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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Where
Non classifié
3 988
Piano & claviers
Piano seul
2 988
Piano, Voix et Guitare
2 040
Piano, Voix
1 204
Piano Facile
901
Instruments en Do
226
Orgue
151
Piano grosses notes
104
1 Piano, 4 mains
85
2 Pianos, 4 mains
43
Piano Trio: piano, violon, violoncelle
42
Accompagnement Piano
29
Accordéon
25
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano (partie séparée)
9
Orgue, Trompette (duo)
9
Orgue, Piano (duo)
6
Accordéon, Voix
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Ligne De Mélodie, Piano
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Clavier
3
1 Piano, 6 mains
3
Clavecin
2
Fake Book
2
2 Pianos, 8 mains
1
Instrument seul et Orgue
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
542
Ligne De Mélodie, (Paroles) et Accords
363
Guitare
263
Paroles et Accords
195
Ukulele
194
Basse electrique
72
2 Guitares (duo)
25
4 Guitares (Quatuor)
24
Banjo
22
Dulcimer
15
Piano, Guitare (duo)
12
Mandoline
9
Ensemble de guitares
7
Guitare (partie séparée)
3
Ukulele Baryton
2
2 Ukuleles
2
3 Guitares (trio)
2
Mandoline, Guitare (duo)
1
Guitare Tab, Voix, Basse, Batterie
1
Ensemble de Ukulélés
1
Guitare, Orchestre
1
Partitions De Groupes
1
Mandoline, Piano (duo)
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
1 263
Chorale 2 parties
408
Chorale 3 parties
395
Chorale TTBB
258
Pack Instrumental pour Chorale
169
Chorale SSAA
131
Voix duo, Piano
85
Chorale Unison
84
Voix duo
59
Voix seule
50
Chorale
49
Voix haute
30
Voix Soprano, Piano
19
Voix Alto, Piano
17
Voix Tenor, Piano
13
Voix Baryton, Piano
9
Voix basse, Piano
7
Chorale SSATB
5
Chorale SSAATTBB
4
Voix moyenne, Piano
3
Voix basse
2
Voix, Guitare
2
Voix Tenor
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATBB
2
Voix Baryton
1
Voix Soprano
1
Soli, choeur mixte et accompagnement
1
Voix Moyenne
1
Chorale SSATTB
1
Chorale SSAB a cappella
1
Chorale SSAATB
1
Voix haute, Piano
1
+ 28 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
367
Saxophone Alto et Piano
291
Flûte traversière et Piano
274
Quatuor de Saxophones: 4 saxophones
241
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
231
Clarinette et Piano
208
Flûte traversière
205
Clarinette
169
Flûte, Hautbois, Clarinette, Basson
163
2 Saxophones (duo)
159
Saxophone Alto
153
Saxophone Tenor et Piano
146
Quintette de Saxophone: 5 saxophones
129
2 Flûtes traversières (duo)
128
Quatuor de Clarinettes: 4 clarinettes
128
Saxophone (partie séparée)
126
Saxophone Baryton, Piano
115
Saxophone Tenor
114
2 Clarinettes (duo)
105
Quatuor de Flûtes : 4 flûtes
62
Hautbois (partie séparée)
61
3 Saxophones (trio)
54
Saxophone Soprano et Piano
50
Clarinette (partie séparée)
49
Flûte, Clarinette (duo)
48
Quintette de Flûte : 5 flûtes
42
Ensemble de Clarinettes
41
Flûte et Guitare
37
Ensemble de Flûtes
36
Quintette de Clarinettes: 5 clarinettes
35
Saxophone, Clarinette (duo)
34
Clarinette, Violon (duo)
33
Flute (partie séparée)
33
Ensemble de saxophones
32
Saxophone
28
3 Clarinettes (trio)
28
Flûte, Violon
27
Flûte, Violon, Piano
26
2 Hautbois (duo)
25
Cor anglais, Piano
24
Hautbois, Basson (duo)
23
Trio de Flûtes: 3 flûtes
23
2 Flûte à bec (duo)
21
Hautbois
19
Flûte, Hautbois, Clarinette (trio)
18
Clarinette, Guitare (duo)
18
Hautbois, Clarinette (duo)
18
Quatuor de Flûtes à bec
17
Flûte, Saxophone (duo)
17
Clarinette, Trompette (duo)
16
Hautbois, Flûte
16
Flûte, Hautbois (duo)
15
Flûte à bec Soprano
15
Flûte à Bec
15
Flûte, Basson et Piano
14
Clarinette et Alto
14
Flûte à bec Alto
14
2 Saxophones, Piano
13
