Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
experience it
Non classifié
1 390
Piano & claviers
Piano seul
551
Piano, Voix
466
Piano Facile
379
Accompagnement Piano
100
Instruments en Do
72
Piano, Voix et Guitare
55
Orgue
28
1 Piano, 4 mains
22
Piano Trio: piano, violon, violoncelle
20
2 Pianos, 4 mains
9
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
66
Guitare
64
Ukulele
17
2 Guitares (duo)
12
Ligne De Mélodie, (Paroles) et Accords
8
4 Guitares (Quatuor)
8
Banjo
5
2 Ukuleles
4
Ensemble de guitares
3
3 Guitares (trio)
3
Basse electrique
2
Guitare (partie séparée)
2
Mandoline
2
Paroles et Accords
1
Piano, Guitare (duo)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
210
Voix Tenor, Piano
102
Chorale 3 parties
99
Voix Soprano, Piano
77
Voix Alto, Piano
72
Chorale TTBB
48
Chorale 2 parties
44
Voix Baryton, Piano
43
Chorale SSAA
35
Chorale Unison
13
Voix Tenor
5
Voix duo, Piano
4
Voix haute
3
Voix seule
2
Voix Soprano
1
Voix duo
1
+ 11 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
217
2 Saxophones (duo)
206
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
165
Quintette de Saxophone: 5 saxophones
152
Clarinette
146
Flûte, Hautbois, Clarinette, Basson
143
Flûte traversière
132
Clarinette et Piano
130
Flûte traversière et Piano
122
2 Flûtes traversières (duo)
119
Hautbois, Piano (duo)
118
Saxophone Alto
105
Saxophone Alto et Piano
103
Saxophone Tenor
80
Saxophone Tenor et Piano
80
Hautbois (partie séparée)
75
2 Clarinettes (duo)
70
Saxophone Soprano et Piano
69
Saxophone Baryton, Piano
66
2 Hautbois (duo)
61
Hautbois
58
Saxophone (partie séparée)
56
3 Saxophones (trio)
56
Saxophone Baryton
49
Saxophone Soprano
46
Quatuor de Flûtes : 4 flûtes
40
Quatuor de Clarinettes: 4 clarinettes
28
Quintette de Clarinettes: 5 clarinettes
26
Flûte, Clarinette (duo)
24
Flûte à bec Soprano
23
Flûte, Hautbois, Clarinette (trio)
22
Ensemble de Clarinettes
22
Hautbois, Clarinette (duo)
17
Hautbois, Clarinette, Basson (trio d'anches)
17
2 Flûte à bec (duo)
16
Cor anglais, Piano
16
Hautbois, Basson (duo)
15
Quatuor de Flûtes à bec
14
3 Clarinettes (trio)
13
Cor Anglais
13
Clarinette, Basson (duo)
13
Ensemble de saxophones
13
Flûte, Hautbois (duo)
12
Quintette de Flûte : 5 flûtes
12
Flûte à Bec
11
Flute (partie séparée)
11
Trio de Flûtes: 3 flûtes
11
Flûte, Trombone (duo)
10
5 Flûtes à bec
10
Clarinette (partie séparée)
9
Piccolo
9
Ensemble de Flûtes
8
Hautbois, Violoncelle
8
Clarinette Basse, Piano
8
Clarinette, Violon (duo)
8
Flûte, Violoncelle
8
Flûte, Violon, Piano
7
Flûte, Basson et Piano
7
Saxophone, Clarinette (duo)
7
Flûte à bec Alto, Piano
7
Hautbois, Flûte
6
Clarinette, Violoncelle (duo)
6
Flûte à bec Alto
6
Flûte, Hautbois, Piano (trio)
5
Piccolo, Piano
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Flûte, Hautbois, Basson
5
Clarinette et Alto
5
Flûte, Alto (duo)
5
Clarinette Basse
4
Flûte à Bec, Piano
4
Flûte et Guitare
4
Flûte à bec Tenor
4
Clarinette, Trompette (duo)
4
Ensemble De Flûte à bec
4
Hautbois et alto (duo)
3
Flûte, Clarinette et Basson
3
Flûte, Violon
3
Hautbois, violon (duo)
2
2 Saxophones, Piano
2
Clarinette, Harpe (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Trompette (duo)
2
Flûte à bec Soprano, Piano
1
Flûte traversière, Orgue (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Flûtes à bec (trio)
1
Hautbois, Basson et Piano
1
Cor anglais et Harpe (duo)
1
Hautbois, Violoncelle et Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Guitare (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte et Trio à cordes
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Contrebasse (duo)
1
Flûte, Alto et Piano
1
Hautbois, Guitare (duo)
1
+ 97 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
171
Trompette
152
Cor
137
Trombone et Piano
125
Trombone
113
Trompette, Piano
113
Tuba et Piano
107
Tuba
107
Cor et Piano
106
Quatuor de Cuivres: 2 trompettes, Cor, trombone
94
2 Trombones (duo)
58
2 Trompettes (duo)
58
2 Cors (duo)
55
Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
Quatuor de Cuivres
53
2 Tubas (duo)
26
Trompette (partie séparée)
22
Trompette, Trombone (duo)
21
Euphonium, Piano (duo)
