Partitions Numériques de colors pour Orchestre de chambre

colors

Colors Of The Wind

#Colors Of The Wind

True Colors

#True Colors

The Colors of Christmas

#The Colors of Christmas

Mozart: Masonic Funeral Music (Maurerische Trauermusik) KV 477 - arr. matching the Requiem KV 626
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.945804 Composed by Wolfgang …(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.945804 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 32 pages. Giulio Castronovo #6331839. Published by Giulio Castronovo (A0.945804). At the end of 1784 Mozart was for the first time admitted to a Viennese Masonic lodge. In 1785, he composed a Masonic funeral music. This short but extremely poignant work is often seen as a stepping-stone between the Great Mass in C minor and the Requiem.Â Despite being considered one of Mozart's absolute masterpieces, it is rarely performed due to the uniqueness of its original orchestration: 2 Oboes, 1 Clarinet, 3 Basset Horns, 1 Contrabassoon, 2 Horns, Strings.An ideal orchestral introduction to Mozartâ€™s Requiem KV 626, it is however virtually never performed in the same program, due to the completely different orchestrations and keys of the two pieces.Â This arrangement makes the Masonic Funeral Music match with the key (D minor) and the uniquely peculiar orchestration of the Requiem (2 Basset Horns, 2 Bassoons, 2 Trumpets, Timpani, 3 Trombones, Strings), recreating the nuances of the original piece with the colors of Mozartâ€™s last composition.
$59.90 54.31 € #Orchestre de chambre #Wolfgang Amadeus Mozart #Giulio Castronovo #Mozart: Masonic Funeral Music #Giulio Castronovo #SheetMusicPlus

Debussy (arr. Lee): Prélude à l'après-midi d'un faune, Full Score
Orchestre de chambre

Chamber Orchestra - Level 5 - Digital Download SKU: A0.866060 Composed by Claude De…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.866060 Composed by Claude Debussy. Arranged by Yoon Jae Lee. 20th Century,Romantic Period. Score and parts. 33 pages. Ondine Press #1911907. Published by Ondine Press (A0.866060). Instrumentation: 1. 1. 2. 1 - 2. 0. 0. 0 - 1 perc. 1 hrp â€“ str This arrangement of Debussy's ground-breaking masterwork is a welcome addition to the repertoire for chamber orchestras everywhere. Emphasizing the workâ€™s intimate character, it remains faithful to the original without any loss of Debussy's use of instrumental colors. This arrangement is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. Can be per performed with approximately 23 to 29 players. View perusal score: http://issuu.com/ondinepress/docs/debussy_prelude Performance material available for hire. Please email ondinepress@gmail.com for all rental inquiries.
$30.00 27.2 € #Orchestre de chambre #Claude Debussy #Yoon Jae Lee #Debussy #Ondine Press #SheetMusicPlus

Moonlight In Vermont
Orchestre de chambre

Chamber Orchestra - Digital Download SKU: A0.1266551 By Frank Sinatra. By John Blac…(+)

Chamber Orchestra - Digital Download SKU: A0.1266551 By Frank Sinatra. By John Blackburn and Karl Suessdorf. Arranged by Ricardo Machota. Classical,Jazz,Standards. Score and Parts. 15 pages. Ricardo Machota #859226. Published by Ricardo Machota (A0.1266551). The idea of this project was to arrange the song for 15 instruments, mixing orchestral sections to create different textures and colors, highlighting the beautiful melodies and harmonic changes.
$49.99 45.33 € #Orchestre de chambre #Frank Sinatra #Ricardo Machota #Moonlight In Vermont #Ricardo Machota #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music.Â I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature.Â Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master.Â More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by Â Stanley M. Hoffman (b. 1959 [BMI])Â Inspired by the Music of Jean Sibelius (1865â€“1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:Â© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved. Â The sheet music is available from the composer and from Sheet Music Plus.

Suite bergamasque (Chamber Orchestra)
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.877096 Composed by Claude De…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.877096 Composed by Claude Debussy. Arranged by Tim Laughlin. 20th Century,Classical,Multicultural,Romantic Period,World. Score and parts. 156 pages. Tim Laughlin #3218325. Published by Tim Laughlin (A0.877096). Debussy's Suite bergamasque, and its famous Clair de Lune, is widely regarded to be one of his most riveting piano works. Arranged here for chamber orchestra, wind solos and string lines weave in and out of relief, highlighting the impressionist colors of the composer's palette. The work consists of four stand-alone movements: the bright Prelude, the playful Menuet, the timeless and vivid Clair de Lune, and the jaunty Passepied.Instrumentation: 2222; 2000; harp; strings (min. 22221)Duration: approx. 16Level: Intermediate to AdvancedContents: Full score and parts
$44.95 40.76 € #Orchestre de chambre #Claude Debussy #Tim Laughlin #2000 #Suite bergamasque #Tim Laughlin #SheetMusicPlus

Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas â€“ Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composerâ€™s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: ×—×™×“×•×© â€“ ×¤×™×¨×•×© â€“ ×©×™×ž×•×¨ â€“ ×—×™×¤×•×©). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judÃ©o-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato â€˜sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato â€˜sta el hijo del rey (The Kingâ€™s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha Bâ€™Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com

Color Wheel
Orchestre de chambre

Chamber Orchestra - Level 5 - Digital Download SKU: A0.597701 Composed by Richard M…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.597701 Composed by Richard Montalto. Contemporary. Score and parts. 74 pages. ArrangeMe #6685349. Published by ArrangeMe (A0.597701). Color Wheel is an exploration of orchestral colors, combining tonal and atonal sonorities.
$70.00 63.47 € #Orchestre de chambre #Richard Montalto #Color Wheel #ArrangeMe #SheetMusicPlus

