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44
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7
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7
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6
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1
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1
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1
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1
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1
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1
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7
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3
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1
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1
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Vous avez sélectionné:
Wheel
SheetMusicPlus
Partitions à imprimer
3 partitions trouvées
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Color Wheel
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Richard Montalto
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Color Wheel
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ArrangeMe
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.597701 Composed by Richard Montalto. Contemporary. Score and parts. 74 pages. ArrangeMe #6685349. Published by Arr...
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Chamber Orchestra - Level 5 - SKU: A0.597701 Composed by Richard Montalto. Contemporary. Score and parts. 74 pages. ArrangeMe #6685349. Published by ArrangeMe (A0.597701). Color Wheel is an exploration of orchestral colors, combining tonal and atonal sonorities.
$70.00
Shadow's Waiting
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Orchestre de chambre
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INTERMÉDIAIRE
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Tim Yarham
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Shadow's Waiting
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True Art is Angsty
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1005084 Composed by Tim Yarham. 20th Century,Contemporary. Score and parts. 51 pages. True Art is Angsty #5203379....
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Chamber Orchestra - Level 3 - SKU: A0.1005084 Composed by Tim Yarham. 20th Century,Contemporary. Score and parts. 51 pages. True Art is Angsty #5203379. Published by True Art is Angsty (A0.1005084). Shadow's Waiting (9'56) is an original work for chamber orchestra, inspired by the world of Robert Jordan's Wheel of Time. This exciting work will have audiences on the edge of their seats, with deliberate discomfort matched by lyrical passages.
$15.00
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Shining Space:
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
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