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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
War Song
Non classifié
2 940
Piano & claviers
Piano, Voix
1 936
Piano seul
1 186
Piano Facile
562
Piano, Voix et Guitare
412
Instruments en Do
289
Orgue
130
Accompagnement Piano
69
Piano grosses notes
42
1 Piano, 4 mains
41
Piano Trio: piano, violon, violoncelle
32
Piano Quatuor: piano, 2 violons, violoncelle
9
2 Pianos, 4 mains
9
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Accordéon
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavier
3
Orgue, Piano (duo)
2
Accordéon, Voix
2
Piano (partie séparée)
1
Ligne De Mélodie, Piano
1
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
2 Accordéons
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
141
Guitare
131
Ligne De Mélodie, (Paroles) et Accords
79
Ukulele
52
Basse electrique
44
Piano, Guitare (duo)
11
Mandoline
11
2 Guitares (duo)
9
3 Guitares (trio)
9
4 Guitares (Quatuor)
5
Banjo
4
Paroles et Accords
3
Mandoline, Guitare (duo)
3
2 Mandolines (duo)
2
Dulcimer
2
Guitare, Violon, Violoncelle (trio)
2
+ 11 instrumentations
Retracter
Voix
Chorale SATB
1 394
Chorale 3 parties
395
Chorale 2 parties
223
Chorale TTBB
206
Chorale Unison
154
Chorale SSAA
137
Voix duo
71
Voix duo, Piano
69
Voix seule
44
Voix Soprano, Piano
40
Voix Tenor, Piano
37
Voix Alto, Piano
37
Voix Baryton, Piano
34
Voix haute
17
Voix basse, Piano
10
Voix Tenor
8
Voix moyenne, Piano
8
Voix Mezzo-Soprano, Piano
5
Chorale SSAB, Piano
5
Chorale
4
Voix Soprano
3
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
1
Chorale SSAATTBB
1
Chorale SSAB a cappella
1
Voix, Guitare
1
Chorale SSATB
1
+ 22 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
218
Flûte traversière et Piano
200
Clarinette et Piano
175
Flûte et Guitare
173
Hautbois, Piano (duo)
169
Flûte traversière
162
Flûte, Hautbois, Clarinette, Basson
155
Clarinette
153
2 Saxophones (duo)
149
Saxophone Alto et Piano
149
Saxophone Alto
135
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
124
Clarinette, Guitare (duo)
123
Quatuor de Clarinettes: 4 clarinettes
115
Saxophone Tenor
108
2 Flûtes traversières (duo)
100
Saxophone (partie séparée)
95
Saxophone Tenor et Piano
93
2 Clarinettes (duo)
77
Quatuor de Flûtes : 4 flûtes
74
Hautbois (partie séparée)
69
Saxophone Soprano et Piano
68
Cor anglais, Guitare (duo)
64
Saxophone, Clarinette (duo)
61
Quintette de Saxophone: 5 saxophones
60
Saxophone et Guitare
53
Clarinette, Violon (duo)
50
Ensemble de Clarinettes
50
Cor anglais, Piano
49
Saxophone Baryton, Piano
46
3 Clarinettes (trio)
45
Clarinette, Trompette (duo)
39
Hautbois
39
Flûte, Clarinette (duo)
38
3 Saxophones (trio)
38
2 Hautbois (duo)
37
Ensemble de Flûtes
34
Hautbois, Basson (duo)
29
Clarinette et Alto
27
Flûte, Violon
27
Saxophone
27
Quatuor de Flûtes à bec
25
Trio de Flûtes: 3 flûtes
25
Hautbois, Clarinette (duo)
24
Hautbois, Clarinette, Basson (trio d'anches)
24
Flûte, Saxophone (duo)
24
Saxophone Soprano
23
Quintette de Clarinettes: 5 clarinettes
23
Flûte, Alto (duo)
21
3 Flûtes à bec (trio)
20
Hautbois, Flûte
19
Flûte à bec Soprano
18
Cor Anglais
17
Ensemble de saxophones
17
Hautbois, Guitare (duo)
16
Clarinette Basse, Piano
15
Flûte, Trompette (duo)
15
Clarinette (partie séparée)
14
Flûte, Clarinette et Basson
13
Flute (partie séparée)