Flûte, Alto (duo)
12
Ocarina
12
Saxophone Soprano
12
Flûte, Trompette (duo)
11
5 Flûtes à bec
11
Flûte, Clarinette et Basson
11
Clarinette, Basson (duo)
11
Flûte, Trombone (duo)
10
Flûte, Violoncelle
10
Clarinette Basse, Piano
10
Saxophone et Orgue
9
Flûte, Clarinette, Piano (trio)
9
Clarinette, Basson, Piano (trio)
8
Hautbois, Clarinette, Basson (trio d'anches)
8
3 Flûtes à bec (trio)
8
Hautbois, Guitare (duo)
7
Harmonica
7
Flûte, Alto et Piano
6
Clarinette, Violoncelle (duo)
6
2 Flûtes traversières, Piano
6
Saxophone et Guitare
6
Flûte à bec Alto, Piano
6
Instruments en Mib
6
Clarinette, Violoncelle, Piano (trio)
5
Hautbois, Violoncelle
5
Cor anglais, Guitare (duo)
5
Saxophone Baryton
4
Flûte, Violoncelle, Piano (trio)
4
Clarinette, Alto et Piano (trio)
3
Flûte à bec Soprano, Piano
3
Clarinette, Harpe (duo)
3
Cor Anglais
2
Flûte à bec Tenor
2
Flûte, Hautbois, Basson
2
Flute, harpe et violon
2
Flute, Cor (duo)
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Hautbois, Violon
2
Hautbois, violon (duo)
2
Clarinette, Orgue
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
2 Clarinettes, Piano
2
Flûte, Violon et Violoncelle
2
Flûte irlandaise
2
Clarinette, Trombone (duo)
1
Piccolo, Piano
1
4 Hautbois
1
Flûte à Bec, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Violon, Piano
1
Ensemble De Flûte à bec
1
Flûte à bec Alto, Basse continue
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec, Guitare (duo)
1
Flûte traversière, Orgue (duo)
1
Hautbois et alto (duo)
1
Hautbois, Harpe
1
Flûte, Harpe et Violoncelle
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette Basse
1
Cornemuse
1
+ 115 instrumentations
Retracter
Cuivres
Trombone et Piano
244
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
212
Trompette
188
Cor et Piano
147
Trompette, Piano
146
Quatuor de Cuivres : 2 trompettes, trombone, tuba
142
Trombone
133
Cor
97
Trompette (partie séparée)
71
2 Cors (duo)
49
Trombone (partie séparée)
48
2 Trompettes (duo)
46
Tuba et Piano
45
Quatuor de Cuivres
43
2 Trombones (duo)
41
Quatuor de Cuivres: 2 trompettes, Cor, trombone
39
Ensemble de Trombones
37
Tuba
34
Quatuor de cuivres: 4 trombones
32
Trompette, Trombone (duo)
27
Trompette, Saxophone (duo)
26
Cor anglais, Piano
24
Cor (partie séparée)
18
Euphonium, Piano (duo)
16
Quatuor de cuivres: 4 cors
15
Tuba (partie séparée)
14
Ensemble de Trompettes
11
Trio de Cuivres
9
Quatuor de cuivres: 4 trompettes
9
Trompette, Cor (duo)
8
2 Euphoniums et 2 Tubas
8
Ensemble de Cors
8
2 Tubas (duo)
7
Bass Clef Instruments
6
4 Tubas
6
Instruments en Sib
6
Euphonium
5
3 Trombones (trio)
5
Cor anglais, Guitare (duo)
5
Cor, Tuba (duo)
4
Trompette et Guitare
4
Trompette, Violoncelle et Piano
4
Cor, Violoncelle (duo)
4
Trombone, Tuba (duo)
4
Trombone, Cor (duo)
4
Cor et Basson (duo)
3
Trompette, Basson (duo)
3
3 Trompettes (trio)
3
Cor Anglais
2
Trompette, Tuba (duo)
2
3 Cors (trio)
2
Tuba et Orgue
2
Instruments en Fa
2
Trombone, Violon (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Trombone basse
1
Ensemble de Tubas
1
4 Euphoniums
1
2 Euphoniums (duo)
1
3 Euphoniums
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
867
Violon
387
Violon et Piano
382
Violon, Violoncelle (duo)
262
Violoncelle, Piano
262
Alto, Piano
235
Violoncelle
216
Trio à Cordes: violon, alto, violoncelle
190
Harpe
135
2 Violons (duo)
132
Alto seul
116
Quintette à cordes: 2 violons, alto, violoncelle, basse
69
2 Violoncelles (duo)
65
Violon, Alto (duo)
65
2 Altos (duo)
52
Violon (partie séparée)
45
Alto (partie séparée)
45
Contrebasse, Piano (duo)
35
Contre Basse
31
Contrebasse (partie séparée)
30
