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1 Piano, 4 mains
27
2 Pianos, 4 mains
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Piano Trio: piano, violon, violoncelle
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Basse electrique
305
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222
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30
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19
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17
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9
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5
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4
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3
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2
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1
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1
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VOIX
Chorale SATB
398
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155
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142
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70
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67
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59
Chorale SSAA
33
Voix duo
30
Voix Soprano, Piano
10
Voix haute
9
Voix seule
5
Voix Alto, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix Tenor, Piano
2
Voix basse, Piano
1
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1
Voix Soprano
1
Voix Baryton
1
Voix basse
1
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1
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1
Voix, Guitare
1
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VENTS
2 Saxophones (duo)
66
Flûte traversière et Piano
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Clarinette et Piano
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Quatuor de Saxophones: 4 saxophones
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
42
Hautbois, Piano (duo)
38
2 Flûtes traversières (duo)
38
Saxophone Alto et Piano
36
Saxophone Tenor et Piano
35
Clarinette
33
Flûte et Guitare
31
2 Clarinettes (duo)
31
Saxophone (partie séparée)
29
Flûte, Hautbois, Clarinette, Basson
28
Quatuor de Clarinettes: 4 clarinettes
24
Saxophone Soprano et Piano
24
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23
Clarinette, Violon (duo)
22
Saxophone Alto
20
Saxophone, Clarinette (duo)
20
Flûte, Clarinette (duo)
18
Ensemble de Clarinettes
17
3 Clarinettes (trio)
15
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13
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13
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13
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12
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11
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9
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9
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9
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9
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8
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8
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8
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8
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8
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7
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Saxophone
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Hautbois
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5
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
70
Trompette
32
Trombone et Piano
32
Trompette, Piano
31
Cor et Piano
25
Quatuor de cuivres: 4 trombones
23
Trompette (partie séparée)
23
Trombone (partie séparée)
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
2 Trombones (duo)
18
2 Trompettes (duo)
17
Trombone
17
Trompette, Trombone (duo)
15
Cor
14
Trompette, Saxophone (duo)
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Tuba et Piano
11
Trio de Cuivres
7
2 Cors (duo)
7
Quatuor de cuivres: 4 cors
7
Cor anglais, Piano
6
Euphonium, Piano (duo)
5
Tuba
5
Tuba (partie séparée)
4
Euphonium
4
3 Trombones (trio)
4
Instruments en Sib
3
Cor anglais, Guitare (duo)
3
Cor (partie séparée)
3
Quatuor de Cuivres
3
Ensemble de Trombones
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Tubas (duo)
2
Trompette, Cor (duo)
2
Ensemble de Trompettes
2
4 Tubas
2
Trompette, Tuba (duo)
1
Instruments en Fa
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
Trompette, Trombone, Piano
1
Bass Clef Instruments
1
3 Cors (trio)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle et Piano
1
Clarinette, Cor (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
408
Violon, Violoncelle (duo)
263
Trio à Cordes: violon, alto, violoncelle
220
Violon
220
Quintette à cordes: 2 violons, alto, violoncelle, basse
98
Violon et Piano
75
Harpe
52
Alto, Piano
41
2 Violons (duo)
40
Violoncelle, Piano
40
Violon, Alto (duo)
35
Violoncelle
27
Alto seul
27
2 Violoncelles (duo)
26
2 Altos (duo)
18
Alto, Violoncelle (duo)
15
Trio à Cordes: 2 violons, violoncelle
12
Alto (partie séparée)
10
Trio à cordes: 3 violins
7
Piano Trio: Violon, Alto, Piano
6
4 Violoncelles
6
Contre Basse
6
Contrebasse, Piano (duo)
6
Violon, Guitare (duo)
5
Alto, Guitare (duo)
5
Contrebasse (partie séparée)
5
Violoncelle , Guitare (duo)
5
Harpe, Voix
5
Trio à Cordes: 3 violoncelles
4
2 Violons, Piano
3
Harpe, Flûte (duo)
3
2 Harpes (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon (partie séparée)
3
Trio à Cordes: 2 violons, alto
2
2 Contrebasses (duo)
2
4 Contrebasses
1
Quatuor à cordes: 4 violons
1
Violon, Tuba (duo)
1
Trio à cordes: 3 altos
1
Alto et Harpe
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
167
Orchestre d'harmonie
153
Ensemble Jazz
145
Fanfare
100
Orchestre
93
Ensemble de cuivres
58
Orchestre de chambre
51
Batterie
27
Jazz combo
25
Cloches
21
Ensemble de Percussions
20
Batterie (partie séparée)
5
Percussion (partie séparée)
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Big band
2
Caisse Claire
2
Percussion
2
Xylophone ou Marimba ou Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Xylophone, Piano
1
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AUTRES
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You Are For Me
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Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
90.67 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.37 €
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Fantazia No. 1 for Trombone or Low Brass Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.508202 Arranged by Eric Burg…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.508202 Arranged by Eric Burger Music. Baroque. Score and parts. 24 pages. Eric Burger Music #3514821. Published by Eric Burger Music (A0.508202). From Psalmes, Songs, and Sonnets, No. 23, T 389 (1611) This lively work from the great composer William Byrd has great interest and challenges for your group, and will wow your audience. A multi section work with time and modal changes will delight. View the score with playback at:https://youtu.be/DxZR0yjCoJs This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my works, write me directly for a replacement.
