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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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Non classifié
475
PIANO & CLAVIERS
Piano, Voix et Guitare
478
Piano seul
305
Piano, Voix
166
Piano Facile
116
Instruments en Do
27
Orgue
24
1 Piano, 4 mains
9
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
2
Piano grosses notes
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2
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55
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33
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4
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1
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1
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117
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40
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25
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1
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1
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1
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1
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1
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27
Flûte traversière
24
Clarinette
16
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Clarinette et Piano
16
Quatuor de Clarinettes: 4 clarinettes
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16
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15
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14
2 Saxophones (duo)
14
Ensemble de Clarinettes
13
Flûte traversière et Piano
13
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12
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12
Clarinette (partie séparée)
12
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11
3 Clarinettes (trio)
10
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10
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8
Saxophone Alto et Piano
8
Flûte et Guitare
8
2 Flûtes traversières (duo)
8
2 Clarinettes (duo)
6
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6
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5
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5
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5
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4
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Cor anglais, Piano
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4
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3
3 Saxophones (trio)
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Trio de Flûtes: 3 flûtes
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Clarinette, Guitare (duo)
2
Flûte, Alto (duo)
2
Clarinette et Alto
2
Flûte, Clarinette (duo)
2
Cor anglais, Guitare (duo)
2
Saxophone Baryton, Piano
2
2 Hautbois (duo)
2
Saxophone et Guitare
1
Cor Anglais
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Quatuor de Flûtes à bec
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Flûte à bec Soprano
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec, Guitare (duo)
1
Hautbois, Flûte
1
Hautbois, Guitare (duo)
1
Saxophone et Orgue
1
Flûte, trombone et piano
1
Flûte, Alto et Piano
1
Flûte à bec Tenor
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Alto et Piano (trio)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Violon et Violoncelle
1
Flûte à bec Soprano, Piano
1
Saxophone Tenor
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Basson
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Trombone (partie séparée)
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trompette (partie séparée)
19
Trompette, Piano
14
Trombone et Piano
9
Cor (partie séparée)
9
Trompette
8
Ensemble de Trombones
6
Cor
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trombone
5
Ensemble de Trompettes
5
Cor et Piano
4
Quatuor de Cuivres
4
Tuba (partie séparée)
4
Cor anglais, Piano
4
Tuba
3
Trompette, Trombone (duo)
3
2 Trompettes (duo)
2
Tuba et Piano
2
2 Trombones (duo)
2
4 Tubas
2
Trompette, Saxophone (duo)
2
Cor anglais, Guitare (duo)
2
2 Euphoniums et 2 Tubas
2
Cor Anglais
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 cors
1
Trio de Cuivres
1
Euphonium
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trombones
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
51
Violon
30
Violon et Piano
26
Harpe
21
Violoncelle (partie séparée)
15
Alto, Piano
13
Trio à Cordes: violon, alto, violoncelle
13
Violoncelle, Piano
13
Violon, Violoncelle (duo)
10
Violon, Alto (duo)
6
Violoncelle
6
Alto seul
6
Ensemble de Violons
5
Violoncelle , Guitare (duo)
5
Alto (partie séparée)
5
Violon, Guitare (duo)
5
Violon (partie séparée)
4
Contre Basse
4
Contrebasse (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à Cordes: 2 violons, alto
3
2 Violoncelles (duo)
2
Ensemble d'Altos
2
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
1
4 Violoncelles
1
Harpe, Trombone (duo)
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
Contrebasse, Piano (duo)
1
4 Contrebasses
1
Harpe, Voix
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
175
Ensemble Jazz
40
Orchestre
36
Orchestre à Cordes
26
Ensemble de cuivres
17
Cloches
15
Jazz combo
10
Orchestre de chambre
10
Percussion (partie séparée)
9
Ensemble de Percussions
6
Batterie
5
Fanfare
4
Batterie (partie séparée)
2
Vibraphone
2
Piano et Orchestre
1
Xylophone, Piano
1
Xylophone
1
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Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.6 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
O Holy Night for Vocal Solo and/or String Quartet (C-major)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.764306 Composed by Adolphe-C…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.764306 Composed by Adolphe-Charles Adam. Arranged by Kovats Istvan. Christian,Christmas. Score and parts. 7 pages. Kovats Istvan #6645081. Published by Kovats Istvan (A0.764306). Beautiful Christmas song, for Vocal solo and String Quartet, intermediate level.It sounds great, enjoy it :)Tips:-If You don't have a singer, you can play just the String Quartet version from the instrumental parts (the two violins may play an octave higher)-If You need other transposition, check my scores, You may find what You need. If don't, please contact me on the link below, and I'll do it. For more info, contact, etc. visit my Facebook page here: https://www.facebook.com/kovatsmusicGive it a thumbs up, thanks :).
