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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Why
Non classifié
737
Piano & claviers
Piano grosses notes
3 303
Orgue
1 670
Piano seul
830
Piano, Voix et Guitare
634
Piano, Voix
554
Piano Facile
548
Instruments en Do
109
Clavier
59
Accordéon
58
Accompagnement Piano
11
1 Piano, 4 mains
11
Orgue, Piano (duo)
7
Piano (partie séparée)
4
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Ligne De Mélodie, Piano
2
Clavecin
2
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
201
Ligne De Mélodie, (Paroles) et Accords
149
Paroles et Accords
90
Guitare
84
Ukulele
59
Basse electrique
26
2 Guitares (duo)
10
Guitare (partie séparée)
6
Piano, Guitare (duo)
3
2 Mandolines (duo)
2
2 Ukuleles
2
Dulcimer
2
Banjo
2
Mandoline
1
3 Guitares (trio)
1
Ensemble de guitares
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
260
Chorale 3 parties
86
Chorale TTBB
65
Chorale 2 parties
52
Voix seule
46
Chorale SSAA
37
Chorale Unison
37
Voix Soprano, Piano
27
Voix duo, Piano
19
Voix Alto, Piano
14
Pack Instrumental pour Chorale
10
Chorale
9
Voix duo
8
Voix moyenne, Piano
6
Voix haute
5
Voix Baryton, Piano
3
Voix Tenor, Piano
2
Voix Mezzo-Soprano, Piano
2
Chorale SSAB, Piano
2
Chorale SSATBB
1
Chorale SSAATTBB
1
Chorale SSAATB
1
Chorale SSATTB
1
Voix Tenor
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
158
Quatuor de Saxophones: 4 saxophones
156
2 Flûtes traversières (duo)
125
Flûte, Hautbois, Clarinette, Basson
111
Clarinette
90
Quatuor de Clarinettes: 4 clarinettes
81
Ensemble de saxophones
80
Quintette de Saxophone: 5 saxophones
79
Hautbois, Piano (duo)
72
Flûte traversière
71
2 Saxophones (duo)
70
Clarinette et Piano
65
Saxophone Alto
65
Flûte traversière et Piano
55
3 Saxophones (trio)
51
Saxophone
49
Saxophone Alto et Piano
39
Saxophone (partie séparée)
37
Saxophone Tenor
36
2 Clarinettes (duo)
35
Quatuor de Flûtes : 4 flûtes
30
Saxophone Tenor et Piano
29
Hautbois (partie séparée)
26
Saxophone Baryton, Piano
19
Saxophone Soprano et Piano
19
2 Hautbois (duo)
17
Flûte, Hautbois, Clarinette (trio)
14
Hautbois
13
Hautbois, Clarinette, Basson (trio d'anches)
13
Saxophone Soprano
12
Saxophone Baryton
10
Flûte à Bec
7
Flûte à bec Soprano
7
Hautbois, Flûte
7
Trio de Flûtes: 3 flûtes
6
Flûte, Violon
5
Flute (partie séparée)
5
Quintette de Flûte : 5 flûtes
5
Clarinette, Guitare (duo)
5
Clarinette, Violon (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte à bec Tenor
4
Flûte à bec Alto
4
Flûte, Hautbois, Basson
4
Ensemble de Clarinettes
4
3 Clarinettes (trio)
3
Flûte, Clarinette (duo)
3
Instruments en Mib
3
Ensemble de Flûtes
3
Clarinette, Trompette (duo)
2
Flûte, Alto (duo)
2
Flûte et Guitare
2
Saxophone, Clarinette (duo)
2
Quatuor de Flûtes à bec
2
Harmonica
2
Flûte, Violon, Piano
2
Hautbois, Clarinette (duo)
2
Cor anglais, Piano
2
Piccolo
1
Flûte, Saxophone (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Violoncelle (duo)
1
2 Hautbois et Basson
1
Saxophone et Guitare
1
Flûte, Trompette (duo)
1
Hautbois, Basson (duo)
1
Flûte, Hautbois (duo)
1
2 Flûtes traversières, Piano
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
2 Flûte à bec (duo)
1
Flûte, Hautbois, Piano (trio)
1
+ 67 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
151
Quatuor de Cuivres: 2 trompettes, Cor, trombone
135
Trompette
66
Trompette, Piano
60
Cor et Piano
55
Trombone
54
Cor
48
Trombone et Piano
40
2 Trombones (duo)
38
Tuba
33
Tuba et Piano
31
Trompette (partie séparée)
22
2 Trompettes (duo)
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trombone (partie séparée)
14
2 Cors (duo)
13