Trio à Cordes: 2 violons, violoncelle
28
Alto, Violoncelle (duo)
24
Piano Trio: Violon, Alto, Piano
22
4 Violoncelles
19
Trio à cordes: 3 violins
19
Violon, Guitare (duo)
19
Violoncelle (partie séparée)
13
Trio à Cordes: 3 violoncelles
12
Quatuor à cordes: 4 violons
12
Violoncelle , Guitare (duo)
10
Trio à cordes: 3 altos
9
Ensemble d'Altos
8
Quatuor à cordes : 4 altos
8
Ensemble de Violons
7
Harpe, Flûte (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Contrebasses (duo)
4
Trio à Cordes: 2 violons, alto
4
Violoncelle, Contrebasse (duo)
4
Alto, Guitare (duo)
4
Alto et Basson
3
Harpe, Voix
3
Violon, Basson (duo)
3
2 Violons, Piano
2
Trio à cordes
2
Harpe (partie séparée)
2
Harpe et Piano
2
Harpe, Violon (duo)
2
4 Contrebasses
1
Violon, Violoncelle, Clarinette
1
Violoncelle, Orgue
1
Harpe, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
Autoharp
1
2 Harpes (duo)
1
Violoncelle, Orchestre
1
Violon, Trompette et Piano
1
+ 53 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 046
Orchestre à Cordes
342
Orchestre
269
Ensemble Jazz
166
Ensemble de cuivres
144
Orchestre de chambre
141
Cloches
131
Batterie
65
Ensemble de Percussions
40
Percussion (partie séparée)
37
Fanfare
31
Jazz combo
30
Marimba
23
Vibraphone
14
Batterie (partie séparée)
4
Percussion
3
Quintette à Vent
3
Xylophone, Piano
2
Timbales (partie séparée)
2
Marimba, Piano (duo)
1
Piano et Orchestre
1
Xylophone
1
Ensemble d'École
1
2 Xylophones
1
Instrumentation Flexible
1
+ 20 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Where
Orchestre de chambre
Partitions à imprimer
141 partitions trouvées
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1
26
51
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126
Where Have I Danced With You Before
#
Orchestre de chambre
#
FACILE
#
Return To Forever
#
Jeff Tincher
#
Where Have I Danced With You B
#
Jeff Tincher
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1275397 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. Score and Parts. 26 pag...
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Chamber Orchestra - Level 2 - SKU: A0.1275397 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. Score and Parts. 26 pages. Jeff Tincher #867324. Published by Jeff Tincher (A0.1275397). Here is a short lively composition from Jazz Fusion artists Return To Forever. It highlights Chick Corea's composition and playing styles. In the original key from their Where Have I Known You Before LP. Duration = 1:18. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$50.00
Where Should a Baby Rest?
#
Orchestre de chambre
#
FACILE
#
Philip Orem
#
Where Should a Baby Rest?
#
Philip Orem
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.872662 Composed by Philip Orem. Children,Contemporary,Holiday. Score and parts. 49 pages. Philip Orem #3626031. Pu...
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Chamber Orchestra - Level 2 - SKU: A0.872662 Composed by Philip Orem. Children,Contemporary,Holiday. Score and parts. 49 pages. Philip Orem #3626031. Published by Philip Orem (A0.872662). This is a sweet setting of the nursery rhyme, Where Should a Baby Rest? for alto and a small orchestra. A great addition for a children's or pops concert or as an encore.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$65.00
Visions of Nowhere, op. 10 - Score Only
#
Orchestre de chambre
#
AVANCÉ
#
Contemporain
#
Peter Le Tissier
#
Visions of Nowhere, op. 10 - S
#
Peter Le Tissier
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1218112 Composed by Peter Le Tissier. Classical,Contemporary. 65 pages. Peter Le Tissier #814627. Published by Pet...
