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TRI ET FILTRES
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Non classifié
1565
PIANO & CLAVIERS
Piano, Voix
609
Piano seul
488
Piano, Voix et Guitare
285
Piano Facile
121
Accompagnement Piano
71
Orgue
55
Instruments en Do
30
2 Pianos, 4 mains
26
1 Piano, 4 mains
23
Piano Trio: piano, violon, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano (partie séparée)
3
Piano grosses notes
2
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 6 mains
2
Accordéon
1
2 Accordéons
1
Clavecin
1
Orgue, Piano (duo)
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GUITARES
Guitare notes et tablatures
104
Guitare
66
Basse electrique
32
Guitare (partie séparée)
22
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
6
2 Guitares (duo)
5
4 Guitares (Quatuor)
3
2 Mandolines (duo)
2
3 Guitares (trio)
2
Piano, Guitare (duo)
2
Ukulele
2
Ukulele Baryton
2
Dulcimer
1
Ensemble de guitares
1
Mandoline, Guitare (duo)
1
2 Ukuleles
1
Basse électrique (partie séparée)
1
Banjo
1
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VOIX
Chorale SATB
416
Chorale 3 parties
125
Chorale 2 parties
71
Chorale TTBB
40
Chorale Unison
34
Chorale SSAA
29
Voix duo, Piano
20
Voix Tenor, Piano
18
Voix duo
13
Voix Alto, Piano
11
Voix Soprano, Piano
11
Voix seule
7
Voix Tenor
7
Chorale
3
Chorale SSATTB
3
Voix haute
2
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton, Piano
1
Voix moyenne, Piano
1
Voix Soprano
1
Voix basse
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
205
Quatuor de Saxophones: 4 saxophones
169
Saxophone (partie séparée)
146
Quintette de Saxophone: 5 saxophones
128
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
110
Saxophone Alto et Piano
108
Saxophone Alto
102
Saxophone Tenor et Piano
89
Saxophone Soprano et Piano
73
3 Saxophones (trio)
70
Flûte, Hautbois, Clarinette, Basson
69
Flûte traversière et Piano
52
Clarinette
51
Saxophone, Clarinette (duo)
48
Saxophone Baryton, Piano
47
Flûte traversière
43
Clarinette et Piano
42
2 Clarinettes (duo)
42
Saxophone
39
Saxophone Tenor
39
Hautbois, Piano (duo)
38
Quatuor de Clarinettes: 4 clarinettes
38
2 Flûtes traversières (duo)
36
Clarinette, Violon (duo)
33
Hautbois (partie séparée)
28
Ensemble de Clarinettes
28
Clarinette, Trompette (duo)
28
Ensemble de saxophones
27
Quatuor de Flûtes : 4 flûtes
26
Flûte, Clarinette (duo)
25
Saxophone Baryton
23
Flûte à bec Soprano
22
Saxophone Soprano
20
Clarinette et Alto
19
Hautbois, Basson (duo)
17
Clarinette (partie séparée)
17
Hautbois, Clarinette (duo)
16
Flûte, Alto (duo)
15
2 Hautbois (duo)
15
Flûte, Saxophone (duo)
14
Ensemble de Flûtes
14
Hautbois, Flûte
14
Flûte, Violon
14
Hautbois
13
Flûte, Hautbois, Clarinette (trio)
13
Hautbois, Clarinette, Basson (trio d'anches)
11
Flûte, Trompette (duo)
11
Cor anglais, Piano
9
Flûte à bec Alto, Piano
9
Flute (partie séparée)
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte à bec Alto
7
2 Flûte à bec (duo)
7
Quatuor de Flûtes à bec
7
Flûte à Bec
7
Piccolo
6
3 Clarinettes (trio)
6
Quintette de Flûte : 5 flûtes
5
Flûte à bec Tenor
5
Clarinette, Violoncelle (duo)
5
Cor Anglais
5
Piccolo, Piano
4
Ensemble De Flûte à bec
4
Flûte à Bec, Piano
4
Trio de Flûtes: 3 flûtes
4
Clarinette Basse, Piano
4
Clarinette, Basson (duo)
4
Flûte et Guitare
4
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3
Flûte, Hautbois (duo)
3
Harmonica
3
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3
Ensemble à vent
2
Flûte, Violoncelle
2
5 Flûtes à bec
2
Clarinette, Guitare (duo)
2
Clarinette, Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Instruments en Mib
1
Flute, harpe et violon
1
Hautbois, violon (duo)
1
Hautbois, Guitare (duo)
1
Hautbois, Violoncelle
1
Ocarina
1
Saxophone et Guitare
1
Flûte irlandaise
1
Flûte, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Clarinette Basse