2 Euphoniums (duo)
9
Bass Clef Instruments
8
Euphonium
6
Quatuor de Cuivres
6
2 Tubas (duo)
6
Trompette, Trombone (duo)
5
Trio de Cuivres
3
Quatuor de cuivres: 4 trombones
3
Instruments en Sib
3
Euphonium, Piano (duo)
3
Ensemble de Trombones
2
Trompette, Saxophone (duo)
2
Cor anglais, Piano
2
Euphonium, Tuba (duo)
1
Trompette, Cor (duo)
1
2 Euphoniums et 2 Tubas
1
Instruments en Fa
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
4 Tubas
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
140
Violon et Piano
95
Violon
77
Violoncelle, Piano
72
Alto, Piano
70
Violoncelle
53
Alto seul
53
Quintette à cordes: 2 violons, alto, violoncelle, basse
38
Trio à Cordes: violon, alto, violoncelle
32
Violon, Violoncelle (duo)
28
Contre Basse
24
Contrebasse, Piano (duo)
23
2 Altos (duo)
22
2 Violons (duo)
21
2 Violoncelles (duo)
18
Harpe
13
Alto (partie séparée)
12
Violon, Basson (duo)
11
Violon, Alto (duo)
11
Trio à Cordes: 2 violons, violoncelle
9
Violoncelle, Contrebasse (duo)
6
2 Contrebasses (duo)
6
Contrebasse (partie séparée)
5
4 Violoncelles
3
Violon (partie séparée)
3
Harpe, Flûte (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: 3 violoncelles
1
Violoncelle (partie séparée)
1
Alto, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
88
Ensemble Jazz
48
Orchestre
36
Fanfare
31
Orchestre à Cordes
30
Batterie
23
Ensemble de cuivres
21
Orchestre de chambre
18
Ensemble de Percussions
8
Cloches
8
Batterie (partie séparée)
5
Jazz combo
4
Percussion (partie séparée)
2
Marimba
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
Xylophone, Piano
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix + au -
Nouveautes
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difficulté (tous)
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Vous avez sélectionné:
Why
Orchestre de chambre
Partitions à imprimer
18 partitions trouvées
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1
Christmas Why Can't I Find You
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Orchestre de chambre
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INTERMÉDIAIRE
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James Horner
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Nathan Morson
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Christmas Why Can't I Find You
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Nathan Morson
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1492288 Composed by James Horner. Arranged by Nathan Morson. Christmas,Film/TV. 17 pages. Nathan Morson #1068957. ...
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Chamber Orchestra - Level 3 - SKU: A0.1492288 Composed by James Horner. Arranged by Nathan Morson. Christmas,Film/TV. 17 pages. Nathan Morson #1068957. Published by Nathan Morson (A0.1492288). Christmas, Why Can't I Find You? for Orchestra - Score and PartsDuration: 2:20www.nathanmorson.com.
$65.00
Why, No One To Love?, score and parts
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Orchestre de chambre
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Folklorique/Traditionel
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Stephen Foster
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Gary S
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Why, No One To Love?, score an
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Gary Fagin
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SheetMusicPlus
Chamber Orchestra - SKU: A0.917353 Composed by Stephen Foster. Arranged by Gary S. Fagin. Folk. Score and parts. 10 pages. Gary Fagin #4626827. Publishe...