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Chamber Orchestra - Level 5 - SKU: A0.1218112 Composed by Peter Le Tissier. Classical,Contemporary. 65 pages. Peter Le Tissier #814627. Published by Peter Le Tissier (A0.1218112). Visions of Nowhere was written in the latter half of 2021 into the first months of 2022. The piece is a melting pot of ideas, strongly connected with some of the GÃ idhlig songs written during the years 2018-2021 and motifs from the Symphony in D/E Minor (2017-2021). The piece is scored for small Chamber Orchestra, with an orchestral Harp part that has been written with the intention that a Piano may be used as a substitute should it be required. The work is roughly 8-10 minutes long.Parts are available upon contact with the composer at www.peterletissier.com.
$20.99
It's Raining Somewhere Else
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Jeux Videos
#
Toby Fox
#
Grant Harville
#
It's Raining Somewhere Else
#
Grant Harville
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1285539 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 33 pages. Grant Harville #8...
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Chamber Orchestra - Level 4 - SKU: A0.1285539 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 33 pages. Grant Harville #876644. Published by Grant Harville (A0.1285539). It's Raining Somewhere Else from Undertale, arranged for small orchestra. Like a chill jazz standard, it can be played separately or in conjunction with other selections from the video game. Solo parts for piano, percussion, trumpet, and trombone.Instrumentation: 0000 0230 4perc pf str.
$49.99
Where Thy Beauty Lies - Score and Parts
#
Orchestre de chambre
#
Contemporain
#
Daniel Ashcroft
#
Where Thy Beauty Lies - Score
#
DanielAshcroftMusic
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.811359 Composed by Daniel Ashcroft. Contemporary. Score and parts. 141 pages. DanielAshcroftMusic #19671. Published by Danie...
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Chamber Orchestra - SKU: A0.811359 Composed by Daniel Ashcroft. Contemporary. Score and parts. 141 pages. DanielAshcroftMusic #19671. Published by DanielAshcroftMusic (A0.811359).
$40.00
Where Is Your Mercy Now? (Chamber Orchestra Version)
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Orchestre de chambre
#
FACILE
#
Stephen DeCesare
#
Stephen DeCesare
#
Where Is Your Mercy Now?
#
Exultet Music
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1100192 By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. 20th Century,Classical,Jewish,Mult...
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Chamber Orchestra - Level 2 - SKU: A0.1100192 By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. 20th Century,Classical,Jewish,Multicultural,World. Score and parts. 22 pages. Exultet Music #704075. Published by Exultet Music (A0.1100192). This dramatic, heartfelt piece is the cry of what the prisoners of the holocaust might have been feeling in the Nazi concentration camps. Scored for Flute, Bb-Clarinet, Bassoon, Violin, Viola, and Cello.
$12.99
Where am I? for string quartet and flute
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Where am I? for string quartet
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.576513 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 18 pages. David Warin Solomon...
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Chamber Orchestra - Level 3 - SKU: A0.576513 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 18 pages. David Warin Solomons #27327. Published by David Warin Solomons (A0.576513). Inspired by the poem Care Home by my father SN Solomons,
$12.00
Oceans (where Feet May Fail)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Hillsong United
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Ana Paula Pires
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Oceans
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Bystonais
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SheetMusicPlus
By Hillsong United. By Matt Crocker, Salomon Lighthelm, and Joel Houston. Arranged by Ana Paula Pires. Christmas, Praise & Worship, Spiritual, Tra...
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By Hillsong United. By Matt Crocker, Salomon Lighthelm, and Joel Houston. Arranged by Ana Paula Pires. Christmas, Praise & Worship, Spiritual, Traditional, Wedding. Score and parts. 25 pages. Bystonais #6641815. Published by Bystonais
$49.99
Music from Nowhere - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Timothy Sullivan
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Music from Nowhere - Score Onl
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SullivanWorks
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1037645 Composed by Timothy Sullivan. 20th Century,Classical,Contemporary,Contest,Festival,New Age. Score and part...
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Chamber Orchestra - Level 3 - SKU: A0.1037645 Composed by Timothy Sullivan. 20th Century,Classical,Contemporary,Contest,Festival,New Age. Score and parts. 22 pages. SullivanWorks #642548. Published by SullivanWorks (A0.1037645).
$20.00
Somewhere That's Green
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Orchestre de chambre
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Contemporain
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Alan Menken
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Karl Logue
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Somewhere That's Green
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LogueRhythm Productions
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SheetMusicPlus
Chamber Orchestra - SKU: A0.788805 Composed by Alan Menken. Arranged by Karl Logue. Contemporary. Score and parts. 39 pages. LogueRhythm Productions #66...
