English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
622
Partitions
Numériques
6
Librairie
Musicale
6
Matériel
de Musique
1 567
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
276
PIANO & CLAVIERS
Piano seul
332
Piano, Voix et Guitare
163
Piano, Voix
111
Piano Facile
84
Instruments en Do
27
Orgue
18
1 Piano, 4 mains
12
Accompagnement Piano
3
Piano grosses notes
3
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavier
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
63
Ligne De Mélodie, (Paroles) et Accords
41
Basse electrique
21
Guitare
18
Paroles et Accords
17
Ukulele
10
Guitare (partie séparée)
5
Banjo
3
Mandoline
3
2 Guitares (duo)
1
Dulcimer
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
134
Chorale 3 parties
43
Chorale 2 parties
31
Chorale TTBB
17
Voix duo, Piano
14
Chorale Unison
13
Chorale SSAA
13
Voix duo
5
Voix haute
5
Chorale
4
Voix Soprano, Piano
3
Voix seule
2
Voix Tenor
2
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Chorale SSATTB
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
25
Saxophone Alto et Piano
24
Hautbois, Piano (duo)
23
Saxophone Tenor et Piano
22
Clarinette et Piano
19
Quatuor de Saxophones: 4 saxophones
17
Flûte traversière
14
Saxophone (partie séparée)
11
Clarinette
10
Clarinette (partie séparée)
9
Saxophone Alto
6
Flûte, Hautbois, Clarinette, Basson
6
Saxophone Soprano et Piano
6
Ensemble de Flûtes
6
Saxophone Tenor
5
Trio de Flûtes: 3 flûtes
5
Quatuor de Clarinettes: 4 clarinettes
5
Hautbois (partie séparée)
4
2 Flûtes traversières (duo)
4
3 Clarinettes (trio)
4
Saxophone et Orgue
3
2 Saxophones (duo)
3
Flûte, Clarinette (duo)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Clarinette Basse, Piano
3
Saxophone Baryton, Piano
2
2 Clarinettes (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flute (partie séparée)
2
Flûte et Guitare
1
Clarinette, Orgue
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble de Clarinettes
1
Flûte irlandaise
1
Instruments en Mib
1
Ensemble de saxophones
1
Harmonica
1
Flûte, Violon
1
Quintette de Flûte : 5 flûtes
1
Cor anglais, Piano
1
Saxophone
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
20
Cor et Piano
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trompette, Piano
14
Trombone (partie séparée)
12
Trompette (partie séparée)
12
Trompette
11
Trombone
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Tuba et Piano
5
Cor (partie séparée)
3
Euphonium, Piano (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Trompettes (duo)
2
Tuba (partie séparée)
2
2 Trombones (duo)
2
Trompette, Cor (duo)
2
Cor
2
Quatuor de cuivres: 4 cors
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
Instruments en Sib
1
Bass Clef Instruments
1
Quatuor de Cuivres
1
Cor anglais, Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
60
Violoncelle, Piano
28
Violon et Piano
26
Alto, Piano
25
Violon
19
Violon, Violoncelle (duo)
18
Harpe
17
Trio à Cordes: violon, alto, violoncelle
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Harpe, Violon (duo)
8
Violon (partie séparée)
8
Alto et Harpe
8
Harpe, Flûte (duo)
8
Harpe, Violoncelle (duo)
6
Trio à cordes: 3 violins
6
Contrebasse (partie séparée)
6
Violon, Alto (duo)
4
Alto seul
4
Contrebasse, Piano (duo)
4
2 Violoncelles (duo)
4
Harpe, Voix
3
2 Violons (duo)
3
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle
1
2 Altos (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
70
Orchestre
29
Orchestre à Cordes
16
Ensemble de cuivres
15
Jazz combo
13
Cloches
10
Ensemble Jazz
8
Batterie
7
Orchestre de chambre
6
Ensemble de Percussions
4
Fanfare
2
Batterie (partie séparée)
2
Percussion (partie séparée)
1
Piano et Orchestre
1
3 Marimbas
1
Percussion
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Want To Want Me
Orchestre de chambre
Partitions à imprimer
6 partitions trouvées
<
1
Homage to Sibelius
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
93.22 €
#
Orchestre de chambre
#
Stanley M Hoffman
#
Homage to Sibelius
#
stanleymhoffman.com
#
SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.43 €
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Gesu Bambino (the Infant Jesus) - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1220223 Composed by Frederic…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1220223 Composed by Frederick H. Martens and Pietro A. Yon. Arranged by Sunny K. Christian,Classical,Early Music,Holiday,Religious. 16 pages. Sunny Kim #816550. Published by Sunny Kim (A0.1220223). Gesu Bambino is an Italian Christmas carol and composed by Pietro Yon. The melody was used by Frederick H. Martens in his English language carol When Blossoms Flowered 'mid the Snows.*This site can only upload one PDF file so I uploaded full score music(16pages) only. The price of $29.99 includes 1) full score music 2) sheet music for each part of the instrument3) piano sheet music. If you request it after payment, I will send you all the sheet music.*Totla 29pages(Full Score/16pages and Instrument Parts/13pages )Â *Instruments usedFlute, Oboe, Bb Clarinet, Trombone, Timpani, Glockenspiel, Piano, Violins, Violas, Cellos, Another cello part can be played by the contrabass.*If you want to add another instrument or arrange it, you can share your opinion by e-mail and edit the sheet music. Additional costs may apply.*If you would like to hear the entire music, please email me.Email: sunducklove@gmail.com*Note: Please check the preview before printing.