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Chamber Orchestra - SKU: A0.917353 Composed by Stephen Foster. Arranged by Gary S. Fagin. Folk. Score and parts. 10 pages. Gary Fagin #4626827. Published by Gary Fagin (A0.917353). One of six Stephen Foster arrangements for voice and string quartet.
$10.00
Concerto for solo cello and sinfonietta op.3
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Orchestre de chambre
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AVANCÉ
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Angus Ludfranz
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/
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Concerto for solo cello and si
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Angus Ludfranz
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.946916 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Contemporary,Romantic Period. Score and parts. 85 page...
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Chamber Orchestra - Level 5 - SKU: A0.946916 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Contemporary,Romantic Period. Score and parts. 85 pages. Angus Ludfranz #552652. Published by Angus Ludfranz (A0.946916). This piece was written when I was just graduated to secondary school, I was so nervous because of the brand new environment but also curious about everything, I joined the school orchestra and there was a concert for 170th school anniversary, I would never forget that concert in my life, it was the most extensive concert that I have attended (people were buying tickets to watch our performance) I was extremely nervous, but I was very happy in the percussion section. During rehearsal, I heard the amazing cello sound, that is a sound that I adored, it was the most amazing sound that I have ever heard, I was totally obsessed with the instrument, and I listen to cello concerto every day. Haydn, Dvorak, Shostakovich, Prokofiev, Schumann. I was totally obsessed with the instrument! Then I thought, why don’t I write a cello concerto by myself? That’s why I composed this piece. Hope you enjoy the piece. Your composer, A.Ludfranz.
$11.90
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Nocturne for Strings- Op. 26
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dana Taylor
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Nocturne for Strings- Op. 26
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Dana Taylor Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.987737 Composed by Dana Taylor. Contemporary. Score and parts. 13 pages. Dana Taylor Music #28939. Published by Da...
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Chamber Orchestra - Level 4 - SKU: A0.987737 Composed by Dana Taylor. Contemporary. Score and parts. 13 pages. Dana Taylor Music #28939. Published by Dana Taylor Music (A0.987737). Nocturne for Strings is a rondo where each section of the orchestra has a chance to stand out. I chose Advanced Intermediate because the mode tends to be mixolydian, with shifting tonal centers and keys, but always melodic,and the parts are interesting. Depending on your group Nocturne is full of teachable moments, from what makes it modal to how go we modulate from one key to the next, and why. And your musicians and audience alike will be humming this afterward. Parts sold separately.
$30.00
Pomp And Circumstance No. 1 (trio)
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Orchestre de chambre
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FACILE
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Classique
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Edward Elgar
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Dico
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Pomp And Circumstance No. 1
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.843117 Composed by Edward Elgar. Arranged by Dico. 20th Century,Wedding. Score and parts. 25 pages. Dico #6639087....
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Chamber Orchestra - Level 2 - SKU: A0.843117 Composed by Edward Elgar. Arranged by Dico. 20th Century,Wedding. Score and parts. 25 pages. Dico #6639087. Published by Dico (A0.843117). WEDDING SERIESÂ - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are sextets. Some instruments can be replaced and some arrangements have reductions. These options are provided.POMP AND CIRCUMSTANCE MARCH No. 1 (Trio) - this arrangement was made for a wedding ceremony with a small set. That's why the string section is a quartet without a viola part.INSTRUMENTATION:Flute | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 (bass) | Timpani | Piano | Strings (-viola)
$22.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Sonata Op. 19 #1
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Orchestre de chambre
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Classique
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Marcello, Benedetto
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Nick M Lacanski
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Sonata Op. 19 #1
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theupperstaff
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SheetMusicPlus
Chamber Orchestra - SKU: A0.952022 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #5577...