12
Flûte, Hautbois, Basson
12
Flûte, Hautbois, Clarinette (trio)
12
Saxophone Baryton
10
Harmonica
10
Flûte à bec Alto, Piano
9
Flûte, Violon, Piano
9
Clarinette, Harpe (duo)
8
Ocarina
8
Flûte à Bec
7
Clarinette, Violoncelle (duo)
6
2 Flûte à bec (duo)
6
Flûte à bec Alto
6
Hautbois, Violoncelle
5
Flûte, Hautbois (duo)
5
Clarinette, Basson (duo)
5
Flûte, Basson et Piano
5
Flûte, Violoncelle
5
Flûte à bec Soprano, Piano
5
Cor anglais et Harpe (duo)
4
Flute, harpe et violon
4
Flûte à bec, Harpe
4
Quintette de Flûte : 5 flûtes
4
Hautbois et alto (duo)
4
Ensemble De Flûte à bec
4
Hautbois, violon (duo)
3
Flûte, Alto et Piano
3
Flûte, Violoncelle, Guitare
2
Flûte, Harpe et Violoncelle
2
Clarinette, Trombone (duo)
2
Hautbois, Violon, Piano
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Piccolo, Piano
2
5 Flûtes à bec
1
2 Flûtes traversières, Piano
1
Hautbois, Basson et Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violon et Violoncelle
1
Flûte à bec, Guitare (duo)
1
2 Flûtes traversières, Guitare
1
Flûte, Trombone (duo)
1
+ 98 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
186
Trompette
173
Trompette, Piano
131
Trombone
121
Trombone et Piano
116
Quatuor de Cuivres : 2 trompettes, trombone, tuba
98
Cor et Piano
95
Cor
90
Cor anglais, Guitare (duo)
64
Quatuor de Cuivres
55
Cor anglais, Piano
49
2 Trombones (duo)
46
Tuba
45
Trompette, Saxophone (duo)
44
2 Trompettes (duo)
39
Tuba et Piano
37
Euphonium, Piano (duo)
34
Trompette, Trombone (duo)
30
Trompette (partie séparée)
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
2 Cors (duo)
22
Cor Anglais
17
Cor, Trompette, Trombone (trio)
17
Euphonium
13
Trio de Cuivres
12
Trombone (partie séparée)
9
Quatuor de cuivres: 4 trombones
8
Trompette, Cor (duo)
7
2 Euphoniums et 2 Tubas
6
2 Tubas (duo)
5
Quatuor de cuivres: 4 cors
5
Cor anglais et Harpe (duo)
4
Cor (partie séparée)
4
Quatuor de cuivres: 4 trompettes
3
Ensemble de Trombones
3
Tuba (partie séparée)
2
2 Trompettes, Clavier (piano ou orgue)
1
Tuba et Orgue
1
Ensemble de Cors
1
Ensemble de Trompettes
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, violon (duo)
1
Trompette, Trombone, Piano
1
4 Tubas
1
Clarinette, Cor (duo)
1
Ensemble de Tubas
1
Cor, Violoncelle (duo)
1
Trompette et Guitare
1
Trompette, Violoncelle et Piano
1
2 Trombones, Piano
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
607
Violon et Piano
262
Violon
224
Alto, Piano
187
Violoncelle
184
Violoncelle, Piano
178
Violon, Violoncelle (duo)
155
Alto seul
110
Trio à Cordes: 2 violons, violoncelle
103
Trio à Cordes: violon, alto, violoncelle
81
Harpe
76
Violoncelle , Guitare (duo)
70
Violon, Guitare (duo)
65
2 Violons (duo)
56
Violon, Alto (duo)
56
2 Violoncelles (duo)
54
Quintette à cordes: 2 violons, alto, violoncelle, basse
46
Alto, Guitare (duo)
45
Contre Basse
44
Alto (partie séparée)
39
2 Altos (duo)
37
Contrebasse, Piano (duo)
32
Piano Trio: Violon, Alto, Piano
20
Violon (partie séparée)
18
Violon, Basson (duo)
16
Harpe, Flûte (duo)
11
Contrebasse (partie séparée)
10
4 Violoncelles
7
2 Harpes (duo)
6
Trio à Cordes: 2 violons, alto
6
Harpe, Voix
5
Alto, Violoncelle (duo)
5
Alto et Harpe
4
Harpe, Violoncelle (duo)
4
Violoncelle (partie séparée)
4
Trio à cordes: 3 violins
3
Harpe, Violon (duo)
3
Harpe, Violon, Violoncelle
