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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
div
Non classifié
2 423
Piano & claviers
Piano seul
1 128
Piano, Voix
423
Piano Facile
393
Piano, Voix et Guitare
375
Orgue
170
Instruments en Do
89
1 Piano, 4 mains
48
Accompagnement Piano
34
Piano Trio: piano, violon, violoncelle
25
Accordéon
17
Piano Quatuor: piano, violon, alto, violoncelle
10
Orgue, Trompette (duo)
7
2 Pianos, 4 mains
6
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
2
Clavecin
2
Piano grosses notes
2
2 Pianos, 8 mains
1
Piano (partie séparée)
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
134
Guitare
112
Ligne De Mélodie, (Paroles) et Accords
39
2 Guitares (duo)
33
Paroles et Accords
31
Basse electrique
25
Ukulele
15
4 Guitares (Quatuor)
8
Mandoline
6
Ensemble de guitares
4
3 Guitares (trio)
3
Ukulele Baryton
2
2 Ukuleles
2
Guitare (partie séparée)
2
Guitare Tab, Voix, Basse, Batterie
1
Basse électrique (partie séparée)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
5 975
Chorale 3 parties
470
Chorale TTBB
399
Chorale 2 parties
210
Chorale SSAA
173
Chorale Unison
66
Chorale
42
Voix seule
31
Voix duo, Piano
31
Voix Soprano, Piano
29
Voix Alto, Piano
27
Voix Tenor
26
Voix Soprano
23
Voix Baryton, Piano
22
Pack Instrumental pour Chorale
13
Chorale SSATB
12
Voix duo
11
Soli, choeur mixte et accompagnement
5
Voix Tenor, Piano
4
Voix haute
4
Chorale SSAATTBB
4
Voix moyenne, Piano
4
Voix Mezzo-Soprano, Piano
3
Chorale SSATTB
3
Voix basse, Piano
2
Voix basse
2
Chorale SATTB
1
Chorale SATBB
1
Chorale SSATBB
1
Voix et basse continue
1
+ 25 instrumentations
Retracter
Vents
2 Saxophones (duo)
261
Quatuor de Saxophones: 4 saxophones
196
Clarinette
192
Flûte traversière et Piano
180
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
174
Flûte traversière
171
Clarinette et Piano
171
Hautbois, Piano (duo)
171
Flûte, Hautbois, Clarinette, Basson
161
Saxophone Alto
160
Saxophone Alto et Piano
139
Saxophone Tenor et Piano
105
Quintette de Saxophone: 5 saxophones
103
2 Flûtes traversières (duo)
98
2 Clarinettes (duo)
96
Saxophone Tenor
90
Hautbois
87
2 Flûte à bec (duo)
86
2 Hautbois (duo)
72
Saxophone Soprano et Piano
72
3 Saxophones (trio)
64
Saxophone (partie séparée)
63
Saxophone
50
Saxophone Baryton, Piano
47
Hautbois (partie séparée)
42
Flûte, Clarinette (duo)
40
Hautbois, Clarinette (duo)
40
Saxophone Baryton
34
Saxophone Soprano
32
Flûte, Clarinette et Basson
30
Quatuor de Clarinettes: 4 clarinettes
29
3 Clarinettes (trio)
28
Clarinette (partie séparée)
28
Flûte à bec Soprano
27
2 Flûtes traversières, Piano
25
Quatuor de Flûtes : 4 flûtes
23
Cor anglais, Piano
22
Ensemble de Flûtes
22
Clarinette, Violon (duo)
21
Hautbois, Basson (duo)
19
Ensemble de Clarinettes
19
Flûte à Bec
18
Flûte à bec Alto
17
Trio de Flûtes: 3 flûtes
16
Clarinette, Basson (duo)
15
Quintette de Clarinettes: 5 clarinettes
15
Flûte et Guitare
15
Flûte, Hautbois, Clarinette (trio)
15
Flûte, Hautbois (duo)
14
Saxophone, Clarinette (duo)
13
Flute (partie séparée)
13
Ensemble de saxophones
12
Flûte, Violoncelle
11
Clarinette Basse, Piano
11
Cor Anglais
11
Hautbois, Violoncelle
10
Clarinette et Alto
10
Flûte, Violon
10
Clarinette, Violoncelle (duo)
10
Flûte, Hautbois, Basson
9
Flûte, Hautbois, Piano (trio)
9
Flûte, Alto (duo)
8
Hautbois, Flûte
8
Clarinette, Trompette (duo)
8
Clarinette, Guitare (duo)
8
Flûte, Violon, Piano
8
Saxophone et Guitare
7
Piccolo
7
Flûte à bec Alto, Piano
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Saxophone (duo)
6
Hautbois et alto (duo)
6
Cor anglais, Guitare (duo)
5
3 Hautbois
5
Flûte à bec Soprano, Piano
5
Instruments en Mib
4
Flûte, Basson et Piano
4
Quintette de Flûte : 5 flûtes
4
Quatuor de Flûtes à bec
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Violon et Violoncelle
