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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
You Latin
Non classifié
676
Piano & claviers
Piano seul
455
Piano, Voix et Guitare
258
Piano, Voix
150
Instruments en Do
145
Piano Facile
116
Piano grosses notes
70
Orgue
66
Accompagnement Piano
59
Piano (partie séparée)
22
1 Piano, 4 mains
17
2 Pianos, 4 mains
8
Accordéon
6
Clavecin
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Ukulele
160
Ligne De Mélodie, (Paroles) et Accords
108
Guitare
87
Guitare notes et tablatures
78
Guitare (partie séparée)
51
Mandoline
25
Basse electrique
24
Paroles et Accords
16
Piano, Guitare (duo)
7
Ensemble de guitares
3
Basse électrique (partie séparée)
1
4 Guitares (Quatuor)
1
Mandoline, Piano (duo)
1
2 Guitares (duo)
1
+ 9 instrumentations
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Voix
Chorale SATB
244
Chorale 3 parties
79
Chorale 2 parties
41
Chorale TTBB
37
Chorale Unison
29
Chorale SSAA
29
Voix Tenor, Piano
17
Pack Instrumental pour Chorale
10
Voix seule
8
Voix Soprano, Piano
7
Voix duo, Piano
6
Voix Alto, Piano
6
Chorale SSAATTBB
6
Voix Tenor
5
Voix duo
4
Chorale SSATB
3
Voix haute
3
Voix Baryton, Piano
2
Voix basse, Piano
2
Soli, choeur mixte et accompagnement
1
Voix duo, Orgue
1
Voix Soprano
1
Chorale SSAB, Piano
1
+ 18 instrumentations
Retracter
Vents
Saxophone (partie séparée)
145
2 Saxophones (duo)
85
Quatuor de Saxophones: 4 saxophones
50
2 Flûtes traversières (duo)
48
Saxophone, Clarinette (duo)
41
2 Clarinettes (duo)
40
Flûte traversière et Piano
40
Quatuor de Clarinettes: 4 clarinettes
34
Clarinette et Piano
31
Saxophone Alto
29
Clarinette, Violon (duo)
28
Clarinette, Trompette (duo)
26
Flute (partie séparée)
26
Saxophone Tenor et Piano
26
Saxophone Alto et Piano
26
Flûte traversière
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Hautbois, Piano (duo)
20
Quatuor de Flûtes : 4 flûtes
20
Quintette de Saxophone: 5 saxophones
20
Saxophone Tenor
20
Flûte, Clarinette (duo)
18
Flûte, Hautbois, Clarinette, Basson
18
Flûte, Violon
16
Flûte, Violon, Piano
16
2 Hautbois (duo)
16
Flûte, Saxophone (duo)
15
Hautbois, Clarinette (duo)
15
Clarinette et Alto
13
Flûte et Guitare
13
3 Saxophones (trio)
12
Flûte, Trompette (duo)
11
Clarinette (partie séparée)
11
Hautbois, Flûte
11
Saxophone Soprano et Piano
10
Clarinette
10
Instruments en Mib
10
Ensemble de saxophones
9
Quintette de Clarinettes: 5 clarinettes
8
3 Clarinettes (trio)
8
Ensemble de Clarinettes
7
Ensemble de Flûtes
7
Quintette de Flûte : 5 flûtes
7
Trio de Flûtes: 3 flûtes
6
Saxophone Baryton, Piano
6
Hautbois (partie séparée)
5
Cor anglais, Piano
5
Hautbois, Basson (duo)
5
Flûte à bec Soprano
4
Flûte traversière, Orgue (duo)
4
Flûte, Alto (duo)
4
Flûte, Hautbois (duo)
3
Clarinette, Guitare (duo)
3
Flûte, Violoncelle
2
Flûte à bec Alto
2
Hautbois, Clarinette, Basson (trio d'anches)
2
2 Saxophones, Piano
2
Hautbois, violon (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
3 Flûtes à bec (trio)
2
Saxophone et Harpe
2
2 Flûte à bec (duo)
2
Flûte, Clarinette et Basson
2
Clarinette, Basson (duo)
1
Hautbois, Guitare (duo)
1
Hautbois, Harpe
1
Quatuor de Flûtes à bec
1
Flûte, alto et harpe
1
Cor anglais, Guitare (duo)
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Piano
1
5 Flûtes à bec
1
Flûte, Hautbois, Basson
1
+ 68 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
125
Trompette (partie séparée)
88
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Trompette
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Trompette, Saxophone (duo)
28
Trombone et Piano
27
Tuba (partie séparée)
25
Cor (partie séparée)
24
Trompette, Piano
23
Trompette, Trombone (duo)
19
2 Trombones (duo)
18
2 Trompettes (duo)
16
Trombone
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Cor
9
Quatuor de cuivres: 4 trombones
9
Bass Clef Instruments
8
Cor et Piano
6
2 Euphoniums et 2 Tubas
6
Trio de Cuivres
6
Cor anglais, Piano
5
Euphonium, Piano (duo)
4
Instruments en Sib
4
Euphonium, Tuba (duo)
3
Quatuor de cuivres: 4 trompettes
3
Tuba et Piano
3
Ensemble de Trombones
3
Quatuor de Cuivres
3
Ensemble de Cors
3
2 Cors (duo)
2
Quatuor de cuivres: 4 cors
2
Cor et Harpe
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Cor (duo)
1
3 Tubas (trio)
1
4 Tubas
1
Tuba
1
Cor anglais, Guitare (duo)
1
Trompette, Euphonium (duo)
1
Ensemble de Trompettes
