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PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
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CITHARE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
PARTITIONS …
PAS DE PART…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Musicnotes
Note4Piano
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SheetMusicPlus
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Prix + au -
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
2537
PIANO & CLAVIERS
Piano seul
5677
Piano, Voix
5172
Piano Facile
437
Piano, Voix et Guitare
434
1 Piano, 4 mains
296
Instruments en Do
115
Orgue
55
Accompagnement Piano
50
Piano Trio: piano, violon, violoncelle
26
2 Pianos, 4 mains
22
Accordéon
22
Piano grosses notes
19
1 Piano, 6 mains
9
Orgue, Piano (duo)
7
Piano (partie séparée)
7
Orgue, Trompette (duo)
3
Ligne De Mélodie, Piano
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon, Voix
2
2 Accordéons
1
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavier
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
270
Ligne De Mélodie, (Paroles) et Accords
167
Guitare
125
Piano, Guitare (duo)
112
Ukulele
51
Paroles et Accords
50
Basse electrique
34
Banjo
25
2 Guitares (duo)
11
Guitare (partie séparée)
8
Basse électrique (partie séparée)
7
Mandoline
4
Ensemble de guitares
4
4 Guitares (Quatuor)
3
Dobro
3
Dulcimer
2
3 Guitares (trio)
2
Ensemble de Ukulélés
2
Ukulele Baryton
1
Partitions De Groupes
1
Mandoline, Guitare (duo)
1
Guitare Pedal Steel
1
Instrumentations suivantes
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VOIX
Chorale SATB
1240
Chorale 3 parties
99
Chorale TTBB
84
Chorale SSAA
43
Chorale 2 parties
38
Chorale Unison
28
Voix seule
25
Voix duo
21
Voix Soprano, Piano
20
Voix Tenor, Piano
16
Chorale
16
Voix Baryton, Piano
15
Voix Alto, Piano
13
Voix, Guitare
9
Voix haute
5
Voix duo, Piano
3
Voix moyenne, Piano
2
Voix Tenor
2
Chorale SSAATTBB
2
Chorale SSATTB
1
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
409
Hautbois, Piano (duo)
408
Clarinette et Piano
269
Saxophone Alto et Piano
164
Saxophone Tenor et Piano
157
Saxophone (partie séparée)
141
Flûte traversière
133
Saxophone Tenor
113
Clarinette
106
2 Saxophones (duo)
93
Quatuor de Saxophones: 4 saxophones
92
Flûte, Hautbois, Clarinette, Basson
61
Hautbois (partie séparée)
54
Saxophone Alto
53
Clarinette (partie séparée)
52
Flûte, Violon, Piano
51
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
45
2 Flûtes traversières (duo)
41
Quatuor de Clarinettes: 4 clarinettes
35
2 Clarinettes (duo)
31
Saxophone Soprano et Piano
29
Quintette de Saxophone: 5 saxophones
22
Saxophone Baryton, Piano
21
Cor anglais, Piano
21
Quatuor de Flûtes : 4 flûtes
20
Flute (partie séparée)
19
3 Saxophones (trio)
18
Flûte et Guitare
17
Trio de Flûtes: 3 flûtes
17
Saxophone, Clarinette (duo)
15
Flûte à Bec
14
Clarinette, Violon (duo)
13
Saxophone
12
3 Clarinettes (trio)
12
Flûte, Clarinette (duo)
12
Flûte, Violon
10
Hautbois, Basson (duo)
10
Ensemble de Clarinettes
10
Clarinette, Trompette (duo)
9
Instruments en Mib
9
2 Hautbois (duo)
9
Clarinette Basse, Piano
9
Quintette de Clarinettes: 5 clarinettes
8
2 Flûte à bec (duo)
8
Hautbois, Guitare (duo)
8
Ensemble de Flûtes
8
Flûte, Hautbois, Clarinette (trio)
8
Hautbois, Clarinette (duo)
8
Flûte, Hautbois, Violon
8
Saxophone et Guitare
6
Flûte, Trompette (duo)
6
Flûte, Clarinette et Basson
6
Flûte à bec Soprano
5
Flûte, Saxophone (duo)
5
Hautbois
5
Hautbois, Flûte
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Clarinette Basse
5
Clarinette, Guitare (duo)
5
Flûte, Alto (duo)
4