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
4 Harpes
1
Ensemble de Violoncelles
1
Alto et Basson
1
Quatuor à cordes: 4 violons
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
473
Ensemble de cuivres
201
Orchestre à Cordes
138
Orchestre
127
Ensemble Jazz
69
Orchestre de chambre
60
Fanfare
44
Cloches
34
Jazz combo
21
Batterie
18
Ensemble de Percussions
11
Percussion (partie séparée)
9
Xylophone
3
Vibraphone
2
Quatuor à Vent : 4 instruments à vents
1
Marimba
1
Vibraphone et Marimba
1
+ 12 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Crtitères actifs :
War Song
Orchestre de chambre
Partitions à imprimer
60 partitions trouvées
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51
BH018REC - Recorder Quartet Songs, Book 18 (>70 pages)
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Orchestre de chambre
#
INTERMÉDIAIRE
#
Carl Van Pevenage
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BH018REC - Recorder Quartet So
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Carl Van Pevenage
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921200 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 152 pages. Carl V...
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Chamber Orchestra - Level 3 - SKU: A0.921200 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 152 pages. Carl Van Pevenage #4324597. Published by Carl Van Pevenage (A0.921200). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 171 Romantic song: Those little three words Chansonnette 172 It takes a village to raise a child. Chansonnette 173 Mysterious puzzling woman Chansonnette 174 Romantic song: Ann, my love, my good fortune Chansonnette 175 Poetry moves heaven and earth Chansonnette 176 Waltzing mouse in Paris Chansonnette 177 Trippling mouse Chansonnette 178 Pop song: The true power of water Chansonnette 179 War ends nothing Chansonnette 180 A beautiful thing is never perfect.
$9.95
BH009REC - Recorder Quartet Songs, Book 9 (>70 pages)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Carl Van Pevenage
#
BH009REC - Recorder Quartet So
#
Carl Van Pevenage
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921169 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 97 pages. Carl Van Peve...
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Chamber Orchestra - Level 3 - SKU: A0.921169 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 97 pages. Carl Van Pevenage #3011781. Published by Carl Van Pevenage (A0.921169). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 081 Pop song: Joy at workChansonnette 082 Romantic sing: A love journeyChansonnette 083 WintertimeChansonnette 084 Rain puddle danceChansonnette 084b A variation on chansonnette 084Chansonnette 085 EchoChansonnette 086 Jumping jackChansonnette 087 PassionChansonnette 088 Pop Song: Free runningChansonnette 089 Romantic song: Breakfast of bred, eggs and your smileChansonnette 090 Looking forward to see you
$9.95
I'm Pressing on the Upward Way(ì € ë†’ì€ ê³³ì„ í–¥í•˜ì—¬)
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Orchestre de chambre
#
INTERMÉDIAIRE
#
C
#
Jae H Park
#
I'm Pressing on the Upward Way
#
Jae Park
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.891524 Composed by C.H. Gabriel. Arranged by Jae H Park. Christian,Concert,Contemporary,Easter,Sacred. 28 pages. J...