1
Trompette, Cor (duo)
1
Trombone basse
1
+ 38 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
142
Violon
41
Violon et Piano
39
Violon, Violoncelle (duo)
38
Contrebasse (partie séparée)
32
Alto, Piano
27
2 Violoncelles (duo)
25
Violoncelle, Piano
23
Violoncelle
23
2 Violons (duo)
21
2 Altos (duo)
18
Violon, Alto (duo)
17
Trio à Cordes: violon, alto, violoncelle
17
Harpe
16
Trio à Cordes: 2 violons, violoncelle
15
Alto seul
13
2 Harpes (duo)
11
Alto (partie séparée)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon (partie séparée)
5
Harpe, Trombone (duo)
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
4 Violoncelles
2
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Contrebasse, Piano (duo)
1
3 Harpes
1
Harpe, Violoncelle (duo)
1
2 Contrebasses (duo)
1
Contre Basse
1
Harpe et Piano
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
609
Ensemble Jazz
371
Orchestre
55
Fanfare
55
Orchestre à Cordes
54
Jazz combo
40
Batterie (partie séparée)
25
Ensemble de cuivres
19
Ensemble de Percussions
16
Orchestre de chambre
14
Cloches
13
Marimba
9
Batterie
9
Percussion (partie séparée)
9
Vibraphone
5
Percussion
3
Bongos
2
Vibraphone (partie séparée)
1
Instrumentation Flexible
1
Xylophone (partie séparée)
1
Cajon
1
Xylophone
1
Marimba, Piano (duo)
1
Conga
1
+ 19 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNEMUSE
CORNET
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Vous avez sélectionné:
You Latin
Orchestre de chambre
Partitions à imprimer
14 partitions trouvées
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1
Lay All Your Love On Me
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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ABBA
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Will May
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Lay All Your Love On Me
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Will May
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1111540 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Will May. 20th Century,Chamber,Classical,Pop,Sp...
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Chamber Orchestra - Level 4 - SKU: A0.1111540 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Will May. 20th Century,Chamber,Classical,Pop,Spiritual. Score and Parts. 34 pages. Will May #713832. Published by Will May (A0.1111540). Lay All Your Love on Me in the style of Classical and Romantic era composers. This can be performed with just strings, but it is arranged for a full chamber orchestra and choir. The lyrics I have are a latin translation of the original chorus.
$70.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Asphixivision (Score & Parts)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sabrina Pena Young
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Asphixivision
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Sabrina Peña Young
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.976911 Composed by Sabrina Pena Young. 20th Century,Contemporary,Latin,Standards. 32 pages. Sabrina Peña Young ...
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Chamber Orchestra - Level 4 - SKU: A0.976911 Composed by Sabrina Pena Young. 20th Century,Contemporary,Latin,Standards. 32 pages. Sabrina Peña Young #3425603. Published by Sabrina Peña Young (A0.976911). Lively rhythmic 21st century string quartet work. Score and parts included. Ideal piece for advanced high school students, small orchestra or string ensemble, college string ensembles, professional string quartets, and community groups. Written by award-winning Cuban-Dominican composer. Feel free to contact composer directly for any questions. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
Donde Esta Santa Claus
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Orchestre de chambre
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INTERMÉDIAIRE
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Alvin Greiner, George Scheck,
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John Hoesly
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Donde Esta Santa Claus
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PRS&B
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1353147 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by John Hoesly. Christmas,Holida...
