English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1 607
Partitions
Numériques
28
Librairie
Musicale
1
Matériel
de Musique
505
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1624
PIANO & CLAVIERS
Piano, Voix
1012
Piano seul
1003
Piano, Voix et Guitare
824
Piano Facile
612
Accompagnement Piano
120
Instruments en Do
106
Orgue
81
1 Piano, 4 mains
41
Piano grosses notes
22
Piano Trio: piano, violon, violoncelle
15
Piano Quatuor: piano, 2 violons, violoncelle
5
2 Pianos, 4 mains
3
Piano (partie séparée)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
2
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
248
Guitare
103
Ligne De Mélodie, (Paroles) et Accords
46
Ukulele
34
2 Guitares (duo)
22
Basse electrique
19
Guitare (partie séparée)
13
Paroles et Accords
12
Piano, Guitare (duo)
9
3 Guitares (trio)
7
Banjo
5
Mandoline
5
Ukulele Baryton
3
Ensemble de guitares
2
4 Guitares (Quatuor)
1
Basse électrique (partie séparée)
1
Guitare Pedal Steel
1
Dulcimer
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
435
Chorale 3 parties
141
Chorale 2 parties
99
Chorale TTBB
61
Chorale Unison
58
Chorale SSAA
47
Voix duo, Piano
37
Voix Tenor
32
Voix Alto, Piano
31
Voix Tenor, Piano
30
Voix Soprano
24
Voix Soprano, Piano
20
Voix haute
10
Voix seule
8
Voix duo
7
Chorale
6
Voix Baryton, Piano
4
Voix Mezzo-Soprano, Piano
3
Chorale SSATTB
2
Voix moyenne, Piano
2
Voix basse
1
Soli, choeur mixte et accompagnement
1
Voix basse, Piano
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
149
Flûte traversière et Piano
105
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
102
Quatuor de Saxophones: 4 saxophones
100
Hautbois, Piano (duo)
99
Clarinette et Piano
96
Saxophone Alto et Piano
90
Flûte traversière
79
2 Flûtes traversières (duo)
77
Flûte, Hautbois, Clarinette, Basson
74
Saxophone Alto
71
Quintette de Saxophone: 5 saxophones
71
Clarinette
66
Saxophone (partie séparée)
65
Hautbois (partie séparée)
64
2 Clarinettes (duo)
63
Saxophone Tenor et Piano
52
Saxophone, Clarinette (duo)
49
Saxophone Soprano et Piano
47
Flûte, Clarinette (duo)
43
2 Hautbois (duo)
38
Clarinette, Violon (duo)
38
3 Saxophones (trio)
35
Quatuor de Clarinettes: 4 clarinettes
32
Saxophone Baryton, Piano
31
Cor anglais, Piano
27
Ensemble de Flûtes
26
3 Clarinettes (trio)
24
Clarinette, Trompette (duo)
23
Hautbois, Basson (duo)
21
Quatuor de Flûtes à bec
21
Hautbois, Clarinette (duo)
20
Clarinette et Alto
20
Flûte et Guitare
19
Flûte, Violon
18
Ensemble de Clarinettes
17
Clarinette Basse, Piano
16
Flûte, Saxophone (duo)
15
Flûte, Trompette (duo)
15
Hautbois, Flûte
15
Flûte à Bec
14
Quintette de Flûte : 5 flûtes
13
Flûte, Alto (duo)
13
5 Flûtes à bec
12
Hautbois
12
Quintette de Clarinettes: 5 clarinettes
12
Quatuor de Flûtes : 4 flûtes
12
Saxophone Soprano
11
Saxophone Tenor
10
Clarinette, Guitare (duo)
10
Clarinette, Basson (duo)
9
Flûte à bec Soprano
9
Ensemble de saxophones
9
Saxophone Baryton
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Harmonica
8
Flûte, Violoncelle
8
Clarinette (partie séparée)
7
Cor anglais, Guitare (duo)
6
Flûte à bec Soprano, Piano
5
Flûte, Hautbois, Clarinette (trio)
5
Clarinette, Violoncelle (duo)
5
Cor Anglais
5
2 Flûte à bec (duo)
5
Flûte, Clarinette, Piano (trio)
4
Flûte, Clarinette et Basson
4
2 Clarinettes, Piano
3
Hautbois, Violoncelle
3
3 Flûtes à bec (trio)
3
2 Flûtes traversières, Piano
3
Saxophone
3
Hautbois, Guitare (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Basson et Piano
2
Flute (partie séparée)
2
2 Hautbois, Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Saxophone et Guitare
2
Flûte à bec Alto
2
Ensemble De Flûte à bec
2
Clarinette Basse
1
Flûte à bec Alto, Piano
1
2 Clarinettes, Basson
1
Clarinette, Trombone (duo)
1
Saxophone et Orgue
1
Flûte, Clarinette, Violon (trio)
1
Flûte irlandaise
1
Flûte à bec Tenor
1
3 Hautbois
1
Flûte à Bec, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Hautbois (duo)
1
Ensemble de Hautbois