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Orgue
1
2 Flûtes traversières, Piano
1
Clarinette, Trombone (duo)
1
Flûte, Clarinette et Basson
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
148
Quatuor de Cuivres : 2 trompettes, trombone, tuba
117
Trombone
107
Trombone et Piano
103
Trompette
64
Quatuor de Cuivres: 2 trompettes, Cor, trombone
64
Trombone (partie séparée)
62
2 Trombones (duo)
54
Trompette, Piano
50
Quatuor de cuivres: 4 trombones
41
Trompette, Saxophone (duo)
38
Cor et Piano
36
Cor
35
Trompette, Trombone (duo)
32
Tuba
29
Ensemble de Trombones
27
Tuba et Piano
26
2 Trompettes (duo)
24
Trompette (partie séparée)
21
Quatuor de Cuivres
13
Ensemble de Trompettes
11
Cor anglais, Piano
9
2 Cors (duo)
8
Cor (partie séparée)
8
Euphonium, Piano (duo)
8
Quatuor de cuivres: 4 cors
8
Tuba (partie séparée)
7
Quatuor de cuivres: 4 trompettes
7
2 Tubas (duo)
7
Trompette, Cor (duo)
7
Trio de Cuivres
6
3 Trombones (trio)
5
Cor Anglais
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Trombone basse
4
Bass Clef Instruments
3
3 Trompettes (trio)
3
4 Tubas
3
2 Euphoniums et 2 Tubas
3
Cor, Tuba (duo)
2
Trombone basse et Piano
2
Ensemble de Cors
2
Trombone, Tuba (duo)
2
Trombone, Cor (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
2 Cors Anglais Et Pianoforte
1
Euphonium, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Instruments en Sib
1
Tuba ou Euphonium ou Saxhorn
1
Tuba et Orgue
1
Trompette, Basson (duo)
1
Cor, Violoncelle (duo)
1
Euphonium
1
Trompette, Euphonium (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
151
Violon et Piano
65
Violon
57
Violoncelle, Piano
47
Alto, Piano
46
Harpe
41
Violon, Violoncelle (duo)
39
Violoncelle (partie séparée)
34
Trio à Cordes: violon, alto, violoncelle
33
Alto seul
32
2 Violons (duo)
30
2 Violoncelles (duo)
30
Violon, Alto (duo)
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
4 Violoncelles
18
Violoncelle
18
Contrebasse, Piano (duo)
18
2 Altos (duo)
18
Contre Basse
15
Alto (partie séparée)
13
Quatuor à cordes: 4 violons
10
Trio à Cordes: 2 violons, violoncelle
10
Alto, Violoncelle (duo)
10
Violon (partie séparée)
9
Contrebasse (partie séparée)
8
Quatuor à cordes : 4 altos
8
Piano Trio: Violon, Alto, Piano
8
Violoncelle , Guitare (duo)
5
Violon, Guitare (duo)
5
2 Harpes (duo)
5
Trio à Cordes: 3 violoncelles
4
Ensemble de Violons
4
Ensemble d'Altos
4
Trio à cordes: 3 altos
4
Trio à cordes: 3 violins
4
Harpe, Voix
4
Alto, Guitare (duo)
2
Violoncelle, Contrebasse (duo)
1
2 Violons, Piano
1
4 Contrebasses
1
Alto et Harpe
1
Harpe (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
1
Harpe, Flûte (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
327
Ensemble de cuivres
122
Orchestre
99
Orchestre à Cordes
77
Fanfare
31
Ensemble Jazz
28
Cloches
21
Orchestre de chambre
20
Ensemble de Percussions
13
Percussion (partie séparée)
12
Jazz combo
11
Batterie
7
Batterie (partie séparée)
5
Marimba
3
Timbales (partie séparée)
3
Caisse Claire
2
Instrumentation Flexible
1
Xylophone, Piano
1
Piano et Orchestre
1
Xylophone
1
Vibraphone
1
Orchestre, Violon
1
Xylophone (partie séparée)
1
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AUTRES
Vous avez sélectionné:
We Are One
Orchestre de chambre
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We Are The World
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1144039 By USA For Africa. B…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1144039 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Silvestro Sabatelli. Christmas,Multicultural,Pop,Praise & Worship,Rock,World. Score and parts. 30 pages. Silvestro Sabatelli #744347. Published by Silvestro Sabatelli (A0.1144039). Arrangement for voice (lead voice), flute, clarinet, strings ensemble and rhythm section. Arrangiamento per voce (lead voice), flauto, clarinetto, ensemble di archi e sezione ritmica.