4
Hautbois, violon (duo)
3
Clarinette, Harpe (duo)
3
Clarinette, Quatuor à cordes et Piano
3
Flûte, Trompette (duo)
3
Clarinette, Basson, Piano (trio)
3
5 Flûtes à bec
2
Saxophone et Orgue
2
4 Hautbois
2
Clarinette, Violoncelle, Piano (trio)
2
Ocarina
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Basson et Piano
2
Hautbois, Violoncelle et Piano
2
2 Saxophones, Piano
2
Flûte, Alto et Piano
2
Hautbois, Guitare (duo)
2
Hautbois, Clarinette et Piano (Trio)
1
3 Flûtes à bec (trio)
1
Hautbois, Violon, Piano
1
Flûte à bec Tenor
1
Ensemble De Flûte à bec
1
2 Cors Anglais Et Pianoforte
1
Flûte et Trio à cordes
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette Basse
1
Saxophone, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte à bec, Harpe
1
Piccolo, Piano
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte à Bec, Piano
1
Flûte, Harpe et Violoncelle
1
+ 111 instrumentations
Retracter
Cuivres
Trompette
164
Trompette, Piano
157
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
151
Trombone et Piano
150
Cor et Piano
120
Trombone
119
Cor
98
Tuba et Piano
94
Tuba
85
2 Trombones (duo)
84
2 Trompettes (duo)
78
Quatuor de Cuivres : 2 trompettes, trombone, tuba
78
Quatuor de Cuivres: 2 trompettes, Cor, trombone
68
2 Cors (duo)
66
Trompette, Trombone (duo)
38
2 Tubas (duo)
37
Quatuor de cuivres: 4 trombones
29
Trompette (partie séparée)
29
Trombone (partie séparée)
26
Euphonium, Piano (duo)
22
Cor anglais, Piano
22
Quatuor de Cuivres
19
Trompette, Cor (duo)
17
Cor (partie séparée)
14
Cor Anglais
11
Trompette, Saxophone (duo)
10
Quatuor de cuivres: 4 cors
10
Quatuor de cuivres: 4 trompettes
9
Tuba (partie séparée)
8
3 Trombones (trio)
8
Trombone basse
8
Trombone basse et Piano
7
Trombone, Cor (duo)
5
Euphonium
5
Cor anglais, Guitare (duo)
5
Tuba et Orgue
5
Instruments en Sib
4
3 Tubas (trio)
4
Ensemble de Trompettes
4
Trio de Cuivres
3
Trompette, Violoncelle (duo)
3
Ensemble de Trombones
3
Ensemble de Cors
3
Trompette, Trombone, Piano
2
4 Tubas
2
Cor, Tuba (duo)
2
Trompette et Guitare
2
Bass Clef Instruments
2
2 Trompettes, Clavier (piano ou orgue)
2
Instruments en Fa
2
Trompette, Basson (duo)
1
4 Euphoniums
1
Cor, Trompette, Trombone (trio)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Harpe
1
2 Euphoniums (duo)
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
Tuba ou Euphonium ou Saxhorn
1
3 Euphoniums
1
Cor et Basson (duo)
1
2 Trombones, Piano
1
+ 57 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
383
Violon et Piano
237
Violon
226
Violoncelle
175
Violoncelle, Piano
164
Alto, Piano
159
Alto seul
112
2 Harpes (duo)
110
2 Violons (duo)
97
2 Violoncelles (duo)
92
Contre Basse
83
2 Altos (duo)
81
Violon, Violoncelle (duo)
79
Contrebasse, Piano (duo)
78
Quintette à cordes: 2 violons, alto, violoncelle, basse
77
Violon, Alto (duo)
67
Harpe
53
Trio à Cordes: violon, alto, violoncelle
47
2 Contrebasses (duo)
35
Violon (partie séparée)
31
Trio à Cordes: 2 violons, violoncelle
29
Alto, Violoncelle (duo)
20
Quintette à cordes : 2 violons, alto et 2 violoncelles
18
Alto (partie séparée)
13
Trio à cordes: 3 violins
11
4 Violoncelles
11
Violon, Guitare (duo)
10
Violon, Basson (duo)
10
Contrebasse (partie séparée)
10
Quatuor à cordes : 4 altos
9
Trio à Cordes: 3 violoncelles
9
Trio à cordes: 3 altos
8
Harpe, Flûte (duo)
7
Quatuor à cordes: 4 violons
7
Violoncelle (partie séparée)
7
Piano Trio: Violon, Alto, Piano
7
Violoncelle , Guitare (duo)
6
Violon, Clarinette, Piano (trio)
4
Trio à Cordes: 2 violons, alto
3
Alto, Guitare (duo)
3
Harpe, Violon (duo)
3
Violoncelle, Contrebasse (duo)
3
Violon, Violoncelle, Clarinette
2
Alto et Harpe
2
Harpe, Violoncelle (duo)
2
Harpe, Voix
2
Harpe et Orgue
2
Flûte, Contrebasse (duo)
2
Ensemble de Violoncelles
1
Violon, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Basson