18
Quatuor de cuivres: 4 trombones
18
Quatuor de cuivres: 4 cors
16
Cor anglais, Piano
16
Quatuor de cuivres: 4 trompettes
15
Trombone (partie séparée)
14
Cor Anglais
13
Ensemble de Trompettes
9
Trompette, Cor (duo)
8
Euphonium
7
4 Tubas
7
Cor (partie séparée)
6
Trombone basse
6
Trompette, Basson (duo)
6
Trombone, Cor (duo)
5
3 Trombones (trio)
5
Ensemble de Cors
5
Cor, Tuba (duo)
4
Tuba (partie séparée)
4
Trombone basse et Piano
4
Cor et Basson (duo)
4
Cor, Violoncelle (duo)
4
Trompette, Tuba (duo)
3
3 Trompettes (trio)
2
Trombone, Tuba (duo)
2
Trompette, Violoncelle (duo)
2
Ensemble de Trombones
2
Trompette, Trombone, Piano
2
2 Euphoniums et 2 Tubas
2
Trombone, Violon (duo)
1
Tuba et Orgue
1
3 Tubas (trio)
1
Euphonium, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
Trompette, Saxophone (duo)
1
+ 48 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
325
Violon
166
Violoncelle
160
Violon et Piano
154
Violoncelle, Piano
139
Alto, Piano
135
Quintette à cordes: 2 violons, alto, violoncelle, basse
129
Alto seul
104
Contre Basse
89
Contrebasse, Piano (duo)
75
2 Violons (duo)
75
Violon, Violoncelle (duo)
68
2 Violoncelles (duo)
65
2 Altos (duo)
61
Trio à Cordes: violon, alto, violoncelle
42
Violon, Alto (duo)
39
Alto (partie séparée)
26
2 Contrebasses (duo)
22
Harpe
17
Alto, Violoncelle (duo)
17
4 Violoncelles
15
Quatuor à cordes: 4 violons
14
Trio à cordes: 3 altos
11
Trio à cordes: 3 violins
11
Violon (partie séparée)
10
Quatuor à cordes : 4 altos
9
Trio à Cordes: 3 violoncelles
9
Violon, Basson (duo)
8
Violoncelle, Contrebasse (duo)
8
Trio à Cordes: 2 violons, violoncelle
7
Alto et Basson
6
Contrebasse (partie séparée)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Piano Trio: Violon, Alto, Piano
5
Harpe, Flûte (duo)
5
Violon, Clarinette, Piano (trio)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Violoncelle (duo)
2
Harpe, Violon, Violoncelle
2
2 Harpes (duo)
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violon (duo)
2
4 Harpes
1
Flûte, Contrebasse (duo)
1
Violon, Tuba (duo)
1
Alto, Guitare (duo)
1
Violon, Violoncelle, Clarinette
1
Violoncelle (partie séparée)
1
Harpe et Piano
1
Violoncelle , Guitare (duo)
1
Ensemble de Violoncelles
1
2 Violoncelles, Piano
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
332
Cloches
99
Orchestre
91
Orchestre à Cordes
56
Orchestre de chambre
24
Batterie
21
Ensemble Jazz
18
Ensemble de cuivres
15
Fanfare
12
Marimba
10
Jazz combo
8
Xylophone
6
Ensemble de Percussions
6
Xylophone, Piano
5
Percussion (partie séparée)
3
Piano et Orchestre
1
Batterie (partie séparée)
1
2 Xylophones
1
Bongos
1
Vibraphone
1
+ 15 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
428
Partitions Numériques
24
Librairie Musicale
8
Matériel de Musique
1 057
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
experience it
Orchestre de chambre
Partitions à imprimer
24 partitions trouvées
<
1
Silent Durations XXII (Parts) (a Zen experience)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Drake Mabry
#
Silent Durations XXII
#
Drake Mabry
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.799391 Composed by Drake Mabry. Contemporary. Score and parts. 22 pages. Drake Mabry #2022225. Published by Drake ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.799391 Composed by Drake Mabry. Contemporary. Score and parts. 22 pages. Drake Mabry #2022225. Published by Drake Mabry (A0.799391). Silent Durations XXII (a Zen experience) was written for the French saxophone virtuoso, Daniel Kientzy. It features Drake Mabry's usage of silence as a musical architectural device. The solo part for bass saxophone highlights the tonal variations of this instrument in its various registers. The slow first movement is followed by a rapid and invigorating second movement. This is the first part of a trilogy of works based on the same source material. The other works are Concerto for Kientzy and Silent Concerto Durations which brings together the previous two compositions as one work. It would be conceivable to play Silent Durations XXII on other Bb saxophones. The solo part is included with the parts. The duration is 20'40.