$14.00
12.69 €
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Orchestre de chambre
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Eric Burger Music
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Fantazia No. 1 for Trombone or Low Brass Sextet
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Eric Burger Music
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SheetMusicPlus
Fantazia No. 2 For Trombone or Low Brass Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.508203 Arranged by Eric Burg…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.508203 Arranged by Eric Burger Music. Baroque. Score and parts. 22 pages. Eric Burger Music #3514867. Published by Eric Burger Music (A0.508203). From Psalmes, Songs, and Sonnets, No. 23, T 389 (1611) This lovely work from the great composer William Byrd has great interest and challenges for your group, and will woo your audience. A multi section work with time and modal changes will delight. View the score with playback at:https://youtu.be/OmdmXE5mb7w This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my works, write me directly for a replacement.
$14.00
12.69 €
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Orchestre de chambre
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Eric Burger Music
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Fantazia No. 2 For Trombone or Low Brass Sextet
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Eric Burger Music
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SheetMusicPlus
Barbara Allen for piccolo and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringe…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
14.51 €
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Orchestre de chambre
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and orchestra
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David Warin Solomons
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SheetMusicPlus
Mars in a Fury for Trombone or Low Brass Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.508405 Arranged by Eric Burg…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.508405 Arranged by Eric Burger Music. Baroque,Renaissance. Score and parts. 10 pages. Eric Burger Music #3884525. Published by Eric Burger Music (A0.508405). View the score with playback at: https://youtu.be/vTTL_w7FtRo Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$10.00
9.07 €
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Orchestre de chambre
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Eric Burger Music
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Mars in a Fury for Trombone or Low Brass Sextet
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Eric Burger Music
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SheetMusicPlus
Der Herr sprach zu meinen Herren for Trombone or Low Brass Octet
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.508392 Arranged by Eric Burg…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.508392 Arranged by Eric Burger Music. Baroque. Score and parts. 24 pages. Eric Burger Music #3884463. Published by Eric Burger Music (A0.508392). View the score with playback at: https://youtu.be/A2A6b8KKp8U Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$13.00
11.79 €
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Orchestre de chambre
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Eric Burger Music
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Der Herr sprach zu meinen Herren for Trombone or Low Brass Octet
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Eric Burger Music
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SheetMusicPlus
O suavitas et dulcedo for Trombone or Low Brass Octet
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.508217 Arranged by Eric Burg…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.508217 Arranged by Eric Burger Music. Baroque. Score and parts. 24 pages. Eric Burger Music #3562025. Published by Eric Burger Music (A0.508217). View the score with playback at: https://youtu.be/Kyw_daEpqVA Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$12.00
10.88 €
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Orchestre de chambre
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Eric Burger Music
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O suavitas et dulcedo for Trombone or Low Brass Octet
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Eric Burger Music
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SheetMusicPlus
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
9.06 €
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Orchestre de chambre
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
For the Beauty of the Earth
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296408 Composed by Conrad K…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296408 Composed by Conrad Kocher. Arranged by David Lantz. Contemporary,Contest,Festival,Praise & Worship,Sacred. Score and Parts. 54 pages. Lantz Choral Publications #886624. Published by Lantz Choral Publications (A0.1296408). Chamber orchestration accompaniment to my David Lantz III (Lantz Choral Publications) SATB Choir arrangement of this well-known Thanksgiving Hymn. (Score and parts included.)NOTE: The SATB Choir part and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies for your chorus ensemble of the SATB Choir part (with piano accompaniment) available at Sheet Music Direct and Sheet Music Plus. Instrumentation:SATB (for reference only)Piano (for reference only)Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IITimpani (one player)Glockenspiel (one player)Percussion (one or two players)Violin IViolin IIViolaCelloContrabass(NOTE: Larger 8.5 x 14 score is available separately at Sheet Music Direct and Sheet Music Plus.)For comments, questions, or special requests, please email me at davidlantziii@gmail.com