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Chamber Orchestra - SKU: A0.788805 Composed by Alan Menken. Arranged by Karl Logue. Contemporary. Score and parts. 39 pages. LogueRhythm Productions #6608195. Published by LogueRhythm Productions (A0.788805). Cheeky TTBB Arrangement of the Broadway classic. Great for GALA men's choruses. Available for TTBB/Piano, or TTBB and chamber ensemble.
$49.99
Donde Esta Santa Claus
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Orchestre de chambre
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INTERMÉDIAIRE
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Alvin Greiner, George Scheck,
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John Hoesly
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Donde Esta Santa Claus
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PRS&B
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1353147 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by John Hoesly. Christmas,Holida...
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Chamber Orchestra - Level 3 - SKU: A0.1353147 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by John Hoesly. Christmas,Holiday,Latin,Pop. 66 pages. PRS&B #937946. Published by PRS&B (A0.1353147). Dónde Está Santa Claus- for CHAMBER/ SMALL orchestra is a playful and festive Christmas song that has delighted audiences for decades. Translating to Where is Santa Claus in English, this cheerful tune captures the excitement and curiosity surrounding Santa's whereabouts on Christmas Eve. The catchy melody and upbeat tempo of Donde está Santa Claus make it a fun and memorable for your audiences. Written for small orchestra with an extended percussion section (all of which are optional and could be played by members of the orchestra), this Latin tinged arrangement will be a welcomed addition to your holiday library. 0-1-1-1-1 -2-1-1-0-timp., vib or marmb., sl. bls., bong., clav., guiro., maras., drm set (or divided between two perc.), kybrd., hrp., str. Intermediate level.
$70.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
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Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
Metamorphosis
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Daniel Burwasser
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Metamorphosis
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Head and Stem
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1097212 Composed by Daniel Burwasser. Classical,Contemporary. Score and Parts. 140 pages. Head and Stem #701166. P...
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Chamber Orchestra - Level 5 - SKU: A0.1097212 Composed by Daniel Burwasser. Classical,Contemporary. Score and Parts. 140 pages. Head and Stem #701166. Published by Head and Stem (A0.1097212). The composition of Metamorphosis for chamber orchestra began in the Fall of 1985 and was completed in February of 1986 when the composer was just 26. This score represents a newly revised edition done in 2022. Every effort was made to maintain the original intention of the piece. Metamorphosis is a work that conveys the essence of transformation and change. It explores the emotional and sonic journey of a metamorphic process, capturing the stages of evolution, growth, and eventual emergence. Metamorphosis represents a brief early period in the composer’s output where a more dissonant harmonic language was used or where the tonality becomes more ambiguous. The composition begins with a sense of anticipation, using subtle and mysterious musical elements to represent the initial state before transformation. In the opening bars for instance, one hears a suggestion of the Scriabin “mystic†chord which also loosely serves as the basis of the piece.. A brief hat-tipping moment is where a few bars of the Ravel string quartet is paraphrased (listen for it!). The work then travels through various cycles and episodes and only hints at the chord along the way. For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$60.00
The Platypus
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Orchestre de chambre
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DÉBUTANT
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Sue Moore
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The Platypus
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Susie Moore
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1008342 Composed by Sue Moore. Children,Instructional,Standards. Score and parts. 10 pages. Susie Moore #4766683. ...
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Chamber Orchestra - Level 1 - SKU: A0.1008342 Composed by Sue Moore. Children,Instructional,Standards. Score and parts. 10 pages. Susie Moore #4766683. Published by Susie Moore (A0.1008342). An instructional Chamber Orchestra work written for beginning strings and early intermediate winds. This work is in 6/4 time. The string parts (depicting the bubbles that are seen as the Platypus are submerged) have been written where they are either using the open strings or the patterns are repeated over several bars so that beginning students are able to focus on the challenges of the 6/4 time. Mapping which beat each string part falls on is helpful when starting to teach this piece. Platypus are shy in nature and do not normally cohabit in the same location in large numbers. This piece was written as the composer observed an unusually large number of Platypus in one location. The wind parts depict the Platypus as they surfaced and descended in the billabong where they lived and as they happened to meet another Platypus or come up where she was sitting they quickly retreated with a loud splash. This is heard throughout the piece. Parts are available.
$4.99
Barbara Allen for piccolo and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 page...