Bruch - Romanze for Viola and Orchestra, Op. 85 (Accompaniment Reduction for Wind Quintet & String Q
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.826896 Composed by M. Bruch.…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.826896 Composed by M. Bruch. Arranged by C. A. Orozco-Diaz. Romantic Period. Score and parts. 21 pages. Amnael Orozco-Diaz #18311. Published by Amnael Orozco-Diaz (A0.826896). Want to take your recital to the next level? This reduction is specially tailored to bring the orchestral colors right down into the chamber music stage with two quintets playing accompaniment with you. No need to hire the whole symphony, just gather your pals and blow your audience away with this arranger's personal favourite! All woodwind solos are unchanged from the original score, and tutti's will strike with full power. This item contains a set of parts for the accompaniment (wind quintet and string quintet). Listen to some nice arrangements with the Weston String QuartetContact us at facebook.com/HouseOfLilithMusic for comments and requests!
$24.99 22.66 € #Orchestre de chambre #M #C #Bruch - Romanze for Viola and Orchestra, Op. 85 #Amnael Orozco-Diaz #SheetMusicPlus

Appassionato
Orchestre de chambre

Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nos…(+)

Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagine Music - Digital (IZ.OMS128). 9 x 12 in inches.For Chamber Orchestra (Grade 3). By Peter Nostrand. Appassionato is a story about the struggle for love. While it was composed in a traditional ABA structure, there are many elements in this composition which are not at all traditional. As the piece awakens, the oboes and flutes seem innocent and coquettish. As orchestral participation grows, one has the sense of an entire field of rich colors growing before our very ears. Enter the piano. Simple, elegant and romantic. Softly supported by the strings, the piano issues an invitation to the winds. They respond cautiously, obviously curious to see what this charming piano has in mind. The strings express an opinion. It's not what the piano wants and he presses harder. The strings and winds question each other, back and forth with triplets. Who is this piano? The mid-section is an announcement by the strings that a love relationship may be in the cards. The piano replies with passion and tenderness.With eighth notes, the strings become entangled with the piano, counseling it, guiding it. The winds using triplets put their two cents on the table. They're not so sure. The piano makes a passionate plea; the strings are supportive. The piano and the winds have a conversation. They finally dance together. In the end,.Appassionato is a musical expression of the struggle over whether or not love is worth the risk Sometimes in conflict sometimes in harmony, the piano and winds do unite. Passion has won.
$30.00 27.2 € #Orchestre de chambre #Peter Nostrand #Peter Nostrand #the strings are supportive #Appassionato #Imagine Music - Digital #SheetMusicPlus

Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
Orchestre de chambre

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Co…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually â€œexpandedoutwardâ€ â€“ moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the workâ€™s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively â€“ changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked â€œSlow, suspended.â€ Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening â€“ but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive â€“ consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices â€“ representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda â€“ with a sense ofunfettered joy.ï»¿
$38.95 35.32 € #Orchestre de chambre #Carson Cooman #Carson Cooman: Shining Space: Quintet for Horn and Strings #Musik Fabrik Music Publishing #SheetMusicPlus

Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese B…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. Published by Musik Fabrik Music Publishing (A0.532832). This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222) Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining strings, with the support of the harpsichord, the vibraphone and other percussion. Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and the orchestra in different manners. Through this osmosis and through the tempo rubato suggested several times, by the absence of metronomic movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the infinite spirals of beauty and love, outside of space and time.. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage The orchestral parts are available from the publisher on rental.
$19.95 18.09 € #Orchestre de chambre #Therese Brenet #Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score #Musik Fabrik Music Publishing #SheetMusicPlus

The Skye Boat Song from Outlander
Orchestre de chambre

Chamber Orchestra - Level 2 - Digital Download SKU: A0.981453 Composed by Tradition…(+)

Chamber Orchestra - Level 2 - Digital Download SKU: A0.981453 Composed by Traditional Scottish Folk Song. Arranged by Ana Paula Pires. Celtic,Film/TV,Holiday,Love,Wedding,World. Score and parts. 13 pages. Bystonais #6451167. Published by Bystonais (A0.981453). The Skye Boat Song from Outlander This work was designed for a group of seven flutes. Inspired by the traditional work of a Scottish folk song that has become a hit in recent years as the theme song for the Outlander series. An inspiring song, which in this arrangement explores the simplicity of the melody and the colors. of the harmony. It can be worked with beginner and intermediate groups.
$6.99 6.34 € #Orchestre de chambre #Traditional Scottish Folk Song #Ana Paula Pires #The Skye Boat Song from Outlander #Bystonais #SheetMusicPlus

Mussorgsky: Promenade from Pictures
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.921874 Composed by M. Mussor…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.921874 Composed by M. Mussorgsky. Arranged by Joshua Feltman. Romantic Period. Score and parts. 10 pages. Ryan Blauvelt #3692805. Published by Ryan Blauvelt (A0.921874). Modest Mussorgsky composed Pictures at an Exhibition in honor of his friend and painter, Viktor Hartmann.Each of the movements of Pictures attempts to capture the sketches, watercolors and architectural designs displayed at the Hartmann exhibition. Mussorgsky depicts himself moving from one picture to the next with a musical Promenade.Open your concert with this piece and your audience won't forget it. Hear the large brass sound of the original version through flute and piano in their strongest registers.
$30.00 27.2 € #Orchestre de chambre #M #Joshua Feltman #Mussorgsky: Promenade from Pictures #Ryan Blauvelt #SheetMusicPlus