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Chamber Orchestra - Level 3 - SKU: A0.1353147 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by John Hoesly. Christmas,Holiday,Latin,Pop. 66 pages. PRS&B #937946. Published by PRS&B (A0.1353147). Dónde Está Santa Claus- for CHAMBER/ SMALL orchestra is a playful and festive Christmas song that has delighted audiences for decades. Translating to Where is Santa Claus in English, this cheerful tune captures the excitement and curiosity surrounding Santa's whereabouts on Christmas Eve. The catchy melody and upbeat tempo of Donde está Santa Claus make it a fun and memorable for your audiences. Written for small orchestra with an extended percussion section (all of which are optional and could be played by members of the orchestra), this Latin tinged arrangement will be a welcomed addition to your holiday library. 0-1-1-1-1 -2-1-1-0-timp., vib or marmb., sl. bls., bong., clav., guiro., maras., drm set (or divided between two perc.), kybrd., hrp., str. Intermediate level.
$70.00
Balloon Ride
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James Alexander Pavlic
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Balloon Ride
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James A. Pavlic
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Publish...
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Chamber Orchestra - Level 4 - SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Published by James A. Pavlic (A0.923339). Are you ready for an exhilarating ride through the wild blue yonder and beyond? If the answer is yes, then look no further: Balloon Ride! It's lively melodies, lush string beds, and mesmerizing harmonies will keep you thoroughly engaged. As you are preparing for your journey, the escalating strings propel you forward and raise you up in the sky. Soon following, the wind gently keeps you afloat as the slight gusts (invoked by the escalating winds) push you forward and higher. Eventually, you hit a tornado (sporadic harmony changes) and snowstorm as you fighting for your life. Eventually, the sailing gets easier as you soon approach clear skies; and, the anticipation keeps rising as you eventually reach the home stretch. Would work great as an opening or closing to a concert. For performance, some sections may need to be slowed down maybe to make it less taxing on players. The key is momentum and minimal hand motion possibly for string parts. Scored for chamber orchestra. MP3 sample is included for your listening pleasure.
$18.99
Joseph White: La Bella Cubana for chamber orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Joseph White
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Robert Debbaut
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Joseph White: La Bella Cubana
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ROBERT DEBBAUT
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romant...
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Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
Lullabye (Goodnight, My Angel)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Billy Joel
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Gary D
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Lullabye
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DR GARY D BELSHAW
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.796624 By Billy Joel. By Billy Joel. Arranged by Gary D.Belshaw (ASCAP). Pop,Rock. Score and parts. 26 pages. DR G...
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Chamber Orchestra - Level 4 - SKU: A0.796624 By Billy Joel. By Billy Joel. Arranged by Gary D.Belshaw (ASCAP). Pop,Rock. Score and parts. 26 pages. DR GARY D BELSHAW #3109511. Published by DR GARY D BELSHAW (A0.796624). For String Quartet plus a guest artist: Alto Sax, Clarinet, Flute, Oboe, or Trumpet. From Billy Joel's final album, River of Dreams (1993).How would you answer a 7-year-old's question, Where do we go when we die? The hint of Medieval ambience came from Joel's plans to make this song part of a suite, with lyrics sung in Latin. The song has been covered more than 2 dozen times. Don't let our version become maudlin or morose. It's got plenty of meaning without getting gushy or sentimental. I chose the Alto sax for its contrast with the strings; the other instruments allow you to select from a variety of guest artists.Thank you for considering this work; your impressions are valuable. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus).
$14.99
Te Quiero Dijiste
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Orchestre de chambre
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INTERMÉDIAIRE
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Maria Grever
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Marek Czekala
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Te Quiero Dijiste
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Marek Czekala
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1190077 Composed by Maria Grever. Arranged by Marek Czekala. Film/TV,Latin. Score and parts. 28 pages. Marek Czeka...