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Chamber Orchestra - Level 3 - SKU: A0.891524 Composed by C.H. Gabriel. Arranged by Jae H Park. Christian,Concert,Contemporary,Easter,Sacred. 28 pages. Jae Park #4319869. Published by Jae Park (A0.891524). Hymn titleI'm Pressing on the Upward Way Chamber arrangement.찬송가 543장 ì € ë†’ì€ ê³³ì„ í–¥í•˜ì—¬ ì±”ë²„ë²„ì „ìž…ë‹ˆë‹¤. This music is for Piano, Strings(Violin1, 2, Viola, Cello). You can use this music as a overture or offering song.ì´ ê³¡ì€ í”¼ì•„ë…¸ì™€ 스트ë§(ë°”ì´ì˜¬ë¦°, 비올ë¼, 첼로)를 위한 곡입니다. ì´ ìŒì•…ì„ ì„œê³¡ í˜¹ì€ ë´‰í—Œì†¡ìœ¼ë¡œ ì‚¬ìš©í• ìˆ˜ 있습니다.
$50.99
Schubart Christmas song of the shepherds
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Orchestre de chambre
#
FACILE
#
Volker Schwarz, Berliner Mozar
#
Sabine Fenske
#
Schubart Christmas song of the
#
Sabine Fenske
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1320605 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedric...
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Chamber Orchestra - Level 2 - SKU: A0.1320605 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 1 pages. Sabine Fenske #909105. Published by Sabine Fenske (A0.1320605). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organdouble bass.
$1.99
Schubart Christmas song of the shepherds
#
Orchestre de chambre
#
FACILE
#
Volker Schwarz, Berliner Mozar
#
Sabine Fenske
#
Schubart Christmas song of the
#
Sabine Fenske
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1320603 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedric...
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Chamber Orchestra - Level 2 - SKU: A0.1320603 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 1 pages. Sabine Fenske #909103. Published by Sabine Fenske (A0.1320603). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organviola.
$1.99
Schubart Christmas song of the shepherds
#
Orchestre de chambre
#
FACILE
#
Volker Schwarz, Berliner Mozar
#
Sabine Fenske
#
Schubart Christmas song of the
#
Sabine Fenske
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1320607 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedric...
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Chamber Orchestra - Level 2 - SKU: A0.1320607 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 1 pages. Sabine Fenske #909108. Published by Sabine Fenske (A0.1320607). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organflute 2.
$1.99
Schubart Christmas song of the shepherds
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Orchestre de chambre
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FACILE
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Volker Schwarz, Berliner Mozar
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Sabine Fenske
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Schubart Christmas song of the
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Sabine Fenske
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1320606 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedric...
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Chamber Orchestra - Level 2 - SKU: A0.1320606 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 1 pages. Sabine Fenske #909106. Published by Sabine Fenske (A0.1320606). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organflute 1.
$1.99
Schubart Christmas song of the shepherds
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Orchestre de chambre
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FACILE
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Volker Schwarz, Berliner Mozar
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Sabine Fenske
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Schubart Christmas song of the
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Sabine Fenske
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1320604 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedric...
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Chamber Orchestra - Level 2 - SKU: A0.1320604 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 1 pages. Sabine Fenske #909104. Published by Sabine Fenske (A0.1320604). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organvioloncello.
$1.99
Schubart Christmas song of the shepherds - Score Only
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Orchestre de chambre
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FACILE
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Volker Schwarz, Berliner Mozar
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Sabine Fenske
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Schubart Christmas song of the
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Sabine Fenske
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1320596 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedric...
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Chamber Orchestra - Level 2 - SKU: A0.1320596 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 4 pages. Sabine Fenske #909094. Published by Sabine Fenske (A0.1320596). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organscore only.
$4.99
Schubart Christmas song of the shepherds
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Orchestre de chambre
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FACILE
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Volker Schwarz, Berliner Mozar
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Sabine Fenske
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Schubart Christmas song of the
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Sabine Fenske
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1320622 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedric...
