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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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EUPHONIUM
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GUITARE LAP ST…
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HARPE
HAUTBOIS
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Non classifié
3091
PIANO & CLAVIERS
Piano grosses notes
3305
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2439
Piano, Voix
2191
Orgue
1713
Piano, Voix et Guitare
1092
Piano Facile
733
Instruments en Do
255
Accompagnement Piano
98
Clavier
60
1 Piano, 4 mains
39
Piano Trio: piano, violon, violoncelle
26
2 Pianos, 4 mains
19
Accordéon
17
Piano Quatuor: piano, violon, alto, violoncelle
7
Orgue, Piano (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Ligne De Mélodie, Piano
3
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon, Piano
1
Clavecin
1
1 Piano, 6 mains
1
2 Accordéons
1
Orgue, Trompette (duo)
1
Accordéon, Voix
1
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GUITARES
Guitare notes et tablatures
287
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229
Guitare
139
Ukulele
70
Paroles et Accords
58
Basse electrique
31
2 Guitares (duo)
10
Guitare (partie séparée)
8
Piano, Guitare (duo)
8
Banjo
7
Dulcimer
4
Mandoline
4
4 Guitares (Quatuor)
3
Ensemble de Ukulélés
3
Mandoline, Guitare (duo)
2
3 Guitares (trio)
1
Guitare, Violon, Violoncelle (trio)
1
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1
Basse électrique (partie séparée)
1
Instrumentations suivantes
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VOIX
Chorale SATB
2978
Chorale 3 parties
716
Chorale Unison
617
Chorale 2 parties
539
Chorale TTBB
226
Voix duo, Piano
200
Chorale SSAA
149
Voix duo
74
Pack Instrumental pour Chorale
43
Voix Soprano, Piano
37
Chorale
35
Voix seule
34
Voix haute
29
Voix Tenor, Piano
15
Voix Baryton, Piano
13
Voix Alto, Piano
10
Chorale SSAATTBB
8
Voix moyenne, Piano
8
Voix, Guitare
6
Voix Mezzo-Soprano, Piano
6
Chorale SSATB
6
Voix Soprano
5
Voix basse, Piano
5
Soli, choeur mixte et accompagnement
2
Chorale SSATTB
2
Chorale, Orgue
2
Voix Tenor
2
Voix basse
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
147
2 Flûtes traversières (duo)
138
Flûte, Hautbois, Clarinette, Basson
118
Flûte traversière
112
Hautbois, Piano (duo)
110
Clarinette et Piano
108
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
106
Saxophone Alto et Piano
103
Quatuor de Saxophones: 4 saxophones
100
Saxophone (partie séparée)
85
Quatuor de Clarinettes: 4 clarinettes
84
Clarinette
80
Saxophone Alto
76
2 Saxophones (duo)
69
Quatuor de Flûtes : 4 flûtes
57
Saxophone Tenor et Piano
55
Saxophone Tenor
55
2 Clarinettes (duo)
54
Quintette de Saxophone: 5 saxophones
49
Flûte et Guitare
44
Saxophone Soprano et Piano
43
Clarinette (partie séparée)
39
Hautbois (partie séparée)
36
Cor anglais, Piano
33
Saxophone Baryton, Piano
30
Ensemble de saxophones
30
Saxophone, Clarinette (duo)
28
Clarinette, Guitare (duo)
27
2 Flûtes traversières, Piano
26
Clarinette, Violon (duo)
25
Flute (partie séparée)
24
Ensemble de Clarinettes
21
Flûte, Clarinette (duo)
19
Clarinette, Trompette (duo)
19
2 Hautbois (duo)
19
Ensemble de Flûtes
16
Quintette de Clarinettes: 5 clarinettes
16
Hautbois
15
Flûte, Saxophone (duo)
14
Trio de Flûtes: 3 flûtes
14
Hautbois, Basson (duo)
14
Clarinette Basse, Piano
13
Hautbois, Flûte
12
Hautbois, Clarinette (duo)
12
Flûte, Violon
12
3 Clarinettes (trio)
11
Clarinette et Alto
10
Cor anglais, Guitare (duo)
10
Saxophone
9
Flûte, Trompette (duo)
9
Flûte, Alto (duo)
9
Flûte à bec Soprano
8
Flûte à Bec
8
2 Flûte à bec (duo)
7
Quintette de Flûte : 5 flûtes
6
Flûte à bec Alto, Piano
6
Saxophone et Guitare
6
Saxophone et Harpe
5
Saxophone Soprano
5
Piccolo
4
Quatuor de Flûtes à bec
4
3 Saxophones (trio)
4
Cor Anglais
4
Flûte à bec Alto
4
Clarinette, Harpe (duo)
3
2 Clarinettes, Piano
3
Flûte à bec Soprano, Piano
3
Flûte, Violon, Piano
3
5 Flûtes à bec
3
Instruments en Mib