1
Harpe, Violon, Violoncelle
1
2 Violons, Piano
1
2 Violoncelles, Piano
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
669
Orchestre à Cordes
234
Orchestre
160
Cloches
65
Ensemble Jazz
60
Batterie
58
Ensemble de cuivres
55
Orchestre de chambre
48
Fanfare
23
Ensemble de Percussions
20
Percussion
19
Marimba
17
Percussion (partie séparée)
17
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
11
Jazz combo
10
Xylophone
5
Xylophone, Piano
3
Timbales
3
Quintette à Vent
3
Timbales (partie séparée)
3
Piano et Orchestre
1
Batterie (partie séparée)
1
3 Percussions
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone
1
+ 20 instrumentations
Retracter
Autres
Formation musicale - Solfège
11
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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CHANT - CHO…
CHARANGO
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CORNET
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Orchestre de chambre
Partitions à imprimer
48 partitions trouvées
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1
26
ETERNAL SOURCE OF LIGHT DIVINE - HWV 74) for Soprano, trumpet, Strings and Harpsichord
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Flávio Régis Cunha
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ETERNAL SOURCE OF LIGHT DIVINE
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.597276 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Holiday...
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Chamber Orchestra - Level 3 - SKU: A0.597276 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Holiday,Sacred,Wedding. Score and Parts. 20 pages. Flavio Regis Cunha #5002105. Published by Flavio Regis Cunha (A0.597276). Ode for the Birthday of Queen Anne (HWV 74) is a secular cantata composed by George Frideric Handel to a libretto by Ambrose Philips, of which the first line, Eternal source of light divine, provides an alternative title for the work. It was probably composed during January 1713 for a performance on 6 February 1713, although there is no record of the performance having actually taken place. It was originally written in the key of D major for a tenor or alto soloist.
$18.99
Divagações Sobre a Noite - for Alto Saxophone & Strings
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexandre Guerra
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Alexandre Guerra
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Divagações Sobre
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Alexandre Guerra
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.499346 By Alexandre Guerra. By Alexandre Guerra. Arranged by Alexandre Guerra. Contemporary. Score and Parts. 140 ...
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Chamber Orchestra - Level 4 - SKU: A0.499346 By Alexandre Guerra. By Alexandre Guerra. Arranged by Alexandre Guerra. Contemporary. Score and Parts. 140 pages. Alexandre Guerra #112752. Published by Alexandre Guerra (A0.499346). Divagações Sobre a Noite is a suite in 6 movements for Alto Saxophone & Strings inspired on drawings about the night by the Brazilian artist Oswaldo Goeldi. Each movement dialogs with a genre of music associated with the the night, from the Tango to the blues.
$39.00
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Magnificat & Nunc Dimittis - Conductor Score - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Christian James Jesse
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Magnificat & Nunc Dimittis
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Christian James Jesse
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.940112 Composed by Christian James Jesse. Christmas,Contemporary,Sacred. Score and parts. 46 pages. Christian Jame...