$60.00
54.4 €
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Orchestre de chambre
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Conrad Kocher
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David Lantz
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For the Beauty of the Earth
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Lantz Choral Publications
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SheetMusicPlus
Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Ea…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jazz,Multicultural,World. 48 pages. Keith Terrett #1934279. Published by Keith Terrett (A0.747302). An arrangement of four popular jazz classics namely ''Little Brown Jug'', '' Frankie and Johnny'', ''Tin Roof Blues'' & the ''Battle Hymn of the Republic'' (Mine Eyes Have Seen the Glory). A great selection for your orchestra's next performance and not too difficult, the audience and players should enjoy the jazzy tunes presented in this arrangement. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Joseph Eastburn Winner (1837-1918), Trad, Composed by Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo/Richard M. Jones?Composed by Julia Ward Howe (1819 – 1910).
$17.99
16.31 €
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Orchestre de chambre
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Joseph Eastburn Winner
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Keith Terrett
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Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
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Keith Terrett
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SheetMusicPlus
Lay All Your Love On Me
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1111540 By ABBA. By Benny An…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1111540 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Will May. 20th Century,Chamber,Classical,Pop,Spiritual. Score and Parts. 34 pages. Will May #713832. Published by Will May (A0.1111540). Lay All Your Love on Me in the style of Classical and Romantic era composers. This can be performed with just strings, but it is arranged for a full chamber orchestra and choir. The lyrics I have are a latin translation of the original chorus.
$70.00
63.47 €
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Orchestre de chambre
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ABBA
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Will May
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Lay All Your Love On Me
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Will May
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.77 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Gymnopedie No. 1 (for small chamber orchestra and solo violin)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.923580 Composed by Erik Sati…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.923580 Composed by Erik Satie. Arranged by CJ Darnieder. Romantic Period. Score and parts. 15 pages. CJ Darnieder #3475075. Published by CJ Darnieder (A0.923580). Set of parts, for full score: https://www.sheetmusicplus.com/title/gymnopedie-no-1-for-small-chamber-orchestra-and-solo-violin-dig...Satie's famous and gorgeous Gymnopedie No.1 in a unique arrangement by CJ Darnieder. Instrumentation is as follows:1 flute, 1 oboe, 1 clarinet, 1 bassoon, 2 horns, harp, solo violin, and strings*For younger ensembles, doubling woodwinds is an option. *Piano may also be substituted for harp if harmonics are omitted or performed up the octave.*For more professional ensembles, the smaller the string section, the better.If you have any questions or would like to perform this arrangement, please do not hesitate to contact me! composercjdarnieder@gmail.com.
$6.00
5.44 €
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Orchestre de chambre
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Erik Satie
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CJ Darnieder
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Gymnopedie No. 1
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CJ Darnieder
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SheetMusicPlus
Have Yourself A Merry Little Christmas
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1313110 By Barry Manilow. By…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1313110 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Marek Czekala. 20th Century,Christmas,Film/TV. 25 pages. Marek Czekala #901944. Published by Marek Czekala (A0.1313110). Have Yourself a Merry Little Christmas is a song written in 1943 by Hugh Martin and Ralph Blane and introduced by Judy Garland in the 1944 MGM musical Meet Me in St. Louis. Frank Sinatra later recorded a version with modified lyrics. In 2007, ASCAP ranked it the third most performed Christmas song during the preceding five years that had been written by ASCAP members. In 2004 it finished at No. 76 in AFI's 100 Years...100 Songs rankings of the top tunes in American cinema.From Wikipedia.
