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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
BASSE
BASSON
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CLARINETTE
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FLUTE TRAVERSI…
FORMATION MUSI…
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LUTH
MANDOLINE
MARIMBA
OCARINA
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PERCUSSION
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SYNTHETISEUR
TROMBONE
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TUBA
UKULELE
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Where Is Your Sin?
Non classifié
193
Piano & claviers
Piano, Voix et Guitare
405
Piano seul
99
Piano, Voix
39
Piano Facile
28
Instruments en Do
21
Orgue
2
1 Piano, 4 mains
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Ukulele
30
Guitare
7
Guitare notes et tablatures
6
Ligne De Mélodie, (Paroles) et Accords
5
4 Guitares (Quatuor)
3
Basse electrique
2
Paroles et Accords
1
Banjo
1
Mandoline
1
Dulcimer
1
2 Guitares (duo)
1
+ 6 instrumentations
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Voix
Chorale SATB
96
Chorale 3 parties
27
Chorale TTBB
22
Chorale 2 parties
17
Chorale SSAA
11
Chorale Unison
10
Voix haute
3
Voix duo, Piano
2
Voix moyenne, Piano
1
Voix Tenor
1
Voix Baryton, Piano
1
Chorale SSATB
1
Voix seule
1
Voix basse, Piano
1
+ 9 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
48
Quintette de Saxophone: 5 saxophones
44
Saxophone Soprano et Piano
11
Flûte traversière et Piano
10
Hautbois, Piano (duo)
8
Ensemble de Clarinettes
7
Clarinette et Piano
6
2 Saxophones (duo)
5
Quatuor de Saxophones: 4 saxophones
5
2 Flûtes traversières (duo)
5
Ensemble de Flûtes
4
Quintette de Flûte : 5 flûtes
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Alto et Piano
3
Saxophone, Clarinette (duo)
3
Cor anglais, Piano
3
Hautbois (partie séparée)
3
Flûte et Guitare
3
Clarinette
3
Saxophone Tenor et Piano
3
Ocarina
2
Flûte irlandaise
2
Hautbois, Violoncelle
2
Flute (partie séparée)
2
Clarinette, Trompette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
2 Clarinettes (duo)
2
Clarinette, Violon (duo)
2
Flûte traversière
2
Flûte, Hautbois (duo)
2
Ensemble de saxophones
2
2 Flûte à bec (duo)
2
Flûte, Clarinette (duo)
1
Hautbois, Guitare (duo)
1
Hautbois, Flûte
1
Hautbois, Harpe
1
Quatuor de Flûtes à bec
1
Clarinette, Harpe (duo)
1
2 Hautbois (duo)
1
Flûte à bec Alto
1
Cor anglais, Guitare (duo)
1
Flûte, Violoncelle
1
Flûte, Violon
1
Flûte, Trompette (duo)
1
Flûte à bec Soprano
1
Saxophone Baryton, Piano
1
Hautbois, Clarinette (duo)
1
Hautbois, Basson (duo)
1
3 Clarinettes (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Harmonica
1
Clarinette et Alto
1
Saxophone et Guitare
1
Flûte, Saxophone (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Trio de Flûtes: 3 flûtes
1
Piccolo, Piano
1
Flûte, Alto (duo)
1
Clarinette Basse, Piano
1
+ 54 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette
4
Cor et Piano
4
Ensemble de Trombones
4
Trompette, Piano
3
Cor anglais, Piano
3
Trombone et Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Ensemble de Trompettes
2
Quatuor de Cuivres
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
1
Euphonium, Piano (duo)
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 trombones
1
Tuba et Piano
1
2 Trombones (duo)
1
2 Trompettes (duo)
1
+ 16 instrumentations
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Cordes
Violon et Piano
26
Quatuor à cordes: 2 violons, alto, violoncelle
26
Violoncelle
25
Violon
13
Harpe
11
Violon, Violoncelle (duo)
10
Alto, Piano
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble d'Altos
4
Ensemble de Violons
4
Trio à Cordes: violon, alto, violoncelle
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle, Piano
3
2 Violoncelles (duo)
2
Contre Basse
2
Harpe, Flûte (duo)
2
2 Violons (duo)
2
Harpe, Violon (duo)
1
Quatuor à cordes: 4 violons
1
Alto seul
1
Violon, Alto (duo)
1
2 Altos (duo)
1
Alto, Guitare (duo)
1
+ 18 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
36
Cloches
22
Ensemble Jazz
10
Orchestre de chambre
10
Orchestre
9
Orchestre à Cordes
8
Fanfare
5
Ensemble de Percussions
4
Ensemble de cuivres
4
Jazz combo
3
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1
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1
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--INSTRUMENTS--
ACCORDEON
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BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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CLAIRON
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Vous avez sélectionné:
Where Is Your Sin?