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Chamber Orchestra - Level 2 - SKU: A0.1320622 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 11 pages. Sabine Fenske #909120. Published by Sabine Fenske (A0.1320622). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organscore an orchestral parts.
$12.99
Schubart Christmas song of the shepherds
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Orchestre de chambre
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FACILE
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Noël
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Volker Schwarz, Berliner Mozar
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Sabine Fenske
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Schubart Christmas song of the
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Sabine Fenske
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1320601 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedric...
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Chamber Orchestra - Level 2 - SKU: A0.1320601 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 1 pages. Sabine Fenske #909100. Published by Sabine Fenske (A0.1320601). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organviolin 2.
$1.99
Song of the Forgotten Rose Trio for Marimba, Flute and Piano
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Orchestre de chambre
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INTERMÉDIAIRE
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Sabrina Pena Young
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Song of the Forgotten Rose Tri
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Sabrina Peña Young
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432...
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Chamber Orchestra - Level 3 - SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432533. Published by Sabrina Peña Young (A0.976943). Beautiful song for flute, marimba and piano about love, romance, and a forgotten rose found by her hero. A wedding song. Mythical tale. Truly a lovely work for intermediate to advanced musicians. A perfect work of repertoire for any music studio! Ideal for pedagogy, performance, or special event. Award-winning composer. Quite an exceptional work! Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
The Christmas Song (chestnuts Roasting On An Open Fire)
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Orchestre de chambre
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INTERMÉDIAIRE
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John Denver
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John Groves
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The Christmas Song
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John Groves
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.783772 By John Denver. By Mel Torme and Robert Wells. Arranged by John Groves. Christmas,Contemporary,Holiday. Sco...
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Chamber Orchestra - Level 3 - SKU: A0.783772 By John Denver. By Mel Torme and Robert Wells. Arranged by John Groves. Christmas,Contemporary,Holiday. Score and parts. 10 pages. John Groves #6590021. Published by John Groves (A0.783772). The Christmas Song (Chestnuts Roasting On An Open Fire) - Alto Sax Solo with String QuartetFun straight forward arrangement featuring Alto Sax soloist with string quartet or double up string parts if you want to create a rich robust string orchestra section sound.Score and Parts Included.Alto Sax2 ViolinsViolaCello.
$17.99
The Unknown Heart's Song
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Orchestre de chambre
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INTERMÉDIAIRE
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Joshua A
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The Unknown Heart's Song
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Joshua A Idio
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.999305 Composed by Joshua A. Idio. 20th Century,Classical,Romantic Period,Standards. Score and parts. 65 pages. Jo...
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Chamber Orchestra - Level 3 - SKU: A0.999305 Composed by Joshua A. Idio. 20th Century,Classical,Romantic Period,Standards. Score and parts. 65 pages. Joshua A Idio #6453741. Published by Joshua A Idio (A0.999305). Composed by Joshua A. Idio. (ASCAP Licensed) Symphonic Orchestra Music. Full score and parts.For Symphonic OrchestraComposed in the style of Nimrod from Edward Elgar's Enigma Variations, this musical poem captures the human feeling of sacrificial love and devotion to one another and the yearning to seek more than just happiness, not just for oneself, but for others.
$85.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Solitude
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Orchestre de chambre
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INTERMÉDIAIRE
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Cecile Chaminade
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Fábio Prado
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Solitude
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Fabio Prado
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1315883 Composed by Cecile Chaminade. Arranged by Fábio Prado. 20th Century,Chamber,Romantic Period. 29 pages. ...
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Chamber Orchestra - Level 3 - SKU: A0.1315883 Composed by Cecile Chaminade. Arranged by Fábio Prado. 20th Century,Chamber,Romantic Period. 29 pages. Fabio Prado #904660. Published by Fabio Prado (A0.1315883). Piecefull and warming song!
$19.99
America the Beautiful - String Quartet or Group Score and Parts PDF
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Orchestre de chambre
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FACILE
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Patriotique
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Samuel A
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Brendan Elliget MAGA 537
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America the Beautiful - String
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BJE Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.750975 Composed by Samuel A. Ward 1895. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 12 pages...