Clarinette et Alto
4
Ocarina
4
Ensemble de saxophones
4
Clarinette, Basson (duo)
4
Flûte, Hautbois (duo)
4
Hautbois, Violon, Piano
3
Clarinette, Orchestre
3
Cor Anglais
3
Flûte, Violon et Violoncelle
3
Piccolo
2
Quintette de Flûte : 5 flûtes
2
Flûte à bec, Guitare (duo)
2
Flûte, Hautbois, Basson
2
Quatuor de Flûtes à bec
2
Flûte, Clarinette, Piano (trio)
2
3 Hautbois
2
Saxophone et Orgue
2
2 Saxophones, Piano
2
Saxophone Soprano
2
Hautbois, violon (duo)
1
Flûte, Violoncelle
1
Flûte à bec Alto, Basse continue
1
Ensemble De Flûte à bec
1
2 Clarinettes, Piano
1
Flûte à bec Alto, Piano
1
Harmonica
1
Clarinette, Basson, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte à bec Alto
1
2 Clarinettes, Basson
1
Flûte traversière, Orgue (duo)
1
Clarinette, Harpe (duo)
1
Saxophone et Piano
1
5 Flûtes à bec
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Basson et Piano
1
Hautbois, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
4 Hautbois
1
Clarinette, Violoncelle (duo)
1
Flûte et Quatuor à Cordes
1
3 Flûtes à bec (trio)
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
183
Trompette
164
Trompette, Piano
103
Trompette (partie séparée)
102
Trombone (partie séparée)
80
Trombone
79
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Cor
48
Cor et Piano
31
Cor (partie séparée)
31
Tuba (partie séparée)
23
Tuba
21
Euphonium, Piano (duo)
21
Cor anglais, Piano
21
2 Trompettes (duo)
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Quatuor de cuivres: 4 trombones
16
2 Trombones (duo)
16
Quatuor de Cuivres
14
Trompette, Saxophone (duo)
11
Trompette, Trombone (duo)
10
Euphonium
9
Quatuor de cuivres: 4 cors
9
Tuba et Piano
8
2 Cors (duo)
8
Bass Clef Instruments
7
Instruments en Sib
7
3 Trombones (trio)
5
Ensemble de Trombones
5
Cornet A Pistons
5
Tuba ou Euphonium ou Saxhorn
5
Cor Anglais
3
Trio de Cuivres
3
Ensemble de Tubas
2
3 Tubas (trio)
2
2 Euphoniums et 2 Tubas
2
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Cors (trio)
2
4 Tubas
2
Trombone, Tuba (duo)
1
Trompette, Tuba (duo)
1
Trombone basse et Piano
1
Ensemble de Cors
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette et Guitare
1
Trombone, Cor (duo)
1
Euphonium, Tuba (duo)
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
466
Alto, Piano
229
Violoncelle, Piano
205
Quatuor à cordes: 2 violons, alto, violoncelle
196
Violon
140
Violoncelle
84
Alto seul
53
Harpe
38
Violon (partie séparée)
35
2 Violons (duo)
34
Alto (partie séparée)
27
Violon, Violoncelle (duo)
24
2 Violoncelles (duo)
21
Trio à Cordes: violon, alto, violoncelle
21
Contre Basse
20
Violon, Alto (duo)
16
Contrebasse (partie séparée)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Trio à Cordes: 2 violons, violoncelle
15
2 Altos (duo)
14
Contrebasse, Piano (duo)
13
Violon, Guitare (duo)
12
Violoncelle (partie séparée)
12
Trio à cordes: 3 violins
11
Violoncelle , Guitare (duo)
10
Violoncelle, Contrebasse (duo)
9
Alto, Violoncelle (duo)
9
4 Violoncelles
8
Trio à Cordes: 3 violoncelles
6
Trio à cordes
5
Alto, Guitare (duo)
5
Violoncelle, Orchestre
5
Piano Trio: Violon, Alto, Piano
4
Trio à Cordes: 2 violons, alto
4
Harpe, Flûte (duo)
3
2 Harpes (duo)
3
2 Contrebasses (duo)
2
Harpe, Voix
2
Quatuor à cordes: 4 violons
2
2 Violons, Piano
1
Quatuor à cordes : 4 altos
1
Violon, Orgue
1
Violoncelle, Orgue
1
Harpe, Violon (duo)
1
Trio à cordes: 3 altos
1
Violon, Basson (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
645
Orchestre
207
Orchestre à Cordes
122
Ensemble Jazz
102
Batterie
86
Orchestre de chambre
46
Percussion (partie séparée)
41
Ensemble de cuivres
33
Fanfare
27
Batterie (partie séparée)
25
