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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Was Renaissance
Non classifié
346
Piano & claviers
Piano, Voix
108
Piano seul
33
Piano Facile
14
Piano, Voix et Guitare
11
Orgue
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Instruments en Do
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Mandoline
102
Guitare
32
Ukulele
21
Guitare notes et tablatures
9
4 Guitares (Quatuor)
3
2 Guitares (duo)
3
3 Guitares (trio)
2
Mandoline, Guitare (duo)
1
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 5 instrumentations
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Voix
Chorale SATB
62
Chorale 3 parties
17
Chorale 2 parties
16
Voix duo, Piano
5
Chorale Unison
5
Chorale TTBB
4
Chorale SSAATTBB
2
Voix duo
2
Voix Alto, Piano
1
Chorale SSAA
1
Chorale
1
Voix Baryton, Piano
1
Voix haute
1
Chorale SSATBB
1
Voix Soprano, Piano
1
Voix basse
1
+ 11 instrumentations
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Vents
Flûte à bec Soprano
89
Flûte à bec Alto
45
Ocarina
38
Quatuor de Clarinettes: 4 clarinettes
32
Ensemble De Flûte à bec
24
Quatuor de Saxophones: 4 saxophones
22
Flûte, Hautbois, Clarinette, Basson
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Ensemble de Clarinettes
21
2 Saxophones (duo)
18
Quatuor de Flûtes à bec
18
Ensemble de Flûtes
16
Quatuor de Flûtes : 4 flûtes
15
Clarinette et Piano
13
3 Saxophones (trio)
11
Flûte traversière et Piano
11
Flûte et Guitare
10
2 Flûtes traversières (duo)
9
Quintette de Saxophone: 5 saxophones
9
Clarinette, Guitare (duo)
8
Saxophone Alto et Piano
8
Hautbois, Piano (duo)
8
Saxophone Tenor et Piano
6
3 Clarinettes (trio)
6
Trio de Flûtes: 3 flûtes
5
Quintette de Flûte : 5 flûtes
5
Ensemble de saxophones
5
Cor anglais, Piano
5
2 Clarinettes (duo)
4
2 Flûte à bec (duo)
4
Cor anglais, Guitare (duo)
4
Quintette de Clarinettes: 5 clarinettes
3
Saxophone et Guitare
3
Saxophone Baryton, Piano
3
Clarinette
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Basson (duo)
2
Saxophone Soprano et Piano
2
Flute, harpe et violon
1
Flûte à Bec
1
2 Hautbois (duo)
1
Flûte, Clarinette (duo)
1
Ensemble de Hautbois
1
Flûte à bec Alto, Piano
1
Hautbois, Guitare (duo)
1
Hautbois, Flûte
1
Flute (partie séparée)
1
Hautbois, Violoncelle
1
Hautbois, Basson (duo)
1
Flûte, Hautbois (duo)
1
Saxophone Alto
1
Hautbois (partie séparée)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
Flûte traversière
1
+ 52 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
66
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Ensemble de Trombones
13
Trombone et Piano
11
Quatuor de Cuivres
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de cuivres: 4 trombones
7
Ensemble de Trompettes
7
Trompette, Trombone (duo)
6
Tuba et Piano
5
Trompette
5
Cor anglais, Piano
5
Trompette, Piano
4
Quatuor de cuivres: 4 cors
4
Cor anglais, Guitare (duo)
4
2 Trompettes (duo)
3
2 Trombones (duo)
3
3 Trombones (trio)
3
Ensemble de Cors
2
Trombone
2
Quatuor de cuivres: 4 trompettes
2
Trio de Cuivres
2
Cor et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor
1
2 Euphoniums et 2 Tubas
1
2 Tubas (duo)
1
2 Cors (duo)
1
Euphonium
1
Tuba et Orgue
1
4 Tubas
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
67
Violon et Piano
13
Alto, Piano
11
Violoncelle, Piano
10
Trio à Cordes: violon, alto, violoncelle
10
2 Violons (duo)
7
Violoncelle
6
2 Violoncelles (duo)
6
2 Harpes (duo)
6
Violon, Violoncelle (duo)
6
Alto, Violoncelle (duo)
5
4 Violoncelles
4
Violoncelle , Guitare (duo)
4
Violon
4
Violon, Alto (duo)
4
Trio à cordes: 3 altos
3
Trio à Cordes: 3 violoncelles
3
Alto, Guitare (duo)
3
2 Altos (duo)
3
Harpe
3
Quatuor à cordes : 4 altos
3
Quatuor à cordes: 4 violons
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
Violon, Guitare (duo)
2
Ensemble d'Altos
1
Contrebasse, Piano (duo)
1
Ensemble de Violons
1
Alto seul
1
+ 24 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
53
Orchestre d'harmonie
51
Ensemble de cuivres
47
Orchestre
4
Orchestre de chambre
3
Ensemble Jazz
3
Marimba
2
Fanfare
2
Xylophone
1
+ 4 instrumentations
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Autres
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Instruments
ACCORDEON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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Was Renaissance
Orchestre de chambre
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Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
91.77 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
#
SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.81 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
#
SheetMusicPlus
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