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Chamber Orchestra - Level 2 - SKU: A0.750975 Composed by Samuel A. Ward 1895. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 12 pages. BJE Music #5789233. Published by BJE Music (A0.750975). America the Beautiful is an American patriotic song. The lyrics were written by Katharine Lee Bates, and the music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met. Bates originally wrote the words as a poem, Pikes Peak, first published in the Fourth of July edition of the church periodical The Congregationalist in 1895. At that time, the poem was titled America for publication. Ward had originally written the music, Materna, for the hymn O Mother dear, Jerusalem in 1882, though it was not first published until 1892. Ward's music combined with the Bates poem was first published in 1910 and titled America the Beautiful. The song is one of the most popular of the many U.S. patriotic songs. [Wikipedia]It has been arranged here for a String Quartet or Group [Key of C] including a Violin 3 which doubles the Viola part with appropriate range changes. There is also an optional Piano Part (Not shown on the score).The MP3 was recorded with NotePerformer 3.Grade = 2.5 Duration = 1:40 mins (2 verses)
$7.50
Pájaros (Birds) for solo flute and strings
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (...
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Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
Barbara Allen for piccolo and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 page...
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Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
"On the beaches of Tijuana"
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Luis Carlos Diaz
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Luis Carlos Diaz
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"On the beaches of Tijuan
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azdi
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and p...
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Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Azdi #5983045. Published by azdi (A0.1029901). On the beaches of Tijuana August 2018 It is a sound work for chamber orchestral ensemble based on the traditional and anonymous Son Istmeño La Llorona. Developed under a minimalist aesthetic influenced by ambient and experimental music. It fuses the themes of the traditional son with melodic and rhythmic motifs of popular Mexican rock songs also inspired by this traditional rhythm: La muerte chiquita by Café Tacuba and Llorona by Caifanes. It is structured similar to the format of a rock song. Start with a long base note or drone. Introduction (intro) about a descending harmony in the key of La Menor. A melody as a verse and a different melody as choir. Both melodies are presented and performed by different instruments with variations and different combinations of accompaniment and instrumentation. Variations of the thematic patterns and the ¨intro¨. A rhythmic-melodic experiment towards the end on the same descending harmonic progression as the solo part in a rock song. It ends with a fading orchestral atmosphere (outro). All oriented towards a minimalist style setting focused on melodic lines and emotional expressiveness. For a chamber orchestra. Ideally a string septet consisting of: 2 violins. 2 violas. 2 cellos. 1 double bass. Breaths: 1 trombone. 1 trumpet. 1 transverse flute. 1 Picollo flute. 1 Clarinet. 1 Oboe. Percussion of a determined note. It can be a vibraphone. Xylophone (preferably) or marimba. If it is not possible to use this type of instrument, that part is played an octave up on a piano. The number of instruments can be increased for each of the parts if needed and be convenient for the chamber orchestra in question. The Tempo can vary between 95 and 115 bpm. The work is designed so that it can be performed mainly by youth and children's orchestras. Dedicated to Tijuana beaches. pre.cjk { font-family: WenQuanYi Micro Hei Mono, monospace; }p { margin-bottom: 0.1in; line-height: 115%; }
$22.00
Who Would Imagine A King
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Whitney Houston
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David Catherwood
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Who Would Imagine A King
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Opus 3 Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.739453 By Whitney Houston. By Hallerin Hilton Hill and Mervyn Warren. Arranged by David Catherwood. Contemporary,P...
