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You Are The Reason
Non classifié
195
Piano & claviers
Piano grosses notes
3 298
Orgue
1 528
Piano seul
149
Piano Facile
118
Clavier
59
Piano, Voix
39
Instruments en Do
28
Piano, Voix et Guitare
24
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
1
Accordéon
1
+ 6 instrumentations
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Guitares
Guitare notes et tablatures
38
Guitare
18
Ligne De Mélodie, (Paroles) et Accords
6
2 Guitares (duo)
3
Basse electrique
3
Ukulele
3
Guitare (partie séparée)
1
Ensemble de guitares
1
+ 3 instrumentations
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Voix
Chorale SATB
42
Voix Soprano, Piano
19
Chorale 3 parties
18
Voix seule
11
Chorale 2 parties
7
Pack Instrumental pour Chorale
6
Chorale SSAA
6
Chorale TTBB
4
Voix basse, Piano
2
Voix haute
2
Chorale Unison
2
Chorale SSATTB
1
Voix duo, Piano
1
Soli, choeur mixte et accompagnement
1
+ 9 instrumentations
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Vents
Saxophone Alto
42
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Flûte traversière et Piano
17
Saxophone Alto et Piano
16
Flûte, Hautbois, Clarinette, Basson
16
Clarinette et Piano
14
Quatuor de Saxophones: 4 saxophones
13
Saxophone (partie séparée)
13
Flûte traversière
12
Clarinette
11
Hautbois, Piano (duo)
11
Saxophone Tenor
11
Quintette de Saxophone: 5 saxophones
10
Saxophone Tenor et Piano
8
Saxophone Soprano et Piano
7
Hautbois (partie séparée)
6
2 Saxophones (duo)
6
Saxophone Soprano
5
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Baryton, Piano
4
2 Flûtes traversières (duo)
4
Cor anglais, Piano
4
2 Clarinettes (duo)
4
Clarinette, Violon (duo)
2
Saxophone, Clarinette (duo)
2
Clarinette, Trompette (duo)
2
Ensemble de Flûtes
2
Flûte, Clarinette (duo)
2
Flûte à bec Tenor
2
Trio de Flûtes: 3 flûtes
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Flûte à bec Soprano, Piano
1
Hautbois, violon (duo)
1
Flûte à bec Soprano
1
Instruments en Mib
1
3 Saxophones (trio)
1
Flûte et Guitare
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Alto (duo)
1
Clarinette et Alto
1
2 Clarinettes, Piano
1
Quatuor de Flûtes : 4 flûtes
1
2 Hautbois (duo)
1
Hautbois, Basson (duo)
1
+ 41 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trompette
12
Trombone
12
Trompette, Piano
9
Cor et Piano
8
Tuba et Piano
7
Quatuor de Cuivres
7
Trombone et Piano
7
Tuba
6
Trombone (partie séparée)
5
Cor
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor anglais, Piano
4
Trompette (partie séparée)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba (partie séparée)
2
Bass Clef Instruments
2
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
1
2 Trombones (duo)
1
Trio de Cuivres
1
Trompette, Trombone (duo)
1
Instruments en Sib
1
Quatuor de cuivres: 4 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 20 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
48
Violoncelle, Piano
21
Violon et Piano
21
Violon
19
Alto, Piano
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violoncelle
12
Violon, Violoncelle (duo)
11
Contrebasse, Piano (duo)
9
Alto seul
9
Contre Basse
8
Trio à Cordes: violon, alto, violoncelle
6
Harpe
5
2 Violons (duo)
5
Alto (partie séparée)
3
Violon, Alto (duo)
2
2 Violoncelles (duo)
2
2 Altos (duo)
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon (partie séparée)
1
+ 16 instrumentations
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Ensemble Jazz
15
Orchestre d'harmonie
12
Orchestre
8
Orchestre à Cordes
6
Fanfare
4
Orchestre de chambre
3
Ensemble de Percussions
1
Cloches
1
Batterie (partie séparée)
1
Ensemble de cuivres
1
Orchestre, Violon
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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BATTERIE
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Vous avez sélectionné:
You Are The Reason
Orchestre de chambre
Partitions à imprimer
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The Christmas Song (chestnuts Roasting On An Open Fire)
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Orchestre de chambre
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INTERMÉDIAIRE
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Nat Cole With N
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Kyle Pudenz
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The Christmas Song
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ViolinVagabond Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classica...
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Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classical,Holiday,Standards,Traditional. Score and parts. 22 pages. ViolinVagabond Music #6696667. Published by ViolinVagabond Music (A0.845993). There are over 500 arrangements of this tune for sale on this site, but there is exactly ONE reason you should choose this one over any of the rest of them. It is in THE KEY OF C!! As advertised, you will find absolutely no, none, zero, zilch, NADA! accidentals in the key signature. That said, the tune is pretty chromatic as you well know, so there will of course be ample accidentals, marked clearly & appropriately as needed. This key is a particularly good choice for a baritone (lower octave) or alto (higher octave) soloist, but would also work great with any sort of instrumental soloist as well. It's pretty much the version of this tune you know and love, with a nice little instrumental break right before the last verse. No frills, but the lines you need to hear are there.Difficulty level - A professional or college orchestra could sight read this at a glance. High schoolers might take a rehearsal or two, but can totally handle it as long as the concertmaster can grab a high F on that opening fermata.Performance time - 3 minutes, right on the nose (at which Jack Frost may or may not be nipping...)Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$49.99
Variations on a Rossini Theme op.Posth
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Orchestre de chambre
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Classique
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...
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Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
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You Are The Reason 