Ensemble de Percussions
25
Percussion
19
Cloches
16
Piano et Orchestre
15
Jazz combo
15
Orchestre, Violon
11
Xylophone
5
Marimba
3
Timbales
3
Quintette à Vent
2
Timbales (partie séparée)
2
Vibraphone
2
Instrumentation Flexible
1
Xylophone, Piano
1
Bodhran
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
ester
Orchestre de chambre
Partitions à imprimer
46 partitions trouvées
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[Westergaard] Twelfth Night (Act I Full Score)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.952812 Composed by Peter Westergaard. …
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Chamber Orchestra - Digital Download SKU: A0.952812 Composed by Peter Westergaard. Contemporary,Opera. Score and parts. 381 pages. American Composers Alliance Inc. #4624283. Published by American Composers Alliance Inc. (A0.952812). Full score to Act I of Westergaard's Shakespearian chamber opera, Twelfth Night. Scored for 12 solo singers (1 soprano, 1 mezzo-soprano, 1 contralto, 1 countertenor, 3 tenors, 4 baritones, 1 bass), 4 supernumeraries, flute (doubling piccolo & alto flute), Ob (doubling English horn), Clarinet, Bassoon, Horn, Trumpet, Harp, 2 Violins, 2 Violas, and 2 cellos. PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$111.95
101.45 €
#
Orchestre de chambre
#
Peter Westergaard
#
[Westergaard] Twelfth Night
#
American Composers Alliance Inc.
#
SheetMusicPlus
[Westergaard] Twelfth Night (Act II Full Score)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.952814 Composed by Peter Westergaard. …
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Chamber Orchestra - Digital Download SKU: A0.952814 Composed by Peter Westergaard. Contemporary,Opera. Score and parts. 388 pages. American Composers Alliance Inc. #4624289. Published by American Composers Alliance Inc. (A0.952814). Full score to Act II of Westergaard's Shakespearian chamber opera, Twelfth Night. Scored for 12 solo singers (1 soprano, 1 mezzo-soprano, 1 contralto, 1 countertenor, 3 tenors, 4 baritones, 1 bass), 4 supernumeraries, flute (doubling piccolo & alto flute), Ob (doubling English horn), Clarinet, Bassoon, Horn, Trumpet, Harp, 2 Violins, 2 Violas, and 2 cellos. PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$111.95
101.45 €
#
Orchestre de chambre
#
Peter Westergaard
#
[Westergaard] Twelfth Night
#
American Composers Alliance Inc.
#
SheetMusicPlus
Colchester Concert Overture
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1015100 Composed by Nigel Hildreth. Co…
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Chamber Orchestra - Digital Download SKU: A0.1015100 Composed by Nigel Hildreth. Contemporary. Score and parts. 29 pages. Nigel Hildreth #4613257. Published by Nigel Hildreth (A0.1015100). A classical overture for the opening of Charter Hall in Colchester Suitable for amateur or Youth Orchestras
$8.99
8.15 €
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Orchestre de chambre
#
Nigel Hildreth
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Colchester Concert Overture
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Nigel Hildreth
#
SheetMusicPlus
Dialog für Flöte und Orchester
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.937909 Composed by Hanspeter…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.937909 Composed by Hanspeter Reimann. 20th Century,Contemporary. Score and parts. 24 pages. Hanspeter Reimann #1921231. Published by Hanspeter Reimann (A0.937909). Dialogue for Flute and Orchestra watch YouTube: https://www.youtube.com/watch?v=55A5XaSDrXk Single-Parts directly available from the composer.