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Chamber Orchestra - Level 3 - SKU: A0.940112 Composed by Christian James Jesse. Christmas,Contemporary,Sacred. Score and parts. 46 pages. Christian James Jesse #5733781. Published by Christian James Jesse (A0.940112). Magnificat & Nunc Dimittis is Christian Jesse's SMU graduate thesis project. This piece is an SATB div. choir, organ, string quintet, and percussion composition. As of June 2020, This piece was awarded The American Prize in Composition-Choral Octavos (student division), 2019-2020. Please visit The American Prize’s Blog post for more information:(http://theamericanprize.blogspot.com/2020/06/winners-composers-shorter-choral-works.html)-https://christianjesse.com/magnificat-nunc-dimittis
$20.00
Magnificat & Nunc Dimittis - Instrumental Parts & Choral Score
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Orchestre de chambre
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INTERMÉDIAIRE
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Christian James Jesse
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Magnificat & Nunc Dimittis
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Christian James Jesse
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.940114 Composed by Christian James Jesse. Christmas,Contemporary,Sacred. Score and parts. 74 pages. Christian Jame...
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Chamber Orchestra - Level 3 - SKU: A0.940114 Composed by Christian James Jesse. Christmas,Contemporary,Sacred. Score and parts. 74 pages. Christian James Jesse #5733789. Published by Christian James Jesse (A0.940114). The Instrumental parts and Choral Score for Magnificat & Nunc Dimittis by Christian Jesse.-Magnificat & Nunc Dimittis is Christian Jesse's SMU graduate thesis project. This piece is an SATB div. choir, organ, string quintet, and percussion composition. As of June 2020, This piece was awarded The American Prize in Composition-Choral Octavos (student division), 2019-2020. Please visit The American Prize’s Blog post for more information:(http://theamericanprize.blogspot.com/2020/06/winners-composers-shorter-choral-works.html)-https://christianjesse.com/magnificat-nunc-dimittis
$20.00
missa diva
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Orchestre de chambre
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Contemporain
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michael hanrahan moore
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missa diva
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michael hanrahan moore
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1006679 Composed by michael hanrahan moore. Contemporary. Score and parts. 4 pages. Michael hanrahan moore #1829143. Publish...
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Chamber Orchestra - SKU: A0.1006679 Composed by michael hanrahan moore. Contemporary. Score and parts. 4 pages. Michael hanrahan moore #1829143. Published by michael hanrahan moore (A0.1006679).
$1.99
missa diva no.1
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Orchestre de chambre
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Contemporain
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michael hanrahan moore
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missa diva no.1
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michael hanrahan moore
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1006678 Composed by michael hanrahan moore. Contemporary. Score and parts. 7 pages. Michael hanrahan moore #1892447. Publish...
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Chamber Orchestra - SKU: A0.1006678 Composed by michael hanrahan moore. Contemporary. Score and parts. 7 pages. Michael hanrahan moore #1892447. Published by michael hanrahan moore (A0.1006678).
$1.99
Sweet Child Divine
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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David Lantz and Words by Susan
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Sweet Child Divine
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1297237 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. Score and Parts. 50 pages. L...
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Chamber Orchestra - Level 3 - SKU: A0.1297237 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. Score and Parts. 50 pages. Lantz Choral Publications #887311. Published by Lantz Choral Publications (A0.1297237). Chamber orchestration accompaniment for use with the SATB octavo with words by Susan Bentall Boersma and music by David Lantz III, published by Lantz Choral Publications. (Score and parts included.)NOTE: The SATB choir parts and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies of the octavo for your chorus. Octavo is available at Sheet Music Direct and Sheet Music Plus.Instrumentation:SATB (for reference only)Piano (for reference only)Flute IÂ Flute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IITimpani (one player)Glockenspiel (one player)Percussion (one player)Violin IViolin IIViolaCelloContrabassNOTE: Larger 8.5 x 14 score is available separately at Sheet Music Direct and Sheet Music Plus.
$60.00
Sweet Child Divine - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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David Lantz and Words by Susan
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Sweet Child Divine - Score Onl
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1297241 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. 19 pages. Lantz Choral Publi...