2
Saxophone et Orgue
2
Flûte, Basson et Piano
2
Ocarina
2
Clarinette Basse
2
Hautbois, Harpe
2
Saxophone Baryton
2
Flûte, Violoncelle
2
Clarinette, Violoncelle (duo)
2
Hautbois, Violoncelle
2
Hautbois, Guitare (duo)
2
Flûte traversière, Basse continue
1
Flûte, Harpe et Violoncelle
1
2 Saxophones, Piano
1
Flûte, Clarinette et Basson
1
3 Flûtes à bec (trio)
1
Flûte et Quatuor à Cordes
1
Ensemble De Flûte à bec
1
Harmonica
1
Cornemuse
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte traversière, Orgue (duo)
1
Piccolo, Piano
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Basson (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
130
Trombone et Piano
98
Trompette
93
Quatuor de Cuivres : 2 trompettes, trombone, tuba
83
Trombone (partie séparée)
70
Trompette, Piano
63
Trombone
61
Cor et Piano
58
Trompette (partie séparée)
57
Tuba et Piano
37
Cor
37
Euphonium, Piano (duo)
35
Cor anglais, Piano
33
2 Trompettes (duo)
28
Quatuor de cuivres: 4 trombones
25
Quatuor de Cuivres
24
Trompette, Saxophone (duo)
22
Cor (partie séparée)
21
2 Trombones (duo)
20
Tuba
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Ensemble de Trombones
17
Trompette, Trombone (duo)
16
Tuba (partie séparée)
13
Cor anglais, Guitare (duo)
10
2 Cors (duo)
10
Quatuor de cuivres: 4 cors
8
Euphonium
5
Ensemble de Trompettes
5
Ensemble de Cors
4
Cor Anglais
4
Cor et Harpe
4
Tuba et Orgue
4
2 Euphoniums et 2 Tubas
3
Trompette, Cor (duo)
3
Trio de Cuivres
3
4 Tubas
2
Trompette, Harpe
2
Trompette, Tuba (duo)
2
Bass Clef Instruments
2
3 Trompettes (trio)
2
2 Tubas (duo)
2
Instruments en Sib
2
Trombone basse et Piano
1
Tuba ou Euphonium ou Saxhorn
1
3 Trombones (trio)
1
2 Cors, Piano
1
2 Euphoniums (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Trombone, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
351
Violon et Piano
204
Violoncelle, Piano
127
Alto, Piano
112
Violon
93
Harpe
79
Violoncelle
70
2 Violons (duo)
54
Violon (partie séparée)
49
2 Harpes (duo)
49
Violon, Violoncelle (duo)
47
Trio à Cordes: violon, alto, violoncelle
45
Alto seul
43
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
2 Violoncelles (duo)
24
Alto (partie séparée)
22
2 Altos (duo)
22
Contrebasse, Piano (duo)
21
Contrebasse (partie séparée)
18
Trio à Cordes: 2 violons, violoncelle
18
Violon, Alto (duo)
17
Contre Basse
17
Violoncelle (partie séparée)
15
Harpe, Voix
13
Violoncelle , Guitare (duo)
10
Violon, Guitare (duo)
7
Alto, Guitare (duo)
7
4 Violoncelles
6
Piano Trio: Violon, Alto, Piano
5
Harpe, Violon (duo)
4
Trio à cordes
4
Harpe, Flûte (duo)
4
Alto, Violoncelle (duo)
3
2 Violons, Piano
3
Flûte, Contrebasse (duo)
2
2 Contrebasses (duo)
2
Alto et Harpe
2
Ensemble de Violons
2
Harpe, Trombone (duo)
2
Ensemble d'Altos
2
Harpe, Violoncelle (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe et Piano
1
Violon, Orgue
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
656
Orchestre
212
Cloches
144
Orchestre à Cordes
141
Ensemble de cuivres
125
Ensemble Jazz
91
Orchestre de chambre
60
Batterie
26
Jazz combo
20
Fanfare
19
Percussion (partie séparée)
19
Marimba
15
Batterie (partie séparée)
6
Percussion
6
Ensemble de Percussions
6
Vibraphone
5
Timbales (partie séparée)
5
Xylophone
2
Timbales
1
Orchestre, Violon
1
Quintette à Vent
1
Marimba et Orgue
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
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Orchestre de chambre
Partitions à imprimer
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Guilherme Facchetti Ribeiro - Song Without Words Nº1. For String Quartet and Flute
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1005752 Composed by Guilherm…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1005752 Composed by Guilherme Facchetti Ribeiro. Concert,Contemporary,Standards,World. Score and parts. 12 pages. Guilherme Facchetti #6710685. Published by Guilherme Facchetti (A0.1005752). Song Without Words Nº1, for string quartet and flute. Complete score and separated parts. .