$100.00
92.69 €
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Orchestre de chambre
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USA For Africa
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Silvestro Sabatelli
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We Are The World
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Silvestro Sabatelli
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SheetMusicPlus
We Are The World
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1299140 By USA For Africa. B…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1299140 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Silvestro Sabatelli. 20th Century,Advent,Christmas,Pop,Praise & Worship. Score and Parts. 30 pages. Silvestro Sabatelli #744344. Published by Silvestro Sabatelli (A0.1299140). Arrangement for voice (lead voice), flute, clarinet, strings ensemble and rhythm section. Arrangiamento per voce (lead voice), flauto, clarinetto, ensemble di archi e sezione ritmica.
$100.00
92.69 €
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Orchestre de chambre
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USA For Africa
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Silvestro Sabatelli
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We Are The World
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Silvestro Sabatelli
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.9 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
We Will Rock You
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.612322 By Queen. By Brian Ma…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.612322 By Queen. By Brian May. Arranged by Stephen DeCesare. Rock. Score and parts. 12 pages. Exultet Music #4319203. Published by Exultet Music (A0.612322). Voted as one of the 500 Greatest Songs of All Time which was recorded and performed by the British rock band Queen, has been freshly arranged for a String Quartet (Violin (2), Viola, Cello), Electric Guitar and Piano. Accessible and appropriate for any school or concert venue.
$12.99
12.04 €
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Orchestre de chambre
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Queen
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Stephen DeCesare
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We Will Rock You
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Exultet Music
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SheetMusicPlus
Variations on a Rossini Theme op.Posth
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
27.8 €
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Orchestre de chambre
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme op.Posth
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James Strauss
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SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.68 €
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Orchestre de chambre
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
Tigers and Teapots, Vol. 2
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.878864 Composed by David Ban…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.878864 Composed by David Banney. Children,Contemporary,Folk,Standards,World. Score and parts. 34 pages. David Banney #6353811. Published by David Banney (A0.878864). Tigers and Teapots is a collection of children's songs, arranged for unison children's choir and string orchestra. The pieces can be performed in many ways - they can be performed as indicated, for choir and strings, or the vocal lines can be performed by one or more instruments. The CD is available on iTunes: https://music.apple.com/au/album/tigers-and-teapots/1356450586Listen on Spotify: https://open.spotify.com/album/72RmUT63TxOKPAr9tWN6PA?si=y6GRHMWHQD-WIuMac6LeKAVol. 2 contains: Old brass wagon - Apple tree (Moon Apples) - Button - Cockatoo & Bow, wow, wow (Cockatoo and Dog) - Sleep, sleep - We are dancing in the forest (Wolf Dance)As most of the pieces are very short, no separate parts are provided for different sections of the orchestra (with the excpeption of a few longer pieces). This allows children to learn to read from a score, and allows for great flexibility in rehearsals.
$9.99
9.26 €
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Orchestre de chambre
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David Banney
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Bow,
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Tigers and Teapots, Vol. 2
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David Banney
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SheetMusicPlus
W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311414 Composed by Wolfgang…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,Wedding. 13 pages. Arcadia Verlag #900420. Published by Arcadia Verlag (A0.1311414). We are thrilled to present the new orchestral arrangement of the aria O Isis und Osires from Mozart's opera The Magic Flute, created by renowned musician and arranger Vasilis Tsiatsianis.In this arrangement, Vasilis preserves Mozart's style and essence while adding a richness and orchestral grandeur to the piece. With skill and sensitivity, he expands the instrumentation while remaining true to Mozart's original vision.The new arrangement provides a more complete and immersive musical experience, with additional layers of sound textures and a refined balance between the different sections of the orchestra. Dramatic moments are heightened, while delicate nuances are enhanced, resulting in an exciting and captivating interpretation.Now, you have the opportunity to purchase this exclusive sheet music on our online sales platform. Whether you are looking for a new addition to your personal repertoire or planning an orchestral performance, this arrangement will undoubtedly enrich your musical experience.Don't miss the chance to explore the talent and creativity of Vasilis Tsiatsianis in this new arrangement of the O Isis und Osires aria. Place your order now and immerse yourself in the magic of Mozart's masterpiece.Acquire the sheet music on our website and delve into the enchantment of The Magic Flute like never before!The Aria of Sarastro from Magic Flute (Zauberflöte) arranged for Chamber Orchestra without Corni di Bassetto and Trombones. 0.0.2.1-2.0.0.0-Voice-Strings. Original Tonality. German Text.