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Chamber Orchestra - Level 4 - SKU: A0.739453 By Whitney Houston. By Hallerin Hilton Hill and Mervyn Warren. Arranged by David Catherwood. Contemporary,Pop. Score and parts. 22 pages. Opus 3 Music #3868917. Published by Opus 3 Music (A0.739453). Who Would Imagine A King - as sung by Whitney Houston in The Preacher's Wife This arrangement contains a score and a set of parts to be used in conjunction with the standard Choral and piano version available at the link belowhttps://www.sheetmusicplus.com/title/who-would-imagine-a-king-digital-sheet-music/20513110Parts are included for Violin 1, Violin 2, Viola, Cello, Bass, Flutes, and optional Horns, Bassoons and Percussion - As many of these parts are optional the arrangement will work with as little as a String Quartet with Flute. Of course the arrangement will be all the more effective with as many parts covered as possible and it could even be presented by a larger group by having more than one on each string part. Overall it will add a beautiful warm feeling to this great song.
$49.99
We'll Meet Again
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Hughie Charles and Ross Parker
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We'll Meet Again
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www.studio-orchestrations.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1449786 Composed by Hughie Charles and Ross Parker. Arranged by John Langley / Studio Orchestrations. 20th Century...
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Chamber Orchestra - Level 4 - SKU: A0.1449786 Composed by Hughie Charles and Ross Parker. Arranged by John Langley / Studio Orchestrations. 20th Century,Historic,Standards. 75 pages. Www.studio-orchestrations.com #1029550. Published by www.studio-orchestrations.com (A0.1449786). We'll Meet Again is a 1939 song by English singer Vera Lynn with music and lyrics composed and written by English songwriters Ross Parker and Hughie Charles. The song is one of the most famous of the Second World War era, and resonated with servicemen going off to fight as well as their families and loved ones.This version is in D Major, written for solo vocal (mezzo soprano) and chamber orchestra with optional rhythm section.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets2 Bassoons3 HornsAcoustic guitar (Optional)Upright bassDrum kitPianoSolo vocalistStringsCheck out other available arrrangements by John Langley and Paul Campbell at www.studio-orchestrations.com via links on this page or via the website.
$120.00
O surdato 'nnammurato
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Folklorique/Traditionel
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Enrico Cannio
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Armand Broshka
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O surdato 'nnammurato
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Armand Broshka
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.884568 Composed by Enrico Cannio. Arranged by Armand Broshka. Folk,Traditional. Score and parts. 28 pages. Armand ...
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Chamber Orchestra - Level 4 - SKU: A0.884568 Composed by Enrico Cannio. Arranged by Armand Broshka. Folk,Traditional. Score and parts. 28 pages. Armand Broshka #6011227. Published by Armand Broshka (A0.884568). O surdato 'nnammurato The Soldier in Love is a famous song written in the Neapolitan language by Aniello Califano and the music composed by Enrico Cannio in 1915. The song describes the sadness of a soldier who is fighting at the front during World War I, and who pines for his beloved.
$20.00
The Lord Calling (Orchestration)
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Orchestre de chambre
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FACILE
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Musique Sacrée
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Oklahoma Baptist Children's Ch
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Michael Ware
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The Lord Calling
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Michael Ware Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1413491 By Oklahoma Baptist Children's Chorus. By Michael Ware. Arranged by Michael Ware. Children,Christian,Prais...
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Chamber Orchestra - Level 2 - SKU: A0.1413491 By Oklahoma Baptist Children's Chorus. By Michael Ware. Arranged by Michael Ware. Children,Christian,Praise & Worship,Religious,Sacred. 22 pages. Michael Ware Music #995268. Published by Michael Ware Music (A0.1413491). The Lord Calling is one of Michael Ware’s most performed children’s choir pieces. Made popular by the Oklahoma Baptist Children’s Chorus, this heartfelt unison/opt. 2-part song encourages the singer and listener to listen to, worship, and follow the Lord. The optional chamber orchestration richly adds to the atmosphere of the piece. Vocal/piano score and orchestration are available separately. Instrumentation: Flute 1, Flute 2/Oboe, Clarinet in Bb, Horn in F, percussion, Voices, Piano, Violin I, Violin II, Viola, Cello (substitute parts: Soprano Sax, Alto Sax)This download is the chamber orchestration.
$45.00
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...
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Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
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