$4.99
4.56 €
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Orchestre de chambre
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Guilherme Facchetti Ribeiro
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Guilherme Facchetti Ribeiro - Song Without Words Nº1. For String Quartet and Flute
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Guilherme Facchetti
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SheetMusicPlus
Beyond Words
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1085157 By Alexander Kael Sa…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1085157 By Alexander Kael Sauer. By Alexander Kael Sauer. Arranged by Alexander Kael Sauer. Classical,Film/TV,Video Game. Score and parts. 8 pages. Alexander Sauer #689293. Published by Alexander Sauer (A0.1085157). A delightful song that can make people feel warmth and happiness.
$1.99
1.82 €
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Orchestre de chambre
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Alexander Kael Sauer
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Alexander Kael Sauer
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Beyond Words
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Alexander Sauer
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SheetMusicPlus
Guitar and Orchestra Suite 1st movement (with added spoken words - Dreaming)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.576763 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.576763 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 36 pages. David Warin Solomons #419559. Published by David Warin Solomons (A0.576763). Suite for classical guitar and orchestra, published on this site in these versions: 1st movement - Dreaming 1st movement - Dreaming - with spoken poem written by my father - Complete Suite - SCORE only Complete Suite - SCORE and PARTS The complete suite comprises: Dreaming, Folksy Waltz, Sanctus and Benedictus, with Hosannas, and finally Distant Storm The pdf file contains score and parts. The sound sample is an electronic preview.
$12.00
10.97 €
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Orchestre de chambre
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David Warin Solomons
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Guitar and Orchestra Suite 1st movement
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David Warin Solomons
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SheetMusicPlus
Blessed Is Everyone
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1218857 By Steve Thweatt. By…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1218857 By Steve Thweatt. By Steve Thweatt. Arranged by Steve Thweatt. Christian,Jewish,Religious,Sacred,Spiritual. Score and Parts. 52 pages. Steve Thweatt #815265. Published by Steve Thweatt (A0.1218857). Taken word for word from Psalm 128, the simple message of 'Blessed is everyone the fears the Lord' rings true thru all of time. Orchestrated for voice, piano, a full string orchestra, flute, oboe, clarinet in Bb, horn in F, Trumpet in Bb, and bells (glockenspiel) and timpani. The piano and voice could stand alone without the orchestra, but only with the orchestra can the full impact of this song be felt.