$4.99
4.6 €
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Orchestre de chambre
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Adolphe-Charles Adam
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Kovats Istvan
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O Holy Night for Vocal Solo and/or String Quartet
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Kovats Istvan
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SheetMusicPlus
O Holy Night for Vocal Solo and/or String Quartet B-flat
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.764307 Composed by Adolphe-C…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.764307 Composed by Adolphe-Charles Adam. Arranged by Kovats Istvan. Christian,Christmas. Score and parts. 8 pages. Kovats Istvan #6645087. Published by Kovats Istvan (A0.764307). Beautiful Christmas song, for Vocal solo and String Quartet, intermediate level.It sounds great, enjoy it :)Tips:-If You don't have a singer, you can play just the String Quartet version from the instrumental parts.-I've added two viola parts, first with HIGHER pizzicatos, the second with LOWER pizzicatos, You can choose which one You like better.-If You need other transposition, check my scores, You may find what You need. If don't, please contact me on the link below, and I'll do it. For more info, contact, etc. visit my Facebook page here: https://www.facebook.com/kovatsmusicGive it a thumbs up, thanks :).
$4.99
4.6 €
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Orchestre de chambre
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Adolphe-Charles Adam
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Kovats Istvan
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O Holy Night for Vocal Solo and/or String Quartet B-flat
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Kovats Istvan
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SheetMusicPlus
Overture per il Sisio (Chamber Orchestra) (Full Score)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.945583 Composed by Tony Matt…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.945583 Composed by Tony Matthews. 20th Century,Classical,Contemporary. Score and parts. 38 pages. Archway Publications #6332499. Published by Archway Publications (A0.945583). In Classical Times, if were aliveThis would be what I'd contriveA happy go-lucky classical pastiche.Orchestral parts are available at:https://www.sheetmusicplus.com/title/21997964
$4.99
4.6 €
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Orchestre de chambre
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Tony Matthews
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Overture per il Sisio
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Archway Publications
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SheetMusicPlus
Overture per il Sisio - Chamber Orchestra (Set of Parts)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.945584 Composed by Tony Matt…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.945584 Composed by Tony Matthews. Contemporary. Score and parts. 82 pages. Archway Publications #6332501. Published by Archway Publications (A0.945584). In Classical Times, if were aliveThis would be what I'd contriveA happy go-lucky classical pastiche.Full score is available at:https://www.sheetmusicplus.com/title/21997963
$35.00
32.26 €
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Orchestre de chambre
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Tony Matthews
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Overture per il Sisio - Chamber Orchestra
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Archway Publications
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SheetMusicPlus
Mermaid in the Jar Full Score - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1325451 By Rachel J Peters. …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. Published by Rachel J Peters (A0.1325451). A short chamber operaLibretto by Royce Vavrek, based on the short story by Sheila Heti.Mermaid in the Jar is the first short chamber opera in the Wild Beast of the Bungalow triptych (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself.CAST: coloratura soprano, mezzo-soprano, bass-baritone, and three additional treble voices. (If the Prologue is omitted, no bass-baritone is required.)INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-1.0.0.1.1 (Parts need to be rented separately.)DURATION: 20 minutesPAGES: 86WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright.. For all performance inquiries, please write to rachel@racheljpeters.com.
$28.00
25.8 €
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Orchestre de chambre
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Rachel J Peters
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Mermaid in the Jar Full Score - Score Only
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Rachel J Peters
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SheetMusicPlus
Fantasy for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
36.82 €
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Orchestre de chambre
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869311 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32293. Published by Thomas Oboe Lee (A0.869311). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
9.21 €
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Orchestre de chambre
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869299 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32649. Published by Thomas Oboe Lee (A0.869299). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
9.21 €
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Orchestre de chambre
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
Night Visitors
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.802941 Composed by David Dolatowski. 2…
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Chamber Orchestra - Digital Download SKU: A0.802941 Composed by David Dolatowski. 21st Century,Classical,Contemporary,Film/TV,Thriller. 12 pages. Golden Hawk Music #4978357. Published by Golden Hawk Music (A0.802941). Night Visitors was composed for a small, chamber orchestra.This is a new piece for chamber orchestra, 2019. It is intended for a small ensemble and is scored for 1 Fl., 1 Ob., 1 Cl B-flat, 1 Bssn., 2 Horns, Vln I (4) Vln II (4), Vla. (3) VC (2) and DB (1) - although a larger string section is possible if a good balance with the winds is achieved.The piece combines tonality with atonality. Duration: 10 mins. An advanced high school ensemble would find this piece interesting and somewhat challenging.
$30.00
27.65 €
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Orchestre de chambre
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David Dolatowski
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Night Visitors
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Golden Hawk Music
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SheetMusicPlus
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