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Chamber Orchestra - Level 3 - SKU: A0.1297241 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. 19 pages. Lantz Choral Publications #887315. Published by Lantz Choral Publications (A0.1297241). 8.5 x 14 score only version (no parts included) of the SATB octavo with words by Susan Bentall Boersma and Music by David Lantz III, published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.•SATB octavo available at Sheet Music Direct and Sheet Music Plus.•Full SATB and orchestral arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.•Orchestral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.For comments and questions, please email me at davidlantziii@gmail.com
$7.99
Divergences Viola
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Orchestre de chambre
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Contemporain
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Darrrell R
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Divergences Viola
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Darrell R Adams
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1024419 Composed by Darrrell R. Adams. Contemporary. Score and parts. 5 pages. Darrell R Adams #3112227. Published by Darrel...
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Chamber Orchestra - SKU: A0.1024419 Composed by Darrrell R. Adams. Contemporary. Score and parts. 5 pages. Darrell R Adams #3112227. Published by Darrell R Adams (A0.1024419). 1st Prize, 2017 Music Association of California Community Colleges (MACCC) Composition ContestThe very quiet 1st violin establishes a high-pitched 12-tone row. The rest of the string instruments gradually enter, and with the clarinet entry, the piece ventures off into several distinct sections, each unique, sometimes containing elements of the original row, sometimes containing humorous twists. After the development(s) rise to an intense and unsettling crescendo, the original motif reappears, this time in lovely harmony, with a very quiet conclusion.
$3.99
Divergences Violin 1
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Orchestre de chambre
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Contemporain
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Darrell R
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Divergences Violin 1
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Darrell R Adams
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1024418 Composed by Darrell R.Adams. Contemporary. Score and parts. 4 pages. Darrell R Adams #3112229. Published by Darrell ...
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Chamber Orchestra - SKU: A0.1024418 Composed by Darrell R.Adams. Contemporary. Score and parts. 4 pages. Darrell R Adams #3112229. Published by Darrell R Adams (A0.1024418). 1st Prize, 2017 Music Association of California Community Colleges (MACCC) Composition ContestThe very quiet 1st violin establishes a high-pitched 12-tone row. The rest of the string instruments gradually enter, and with the clarinet entry, the piece ventures off into several distinct sections, each unique, sometimes containing elements of the original row, sometimes containing humorous twists. After the development(s) rise to an intense and unsettling crescendo, the original motif reappears, this time in lovely harmony, with a very quiet conclusion.
$3.99
L'Après-midi d'un faun (2021) for soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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L'Après-midi d'un faun
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869867 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 90 pages. Thomas Oboe Lee #6473889...
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Chamber Orchestra - Level 4 - SKU: A0.869867 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 90 pages. Thomas Oboe Lee #6473889. Published by Thomas Oboe Lee (A0.869867). Everyone knows L'Après-midi d'un faun, right? Well, in the case of Debussy it was a tone poem for flute and orchestra. Mine is an actual setting of the Stéphane Mallarmé poem of the same title. Even though the entire poem is in the voice of the 'faun,' who is a male, albeit half human-half goat, I decided that because the poem is so beautiful and seductive a soprano voice would do the words justice. I divided the poem into five parts. 1. Ces nymphes, je les veux perpétuer ... 2. O bords siciliens d'un marécage ... 3. Tâche donc, instrument des fuites ... 4. O nymphes, regonflons des Souvenirs divers ... 5. Tant pis! vers le bonheur d'autres m'entraîneront ...
$9.99
The Egret's Wishes《白鷺鷥的願望》
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Orchestre de chambre
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Ma Shui Long 馬水é¾
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The Egret's Wishes《ç™
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SpringAutumnmusic
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SheetMusicPlus
Chamber Orchestra - SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic ...