1
Flûte, trombone et piano
1
Hautbois, violon (duo)
1
Flûte, Hautbois, Basson
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violon, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
100
Trombone et Piano
81
Trompette
73
Cor et Piano
66
Trompette, Piano
65
Trombone
55
Tuba
48
Cor
46
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
2 Trompettes (duo)
40
Trompette, Saxophone (duo)
31
Tuba et Piano
31
2 Trombones (duo)
30
Cor anglais, Piano
27
Trompette, Trombone (duo)
25
Trombone (partie séparée)
18
2 Cors (duo)
18
Trompette (partie séparée)
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Euphonium, Piano (duo)
14
Quatuor de Cuivres
12
Trompette, Cor (duo)
11
3 Trombones (trio)
11
2 Tubas (duo)
8
Ensemble de Trompettes
7
Trio de Cuivres
6
Quatuor de cuivres: 4 trombones
6
Ensemble de Trombones
6
Cor anglais, Guitare (duo)
6
Cor (partie séparée)
5
Cor Anglais
5
Quatuor de cuivres: 4 trompettes
4
Cor, Violoncelle (duo)
3
Tuba (partie séparée)
3
Tuba et Orgue
3
Ensemble de Cors
3
4 Tubas
3
Trombone basse et Piano
3
2 Euphoniums et 2 Tubas
3
2 Cors, Piano
2
Quatuor de cuivres: 4 cors
2
Euphonium
2
Trombone, Tuba (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Tuba ou Euphonium ou Saxhorn
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
Bass Clef Instruments
1
2 Cors Anglais Et Pianoforte
1
Cor et Basson (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
250
Violon et Piano
133
Violon
132
Violoncelle, Piano
98
2 Violons (duo)
97
Violon, Violoncelle (duo)
87
Alto, Piano
78
Alto seul
76
Violoncelle (partie séparée)
68
Harpe
61
2 Violoncelles (duo)
48
2 Altos (duo)
43
Violoncelle
42
Violon, Alto (duo)
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
Trio à Cordes: violon, alto, violoncelle
29
Contre Basse
23
Contrebasse, Piano (duo)
22
Contrebasse (partie séparée)
10
4 Violoncelles
10
Piano Trio: Violon, Alto, Piano
10
Trio à Cordes: 2 violons, violoncelle
9
Alto, Violoncelle (duo)
9
Alto (partie séparée)
9
Trio à Cordes: 3 violoncelles
9
Violoncelle , Guitare (duo)
8
Violon (partie séparée)
7
Quatuor à cordes: 4 violons
7
Harpe, Voix
6
Quatuor à cordes : 4 altos
5
Trio à cordes: 3 altos
4
2 Violons, Piano
4
2 Harpes (duo)
4
2 Contrebasses (duo)
4
Alto et Basson
3
Ensemble de Violons
3
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 violins
3
2 Violoncelles, Piano
3
3 Harpes
2
Violon, Basson (duo)
2
Alto, Guitare (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Guitare (duo)
2
5 Harpes
2
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
Harpe et Piano
1
Alto et Harpe
1
Ensemble d'Altos
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
391
Orchestre
93
Orchestre à Cordes
78
Ensemble Jazz
61
Ensemble de cuivres
54
Fanfare
30
Cloches
28
Orchestre de chambre
28
Jazz combo
26
Batterie
15
Percussion (partie séparée)
8
Ensemble de Percussions
6
2 Xylophones
4
Xylophone, Piano
3
Batterie (partie séparée)
3
Percussion
2
Ensemble d'École
2
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Marimba
1
Marimba, Piano (duo)
1
Xylophone
1
Orchestre, Violon
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Who Are You - Cymbals
Orchestre de chambre
Partitions à imprimer
28 partitions trouvées
<
1
26
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.56 €
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Small Train for Piano Quartet or Junior Strings
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.885867 Composed by Tradition…
(+)
Chamber Orchestra - Level 1 - Digital Download SKU: A0.885867 Composed by Traditional children's song from Denmark. Arranged by Lauri Hämäläinen. Children,Standards. Score and parts. 19 pages. Suomi Music #6679213. Published by Suomi Music (A0.885867). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 2.50 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.The 11 Children's Songs are part of the Violin Friends music books for beginner and intermediate violin and viola students.