$29.95
27.38 €
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Orchestre de chambre
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Steve Thweatt
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Steve Thweatt
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Blessed Is Everyone
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Steve Thweatt
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SheetMusicPlus
Händel: Basss Aria "The Trumpet Shall Sound" for Bass Solo and Chamber Orchestra (D major Version)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597235 By George Frideric Ha…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.597235 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Film/TV,Sacred. Score and Parts. 46 pages. Flavio Regis Cunha #4602725. Published by Flavio Regis Cunha (A0.597235). Händel: The Trumpet Shall Sound for Trumpet, Strings, Bass Solo and Harpsichord (D major Version)The trumpet shall sound Are you looking for a beautiful and exciting piece of music perfect to perform in a church, school or professional orchestra? Look no further!  Introducing 'The Trumpet Shall Sound' composed by Georg Friedrich Händel. This transcendent, multi-instrumental work will leave your audience awe-struck! Get the full sheet music arrangement, designed to be performed with Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings in D major.  Experience this masterpiece the way it was intended - bring it to life in concert field! Perfect for churches, schools and orchestras. Download 'The Trumpet Shall Sound' now and make your performance extra special!The Air for bass The trumpet shall sound, marked Pomposo, ma non allegro, is a da capo aria. In the work's only instrumental solo, the trumpet provides motifs which the bass picks up. In and we shall be changed, the word changed is treated in inventive ever-changing melismas of up to six measures. In the middle section, the word immortality is expressed in a lively melisma of first eight, then nine measures.Advanced Intermediate.Format: A446 pagesFull Score and Orchestral PartsBb Major version:  https://www.sheetmusicplus.com/title/hndel-the-trumpet-shall-sound-for-bassoon-trumpet-in-bb-bass-solo-harpsichord-and-strings-digital-sheet-music/22572767?aff_id=728965
$18.99
17.36 €
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Orchestre de chambre
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George Frideric Handel
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Flávio Régis Cunha
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Händel: Basss Aria "The Trumpet Shall Sound" for Bass Solo and Chamber Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
Dust On The Apron
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1022718 Composed by Andy Fielman. 20th…
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Chamber Orchestra - Digital Download SKU: A0.1022718 Composed by Andy Fielman. 20th Century,Contemporary. Score and parts. 36 pages. Gisela August Publishing #3002969. Published by Gisela August Publishing (A0.1022718). Inspired by a trip to the local pizzeria, this easily could have been called Flour On The Apron. The word Dust, though, makes it suitable for not only aficionados of fine dining, but the tenders of home, hearth, garden, and workshop as well. Ah, heck, it’s suitable for anyone and everyone. Dust On The Apron is a picturesque and fun little piece written in a 20th Century style. It clocks in at 3:25. Andy Fielman is a member of ASCAP
$22.95
20.98 €
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Orchestre de chambre
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Andy Fielman
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Dust On The Apron
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Gisela August Publishing
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
54.85 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
Two Ecosaisses for Orchestra (or Strings Alone), WoO 22-23
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.723152 Composed by Ludwig va…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.723152 Composed by Ludwig van Beethoven. Arranged by Joel Jacklich (ASCAP). Classical,Romantic Period. Score and parts. 24 pages. Joel Jacklich #5304807. Published by Joel Jacklich (A0.723152). Beethoven wrote a number of ecossaises for the piano. These two had been scored for military band. It can be played by the full orchestration here, or by just the strings. The ecossaise is an energetic country dance in duple time in which couples form lines facing each other. Ecossaises were usually danced in 2/4 time. Although the word ecossaise is derived from the mid-Fench term for Scotland, any connection with Scotland is unclear. The orchestration is for Flute (with Piccolo doubling at the octave), 2 Oboes, 2 Clarinets in A (Clarinets in B-flat are also included in the set), 2 Bassoons; 2 Horns in F, 2 Trumpets in B-flat; Timpani (G2, A2, D3), Triangle, Snare Drum, Bass Drum, Crash Cymbals; Violin I, Violin I, Viola, Violoncello, and Contrabass.
$25.00
22.86 €
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Orchestre de chambre
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Ludwig van Beethoven
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Joel Jacklich (ASCAP)
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Two Ecosaisses for Orchestra
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Joel Jacklich
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SheetMusicPlus
Backwards Decade
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913637. Published by stanleymhoffman.com (A0.924854). This piece was composed for and is dedicated to the Vine Orchestra, Michael Mikulka, Conductor. His call for scores was for (if memory serves) works for chamber orchestra under eight seconds in duration. That is arguably the most unusual call for scores to which the composer has ever or will ever respond. Consider the resultant composition a novelty piece that is only six seconds in duration. If any orchestra performs this work, it is sure to illicit laughter in the audience even though, interestingly enough, the music itself is anything but humorous-sounding. The title is taken from the fact that the composer took the word decade and ran it backwards to get the main and only theme of the piece (E-D-A-C-E-D). Perhaps this brief piece will serve as the basis for a larger work one day. Who knows? It's an attractive little thing. In the meantime, enjoy! (PS: it is painful to charge more than $2.00 for six seconds of music, but if SMP Press ever prints an order, I have to make it worth their while, rather than costing them money.).