$9.80
8.88 €
#
Orchestre de chambre
#
Hanspeter Reimann
#
Dialog für Flöte und Orchester
#
Hanspeter Reimann
#
SheetMusicPlus
Western Countryside
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.925869 Composed by Rebecca D…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.925869 Composed by Rebecca Drimmel. Arranged by Rebecca Drimmel. Contemporary,Film/TV,Standards,Wedding. Score and parts. 4 pages. Rebecca Drimmel #6859225. Published by Rebecca Drimmel (A0.925869). This chamber String orchestra piece is a very bright and cheerful piece. This piece would playable from elementary students all the way up to advanced. This is a beginner/ intermediate piece but enjoyable to play whether you’re a beginner or advanced.
$5.99
5.43 €
#
Orchestre de chambre
#
Rebecca Drimmel
#
Rebecca Drimmel
#
Western Countryside
#
Rebecca Drimmel
#
SheetMusicPlus
Intrada. Easy ensamble
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1142203 Composed by Anonimo.…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1142203 Composed by Anonimo. Arranged by Ester Alessandrini. Celtic,Children,Instructional,Irish,Renaissance,Traditional. Score and parts. 8 pages. Ester #742583. Published by ester (A0.1142203). Very easy transcription for school ensemble (flute, violin, guitar, piano and Orff instruments) of Scottish Renaissance dance.
$12.00
10.87 €
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Orchestre de chambre
#
Anonimo
#
Ester Alessandrini
#
Intrada. Easy ensamble
#
ester
#
SheetMusicPlus
Winter solstice song
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.758262 Composed by B.Bartok.…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.758262 Composed by B.Bartok. Arranged by Ester Alessandrini. 20th Century,Children,Concert,Folk,Instructional. Score and parts. 22 pages. Ester #3011733. Published by ester (A0.758262). Tratto da For Children for piano, questa orchestrazione è adatta agli studenti nei primi 3 anni di studio che vogliono conoscere la musica di B.Bartok. Canta e balla per festeggiare in allegria il giorno del solstizio d'inverno.
$14.00
12.69 €
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Orchestre de chambre
#
B
#
Ester Alessandrini
#
Winter solstice song
#
ester
#
SheetMusicPlus
Romance - Score Only
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1302682 Composed by L.van Be…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1302682 Composed by L.van Beethoven. Arranged by Ester Alessandrini. 19th Century,Christmas,Instructional,Romantic Period,Wedding. 8 pages. Ester #892307. Published by ester (A0.1302682). Easy arrangement in Sib for school ensamble.
$10.00
9.06 €
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Orchestre de chambre
#
L
#
Ester Alessandrini
#
Romance - Score Only
#
ester
#
SheetMusicPlus
Rondeau
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.758403 Composed by Chaminade…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.758403 Composed by Chaminade Cecile. Arranged by Ester Alessandrini. 20th Century,Children,Concert,Instructional. Score and parts. 18 pages. Ester #4345801. Published by ester (A0.758403). Trascrizione per orchestra scolastica per i primi 3 anni di studio.