$29.99
27.01 €
#
Orchestre de chambre
#
Frederick H
#
Sunny K
#
Gesu Bambino
#
Sunny Kim
#
SheetMusicPlus
På väg ("On my way"), for violin and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano O…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano Olcese. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 8 pages. Stefano Olcese #5887933. Published by Stefano Olcese (A0.934332). På väg means , in Swedish, more or less on my way. I have been living in Sweden since 2014, so to me it felt natural to use a Swedish title :)This composition wants to express a journey feeling, through landscapes and through our inner soul. It is approximately 5 minutes long and is the 2nd movement of a suite for violin and orchestra called Ales Stenar, which is structured in 5 movements. The orchestration requires, as a minimum, the following instruments: 1 solo violin, 1 first violin, 1 second violin, 1 viola, 1 cello, 1 double bass, 1 oboe, 1 clarinet in B-flat, 1 bassoon. Upon request I can arrange the score for a bigger ensemble.The solo violin player should be a skilled one - though difficulties are not extreme - and someone who is able to deliver emotions. Among the orchestra players it would be wise to have a skilled bassoonist. I have been told by many that this is concert music, ballet music, film music.Some more practical infos:- I belong to the Swedish Performing Right Organization called STIM- My Instagram: https://www.instagram.com/stefano_olcese/- My website link is: http://www.stefano-olcese.com/- My Linkedin profile: https://www.linkedin.com/in/stefano-olcese-140a1810/
$9.99
9 €
#
Orchestre de chambre
#
Stefano Olcese
#
På väg
#
Stefano Olcese
#
SheetMusicPlus
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Ob…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
9 €
#
Orchestre de chambre
#
Thomas Oboe Lee
#
God's Grandeur
#
Thomas Oboe Lee
#
SheetMusicPlus
Aveux Non Avenus (2020) for soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869642 Composed by Thomas Ob…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas Oboe Lee #5302511. Published by Thomas Oboe Lee (A0.869642). I saw an obituary in the New York Times entitled Overlooked No More: Claude Cahun, Whose Photographs Explored Gender and Sexuality. I was so fascinated by the article that I went and purchased a book of her poems and writings. Within it I found a series of poems under the subtile of Délectations Moroses that were truly fantastic. A year ago I wrote a work for soprano and string quartet titled Gaspard de la Nuit on a set of poems by Aloysius Bertrand. Ravel's Gaspard de la Nuit is for solo piano, a set of tone poems inspired by the poems of the same A. Bertrand. I enjoyed my Gaspard so much that I wanted to write another work for soprano and string quartet, this time using these fascinating poems by Claude Cahun.The work is in seven movements.1. Allegro (de l'oubli)2. Largo (de l'oubli)3. Allegro con moto (d'un enfant difficile)4. Moderato (de l'amour)5. Moderato (de l'art)6. Allegro (Vocation)7. Adagio (Quatrième dimension)Enjoy!!!Duration: 27 minuteshttps://thomasoboelee.bandcamp.com/album/aveux-non-avenus-2020-for-soprano-and-string-quartet
$9.99
9 €
#
Orchestre de chambre
#
Thomas Oboe Lee
#
Aveux Non Avenus
#
Thomas Oboe Lee
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