$8.00
7.31 €
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Orchestre de chambre
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Stanley M
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Backwards Decade
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stanleymhoffman.com
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SheetMusicPlus
Into the Dancesness for Euphonium and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1297771 Composed by William …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1297771 Composed by William Pagan-Perez. 21st Century,Latin. Score and Parts. 58 pages. William Pagan-Perez #887746. Published by William Pagan-Perez (A0.1297771). The word Dancesness doesn't exist but I use it to describe an extasis during a dance. This is a single-movement piece for Euphonium Solo with a Chamber Orchestra accompaniment.
$25.00
22.86 €
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Orchestre de chambre
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William Pagan-Perez
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Into the Dancesness for Euphonium and Chamber Orchestra
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William Pagan-Perez
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.5 €
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.19 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Thérèse Brenet : Concerto for violoncello and chamber orchestra - score plus solo part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.532846 Composed by Therese B…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.532846 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #61889. Published by Musik Fabrik Music Publishing (A0.532846). This concerto is a stormy work: dry and violent in the first movement, full of rich harmonies in the third movement. Only the second movement, in contrast, resounds with an infinite softness. There are very few metronomic indications or other indications of tempo. Thérèse Brenet wanted to write a music which breathes and which gives the conductor the possibility to make choices to create an interpretation in the true sense of the word Instrumentation 1111/1000/timp/2perc/piano/strings (43322) Parts on rental from the publisher.
$19.95
18.24 €
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Orchestre de chambre
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Therese Brenet
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Thérèse Brenet : Concerto for violoncello and chamber orchestra - score plus solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Prayer (Mov.3 of "Symphony-The Art of Imaginal Listening')
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004752 Composed by Rocco Di…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004752 Composed by Rocco Di Pietro. 20th Century,Contemporary. Score and parts. 21 pages. Rocco Di Pietro #4355245. Published by Rocco Di Pietro (A0.1004752). 'Prayer' is the third movement of my 5 movement Symphony-The Art of Imaginal Listening under way since 2009. This 'Prayer' has a wordless Female Chorus,a solo cellist and a modest orchestra of: Oboe, English Horn,2 Clarinets,2 Horns, Harp, and Strings.It was inspired by several sources, which all seem to have played themselves out, as the work involved an extended spritual struggle.You could say it was the struggle of someone who was not a believer,but who might have liked to be.The text of the chorus was erased,and became wordless. A symbolic of this spritual struggle.
$20.00
18.28 €
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Orchestre de chambre
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Rocco Di Pietro
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an extended spritual struggle
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Prayer
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Rocco Di Pietro
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SheetMusicPlus
Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese B…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. Published by Musik Fabrik Music Publishing (A0.532832). This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222) Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining strings, with the support of the harpsichord, the vibraphone and other percussion. Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and the orchestra in different manners. Through this osmosis and through the tempo rubato suggested several times, by the absence of metronomic movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the infinite spirals of beauty and love, outside of space and time.. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage The orchestral parts are available from the publisher on rental.