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Chamber Orchestra - Level 3 - SKU: A0.1190077 Composed by Maria Grever. Arranged by Marek Czekala. Film/TV,Latin. Score and parts. 28 pages. Marek Czekala #789711. Published by Marek Czekala (A0.1190077). MarÃa Grever (14 September 1885 – 15 December 1951) was the first female Mexican composer to achieve international acclaim. Grever wrote more than 1000 songs — the majority of them boleros — and her popularity reached audiences in Latin America, Europe, and the United States. In 1920, she began work as a film composer for Paramount Pictures and 20th Century Fox studiosTe quiero dijiste (I love you, you said), written for the 1944 Esther Williams film Bathing Beauty.(Wikipedia).
$49.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
In the Language of Meditation - Solo with Chamber Orchestra - PARTS
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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In the Language of Meditation
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Burke & Bagley
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.787359 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 77 pages. Burke...
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Chamber Orchestra - Level 4 - SKU: A0.787359 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 77 pages. Burke & Bagley #3484367. Published by Burke & Bagley (A0.787359). In the Language of Mediation was composed in 2013 for viola & piano in memory of Ingrid Buschmann (1954 - 2013). For this arrangement for chamber orchestra the solo may be played on viola, clarinet or alto saxophone. The work takes on a simple, heartfelt aesthetic, reflecting Buschmann's brand of gentle kindness and her love of the natural world with singing clarinet lines and sparkling piano textures. - Andrew FriedmanIn three movements: 1. Observations from a Rooftop Garden (ca. 5'15)2. Contemplating a Mountain with Love (ca. 5')3. Reflecting on a Visit with Birds (ca. 3'30)This is a set of parts only. The score is available separately here: https://www.sheetmusicplus.com/title/20717179?aff_id=481336. Video: https://youtu.be/SEeWuBhO6vw?list=PLC467B58A453D766A .
$49.99
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Flávio Régis Cunha
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Aria: Erbarme Dich, mein Gott
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Contest,E...
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Chamber Orchestra - Level 4 - SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and parts. 21 pages. Flavio Regis Cunha #4603489. Published by Flavio Regis Cunha (A0.597237). The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIntermediate Level Fomat: Concert 9 x 12 inches. 21 pages.
$14.99
Flying South Oboe Solo with Orchestra Score and Parts PDF
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Orchestre de chambre
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INTERMÉDIAIRE
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Brendan Elliget MAGA 537
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Flying South Oboe Solo with Or
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BJE Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.750876 Composed by Brendan Elliget MAGA 537. Contemporary,Latin. Score and parts. 32 pages. BJE Music #4323875. Pu...
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Chamber Orchestra - Level 3 - SKU: A0.750876 Composed by Brendan Elliget MAGA 537. Contemporary,Latin. Score and parts. 32 pages. BJE Music #4323875. Published by BJE Music (A0.750876). This little piece features a plaintive yet restful Oboe Solo theme with Small Orchestra of Flute, Oboe, 3 Clarinets, Horns in F, Bassoon, Violin 1, Violin 2, Viola, Cello, Double Bass, Piano and Harp… It suggested to me a bird or group of birds flying. Let me know what you think…The MP3 certainly gives a better idea of how the piece should sound! Grade = 3.5 Duration 3 mins. .
$20.00
Pineapple Unicorn Mambo (String Orchestra and Piano)
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Orchestre de chambre
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FACILE
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Tyler Merideth
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Pineapple Unicorn Mambo
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Tyler Merideth
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.782519 Composed by Tyler Merideth. Contemporary,Instructional,Jazz,Latin. Score and parts. 12 pages. Tyler Meridet...
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Chamber Orchestra - Level 2 - SKU: A0.782519 Composed by Tyler Merideth. Contemporary,Instructional,Jazz,Latin. Score and parts. 12 pages. Tyler Merideth #3540271. Published by Tyler Merideth (A0.782519). Pineapple Unicorn Mambo was originally written as a solo supplement for young violinists
$19.99
Hanukkah Oh Hanukkah
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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James Bicigo
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Hanukkah Oh Hanukkah
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Polar Publications
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1163553 Composed by Traditional. Arranged by James Bicigo. Chamber,Hanukkah,Holiday,Latin. Score and Parts. 46 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1163553 Composed by Traditional. Arranged by James Bicigo. Chamber,Hanukkah,Holiday,Latin. Score and Parts. 46 pages. Polar Publications #763896. Published by Polar Publications (A0.1163553). Hanukkah Oh Hanukkah as a samba! Perfect for your next Holiday Pops! This arrangement for chamber orchestra (1,1,1,1 1, 2,0,0 drum set, piano, strings) features an improvised 2nd trumpet solo. Grade 4.
$50.00
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