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Chamber Orchestra - SKU: A0.952022 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #557751. Published by theupperstaff (A0.952022). Arranged for solo bassoon and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
Sonata Op. 19 #1
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Orchestre de chambre
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Classique
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Marcello, Benedetto
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Nick M Lacanski
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Sonata Op. 19 #1
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theupperstaff
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SheetMusicPlus
Chamber Orchestra - SKU: A0.952019 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 19 pages. Theupperstaff #5577...
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Chamber Orchestra - SKU: A0.952019 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 19 pages. Theupperstaff #557748. Published by theupperstaff (A0.952019). Arranged for solo alto sax and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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God's Grandeur
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #...
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Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Sonata Op. 19 #1
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Orchestre de chambre
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Classique
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Marcello, Benedetto
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Nick M Lacanski
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Sonata Op. 19 #1
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theupperstaff
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SheetMusicPlus
Chamber Orchestra - SKU: A0.946889 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #5526...
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Chamber Orchestra - SKU: A0.946889 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #552642. Published by theupperstaff (A0.946889). Arranged for solo soprano sax and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
Sonata Op. 19 #1
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Orchestre de chambre
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Classique
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Marcello, Benedetto
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Nick M Lacanski
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Sonata Op. 19 #1
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theupperstaff
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SheetMusicPlus
Chamber Orchestra - SKU: A0.952016 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #5577...
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Chamber Orchestra - SKU: A0.952016 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #557746. Published by theupperstaff (A0.952016). Arranged for solo tenor sax and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
Sonata Op. 19 #1
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Orchestre de chambre
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Classique
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Marcello, Benedetto
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Nick M Lacanski
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Sonata Op. 19 #1
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theupperstaff
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SheetMusicPlus
Chamber Orchestra - SKU: A0.942369 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 19 pages. Theupperstaff #5481...
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Chamber Orchestra - SKU: A0.942369 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 19 pages. Theupperstaff #548178. Published by theupperstaff (A0.942369). Arranged for solo flute and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
Elgar - Nimrod (Reduced Orchestra)
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Matt Lax
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Elgar - Nimrod
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Matthew Lax
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.818027 Composed by Edward Elgar. Arranged by Matt Lax. 20th Century. Score and parts. 35 pages. Matthew Lax #44118...
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Chamber Orchestra - Level 3 - SKU: A0.818027 Composed by Edward Elgar. Arranged by Matt Lax. 20th Century. Score and parts. 35 pages. Matthew Lax #4411845. Published by Matthew Lax (A0.818027). Elgar's Classic, Nimrod, from his Enigma Variations. Reduced to an ensemble of 12 players:FluteOboeClarinetBassoonHorn in FFlugelhorn (doubling Trumpet)FlugelhornViolin 1Violin 2Viola CelloDouble BassPlease check out my other works by copying the following link into your browser:https://www.sheetmusicplus.com/publishers/matthew-lax/5267If you like this arrangement why not let me know by submitting a review
$25.00
Sonata Op. 19 #1
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Orchestre de chambre
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Classique
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Marcello, Benedetto
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Nick M Lacanski
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Sonata Op. 19 #1
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theupperstaff
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SheetMusicPlus
Chamber Orchestra - SKU: A0.946915 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 19 pages. Theupperstaff #5526...
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Chamber Orchestra - SKU: A0.946915 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 19 pages. Theupperstaff #552650. Published by theupperstaff (A0.946915). Arranged for solo oboe and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
Eili, Eili, Lamo Azovtanu (Chamber Orchestra Version)
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Orchestre de chambre
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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Eili, Eili, Lamo Azovtanu
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1100189 By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. 20th Century,Classical,Jewish,Mult...
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Chamber Orchestra - Level 2 - SKU: A0.1100189 By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. 20th Century,Classical,Jewish,Multicultural,World. Score and parts. 19 pages. Exultet Music #704072. Published by Exultet Music (A0.1100189). My God, My God, Why Have You Abandoned Me? These are the words the poet used to describe the horrors of those suffering in the concentration camps during World War II. Scored for Flute, Bb-Clarinet, Bassoon, Violin, Viola and Cello.
$12.99
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
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