$69.00
62.56 €
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Orchestre de chambre
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Barry Manilow
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Marek Czekala
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Have Yourself A Merry Little Christmas
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Marek Czekala
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SheetMusicPlus
ALES STENAR, suite for violin and chamber orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. B…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
18.12 €
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Orchestre de chambre
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Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin and chamber orchestra - Score Only
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Stefano Olcese
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.96 €
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Orchestre de chambre
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Isaac Ignaz Moscheles, piano sonata in D Major - orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1277749 Composed by Isaac Ig…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1277749 Composed by Isaac Ignaz Moscheles. Arranged by Scott Fields Davis. Romantic Period. 118 pages. Scott Fields Davis #869431. Published by Scott Fields Davis (A0.1277749). Isaac Ignaz Moscheles (1794-1870) was born in Prague. Included in his 142 opus numbers are pieces ranging in instrumentation from solo piano to orchestra. This is an orchestral arrangement of the first movement of his piano sonata in D Major. It is orchestrated by Scott Fields Davis.This download contains the conductor’s score and all instrument parts.The instruments used are: flutes, oboes, B flat clarinets, bassoons, violin I, violin II, viola, cello, double bass.Approximate performance duration is 12 minutes and 24 seconds.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$21.00
19.04 €
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Orchestre de chambre
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Isaac Ignaz Moscheles
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Scott Fields Davis
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Isaac Ignaz Moscheles, piano sonata in D Major - orchestra
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Scott Fields Davis
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SheetMusicPlus
Allegro in C minor for Clarinet Quintet
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.938721 Composed by Sam Lehn. Contempor…
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Chamber Orchestra - Digital Download SKU: A0.938721 Composed by Sam Lehn. Contemporary. Score and parts. 8 pages. Sam Lehn #2831737. Published by Sam Lehn (A0.938721). Go to my Facebook Page - https://www.facebook.com/samlehn77music/ to buy my release Works for the Modern World. Individual tracks are also available there, and on many of your favorite online stores and streaming sites. Please e-mail me anytime at SAMLEHNMUSIC@gmail.com. I'd love to hear from you!
$6.99
6.34 €
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Orchestre de chambre
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Sam Lehn
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Allegro in C minor for Clarinet Quintet
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Sam Lehn
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SheetMusicPlus
O God Our Help for Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.997198 Composed by William C…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.997198 Composed by William Croft. Arranged by Harmony Corelli. Christian,Sacred. Score and parts. 37 pages. Anna Sparks #5301725. Published by Anna Sparks (A0.997198). A fresh orchestral arrangement of this classic hymn. Instrumentation includes strings, clarinets, trumpets, and piano. The fanfare-like trumpets with tremolo cellos and piano create a dramatic opening and closing to this piece. Other verse contain various instrumentations. Suitable for an orchestra of mixed level players. Contact me if you need any modification. Buy the score and parts, and print as many copies as you need of each part.
$20.00
18.13 €
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Orchestre de chambre
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William Croft
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Harmony Corelli
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O God Our Help for Orchestra
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Anna Sparks
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SheetMusicPlus
The Holy City, Vocal or Instrumental Solo, With String Ensemble Accompaniment
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.893878 Composed by Stephen A…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.893878 Composed by Stephen Adams, MichaelMaybrick. Arranged by Casper Lai. Christian,Christmas,Gospel,Sacred. Score and parts. 29 pages. Casper Lai #5287661. Published by Casper Lai (A0.893878). This famous piece is commonly found arranged as choral, instrumental solo or even orchestral. But it is rarely arranged into solo voice / instrumental with string ensemble / orchestral accompaniment.The piece is around 5 minutes.The file includes the full score, the solo part with lyrics, the part score for violin I, violin II, viola, cello and bass.You are welcome to share your thought with me via email: casperlkk@gmail.com.Thank you.
$12.99
11.78 €
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Orchestre de chambre
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Stephen Adams, MichaelMaybrick
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Casper Lai
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The Holy City, Vocal or Instrumental Solo, With String Ensemble Accompaniment
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Casper Lai
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.92 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.92 €
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Orchestre de chambre
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Juan MarÃa Solare
#
Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
#
SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
29.92 €
#
Orchestre de chambre
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
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