$4.99
Scherzo for an Eclectic Ensemble - score and parts
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Contemporain
#
Simon Watkins
#
Scherzo for an Eclectic Ensemb
#
Simon Watkins
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1019461 Composed by Simon Watkins. Contemporary. Score and parts. 85 pages. Simon Watkins #6237603. Published by S...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1019461 Composed by Simon Watkins. Contemporary. Score and parts. 85 pages. Simon Watkins #6237603. Published by Simon Watkins (A0.1019461). A jolly piece written for a mixed ensemble of amateur musicians I used to conduct, with players of varying experience. It runs for between 7 and 8 minutes and is unremittingly upbeat! Have fun...
$19.25
Requiem
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Scimitars of the Storm
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Anthony Plominski
#
Scimitars of the Storm
#
Anthony Plominski
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1459155 Composed by Anthony Plominski. Chamber. 13 pages. Anthony Plominski #1038126. Published by Anthony Plomins...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1459155 Composed by Anthony Plominski. Chamber. 13 pages. Anthony Plominski #1038126. Published by Anthony Plominski (A0.1459155). This is Scimitars of the Storm, an original orchestral composition made by Anthony Plominski. This piece includes 14 instruments of various types, though it can all be played one intrument, most commonly the piano. This piece has a dramatic, epic, battle sort of theme to it, which the many intruments help create. That epic feel keeps throughout the entire composition, though it still has variety and interesting parts to it. The difficulty of this piece can vary depending on what intrument is performing its part, though there is a decent amount of skill an experience required to play it.Loads of thought and effort went into this composition, despite it only being just over two minutes when correctly played. We hope that you enjoy playing this piece!
$10.00
When I Survey the Wondrous Cross - Orchestration
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cro
#
WheatMyer Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
(+)
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Playing Love
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Ennio Morricone
#
Flavio Regis Cunha
#
Playing Love
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1431197 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instruc...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1431197 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Wedding. 13 pages. Flavio Regis Cunha #1011659. Published by Flavio Regis Cunha (A0.1431197). Ennio Morricone: Playing Love English Horn Solo Version, Piano, and String Orchestra - Full Score and Parts Sheet MusicEnnio Morricone's Playing Love for English Horn Solo Version, Piano, and Orchestra, from the Giuseppe Tornatore Suite: Playing Love featured in The Legend of 1900, as performed by Yo-Yo Ma and Roma Sinfonietta Orchestra.For orchestras seeking to enrich their repertoire with a distinctive touch, Playing Love from the Giuseppe Tornatore Suite is a prime choice. Crafted by the virtuoso composer Ennio Morricone, this masterpiece is certain to captivate audiences. With its arrangement for English Horn Solo, Piano, and Orchestra, this exceptional composition provides everything necessary for an outstanding performance. Experience its enchanting beauty through Yo-Yo Ma's rendition or the majestic interpretation by the Roma Sinfonietta Orchestra. Stand out from the crowd and acquire this essential piece today!Level: Advanced IntermediateFormat: Concert, 9 x 12 inchesSize: 13 PagesScore and Orchestral PartsDuration: 2:00Instrumentation: English Horn Solo Version, Piano, and String OrchestraProgram NotesWelcome to the rendition of Ennio Morricone's exquisite suite, Playing Love, from The Legend of 1900. This composition is a fusion of classical and cinematic music, touching hearts and soothing souls. Its multiple layers evoke a range of emotions through intimate and powerful instrumentation. Soloists command attention as Violoncello and Piano entwine in a duet of love and tragedy, while the Orchestra carries the melody, grounding it in symphonic richness. Experience the emotive power of Playing Love as Morricone's captivating melodies breathe life into the tale of The Legend of 1900. Don't miss this unforgettable performance.