$45.00
41.71 €
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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Vasilis Tsiatsianis
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W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version
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Arcadia Verlag
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.59 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.59 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
23.17 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.59 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Galadriel's Song of Eldamar, Orchestral Version
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1007141 Composed by Charles …
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1007141 Composed by Charles McCreery. 20th Century,Children,Contemporary. Score and parts. 46 pages. St Maur Music #5024433. Published by St Maur Music (A0.1007141). This song is an orchestral version of one of a series of ‘Fourteen Tolkien Songs’. A comment on the collection by an Oxford piano teacher: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved. Dr Julia Gasper, LGSM A general comment on Charles McCreery’s music by a violinist and composer in the USA: ‘Charles McCreery’s beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ Samantha Gillogly ‘Galadriel’s Song’ is appropriate for either women’s or children’s voices, and is potentially of interest to anyone who is familiar with the works of J.R.R. Tolkien. The three vocal parts and the individual orchestral parts can all be printed out separately at the end of the full score. The MP3 which plays from this page is of a version of the song which can be heard on the stmaurmusic channel on YouTube (https://www.youtube.com/user/stmaurmusic). On the front cover is a photograph of leaves in Wytham Woods, Oxford, and at the end of the full score is a photograph of the sea off Treyarnon Bay, Cornwall .
$7.75
7.18 €
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Orchestre de chambre
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Charles McCreery
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Galadriel's Song of Eldamar, Orchestral Version
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St Maur Music
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SheetMusicPlus
Triple Concerto
Orchestre de chambre
2 Ob. - Pk. (auch Trgl.) - Str. 3 violins and chamber orchestra - difficult - Digital Down…
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2 Ob. - Pk. (auch Trgl.) - Str. 3 violins and chamber orchestra - difficult - Digital Download SKU: S9.Q6420 Composed by Olli Mustonen. This edition: piano reduction with solo parts. Violin Library. Downloadable, Piano reduction with solo parts. Duration 17 minutes. Schott Music - Digital #Q6420. Published by Schott Music - Digital (S9.Q6420). Mustonen is one of the composing piano virtuosos of the young generation. What is remarkable in his works is that he does not give priority to 'his instrument'. He has composed pieces for strings, sonatas with piano accompaniment, orchestral works and even a piece for guitar which refers to the history of his home country Finland. In his 'Triple Concerto', the three highly virtuoso solo violins compete with a colourfully orchestrated string orchestra. As a special feature, timpani and triangle are used in an effective and sophisticated way. We now publish the piano score of this frequently performed work. Even this chamber music version reveals the spirited and simply beautiful music of Mustonen.
$40.99
37.99 €
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Orchestre de chambre
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Olli Mustonen
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Triple Concerto
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Schott Music - Digital
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
50.05 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
BH010REC - Recorder Quartet Songs, Book 10 (>70 pages)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921170 Composed by Carl Van …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.921170 Composed by Carl Van Pevenage. Baroque,Classical,Folk,Pop. Score and parts. 92 pages. Carl Van Pevenage #3011783. Published by Carl Van Pevenage (A0.921170). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 091 Romantic song: Natural BeautyChansonnette 092 Romantic song: One day we had a dreamChansonnette 093 Little sunny girlChansonnette 094 ViolenceChansonnette 095 He fain would acceptChansonnette 095b A variation on Chansonnette 095Chansonnette 096 Fourty times MozartChansonnette 097 A penny for your thoughtsChansonnette 098 Where are we nowChansonnette 099 Folk song: the little gentle rascalChansonnette 100 The most beautiful chorale
$9.95
9.22 €
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Orchestre de chambre
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Carl Van Pevenage
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BH010REC - Recorder Quartet Songs, Book 10
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Carl Van Pevenage
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
55.61 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
Companionship Full Score - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1371215 Composed by Rachel J…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1371215 Composed by Rachel J Peters. 21st Century,Classical,Opera. 282 pages. Rachel J Peters #929974. Published by Rachel J Peters (A0.1371215). CAST: 7 adult principals and children’s chorusINSTRUMENTATION: 1.0.1 (doubling t.sax).1/0.0.1.0/pft- perc (1)/1.1.1.1.1 (doubling elec.bass) (Parts are available separately for rental.)DURATION: 1 hour 15 minutesPAGES: 282WORLD PREMIERE: Fort Worth Opera, 2019; Premiere with Orchestra, Virginia Arts Festival, 2022Recovering from a nervous breakdown, aspiring baker Leslie Sinclair finally reaches the end of her obsessive quest to bake the perfect baguette when the 207,345th one suddenly comes to life. Companionship mirrors our contemporary world, where what we consume becomes all-consuming. Adapted from the short story by Arthur Phillips.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights, please write to rachel@racheljpeters.com.