$19.95
18.24 €
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Orchestre de chambre
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Therese Brenet
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Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Asphixivision (Score & Parts)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.976911 Composed by Sabrina P…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.976911 Composed by Sabrina Pena Young. 20th Century,Contemporary,Latin,Standards. 32 pages. Sabrina Peña Young #3425603. Published by Sabrina Peña Young (A0.976911). Lively rhythmic 21st century string quartet work. Score and parts included. Ideal piece for advanced high school students, small orchestra or string ensemble, college string ensembles, professional string quartets, and community groups. Written by award-winning Cuban-Dominican composer. Feel free to contact composer directly for any questions. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.22 €
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Orchestre de chambre
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Sabrina Pena Young
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Asphixivision
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Sabrina Peña Young
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SheetMusicPlus
Downward Spiral
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976917 Composed by Sabrina P…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976917 Composed by Sabrina Pena Young. 20th Century,Contemporary. 7 pages. Sabrina Peña Young #3425623. Published by Sabrina Peña Young (A0.976917). Beautiful adagio work for strings. Can be adapted to string quartet, string orchestra or string ensemble. Intermediate to advanced 21st century work. Written by award-winning composer. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.22 €
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Orchestre de chambre
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Sabrina Pena Young
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Downward Spiral
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Sabrina Peña Young
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SheetMusicPlus
Song of the Forgotten Rose Trio for Marimba, Flute and Piano
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina P…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432533. Published by Sabrina Peña Young (A0.976943). Beautiful song for flute, marimba and piano about love, romance, and a forgotten rose found by her hero. A wedding song. Mythical tale. Truly a lovely work for intermediate to advanced musicians. A perfect work of repertoire for any music studio! Ideal for pedagogy, performance, or special event. Award-winning composer. Quite an exceptional work! Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.22 €
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Orchestre de chambre
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Sabrina Pena Young
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Song of the Forgotten Rose Trio for Marimba, Flute and Piano
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Sabrina Peña Young
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SheetMusicPlus
Chamber Music with Percussion in School I. - ÜtÅ‘s Kamarazene az Iskolában I.
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1373893 Composed by Béla …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1373893 Composed by Béla Ugró. 21st Century,Blues,Chamber,Children,Contemporary. 116 pages. Bela Ugro #958369. Published by Bela Ugro (A0.1373893). Explore the captivating world of percussion chamber music with Chamber Music with Percussion in School I. - ÃœtÅ‘s Kamarazene az Iskolában I., a vibrant music sheet collection crafted by the talented composer Béla Ugró. Designed for school ensembles, this collection offers an array of engaging pieces, each meticulously curated to inspire and challenge budding percussionists with a total of 116 pages.Explore the captivating world of percussion chamber music with Chamber Music with Percussion in School I. - ÃœtÅ‘s Kamarazene az Iskolában I., a vibrant music sheet collection crafted by the talented composer Béla Ugró. Designed for school ensembles, this collection offers an array of engaging pieces, each meticulously curated to inspire and challenge budding percussionists.Content:Chamber Music: LITTLE BLUES (Percussion Duo) SZAMBA ROCK (Percussion Trio) CLICKER DRUMMERS (Percussion Quartet) START-UP BOOTS (Percussion Quartet) Parade:   5. SZAMBA (Percussion Quintet)   6. TRAPPOLÓ DRUMMERS (Percussion Quintet)Drumset duo:   7. LU-FUKY DRUMS   8. DARÃLÓKA   9. HINTATÓNIA  10. FAVÃGÓK PARADE DRUMSET DUOWith a diverse selection ranging from energetic duets to intricate quintets, this collection provides students with an immersive musical experience that encourages teamwork, creativity, and technical proficiency. Whether exploring rhythmic grooves or experimenting with innovative percussion techniques, Chamber Music with Percussion in School I. offers an enriching journey for both performers and audiences alike.Keywords: Percussion Chamber MusicSchool Ensemble MusicBéla Ugró CompositionPercussion QuartetPercussion QuintetDrumset DuoPercussion DuetsMusical ChallengesCreative Percussion PiecesTeamwork in MusicTechnical ProficiencyVibrant Music SheetsEnergetic Percussion MusicInnovative Percussion TechniquesImmersive Musical Experience.
$20.00
18.28 €
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Orchestre de chambre
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Béla Ugró
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Chamber Music with Percussion in School I. - ÜtÅ‘s Kamarazene az Iskolában I.
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Bela Ugro
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SheetMusicPlus
Chamber Music with Percussion in School II. - ÜtÅ‘s Kamarazene az Iskolában II.