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Chamber Orchestra - SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic #2341885. Published by SpringAutumnmusic (A0.961999). 《白鷺鷥的願望》，鋼ç´èˆ‡å¼¦æ¨‚å››é‡å¥ 2002å¹´ 　本曲應白鷺鷥文教基金會之委託，特別以å°ç£ç«¥è¬ <白鷺鷥>的旋律為創作之主è¦ç´ ；全曲略分為四段，動機之發展亦為單純，但æ¯ä¸€æ®µå‡åœ¨è®ŠåŒ–ä¸ï¼›å¦‚多種的ç†å¿µåœ¨ç•°ä¸æ±‚åŒä¹‹éŽç¨‹ä¸å¾—到純化，象徵白鷺鷥乘著希望之翼翻山越嶺，飛å‘安和幸ç¦çš„家園。 ※本曲首演於2002å¹´8月25æ—¥ï¼Œæ–¼åœ‹å®¶éŸ³æ¨‚å»³èˆ‰è¾¦çš„ã€Œç¬¬äºŒå±†åŠ å°å¤å£éŸ³æ¨‚節ã€ã€‚æ¼”å¥å®¶ç‚ºé‹¼ç´å¥ˆè‰¯å¸Œæ„›ï¼Œç¬¬ä¸€å°æç´Edmond Agopian，第二å°æç´å³åŸå¹³ï¼Œä¸æç´æ¥Šç‘žç‘Ÿ ，大æç´æž—浥雯。 《The Egret's Wishes》for Piano and String Quartet（2002） The Egret’s Wishes was commissioned by the Egret Cultural and Educational Foundation (ECEF). The piece consists four sections, and the composer developed the main motives and elements from the melody of a Taiwanese children's rhyme, The Little Egret, as the base of ​​this composition. Although there are always subtle differences change steadily in every section, the development of the main motives are very simple and clear in this piece, implies as if the diversities will finally purify and unite to one simple concept/idea, even they are developed in different ways. This symbolizes the little egret flies over different mountains and valleys, but always seeking the way to the only place for peace and happiness. The Egret’s Wishes was premiered in the National Cocnert Hall on 25th of August 2002. It was pragrammed in a concert of The 2nd Taiwan-Canada Summer Music Festival. The world premiere musicians were Kiai Nara (Piano), Edmond Agopian (Violin I), Meng-Ping Wu (Violin II), Jui-Se Yang (Viola) and I-Wen Lin (Cello).
$20.99
The Baden-Baden Idyll
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Chris Gordon - Johannes Brahms
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Chris Gordon
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The Baden-Baden Idyll
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Cool Wind Music Digital
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.841253 Composed by Chris Gordon - Johannes Brahms - Robert Schumann. Arranged by Chris Gordon. Romantic Period. Sc...
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Chamber Orchestra - Level 4 - SKU: A0.841253 Composed by Chris Gordon - Johannes Brahms - Robert Schumann. Arranged by Chris Gordon. Romantic Period. Score and parts. 112 pages. Cool Wind Music Digital #3038341. Published by Cool Wind Music Digital (A0.841253). Full set of parts: Please contact Chris Gordon at cgordoncwm@gmail.com or coolwindmusic@gmail.com for further information..'The Baden-Baden Idyll' is scored for chamber or small orchestra. It requires divisi strings, at least 2 players per part, plus oboe, clarinet in B flat and A, bassoon and french horn in F. I wrote it to 'accompany' a story I have been writing about the French-Spanish opera diva and composer, Pauline Viardot-GarcÃa, and her brilliant circle of musician, artist, and writer friends in Baden-Baden in the 1860s which included Klara Schumann and Johannes Brahms. Pauline first performed Brahms' Alto Rhapsody which gives an indication of how much the composer admired and respected her as a singer.
$45.00
Nella Fantasia
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Orchestre de chambre
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INTERMÉDIAIRE
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Pop musique
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Il Divo
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Matthew pyeon
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Nella Fantasia
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sungil
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.657028 By Il Divo. By Chiara Ferrau and Ennio Morricone. Arranged by Matthew pyeon. Pop. Score and parts. 28 pages...
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Chamber Orchestra - Level 3 - SKU: A0.657028 By Il Divo. By Chiara Ferrau and Ennio Morricone. Arranged by Matthew pyeon. Pop. Score and parts. 28 pages. Sungil (Matthew) Pyeon #266116. Published by sungil (Matthew) Pyeon (A0.657028).
$49.99
Frankenstein-For 14 Players
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Steve Horowitz
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Frankenstein-For 14 Players
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Steven M Horowitz
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1003471 Composed by Steve Horowitz. 20th Century,Contemporary,Film/TV. Score and parts. 45 pages. Steven M Horowit...