$49.99
Dreams - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan Guerra González
#
Dreams - Score Only
#
Juan Carlos Guerra Gonzalez
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
TIDAL SUITE
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Helen Portrer
#
TIDAL SUITE
#
Helen Porter
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976596 Composed by Helen Portrer. Concert,Romantic Period,Standards,Wedding. Score and parts. 72 pages. Helen Port...
(+)
Chamber Orchestra - Level 3 - SKU: A0.976596 Composed by Helen Portrer. Concert,Romantic Period,Standards,Wedding. Score and parts. 72 pages. Helen Porter #4275581. Published by Helen Porter (A0.976596). TIDAL SUITE is an orchestral piece with piano, in 4 movements. (flute, oboe, horn, clarinet,trumpet, bassoon, timpani,piano, violin1, violin2, viola, 'cello, bass. The movements are 1. Awaken, 2. Flowing, 3.Frolic 4. Ebb Tide. It was written to fill a gap in intermediate level piano and instrument playing and to provide an opportunity for musicians to experience the richness of music with a group a group. It is 12.5 min. duration.
$20.00
Händel: Basss Aria "The Trumpet Shall Sound" for Bass Solo and Chamber Orchestra (D major Version)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
George Frideric Handel
#
Flávio Régis Cunha
#
Händel: Basss Aria "
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.597235 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Contest...
(+)
Chamber Orchestra - Level 4 - SKU: A0.597235 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Film/TV,Sacred. Score and Parts. 46 pages. Flavio Regis Cunha #4602725. Published by Flavio Regis Cunha (A0.597235). Händel: The Trumpet Shall Sound for Trumpet, Strings, Bass Solo and Harpsichord (D major Version)The trumpet shall sound Are you looking for a beautiful and exciting piece of music perfect to perform in a church, school or professional orchestra? Look no further!  Introducing 'The Trumpet Shall Sound' composed by Georg Friedrich Händel. This transcendent, multi-instrumental work will leave your audience awe-struck! Get the full sheet music arrangement, designed to be performed with Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings in D major.  Experience this masterpiece the way it was intended - bring it to life in concert field! Perfect for churches, schools and orchestras. Download 'The Trumpet Shall Sound' now and make your performance extra special!The Air for bass The trumpet shall sound, marked Pomposo, ma non allegro, is a da capo aria. In the work's only instrumental solo, the trumpet provides motifs which the bass picks up. In and we shall be changed, the word changed is treated in inventive ever-changing melismas of up to six measures. In the middle section, the word immortality is expressed in a lively melisma of first eight, then nine measures.Advanced Intermediate.Format: A446 pagesFull Score and Orchestral PartsBb Major version:  https://www.sheetmusicplus.com/title/hndel-the-trumpet-shall-sound-for-bassoon-trumpet-in-bb-bass-solo-harpsichord-and-strings-digital-sheet-music/22572767?aff_id=728965
$18.99
String Quartet in C?
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Contemporain
#
Mat Kim
#
String Quartet in C?
#
Mat Kim
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921436 Composed by Mat Kim. Contemporary. Score and parts. 12 pages. Mat Kim #3538161. Published by Mat Kim (A0.92...
(+)
Chamber Orchestra - Level 3 - SKU: A0.921436 Composed by Mat Kim. Contemporary. Score and parts. 12 pages. Mat Kim #3538161. Published by Mat Kim (A0.921436). This piece started as a string quartet in the key of C, and retained that name after it no longer applied. Experiments in quartal, blues and Japanese harmonies make this single-movement work a wholly unique experience.
$9.99
Guinevere's Dream
#
Orchestre de chambre
#
Contemporain
#
Ana Tipton
#
Curtis Tipton
#
Guinevere's Dream
#
Curtis Tipton
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.978389 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #6862211. P...
(+)
Chamber Orchestra - SKU: A0.978389 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #6862211. Published by Curtis Tipton (A0.978389). I compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire arrangement go to https://soundcloud.com/user-138852143/guinevere-dream. My music can also be found on Spotify and iTunes.
$20.00
A Celebration Miniature! (for String Orchestra)
#
Orchestre de chambre
#
DÉBUTANT
#
Aaron Fonzi
#
#
A Celebration Miniature!