$12.00
10.87 €
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Orchestre de chambre
#
Chaminade Cecile
#
Ester Alessandrini
#
Rondeau
#
ester
#
SheetMusicPlus
Klezmer per orchestra
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.758116 Composed by Anonimo. …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.758116 Composed by Anonimo. Arranged by Ester Alessandrini. Easter,Folk,Hanukkah,Jewish. Score and parts. 30 pages. Ester #2019545. Published by ester (A0.758116). suitabile per gli studenti nei primi 3 anni di studio
$20.00
18.12 €
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Orchestre de chambre
#
Anonimo
#
Ester Alessandrini
#
Klezmer per orchestra
#
ester
#
SheetMusicPlus
Dona nobis pacem quartet
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.758559 Composed by Anonimo. …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.758559 Composed by Anonimo. Arranged by Ester Alessandrini. Christmas,Concert,Easter,Sacred,Wedding. Score and parts. 13 pages. Ester #4895383. Published by ester (A0.758559). Arrangement for flute, violin, guitar and piano quartet adapted to the first 3 years of study.
$12.00
10.87 €
#
Orchestre de chambre
#
Anonimo
#
Ester Alessandrini
#
Dona nobis pacem quartet
#
ester
#
SheetMusicPlus
Rondo D major
Orchestre de chambre
2 Oboen, 2 Hörner, Streicher flute and chamber orchestra - intermediate to advanced - D…
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2 Oboen, 2 Hörner, Streicher flute and chamber orchestra - intermediate to advanced - Digital Download SKU: S9.Q558258 To Rondo C major. Composed by Wolfgang Amadeus Mozart. Hausmusik. Downloadable, Piano reduction with solo part. Op 244. Möseler Verlag - Digital #Q558258. Published by Möseler Verlag - Digital (S9.Q558258). Key: D major.Mozart schrieb das Rondo C-dur, KV 373 für Violine und Orchester 1781 für Antonio Brunetti, dem Konzertmeister der Salzburger Kapelle. Bereits im selben Jahr wurde das Werk von Brunetti aufgeführt; gedruckt wurde es aber erst 1800, neun Jahre nach Mozarts Tod. Ein Jahr später erschien eine nach D-dur transponierte Fassung für Querflöte und Orchester. Zur Zeit der Klassik war das Uminstrumentieren eigener oder fremder Werke nicht mehr so üblich wie im Barock. Aber es gibt noch genügend Beispiele; gerade Mozart liefert den besten Beweis (KV 413). Im Gegensatz zu der Ausgabe von 1801 ist die vorliegende Fassung enger am Originaltext orientiert, behält aber die Transposition nach D-dur bei; die Praxis hat gezeigt, dass die Querflöte in der D-dur-Fassung besser klingt.
$11.99
10.87 €
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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Rondo D major
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Möseler Verlag - Digital
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SheetMusicPlus
Musical Offering
Orchestre de chambre
Chamber orchestra - Digital Download SKU: S9.Q4667 Composed by Johann Sebastian Bac…
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Chamber orchestra - Digital Download SKU: S9.Q4667 Composed by Johann Sebastian Bach. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q4667. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4667). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$13.99
12.68 €
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Orchestre de chambre
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Johann Sebastian Bach
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Musical Offering
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Art of Fugue
Orchestre de chambre
Chamber orchestra - Digital Download SKU: S9.Q45581 Composed by Johann Sebastian Ba…
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Chamber orchestra - Digital Download SKU: S9.Q45581 Composed by Johann Sebastian Bach. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Duration 120 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q45581. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q45581). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$17.99
16.3 €
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Orchestre de chambre
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Johann Sebastian Bach
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Art of Fugue
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Johanna Müller-Hermann - Im Garten des Serails, Op. 10 No. 2 for female choir and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.914184 Composed by Johanna Muller-herm…
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Chamber Orchestra - Digital Download SKU: A0.914184 Composed by Johanna Muller-hermann. Arranged by Music for a While. 20th Century,Romantic Period. Score and parts. 35 pages. Music for a While #6565223. Published by Music for a While (A0.914184). Johanna Müller-HermannIm Garten des Serails, Op. 10 No. 2from Zwei Frauenchöre mit orchesterfor female choir (SSA with solo soprano) and chamber orchestra
$70.00
63.43 €
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Orchestre de chambre
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Johanna Muller-hermann
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Music for a While
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Johanna Müller-Hermann - Im Garten des Serails, Op. 10 No. 2 for female choir and chamber orchestra
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Music for a While
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SheetMusicPlus
I Gotta Feeling
Orchestre de chambre
By The Black Eyed Peas. By Allan Pineda, Frederic Riesterer, Jaime Gomez, Stacy Ferg…
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By The Black Eyed Peas. By Allan Pineda, Frederic Riesterer, Jaime Gomez, Stacy Ferguson, Will Adams, and David Guetta. Arranged by Ray Kamada. Hip-Hop, R & B. Score and parts. 15 pages. The Lone Arranger #3031923. Published by The Lone Arranger
$12.99
11.77 €
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Orchestre de chambre
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The Black Eyed Peas
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Ray Kamada
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B
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I Gotta Feeling
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.74 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Praise Him, Praise Him
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.751288 Composed by Chester G…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.751288 Composed by Chester G. Allen. Arranged by Paul Thompson. Christian,Sacred. Score and parts. 22 pages. House of El Music #6381917. Published by House of El Music (A0.751288). String Quartet, Harp, and Clarinet solo will delight your congregation with this playful setting on an old Fanny Crosby hymn.
