms and bowing techniques for strings. Dynamic and exciting to play!
$14.99
13.83 €
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Orchestre de chambre
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Lisa Cameron
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While We Wait
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Lisa Cameron
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SheetMusicPlus
Two Horns, No Waiting: Minuet for Two Horns and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.889901 Composed by Gary Frie…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.889901 Composed by Gary Friedman. Contemporary. Score and parts. 27 pages. Gary Friedman #3379151. Published by Gary Friedman (A0.889901). This charming piece for two horn soloists accompanied by chamber orchestra is in the form of a classical minuet. The minuet is brisk and light-hearted; the trio section is slower and more expressive. The two horns both alternate as soloists and play duet passages together.. Duration, 6 minutes. The sound clip is computer-generated.There is also an arragement for wind octet, sold separately.
$40.00
36.92 €
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Orchestre de chambre
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Gary Friedman
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Two Horns, No Waiting: Minuet for Two Horns and Chamber Orchestra
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Gary Friedman
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SheetMusicPlus
The Hunt
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco E…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
9.22 €
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Orchestre de chambre
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.68 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
ADAGIO from Brandenburg Concerto No. 1, BWV 1046
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597335 Composed by Johann Se…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.597335 Composed by Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Christmas,Concert,Easter,Wedding. Score and parts. 19 pages. Flavio Regis Cunha #5722177. Published by Flavio Regis Cunha (A0.597335). The adagio of Brandenburg 1 features an obligato oboe and violino piccolo. They contrast each other, but play the same melody line, albeit simultaneously upon its recapitulation. The bass line picks up the melody, creating a dark tone, competing against the sighing oboes and strings. The hunting horns are silent, waiting to burst out after a climactic final dominant chord. The continuo used is the Neue Bach Ausgabe realization.
$8.49
7.84 €
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Orchestre de chambre
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Johann Sebastian Bach
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Flavio Regis Cunha
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ADAGIO from Brandenburg Concerto No. 1, BWV 1046
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Flavio Regis Cunha
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SheetMusicPlus
A Morte Do Vaqueiro
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1048288 Composed by Luiz Gon…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1048288 Composed by Luiz Gonzaga Do Nascimento and Nelson Barbalho De Siqueira. Arranged by Renato Brito. Instructional,Multicultural,Traditional,World. Score and parts. 20 pages. Renato Brito #652712. Published by Renato Brito (A0.1048288). For Music Education. A morte do Vaqueiro (The Cowboy Death) is a song from Brazil Northeast that tells about the sadness of the local people life and hard work. It was composed by Luiz Gonzaga to mourn the death of his cousin, Raimundo Jacó, who was murdered. In the song, the cattle are disoriented, waiting to be guided by the cowboy who will not return to continue his work.
$49.99
46.14 €
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Orchestre de chambre
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Luiz Gonzaga Do Nascimento and Nelson Barbalho De Siqueira
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Renato Brito
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A Morte Do Vaqueiro
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Renato Brito
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SheetMusicPlus
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