$9.99
9.2 €
#
Orchestre de chambre
#
Traditional children's song from Denmark
#
Lauri Hämäläinen
#
Small Train for Piano Quartet or Junior Strings
#
Suomi Music
#
SheetMusicPlus
Samba Lele for Junior Strings or Piano Quintet
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.885869 Composed by Tradition…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.885869 Composed by Traditional children's music from Brazil. Arranged by Lauri Hämäläinen. Children,Folk,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679235. Published by Suomi Music (A0.885869). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 2.05 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
9.2 €
#
Orchestre de chambre
#
Traditional children's music from Brazil
#
Lauri Hämäläinen
#
Samba Lele for Junior Strings or Piano Quintet
#
Suomi Music
#
SheetMusicPlus
Potpourri of three children's songs for Junior Strings with piano / Piano Quintet
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.885866 Composed by Tradition…
(+)
Chamber Orchestra - Level 1 - Digital Download SKU: A0.885866 Composed by Traditional children's music from America, France and Germany. Arranged by Lauri Hämäläinen. Children,Concert,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679227. Published by Suomi Music (A0.885866). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The Potpourri includes the melodies of Mary Had a Little Lamb, Frère Jaques and Haschen in der Grübe.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 3 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
9.2 €
#
Orchestre de chambre
#
Traditional children's music from America, France and Germany
#
Lauri Hämäläinen
#
Potpourri of three children's songs for Junior Strings with piano / Piano Quintet
#
Suomi Music
#
SheetMusicPlus
Rati riti ralla for Junior String Orchestra or Piano Quintet
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.885873 Composed by Tradition…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.885873 Composed by Traditional children's music from Finland. Arranged by Lauri Hämäläinen. Children,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679259. Published by Suomi Music (A0.885873). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 1.50 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
9.2 €
#
Orchestre de chambre
#
Traditional children's music from Finland
#
Lauri Hämäläinen
#
Rati riti ralla for Junior String Orchestra or Piano Quintet
#
Suomi Music
#
SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
23.02 €
#
Orchestre de chambre
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - Score Only
#
Juan Maria Solare
#
SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
92.08 €
#
Orchestre de chambre
#
Dosia McKay
#
Three Laments of Heloise for Chamber Orchestra
#
Gavia Music
#
SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.39 €
#
Orchestre de chambre
#
Juan MarÃa Solare
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - SECOND movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Dreams - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Gue…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
147.32 €
#
Orchestre de chambre
#
Juan Guerra González
#
Dreams - Score Only
#
Juan Carlos Guerra Gonzalez
#
SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.39 €
#
Orchestre de chambre
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - FIRST movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.39 €
#
Orchestre de chambre
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.36 €
#
Orchestre de chambre
#
Karl Friedrich Abel
#
Guido Menestrina
#
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
#
Guido Menestrina
#
SheetMusicPlus
A Celebration Miniature! (for String Orchestra)
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.998363 Composed by Aaron Fon…
(+)
Chamber Orchestra - Level 1 - Digital Download SKU: A0.998363 Composed by Aaron Fonzi. 20th Century,Contemporary,Standards. Score and parts. 19 pages. Aaron Fonzi #6091271. Published by Aaron Fonzi (A0.998363). A Celebration Miniature is an ode to all of the incredible people who get up and work with young peopleevery day to share the joy, passion and truth of music education. Thank you for keeping the arts thriving inour schools and giving the next generationan opportunity to experience the thrill of music making! Composed in an overture style, the piece begins with a powerful introductory statement pedaling onBb major. After the introduction, the second theme is introduced by the violin 1 section. The B sectionbegins at Rehearsal B, featuring a light, legato approach. The piece picks back up at Rehearsal C with another rousing statement of the first theme, and propels itself to a thrilling close with a restatement of the introduction. Have fun! I hope you enjoy playing and rehearsing this piece as much as I did writing it, and you are certain to have something to celebrate after a performance of this piece!