#
Aaron Fonzi
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.998363 Composed by Aaron Fonzi. 20th Century,Contemporary,Standards. Score and parts. 19 pages. Aaron Fonzi #60912...
(+)
Chamber Orchestra - Level 1 - SKU: A0.998363 Composed by Aaron Fonzi. 20th Century,Contemporary,Standards. Score and parts. 19 pages. Aaron Fonzi #6091271. Published by Aaron Fonzi (A0.998363). A Celebration Miniature is an ode to all of the incredible people who get up and work with young peopleevery day to share the joy, passion and truth of music education. Thank you for keeping the arts thriving inour schools and giving the next generationan opportunity to experience the thrill of music making! Composed in an overture style, the piece begins with a powerful introductory statement pedaling onBb major. After the introduction, the second theme is introduced by the violin 1 section. The B sectionbegins at Rehearsal B, featuring a light, legato approach. The piece picks back up at Rehearsal C with another rousing statement of the first theme, and propels itself to a thrilling close with a restatement of the introduction. Have fun! I hope you enjoy playing and rehearsing this piece as much as I did writing it, and you are certain to have something to celebrate after a performance of this piece!
$20.00
Sir Galahad And The Holy Grail
#
Orchestre de chambre
#
FACILE
#
Contemporain
#
Ana Tipton
#
Curtis Tipton
#
Sir Galahad And The Holy Grail
#
Curtis Tipton
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.978394 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #...
(+)
Chamber Orchestra - Level 2 - SKU: A0.978394 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #6866859. Published by Curtis Tipton (A0.978394). compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire arrangement go to https://soundcloud.com/user-138852143/sir-galahad-and-the-holy-grail-2.
$20.00
Mechanik - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Timothy Sullivan
#
Mechanik - Score Only
#
SullivanWorks
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1043482 Composed by Timothy Sullivan. Classical,Contemporary,Contest,Festival,New Age. Score and parts. 45 pages. ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1043482 Composed by Timothy Sullivan. Classical,Contemporary,Contest,Festival,New Age. Score and parts. 45 pages. SullivanWorks #648166. Published by SullivanWorks (A0.1043482). Mechanik is a bold and energetic contemporary musical work. Constructed in the manner of a chamber concerto grosso, it is difficult to believe, in hearing Mechanik that there are only seven instruments playing! The richness of the musical ideas, orchestration, and pitch material makes for a thrilling aural experience.
$20.00
Journey To Inner Worlds
#
Orchestre de chambre
#
FACILE
#
Contemporain
#
Ana Tipton
#
Curtis Tipton
#
Journey To Inner Worlds
#
Curtis Tipton
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.978391 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 15 pages. Curtis Tipton #...
(+)
Chamber Orchestra - Level 2 - SKU: A0.978391 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 15 pages. Curtis Tipton #6866405. Published by Curtis Tipton (A0.978391). I compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire piece go to https://soundcloud.com/user-138852143/journey-to-inner-world-50337-pm.
$20.00
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
#
Orchestre de chambre
#
DÉBUTANT
#
Traditional
#
Lauri Hamalainen
#
11 CHILDREN'S SONGS FOR THE YO
#
Suomi Music
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
(+)
Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909423. Published by Suomi Music (A0.1320978). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLOSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER CELLO STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellowmusicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
Fauré: Cantique de Jean Racine (Canticle of Jean Racine) for Harp, SATB Choir and String Orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Gabriel Faure
#
Flavio Regis Cunha
#
Fauré: Cantique de Jean
#
FRC Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1153278 By Gabriel Faure. By Gabriel Faure. Arranged by Flavio Regis Cunha. 19th Century,Contest,Festival,Film/TV,...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1153278 By Gabriel Faure. By Gabriel Faure. Arranged by Flavio Regis Cunha. 19th Century,Contest,Festival,Film/TV,Instructional,Wedding. Score and Parts. 59 pages. FRC Music #753526. Published by FRC Music (A0.1153278). Are you looking for a unique and special piece to add to your choir or orchestra repertoire? Look no further!  Introducing 'Cantique de Jean Racine' by Gabriel Fauré, arranged for Harp, SATB Choir and String Orchestra. This beautiful and captivating piece offers a unique sound to your choir or orchestra. With its timeless melody and divine harmony, it will become an instant favorite.  You can now find this amazing sheet music available for purchase. Give your choir or orchestra an amazing performance experience with this incredible piece.  Order now to get your copy of 'Cantique de Jean Racine' by Gabriel Fauré, arranged for Harp, SATB Choir and String Orchestra.This version was transcribed for Harp, SATB Choir and String Orchestra.The scoring of this transcription is compatible with that of the Fauré Requiem (1893 version), edited by Flavio Regis Cunha, so that the Cantique may be used as a companion piece to the Requiem in performance. Ad libitum parts for 1st and 2nd violins (mostly doubling the viola parts) are included with the instrumental material but not shown in the score.Forces or Category: String orchestra & Harp.Orchestration: hp (or org or pn), str (vln I opt, vln II opt, vla I, vla II, vc I, vc II, db) for SATB accompanied by strings and harp, (optional organ or piano).Advanced Intermediate LevelFomat: Concert 9 x 12 inches.59 pages.