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1373894 Composed by Béla …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1373894 Composed by Béla Ugró. 21st Century,Chamber,Classical,Contemporary,Multicultural,World. 107 pages. Bela Ugro #958370. Published by Bela Ugro (A0.1373894). Explore the rhythmic wonders of percussion chamber music with Chamber Music with Percussion in School II. - ÃœtÅ‘s Kamarazene az Iskolában II., an exciting music sheet collection crafted by the talented composer Béla Ugró. Specifically designed for school ensembles, this collection presents an array of engaging pieces meticulously curated to inspire and challenge budding percussionists with a total of 107 pages.Content:Drumset Duo: ROLLEREK FUNKY DRUMMERS BUMERÃNG BLUES DRUMMERS PICTURES Percussion Ensemble: AFRIKAI TÃNC JEGES LABIRINTUS Parade: BOSSA NOVA (Percussion Quintet) With a diverse selection ranging from dynamic drumset duos to intricate percussion ensemble pieces and vibrant parade compositions, this collection provides students with an immersive musical experience that fosters teamwork, creativity, and technical proficiency. Chamber Music with Percussion in School II. offers an enriching journey for both performers and audiences, encouraging exploration and expression through the captivating world of percussion chamber music.Keywords:Percussion Chamber MusicBéla Ugró CompositionsSchool Ensemble MusicDrumset Duo PiecesPercussion Ensemble RepertoireEducational Music SheetsRhythmic ChallengesCreative Percussion ArrangementsVibrant Parade CompositionsSchool Music CurriculumPercussion TechniquesEnsemble Performance MusicPercussion Education ResourcesStudent Percussion RepertoireCollaborative Percussion Music.
$20.00
18.28 €
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Orchestre de chambre
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Béla Ugró
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Chamber Music with Percussion in School II. - ÜtÅ‘s Kamarazene az Iskolában II.
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Bela Ugro
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SheetMusicPlus
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.36 €
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Orchestre de chambre
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Johann Sebastian Bach and Netherlands Bach Society
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
Story No. 2, for narrator and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944028 Composed by Music by Ofer Ben-A…
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Chamber Orchestra - Digital Download SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's Own Press #4605319. Published by The Composer's Own Press (A0.944028). COMPOSER’S NOTE: Story Nr. 2 for chamber ensemble and a narrator, was written as a commission for the 1983 Children's Music Festival in St. Omer, France. Since its inception, the work has been widely performed in French, German and English. The narrative of Story Nr. 2 is a little known children's story by the great French author and playwright Eugene Ionesco (1912 – 1994). The story is about play on words. Little Josette has a conversation with her father who teaches her the new meaning of words: A Telephone is called Cheese, a Cheese is a Music Box, the Music Box is called a Rug and so on. The meanings become funnier and stranger ad absurdum. Then Josette and her father combine the words into sentences and practice the new mismatched names and objects. The characters participating in the story beside of Josette and her father are Josette's pretty mother and the maid Jacqueline. Each of the characters has its own musical theme and color represented by distinguished instrumentation: Jossette's theme is played by the flute, the father is represented by the trumpet and trombone, the pretty mother by the oboe and Jacqueline by the xylophone and piano. The new orchestral version which includes the string section was written in 1990. Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
32.91 €
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Orchestre de chambre
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Music by Ofer Ben-Amots, Story by Eugene Ionesco
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Story No. 2, for narrator and chamber orchestra
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The Composer's Own Press
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.72 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Into the Stillness - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1401322 Composed by David La…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1401322 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. 14 pages. Lantz Choral Publications #887864. Published by Lantz Choral Publications (A0.1401322). 8.5 x 14 score-only version (no parts included) of the SAB anthem with words by Susan Bentall Boersma and music by David Lantz III, published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.•SAB octavo available at Sheet Music Direct and Sheet Music Plus.•Full SAB and orchestral arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.•Orchestral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.NOTE: This recording is that of the SATB version.For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
7.3 €
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Orchestre de chambre
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David Lantz and Words by Susan Bentall Boersma
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Into the Stillness - Score Only
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Lantz Choral Publications
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SheetMusicPlus
Awake! Arise! - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297516 Composed by David La…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297516 Composed by David Lantz and Words by Pamela Stewart. Christmas,Sacred. 18 pages. Lantz Choral Publications #887559. Published by Lantz Choral Publications (A0.1297516). 8.5 x 14 Score-only version (no parts included) of the SATB anthem with words by Pamela Stewart and music by David Lantz III, published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.•SATB octavo available at Sheet Music Direct and Sheet Music Plus.•Full SATB and orchestral arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.•Orchestral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
7.3 €
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Orchestre de chambre
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David Lantz and Words by Pamela Stewart
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Awake! Arise! - Score Only
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Lantz Choral Publications
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SheetMusicPlus
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