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FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
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Non classifié
495
PIANO & CLAVIERS
Piano seul
214
Piano, Voix
172
Piano, Voix et Guitare
77
Piano Facile
62
Orgue
23
Instruments en Do
21
Piano Trio: piano, violon, violoncelle
6
Accompagnement Piano
4
Piano grosses notes
4
1 Piano, 4 mains
3
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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GUITARES
Guitare notes et tablatures
30
Guitare
10
Ligne De Mélodie, (Paroles) et Accords
3
Basse electrique
3
Mandoline
2
2 Mandolines (duo)
2
2 Guitares (duo)
1
Piano, Guitare (duo)
1
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VOIX
Chorale SATB
224
Chorale 3 parties
44
Chorale 2 parties
21
Chorale Unison
21
Chorale TTBB
11
Chorale SSAA
8
Voix Soprano, Piano
7
Voix Alto, Piano
7
Voix duo, Piano
6
Voix duo
5
Voix seule
4
Voix Tenor, Piano
2
Voix basse
1
Voix Tenor
1
Soli, choeur mixte et accompagnement
1
Chorale SSATTB
1
Voix haute
1
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VENTS
2 Saxophones (duo)
49
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
2 Clarinettes (duo)
26
Flûte, Hautbois, Clarinette, Basson
26
Quatuor de Saxophones: 4 saxophones
26
Saxophone, Clarinette (duo)
24
Hautbois, Piano (duo)
24
Quintette de Saxophone: 5 saxophones
23
2 Flûtes traversières (duo)
22
Clarinette
19
Clarinette et Piano
17
Clarinette, Violon (duo)
17
Flûte traversière et Piano
16
Flûte traversière
16
Saxophone Alto
16
Clarinette, Trompette (duo)
15
Saxophone Alto et Piano
14
Hautbois (partie séparée)
14
Saxophone Tenor et Piano
12
Flûte, Clarinette (duo)
11
Quatuor de Clarinettes: 4 clarinettes
11
Clarinette et Alto
10
Hautbois, Basson (duo)
10
Saxophone Soprano et Piano
9
2 Hautbois (duo)
9
3 Saxophones (trio)
8
Flûte, Alto (duo)
8
Flûte, Violon
8
Flûte, Saxophone (duo)
7
Hautbois, Flûte
7
Saxophone Baryton, Piano
7
Hautbois, Clarinette (duo)
6
Flûte, Trompette (duo)
6
Saxophone Tenor
5
Clarinette, Basson (duo)
5
Saxophone Baryton
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Saxophone Soprano
4
Flûte, Hautbois, Clarinette (trio)
4
Hautbois
4
Quintette de Clarinettes: 5 clarinettes
4
Ensemble de saxophones
3
Clarinette (partie séparée)
3
Quatuor de Flûtes : 4 flûtes
3
Ensemble de Flûtes
3
Flûte, Violoncelle
3
Cor anglais, Piano
3
Quintette de Flûte : 5 flûtes
3
Flûte à bec Soprano, Piano
2
2 Flûtes traversières, Piano
2
Flûte à Bec
2
Clarinette, Violoncelle (duo)
2
5 Flûtes à bec
2
Flûte, Violoncelle, Piano (trio)
1
Flute (partie séparée)
1
Ensemble à vent
1
Ensemble De Flûte à bec
1
Flute, harpe et violon
1
2 Clarinettes, Piano
1
Flûte à bec Alto, Piano
1
Quatuor de Flûtes à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone (partie séparée)
1
Flûte et Guitare
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Clarinettes
1
Hautbois, Guitare (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trompette, Saxophone (duo)
18
Trombone et Piano
16
Trombone
14
Trompette, Piano
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Cor et Piano
12
Tuba
11
2 Trombones (duo)
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trompette
10
Trompette, Trombone (duo)
9
Cor
9
Quatuor de cuivres: 4 trombones
8
2 Trompettes (duo)
7
Trombone (partie séparée)
5
Trio de Cuivres
4
Tuba et Piano
4
2 Cors (duo)
3
Cor (partie séparée)
3
Cor anglais, Piano
3
Trompette (partie séparée)
2
Quatuor de Cuivres
2
Ensemble de Cors
2
Ensemble de Trompettes
2
Trompette, Euphonium (duo)
1
Euphonium, Piano (duo)
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 cors
1
Trompette, Violoncelle (duo)
1
Trompette, Violoncelle et Piano
1
Ensemble de Trombones
1
2 Euphoniums et 2 Tubas
1
Tuba (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
2 Tubas (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
69
Violon et Piano
30
Violoncelle, Piano
22
Violon
21
Alto, Piano
18
Violon, Violoncelle (duo)
17
Violoncelle
16
Violon, Alto (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Alto seul
13
2 Violoncelles (duo)
12
Harpe
12
Trio à Cordes: violon, alto, violoncelle
10
2 Violons (duo)
10
2 Altos (duo)
7
Contrebasse, Piano (duo)
6
Contre Basse
6
Alto (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
5
Harpe, Voix
4
Alto, Violoncelle (duo)
3
Piano Trio: Violon, Alto, Piano
3
Violon (partie séparée)
2
Harpe, Violon (duo)
1
Contrebasse (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
2 Violons, Piano
1
Violon, Basson (duo)
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
71
Ensemble de cuivres
52
Orchestre
30
Orchestre à Cordes
22
Cloches
13
Ensemble Jazz
8
Orchestre de chambre
7
Jazz combo
5
Fanfare
3
Batterie
2
Ensemble de Percussions
2
Percussion (partie séparée)
1
Marimba
1
Instrumentation Flexible
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
We As Love
Orchestre de chambre
Partitions à imprimer
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People Will Say We're In Love
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.739389 Composed by Richard R…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.739389 Composed by Richard Rodgers. Arranged by David Catherwood. Broadway,Film/TV,Musical/Show. Score and parts. 11 pages. Opus 3 Music #3118657. Published by Opus 3 Music (A0.739389). People Will Say We're In Love is from the 1943 Rodgers and Hammerstein musical Oklahoma! This arrangement features a solo oboe (or clarinet/violin) with strings. The Oboe presents the main tune and then weaves a delicate counterpoint as the strings take over the tune.Parts are supplied for - Soloist (in C and Bb), Violin 1 & 2, Viola, Cello and Double Bass plus a full score.