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Chamber Orchestra - Level 4 - SKU: A0.1003471 Composed by Steve Horowitz. 20th Century,Contemporary,Film/TV. Score and parts. 45 pages. Steven M Horowitz #2098893. Published by Steven M Horowitz (A0.1003471). Frankenstein, for 14 players. Duration (approximately) 13 minutes and published by Fluff-Tone Media a Division of the Code International Inc/ASCAP http://stevehorowitzmusic.com/ http://www.thecodeinternational.com/.
$15.99
Frankenstein-For 14 Players-PARTS
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Steve Horowitz
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Frankenstein-For 14 Players-PA
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Steven M Horowitz
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1003475 Composed by Steve Horowitz. 20th Century,Contemporary,Film/TV. Score and parts. 52 pages. Steven M Horowit...
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Chamber Orchestra - Level 4 - SKU: A0.1003475 Composed by Steve Horowitz. 20th Century,Contemporary,Film/TV. Score and parts. 52 pages. Steven M Horowitz #2101455. Published by Steven M Horowitz (A0.1003475). Frankenstein, for 14 players, Full set of PARTS. Duration (approximately) 13 minutes and published by Fluff-Tone Media a Division of the Code International Inc/ASCAP http://stevehorowitzmusic.com/ http://www.thecodeinternational.com/.
$19.99
Prayer for Democracy
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Bob Atwell
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Prayer for Democracy
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Bob Atwell Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.980530 Composed by Bob Atwell. 20th Century,Contemporary. Score and parts. 48 pages. Bob Atwell Music #6221349. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.980530 Composed by Bob Atwell. 20th Century,Contemporary. Score and parts. 48 pages. Bob Atwell Music #6221349. Published by Bob Atwell Music (A0.980530). A work for Trumpet and Strings. This piece is a Theme and Variations where each variation uses a different musical scale and style to reflect the diversity in a functioning democracy.
$12.00
Antillas
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Orchestre de chambre
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AVANCÉ
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William Ortiz
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Antillas
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William Ortiz
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1008993 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 252 pages. William Ortiz #6036805. ...
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Chamber Orchestra - Level 5 - SKU: A0.1008993 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 252 pages. William Ortiz #6036805. Published by William Ortiz (A0.1008993). Antillas for Chamber Orchestra is a work consisting of two movements: Alborada antillana and Nocturno antillano. The piece is a reflective soundscape on the diversity and magic of the archipelago of islands in the Caribbean known as the Antilles. The rich, colorful and mysterious musical energy is depicted through out these two movements. The first at daybreak and the second at night.The fusion of the distinct musical elements is recognized through the evolving musical discourse eventually connecting to its essential roots. The polyphony of timbres and rhythms, at the same time calm and restless, manifests the natural habitat that gives birth to this sound world. Â
$43.00
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399....
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Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Mass in G Major - Qui sedes - Duet for Soprano and Alto from Mass in G Major - Fullscore and Parts
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Orchestre de chambre
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INTERMÉDIAIRE
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Carlos Seixas
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Hélder Bento
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Mass in G Major - Qui sedes -
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Hélder Bento
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1485456 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Religious,Sacred. 7 pa...
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Chamber Orchestra - Level 3 - SKU: A0.1485456 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Religious,Sacred. 7 pages. Hélder Bento #1062513. Published by Hélder Bento (A0.1485456). Qui sedes - Duet for Soprano and Alto from Mass in G Major - Fullscore and PartsCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.
$7.00
Consolation, Celebration
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Chicago Chamber Orchestra, Die
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Consolation, Celebration
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Julian Harvey
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1462974 By Chicago Chamber Orchestra, Dieter Kober conducting. By Julian Harvey. 20th Century,21st Century,Classic...
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Chamber Orchestra - Level 4 - SKU: A0.1462974 By Chicago Chamber Orchestra, Dieter Kober conducting. By Julian Harvey. 20th Century,21st Century,Classical,Contemporary. 70 pages. Julian Harvey #1041701. Published by Julian Harvey (A0.1462974). I was asked to compose music for four clarinets and strings by the conductor of the Chicago Chamber Orchestra Dieter Kober, who with his free concerts did so much for music in Chicago. This work is the result. As its title suggests, the piece is divided into two sections: the first elegiac yet calming, the second a celebratory waltz. Consolation, Celebration can be heard on my Centaur label CD Sweet was the Song: Music by Julian Harvey..
$15.00
Arizona Centennial Overture - Chamber Orchestra Version
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Arizona Centennial Overture -
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99
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