$20.00
18.42 €
#
Orchestre de chambre
#
Aaron Fonzi
#
#
A Celebration Miniature!
#
Aaron Fonzi
#
SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.9 €
#
Orchestre de chambre
#
Carson Cooman
#
Carson Cooman: The Acts of the Apostles
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
"The Flying Hat" for chamber orchestra (excerpts)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.886736 Composed by Panagioti…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.886736 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 60 pages. Panagiotis Theodossiou #6019921. Published by Panagiotis Theodossiou (A0.886736). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006) a. A Little Fanfare b. The Hatland c. Dad, the Giant Hat d. Dance of the Little Hats e. The Wind f. The Flight g. Farewell A fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleutherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.
$20.00
18.42 €
#
Orchestre de chambre
#
Panagiotis Theodossiou
#
"The Flying Hat" for chamber orchestra
#
Panagiotis Theodossiou
#
SheetMusicPlus
Variations on a Rossini Theme op.Posth
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
(+)
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
27.62 €
#
Orchestre de chambre
#
Frederik François Chopin
#
James Strauss
#
Variations on a Rossini Theme op.Posth
#
James Strauss
#
SheetMusicPlus
Three Haiku and a Poem - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287580 Composed by Igor Kor…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287580 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 30 pages. Studio at the Post #878602. Published by Studio at the Post (A0.1287580). Score only (see A878605 for parts). Duration: 8 min., Score 26 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
$15.04
13.85 €
#
Orchestre de chambre
#
Igor Korneitchouk
#
Three Haiku and a Poem - Score Only
#
Studio at the Post
#
SheetMusicPlus
Three Haiku and a Poem (Parts only)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287582 Composed by Igor Kor…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287582 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and Parts. 35 pages. Studio at the Post #878605. Published by Studio at the Post (A0.1287582). Parts only (see A878602 for Score). Duration: 8 minutes, 15 Parts, parts averaging 2 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
$5.02
4.62 €
#
Orchestre de chambre
#
Igor Korneitchouk
#
Three Haiku and a Poem
#
Studio at the Post
#
SheetMusicPlus
Galadriel's Song of Eldamar, Orchestral Version
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1007141 Composed by Charles …
(+)
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1007141 Composed by Charles McCreery. 20th Century,Children,Contemporary. Score and parts. 46 pages. St Maur Music #5024433. Published by St Maur Music (A0.1007141). This song is an orchestral version of one of a series of ‘Fourteen Tolkien Songs’. A comment on the collection by an Oxford piano teacher: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved. Dr Julia Gasper, LGSM A general comment on Charles McCreery’s music by a violinist and composer in the USA: ‘Charles McCreery’s beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ Samantha Gillogly ‘Galadriel’s Song’ is appropriate for either women’s or children’s voices, and is potentially of interest to anyone who is familiar with the works of J.R.R. Tolkien. The three vocal parts and the individual orchestral parts can all be printed out separately at the end of the full score. The MP3 which plays from this page is of a version of the song which can be heard on the stmaurmusic channel on YouTube (https://www.youtube.com/user/stmaurmusic). On the front cover is a photograph of leaves in Wytham Woods, Oxford, and at the end of the full score is a photograph of the sea off Treyarnon Bay, Cornwall .
