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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Workin
Non classifié
762
Piano & claviers
Piano seul
284
Instruments en Do
211
Piano, Voix et Guitare
134
Piano Facile
110
Piano, Voix
106
Accordéon
36
Orgue
18
1 Piano, 4 mains
10
Piano grosses notes
9
1 Piano, 6 mains
4
Accompagnement Piano
4
Piano Trio: piano, violon, violoncelle
2
Accordéon, Voix
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
2
Ligne De Mélodie, Piano
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
150
Guitare
69
Dulcimer
49
Ligne De Mélodie, (Paroles) et Accords
33
Paroles et Accords
27
Ukulele
15
Basse electrique
9
Mandoline
6
2 Dulcimers (duo)
5
4 Guitares (Quatuor)
5
Guitare (partie séparée)
4
Banjo
2
Guitare Tab, Voix, Basse, Batterie
1
2 Guitares (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
126
Chorale 3 parties
39
Chorale 2 parties
32
Chorale TTBB
18
Chorale SSAA
16
Voix Soprano, Piano
12
Chorale Unison
12
Voix duo, Piano
11
Voix moyenne, Piano
10
Voix basse, Piano
8
Voix haute
7
Voix seule
5
Chorale
4
Voix Alto, Piano
2
Male Voice
2
Chorale SSAATTBB
1
Chorale SSATTB
1
Voix Baryton, Piano
1
Voix, Guitare
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Flûte traversière et Piano
24
Flûte traversière
23
Clarinette
22
Quatuor de Saxophones: 4 saxophones
19
Clarinette et Piano
18
Saxophone Alto et Piano
17
Hautbois, Piano (duo)
16
2 Flûtes traversières (duo)
15
Quatuor de Clarinettes: 4 clarinettes
15
Flûte, Clarinette (duo)
13
Saxophone Alto
13
2 Clarinettes (duo)
12
Flûte, Hautbois, Clarinette, Basson
12
Saxophone (partie séparée)
12
2 Saxophones (duo)
12
Quintette de Saxophone: 5 saxophones
10
Saxophone Tenor
10
Saxophone Tenor et Piano
9
Quatuor de Flûtes : 4 flûtes
8
Hautbois, Flûte
7
Trio de Flûtes: 3 flûtes
6
3 Saxophones (trio)
6
3 Clarinettes (trio)
5
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de Clarinettes
5
Flûte, Violon
4
Clarinette, Basson (duo)
4
Saxophone, Clarinette (duo)
4
Ensemble de saxophones
4
Flûte à Bec
4
Ensemble de Flûtes
4
Quintette de Flûte : 5 flûtes
4
Hautbois (partie séparée)
3
Hautbois, Basson (duo)
3
Saxophone Baryton, Piano
3
Clarinette, Guitare (duo)
3
Flûte à bec Alto
2
2 Flûte à bec (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette Basse, Piano
2
2 Hautbois (duo)
2
3 Flûtes à bec (trio)
2
Hautbois, Guitare (duo)
2
Flute (partie séparée)
2
Clarinette et Alto
1
Flute, alto, violoncelle et guitare
1
Flûte, Trompette (duo)
1
5 Flûtes à bec
1
Ensemble De Flûte à bec
1
Cor anglais, Piano
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Clarinette, Violon (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle (duo)
1
Saxophone
1
+ 53 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trombone
12
Trompette, Piano
10
Cor
10
Trombone et Piano
9
Trombone (partie séparée)
8
Cor et Piano
8
Trompette (partie séparée)
8
Quatuor de cuivres: 4 trombones
7
Euphonium, Piano (duo)
4
4 Tubas
4
Quatuor de Cuivres
4
Tuba et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Trombones
3
Ensemble de Trompettes
3
2 Trompettes (duo)
3
Tuba
2
Trompette, Trombone (duo)
2
Trompette, Saxophone (duo)
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
Ensemble de Cors
2
Quatuor de cuivres: 4 trompettes
1
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
2 Trombones (duo)
1
Trombone, Tuba (duo)
1
3 Trombones (trio)
1
Cor anglais, Piano
1
Trombone basse
1
3 Cors (trio)
1
3 Trompettes (trio)
1
3 Euphoniums
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
165
Violon et Piano
66
Trio à Cordes: violon, alto, violoncelle
34
Violon
33
Violoncelle, Piano
31
Alto, Piano
24
Violoncelle
21
Alto seul
18
2 Violons (duo)
15
Violon (partie séparée)
13
Violon, Violoncelle (duo)
12
Harpe
11
Contrebasse (partie séparée)
9
Contrebasse, Piano (duo)
9
Alto (partie séparée)
7
2 Violoncelles (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Violon, Alto (duo)
5
Alto, Violoncelle (duo)
5
Trio à cordes: 3 altos
5
Violoncelle (partie séparée)
4
2 Altos (duo)
4
Alto, Guitare (duo)
3
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
4 Violoncelles
2
2 Harpes (duo)
2
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Ensemble d'Altos
2
Violoncelle , Guitare (duo)
2
Ensemble de Violons
1
Contre Basse
1
2 Contrebasses (duo)
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Violoncelle, Basse continue
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
219
Ensemble Jazz
75
Orchestre à Cordes
52
Batterie
41
Fanfare
35
Orchestre
34
Jazz combo
27
Ensemble de cuivres
14
Cloches
10
Orchestre de chambre
8
Ensemble de Percussions
5
Batterie (partie séparée)
3
Marimba
2
Vibraphone et Marimba
1
2 Marimbas
1