$50.00
46.34 €
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Orchestre de chambre
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Rachel J Peters
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Companionship Full Score - Score Only
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Rachel J Peters
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SheetMusicPlus
Nocturne for Strings- Op. 26
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.987737 Composed by Dana Tayl…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.987737 Composed by Dana Taylor. Contemporary. Score and parts. 13 pages. Dana Taylor Music #28939. Published by Dana Taylor Music (A0.987737). Nocturne for Strings is a rondo where each section of the orchestra has a chance to stand out. I chose Advanced Intermediate because the mode tends to be mixolydian, with shifting tonal centers and keys, but always melodic,and the parts are interesting. Depending on your group Nocturne is full of teachable moments, from what makes it modal to how go we modulate from one key to the next, and why. And your musicians and audience alike will be humming this afterward. Parts sold separately.
$30.00
27.81 €
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Orchestre de chambre
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Dana Taylor
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Nocturne for Strings- Op. 26
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Dana Taylor Music
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SheetMusicPlus
American Patriotic Music for All, Volume 1
Orchestre de chambre
Composed by Various. Arranged by Randy Calistri-Yeh. Fourth of July, Recital, Patriotic,…
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Composed by Various. Arranged by Randy Calistri-Yeh. Fourth of July, Recital, Patriotic, Old-time, Americana. Score, Set of Parts. 468 pages. Published by Custom Chamber Music
Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has 15 minutes of music that both you and your audience are sure to love. These arrangements can be played with anywhere from 3 to 7 parts, suitable for a small chamber group, accompaniment for a choir, or a full band or orchestra (school, community, or professional). This is one of the most versatile collections you'll ever use! To demonstrate the flexibility of this collection, the audio clip has "America the Beautiful" performed as a full concert band, a string orchestra, and a woodwind trio. The songs included in Volume 1 are: The Star-Spangled Banner (US National Anthem), by John Stafford Smith. America the Beautiful, by Samuel Ward. Battle Hymn of the Republic ("Mine Eyes Have Seen the Glory"). My Country, 'Tis of Thee ("America", known as "God Save the King/Queen" in England). Stars and Stripes Forever, by John Philip Sousa. Washington Post March, by John Philip Sousa. Semper Fidelis, by John Philip Sousa. These songs are also available separately through the publisher link above. Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. This collection contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles: Brass trio, quartet, quintet, and sextet. Woodwind trio, quartet, quintet, and sextet. String trio, quartet, quintet, and sextet. Clarinet trio, quartet, quintet, and sextet. Saxophone trio, quartet, and quintet. Mixed trio, quartet, quintet, and sextet, with optional percussion. Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band. The parts are described as follows: Part 1 [D4-Ab5] is the main melody. Flute/Piccolo, Oboe, Bb Clarinet, Alto Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola. Part 2 [G3-Eb5] has some B-section melody and harmony. Bb Clarinet, Alto/Bass Clarinet, Alto Saxophone, French Horn, Bb Trumpet, Violin, Viola. Part 3 [G3-Bb4] is additional harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Baritone, Trombone, C/Bb Euphonium, Violin, Viola, Cello. Part 4 [F2-C4] is the main bass line. Bass Clarinet, Baritone/Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass. Part 5 [E2-C4] is other harmony. Bass Clarinet, Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass. Part 6 [E2-F4] is the main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass. Part 7 is an optional percussion part (snare drum, cymbal, bass drum) that can be added to any of the above combinations, or skipped entirely. We recommend the following combinations: Trio: Parts 1, 2, 4 (4 works better than 3 for trio). Quartet: Parts 1, 2, 3, 4. Quintet: Parts 1, 2, 3, 4, 5. Sextet: Parts 1, 2, 3, 4, 5, 6. Septet: Part 1, 2, 3, 4, 5, 6, 7. Be sure to also check out our three volumes of Christmas Carols for All!
$45.00
41.71 €
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Orchestre de chambre
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Various
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American Patriotic Music for All, Volume 1
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Custom Chamber Music
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SheetMusicPlus
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