$7.75
7.14 €
#
Orchestre de chambre
#
Charles McCreery
#
#
Galadriel's Song of Eldamar, Orchestral Version
#
St Maur Music
#
SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
55.25 €
#
Orchestre de chambre
#
Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cross - Orchestration
#
WheatMyer Music
#
SheetMusicPlus
In Dulci Jubilo - family band
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.851122 Composed by Traditional. Arrang…
(+)
Chamber Orchestra - Digital Download SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and parts. 17 pages. Sophia Transistor #3684543. Published by Sophia Transistor (A0.851122). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly. Thisarrangement of the german traditional chistmas church song In Dulci Jubilo (In Sweet Rejoicing) offers several parts for many variableinstruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decentvocal scores with the original german lyrics and also english lyrics. The score includes: - Piano (piano with chordsymbols) - vocals (in english and in german); 3 verses for each language - solo instruments in C (violin, flute,etc.); quartet - solo instruments in bass clef (trombone, cello, bass, etc.); quartet - solo instruments in Bb(trumpet, clarinet, tenor saxophone, etc.); quartet - solo instruments in Eb (alto saxophone, Eb-clarinet, etc.);quartet - solo instruments in F (french horn, F-tuba, etc.); quartet - accordion / harmonica - guitar (notes/tabs/chord) - drumsYouTube Play Along: https://youtu.be/G4I5bI43wAIGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns dochwas zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht... DiesesArrangement des Weihnachtsklassikers In Dulci Jubilo (nun singet und seid froh!) beinhaltet Noten für die gängigstenHausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert undden Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt: -Klavier (leicht, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie) - Gesang (auf Englisch undauf Deutsch); jeweils 6 Strophen - Soloinstrumente in C (Geige, Flöte, etc.); Quartett - Soloinstrumente mitBassschlüssel (Posaune, Cello, Bass, etc.); Quartett - Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon,etc.); Quartett - Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett - Soloinstrumente in F(Waldhorn, F-Tuba, etc.); Quartett - Akkordeon / Harmonika - Gitarre (Noten/Akkorde/Tabs) - SchlagwerkViel Spaß beim Ausprobieren!This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put togetherad libitum. All parts are matching, can be combined or played alone.traditional german christmas church songarranged by Sophia Johannafor family band2018 Holiday Contest Entry Public Domain Instrumental
$4.99
4.59 €
#
Orchestre de chambre
#
Traditional
#
Sophia Johanna
#
In Dulci Jubilo - family band
#
Sophia Transistor
#
SheetMusicPlus
Bruch - Romanze for Viola and Orchestra, Op. 85 (Accompaniment Reduction for Wind Quintet & String Q
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.826896 Composed by M. Bruch.…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.826896 Composed by M. Bruch. Arranged by C. A. Orozco-Diaz. Romantic Period. Score and parts. 21 pages. Amnael Orozco-Diaz #18311. Published by Amnael Orozco-Diaz (A0.826896). Want to take your recital to the next level? This reduction is specially tailored to bring the orchestral colors right down into the chamber music stage with two quintets playing accompaniment with you. No need to hire the whole symphony, just gather your pals and blow your audience away with this arranger's personal favourite! All woodwind solos are unchanged from the original score, and tutti's will strike with full power. This item contains a set of parts for the accompaniment (wind quintet and string quintet). Listen to some nice arrangements with the Weston String QuartetContact us at facebook.com/HouseOfLilithMusic for comments and requests!
$24.99
23.01 €
#
Orchestre de chambre
#
M
#
C
#
Bruch - Romanze for Viola and Orchestra, Op. 85
#
Amnael Orozco-Diaz
#
SheetMusicPlus
Teddy Bears Picnic
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1234321 Composed by John W Bratton and…
(+)
Chamber Orchestra - Digital Download SKU: A0.1234321 Composed by John W Bratton and Paul Gareth James. Arranged by Greg Eaton. 20th Century,Broadway,Children,Film/TV,Musical/Show. Score and Parts. 58 pages. Greg Eaton #829865. Published by Greg Eaton (A0.1234321). The Teddy Bear's Picnic, arranged for orchestra and one line voices. Very playful. Listen to the whole track via the YouTube link.
$49.99
46.03 €
#
Orchestre de chambre
#
John W Bratton and Paul Gareth James
#
Greg Eaton
#
Teddy Bears Picnic
#
Greg Eaton
#
SheetMusicPlus
Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Set of parts. 71 pages. Ondine Press #6230163. Published by Ondine Press (A0.866121). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a set of parts to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The full score, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://bit.ly/3hJgXxP.
$100.00
92.08 €
#
Orchestre de chambre
#
Gioachino Rossini, Frederic Chopin
#
Yoon Jae Lee
#
Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
#
Ondine Press
#
SheetMusicPlus
Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. 40 pages. Ondine Press #5377029. Published by Ondine Press (A0.866119). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a full score to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The set of parts, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/00_full_score_e_major.
$25.00
23.02 €
#
Orchestre de chambre
#
Gioachino Rossini, Frederic Chopin
#
Yoon Jae Lee
#
Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
#
Ondine Press
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