Orchestre de chambre
Partitions à imprimer
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Speak to Your Mountain And Move it [chamber orchestra (2222.2200.timp.strings)]
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Orchestre de chambre
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FACILE
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Juan MarÃa Solare
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Speak to Your Mountain And Mov
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.596576 Composed by Juan MarÃa Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. J...
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Chamber Orchestra - Level 2 - SKU: A0.596576 Composed by Juan MarÃa Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. Juan Maria Solare #4810669. Published by Juan Maria Solare (A0.596576). Meditative piece for chamber orchestra (2222.2200.timp.strings) Character: noble and majestic. Reflective, meditative. The title is an allusion to the Bible (Mark 11:23, Matthew 17:20, Matthew 21:21). If you have faith as small as a mustard seed, you can say to this mountain, ‘Move from here to there,’ and it will move. One possible interpretation is that the inner mountain symbolize those troubles and issues that you can speak to, i.e. face, and therefore solve. Listen to it on all usual streaming platforms: Spotify: https://open.spotify.com/album/5kuPwSQGnXK9CY9QNX4fks Apple Music: https://music.apple.com/us/album/speak-to-your-mountain-and-move-it-single/1462303377 Bandcamp: https://juanmariasolare.bandcamp.com/album/speak-to-your-mountain-and-move-it Nico Zwaneveld from the blog Christian Dance wrote (10 August 2019): Maybe you can appreciate the works of Hans Zimmer, Gustav Mahler, Edvard Grieg... or maybe this introduction to Juan Maria Solare will cause you to add him to the same list when you are looking for additions to your music collection... let's just say for those special moments where other music genres will not be able to bring you the same feelings of hope, serenity, calmness, nobleness, or tranquility. (http://blog.christiandance.eu/2019/08/juan-maria-solare-speak-to-your.html) As for the parts, contact the composer (www.JuanMariaSolare.com) or search (soon) in Sheet Music Plus (https://www.sheetmusicplus.com/publishers/juan-maria-solare-sheet-music/3003582?aff_id=565049)
$4.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
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Orchestre de chambre
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DÉBUTANT
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YO
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
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Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909423. Published by Suomi Music (A0.1320978). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLOSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER CELLO STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellowmusicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
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Orchestre de chambre
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DÉBUTANT
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YO
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
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Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909421. Published by Suomi Music (A0.1320976). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASSSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER DOUBLE BASS STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Samba Lele for Junior Strings or Piano Quintet
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Orchestre de chambre
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FACILE
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Traditional children's music f
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Lauri Hämäläinen
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Samba Lele for Junior Strings
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.885869 Composed by Traditional children's music from Brazil. Arranged by Lauri Hämäläinen. Children,Folk,...
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Chamber Orchestra - Level 2 - SKU: A0.885869 Composed by Traditional children's music from Brazil. Arranged by Lauri Hämäläinen. Children,Folk,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679235. Published by Suomi Music (A0.885869). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 2.05 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
Potpourri of three children's songs for Junior Strings with piano / Piano Quintet
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Orchestre de chambre
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DÉBUTANT
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Traditional children's music f
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Lauri Hämäläinen
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Potpourri of three children's
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.885866 Composed by Traditional children's music from America, France and Germany. Arranged by Lauri HämälÃ...
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Chamber Orchestra - Level 1 - SKU: A0.885866 Composed by Traditional children's music from America, France and Germany. Arranged by Lauri Hämäläinen. Children,Concert,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679227. Published by Suomi Music (A0.885866). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The Potpourri includes the melodies of Mary Had a Little Lamb, Frère Jaques and Haschen in der Grübe.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 3 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
Small Train for Piano Quartet or Junior Strings
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Orchestre de chambre
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DÉBUTANT
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Traditional children's song fr
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Lauri Hämäläinen
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Small Train for Piano Quartet
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.885867 Composed by Traditional children's song from Denmark. Arranged by Lauri Hämäläinen. Children,Stand...
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Chamber Orchestra - Level 1 - SKU: A0.885867 Composed by Traditional children's song from Denmark. Arranged by Lauri Hämäläinen. Children,Standards. Score and parts. 19 pages. Suomi Music #6679213. Published by Suomi Music (A0.885867). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 2.50 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.The 11 Children's Songs are part of the Violin Friends music books for beginner and intermediate violin and viola students.
$9.99
Rati riti ralla for Junior String Orchestra or Piano Quintet
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Orchestre de chambre
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FACILE
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Traditional children's music f
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Lauri Hämäläinen
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Rati riti ralla for Junior Str
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.885873 Composed by Traditional children's music from Finland. Arranged by Lauri Hämäläinen. Children,Inst...
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Chamber Orchestra - Level 2 - SKU: A0.885873 Composed by Traditional children's music from Finland. Arranged by Lauri Hämäläinen. Children,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679259. Published by Suomi Music (A0.885873). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 1.50 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
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