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Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
Samba Lele for Junior Strings or Piano Quintet
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Orchestre de chambre
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FACILE
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Traditional children's music f
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Lauri Hämäläinen
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Samba Lele for Junior Strings
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.885869 Composed by Traditional children's music from Brazil. Arranged by Lauri Hämäläinen. Children,Folk,...
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Chamber Orchestra - Level 2 - SKU: A0.885869 Composed by Traditional children's music from Brazil. Arranged by Lauri Hämäläinen. Children,Folk,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679235. Published by Suomi Music (A0.885869). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 2.05 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
Potpourri of three children's songs for Junior Strings with piano / Piano Quintet
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Orchestre de chambre
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DÉBUTANT
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Traditional children's music f
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Lauri Hämäläinen
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Potpourri of three children's
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.885866 Composed by Traditional children's music from America, France and Germany. Arranged by Lauri HämälÃ...
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Chamber Orchestra - Level 1 - SKU: A0.885866 Composed by Traditional children's music from America, France and Germany. Arranged by Lauri Hämäläinen. Children,Concert,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679227. Published by Suomi Music (A0.885866). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The Potpourri includes the melodies of Mary Had a Little Lamb, Frère Jaques and Haschen in der Grübe.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 3 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Small Train for Piano Quartet or Junior Strings
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Orchestre de chambre
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DÉBUTANT
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Traditional children's song fr
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Lauri Hämäläinen
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Small Train for Piano Quartet
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.885867 Composed by Traditional children's song from Denmark. Arranged by Lauri Hämäläinen. Children,Stand...
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Chamber Orchestra - Level 1 - SKU: A0.885867 Composed by Traditional children's song from Denmark. Arranged by Lauri Hämäläinen. Children,Standards. Score and parts. 19 pages. Suomi Music #6679213. Published by Suomi Music (A0.885867). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 2.50 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.The 11 Children's Songs are part of the Violin Friends music books for beginner and intermediate violin and viola students.
$9.99
Rati riti ralla for Junior String Orchestra or Piano Quintet
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Orchestre de chambre
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FACILE
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Traditional children's music f
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Lauri Hämäläinen
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Rati riti ralla for Junior Str
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.885873 Composed by Traditional children's music from Finland. Arranged by Lauri Hämäläinen. Children,Inst...
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Chamber Orchestra - Level 2 - SKU: A0.885873 Composed by Traditional children's music from Finland. Arranged by Lauri Hämäläinen. Children,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679259. Published by Suomi Music (A0.885873). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 1.50 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Homage to Sibelius
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #89...
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Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
Cappuccino Concertino
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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David Rubinstein
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Cappuccino Concertino
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David Rubinstein
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1387444 Composed by David Rubinstein. Baroque,Broadway,Musical/Show,Opera. 281 pages. David Rubinstein #971294. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.1387444 Composed by David Rubinstein. Baroque,Broadway,Musical/Show,Opera. 281 pages. David Rubinstein #971294. Published by David Rubinstein (A0.1387444). This baroque operetta (composed 2000) was inspired by the “Coffee Cantata†by J.S. Bach, wherein the father tells his daughter to stop drinking coffee. In this work the roles are reversed: the daughter tells her father to quit cappuccino. Text in English. Premiered October, 2001 at Church of the Lighted Window, La Canada, California. The entire score and parts are available here on one pdf. To obtain them as separate files contact me here: rubinsteinway@gmail.com.
$39.00
Vanhal Symphony No.22 in D minor
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Baptist Vanhal
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Ian Butterworth
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Vanhal Symphony No.22 in D min
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Ian Butterworth
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1499141 Composed by Johann Baptist Vanhal. Arranged by Ian Butterworth. Classical. 59 pages. Ian Butterworth #1075...
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Chamber Orchestra - Level 4 - SKU: A0.1499141 Composed by Johann Baptist Vanhal. Arranged by Ian Butterworth. Classical. 59 pages. Ian Butterworth #1075190. Published by Ian Butterworth (A0.1499141). Johann Baptist Vanhal (1739-1813) was born in Bohemia but spent most of his life in Vienna where he was a friend of Haydn and Mozart. He wrote 73 symphonies and Symphony No.22, scored for two oboes, bassoon, two horns and strings, is in three movements. The wind players are tacet in the central movement. The score (24 pages) has been edited for phrasing and bowing and string parts may be copies provided they are for sole use by the purchaser. Duration 14 minutes approx.www.ianbutterworthmusic.co.uk
$17.00
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