$49.99
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
#
Orchestre de chambre
#
DÉBUTANT
#
Traditional
#
Lauri Hamalainen
#
11 CHILDREN'S SONGS FOR THE YO
#
Suomi Music
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
(+)
Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909421. Published by Suomi Music (A0.1320976). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASSSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER DOUBLE BASS STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
"On the beaches of Tijuana"
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Luis Carlos Diaz
#
Luis Carlos Diaz
#
}p { margin-bottom: 0.1in
#
"On the beaches of Tijuan
#
azdi
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and p...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Azdi #5983045. Published by azdi (A0.1029901). On the beaches of Tijuana August 2018 It is a sound work for chamber orchestral ensemble based on the traditional and anonymous Son Istmeño La Llorona. Developed under a minimalist aesthetic influenced by ambient and experimental music. It fuses the themes of the traditional son with melodic and rhythmic motifs of popular Mexican rock songs also inspired by this traditional rhythm: La muerte chiquita by Café Tacuba and Llorona by Caifanes. It is structured similar to the format of a rock song. Start with a long base note or drone. Introduction (intro) about a descending harmony in the key of La Menor. A melody as a verse and a different melody as choir. Both melodies are presented and performed by different instruments with variations and different combinations of accompaniment and instrumentation. Variations of the thematic patterns and the ¨intro¨. A rhythmic-melodic experiment towards the end on the same descending harmonic progression as the solo part in a rock song. It ends with a fading orchestral atmosphere (outro). All oriented towards a minimalist style setting focused on melodic lines and emotional expressiveness. For a chamber orchestra. Ideally a string septet consisting of: 2 violins. 2 violas. 2 cellos. 1 double bass. Breaths: 1 trombone. 1 trumpet. 1 transverse flute. 1 Picollo flute. 1 Clarinet. 1 Oboe. Percussion of a determined note. It can be a vibraphone. Xylophone (preferably) or marimba. If it is not possible to use this type of instrument, that part is played an octave up on a piano. The number of instruments can be increased for each of the parts if needed and be convenient for the chamber orchestra in question. The Tempo can vary between 95 and 115 bpm. The work is designed so that it can be performed mainly by youth and children's orchestras. Dedicated to Tijuana beaches. pre.cjk { font-family: WenQuanYi Micro Hei Mono, monospace; }p { margin-bottom: 0.1in; line-height: 115%; }
$22.00
Things Five for Oboe and String Quartet 1st movement
#
Orchestre de chambre
#
Contemporain
#
Rob J Kennedy
#
Things Five for Oboe and Strin
#
Rob J Kennedy
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.1020018 Composed by Rob J Kennedy. Contemporary. Score and parts. 6 pages. Rob J Kennedy #6239517. Published by Rob J Kenned...
(+)
Chamber Orchestra - SKU: A0.1020018 Composed by Rob J Kennedy. Contemporary. Score and parts. 6 pages. Rob J Kennedy #6239517. Published by Rob J Kennedy (A0.1020018). This music is for the group that like to experiment with music.It is a quintet, written for Oboe and String Quartet. It is in a pentatonic scale. It is mostly in 5/4, in phrases of five bars and follows the theme of five things all the way through it's five short movements.
$4.99
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
#
Orchestre de chambre
#
Ofer Ben-Amots
#
Songs from the Pomegranate Gar
#
The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
(+)
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Little Laser Lady for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Colin Bayliss
#
Little Laser Lady for chamber
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David...
(+)
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Landscape before sunrise for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Colin Bayliss
#
Landscape before sunrise for c
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David...
(+)
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
An amble round Mercury for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Colin Bayliss
#
An amble round Mercury for cha
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David...
(+)
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
experience it