Xylophone, Piano
1
Orchestre, Violon
1
Percussion (partie séparée)
1
Vibraphone
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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Orchestre de chambre
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
Legacy for Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...
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Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Adrian Gagiu
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Overture and Minuet in C major
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Adrian Gagiu
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.
$100.00
Hommage à György Ligeti - Score Only
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Orchestre de chambre
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AVANCÉ
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Amos Elkana
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Hommage à György L
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Amos Elkana
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1371596 Composed by Amos Elkana. 21st Century,Contemporary. 31 pages. Amos Elkana #955848. Published by Amos Elkan...
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Chamber Orchestra - Level 5 - SKU: A0.1371596 Composed by Amos Elkana. 21st Century,Contemporary. 31 pages. Amos Elkana #955848. Published by Amos Elkana (A0.1371596). This piece is composed for the same exact instrumentation as Ligeti's own Chamber Concerto. I have always admired György Ligeti. I spent many hours studying his music and especially his Chamber Concerto for 13 instrumentalists. Ligeti died while I was working on this piece and I decided to make this work my homage to him. Hommage à György Ligeti was composed using a compositional method that is inspired by the idea of Fractals. A series of four numbers (5,6,4,4) dictate the micro and macro structure of the work. This method of composition can organize not only the structure of a piece but also its pitch material, rhythmic material and more but, even if strictly applied, it leaves much room for intuition on the part of the composer.
$44.00
Concerto Grosso (2017) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Allegro 
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Concerto Grosso
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages...
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Chamber Orchestra - Level 4 - SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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God's Grandeur
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #...
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Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
Svendsen Romance Op. 26 Cello and String Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johan Svendsen
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Paul Wood
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Svendsen Romance Op. 26 Cello
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MyMusicScores.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1120645 Composed by Johan Svendsen. Arranged by Paul Wood. Romantic Period. Score and parts. 34 pages. MyMusicScor...
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Chamber Orchestra - Level 4 - SKU: A0.1120645 Composed by Johan Svendsen. Arranged by Paul Wood. Romantic Period. Score and parts. 34 pages. MyMusicScores.com #721892. Published by MyMusicScores.com (A0.1120645). Svendsen composed his Romance for violin and Orchestra Op.26 in G major, in 1881. He had been working in Leipzip for a few years and had just returned back to Norway. Apart from being a composer Svendsen was a violinist and had studied under Ferdinand David at the Leipzig Conservatory. This work is a beautiful piece of music fully of lush melodies and fab to play. Here is a version for cello and string orchestra The PDF file contains the score and all parts for printing.
$19.99
Rush: Working Man - chamber ensemble (Transcribed Score)
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Orchestre de chambre
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INTERMÉDIAIRE
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Rock
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Rush
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Virtualsheetmusic
Instantly printable sheet music by Rush for chamber ensemble (Transcribed Score) of MEDIUM skill level. / rock
Instantly printable sheet music by Rush for chamber ensemble (Transcribed Score) of MEDIUM skill level. / rock
$9.97
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