$25.00
22.66 €
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Orchestre de chambre
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Chester G
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Paul Thompson
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Praise Him, Praise Him
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House of El Music
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SheetMusicPlus
Americana Suite for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.755098 Composed by Sy Brando…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.755098 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 126 pages. Sy Brandon #3383909. Published by Sy Brandon (A0.755098). This work consists of three of the movements from the award-winning 2000 composition for string orchestra, New England Time Capsules, that has been expanded for a small chamber orchestra. The first movement is Amerindian Harvest Dance, a colorful and rhythmic movement with some percussive sounds in the strings. The second movement The Pilgrims uses Praise God From Whom All Blessings Flow for a set of variations. The third movement Birth of a Nation uses adaptations of Chester and Yankee Doodle.
$39.99
36.24 €
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Orchestre de chambre
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Sy Brandon
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Americana Suite for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Orchestraining No. 4 [Orchestra]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432026 By Juan Maria Solare…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012506. Published by Juan Maria Solare (A0.1432026). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fourth etude focuses on dynamics: crescendi and diminuendi, exploring the extremes forte vs piano and gradually changing from one to the other one.
$5.00
4.53 €
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Orchestre de chambre
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Juan Maria Solare
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Juan Maria Solare
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Orchestraining No. 4 [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
Orchestraining No. 2 [Orchestra]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432016 By Juan Maria Solare…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18 pages. Juan Maria Solare #1012496. Published by Juan Maria Solare (A0.1432016). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.This second orchestral etude focus on tuning / intonation.
$5.00
4.53 €
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Orchestre de chambre
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Juan Maria Solare
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Orchestraining No. 2 [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
22.66 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Honrpipe (From 'Water Music Suite No. 1' in F, HWV 348)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597305 Composed by Georg Fri…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.597305 Composed by Georg Friedrich HÄNDEL  . Arranged by Flavio Regis Cunha. Baroque,Concert,Holiday,Wedding. Score and parts. 29 pages. Flavio Regis Cunha #5304533. Published by Flavio Regis Cunha (A0.597305). This beautiful edition of Handel's well-known worldwide 'Hornpipe' was based on the Halle Handel Edition. In this edition you will find optional parts for two flutes and timpani. The continuo was realized and can be replaced by the organ as optional. This 'Hornpipe' from Handel's Water Music (HWV 349) transcription is also a combination of the Halle Handel Edition and the recording performed by the FestspielOrchester Göttingen with Laurence Cummings as director (https://www.youtube.com/watch?v=1h4mAceHmrI).This score is an excellent purchase for your group, or archive. You and your ensemble will love playing along with the eardrums. Your audience will be enchanted by the vibrant power of this piece.
$9.99
9.05 €
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Orchestre de chambre
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Georg Friedrich HÄNDEL Â
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Flavio Regis Cunha
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Honrpipe
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Flavio Regis Cunha
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.9 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.9 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
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