$49.99
45.47 €
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Orchestre de chambre
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Richard Rodgers
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David Catherwood
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People Will Say We're In Love
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Opus 3 Music
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
90.96 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
Becoming • Instrument Backing score and Parts for Solo and SAB
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1164772 Composed by C. Micha…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1164772 Composed by C. Michael Perry. Arranged by C. Michael Perry. Christian,Contemporary,Spiritual. Score and parts. 14 pages. Shining Sharon Music #765106. Published by Shining Sharon Music (A0.1164772). Line upon line, precept on precept, we learn and grow, sometimes at an alarming rate, other times at a snail's pace. As we are each individuals, this is wholly appropriate. The goal for each of us, for everything that we learn, is to use it to love God, love ourselves and prepare to meet God –– to BECOME –– hourly, daily, weekly, yearly, as we learn and grow in life and through Eternity. Think of the possibilities! With God, nothing is impossible!Orchestra parts consist of: Full Score, Flute, Oboe, Viola, Acoustic Bass).
$50.00
45.48 €
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Orchestre de chambre
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C
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C
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Becoming • Instrument Backing score and Parts for Solo and SAB
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Shining Sharon Music
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SheetMusicPlus
Variations on a Rossini Theme op.Posth
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
27.28 €
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Orchestre de chambre
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme op.Posth
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James Strauss
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.12 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
54.58 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
American Patriotic Music for All, Volume 1
Orchestre de chambre
Composed by Various. Arranged by Randy Calistri-Yeh. Fourth of July, Recital, Patriotic,…
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Composed by Various. Arranged by Randy Calistri-Yeh. Fourth of July, Recital, Patriotic, Old-time, Americana. Score, Set of Parts. 468 pages. Published by Custom Chamber Music
Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has 15 minutes of music that both you and your audience are sure to love. These arrangements can be played with anywhere from 3 to 7 parts, suitable for a small chamber group, accompaniment for a choir, or a full band or orchestra (school, community, or professional). This is one of the most versatile collections you'll ever use! To demonstrate the flexibility of this collection, the audio clip has "America the Beautiful" performed as a full concert band, a string orchestra, and a woodwind trio. The songs included in Volume 1 are: The Star-Spangled Banner (US National Anthem), by John Stafford Smith. America the Beautiful, by Samuel Ward. Battle Hymn of the Republic ("Mine Eyes Have Seen the Glory"). My Country, 'Tis of Thee ("America", known as "God Save the King/Queen" in England). Stars and Stripes Forever, by John Philip Sousa. Washington Post March, by John Philip Sousa. Semper Fidelis, by John Philip Sousa. These songs are also available separately through the publisher link above. Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. This collection contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles: Brass trio, quartet, quintet, and sextet. Woodwind trio, quartet, quintet, and sextet. String trio, quartet, quintet, and sextet. Clarinet trio, quartet, quintet, and sextet. Saxophone trio, quartet, and quintet. Mixed trio, quartet, quintet, and sextet, with optional percussion. Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band. The parts are described as follows: Part 1 [D4-Ab5] is the main melody. Flute/Piccolo, Oboe, Bb Clarinet, Alto Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola. Part 2 [G3-Eb5] has some B-section melody and harmony. Bb Clarinet, Alto/Bass Clarinet, Alto Saxophone, French Horn, Bb Trumpet, Violin, Viola. Part 3 [G3-Bb4] is additional harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Baritone, Trombone, C/Bb Euphonium, Violin, Viola, Cello. Part 4 [F2-C4] is the main bass line. Bass Clarinet, Baritone/Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass. Part 5 [E2-C4] is other harmony. Bass Clarinet, Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass. Part 6 [E2-F4] is the main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass. Part 7 is an optional percussion part (snare drum, cymbal, bass drum) that can be added to any of the above combinations, or skipped entirely. We recommend the following combinations: Trio: Parts 1, 2, 4 (4 works better than 3 for trio). Quartet: Parts 1, 2, 3, 4. Quintet: Parts 1, 2, 3, 4, 5. Sextet: Parts 1, 2, 3, 4, 5, 6. Septet: Part 1, 2, 3, 4, 5, 6, 7. Be sure to also check out our three volumes of Christmas Carols for All!
$45.00
40.93 €
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Orchestre de chambre
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Various
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American Patriotic Music for All, Volume 1
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Custom Chamber Music
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SheetMusicPlus
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