Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
second parts
Non classifié
3 048
Piano & claviers
1 Piano, 4 mains
247
Piano seul
80
Piano Trio: piano, violon, violoncelle
61
Accompagnement Piano
60
Piano Facile
42
Piano, Voix
39
Piano, Voix et Guitare
30
Orgue
24
2 Pianos, 4 mains
20
Orgue, Piano (duo)
11
Instruments en Do
8
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Orgue, Trompette (duo)
5
Piano (partie séparée)
5
2 Pianos, 8 mains
2
2 Accordéons
1
Clavier
1
1 Piano, 6 mains
1
+ 15 instrumentations
Retracter
Guitares
2 Guitares (duo)
29
Guitare notes et tablatures
20
Guitare
19
Ukulele
16
Guitare (partie séparée)
10
4 Guitares (Quatuor)
9
Basse electrique
6
2 Dulcimers (duo)
5
Mandoline, Guitare (duo)
4
2 Ukuleles
4
3 Guitares (trio)
3
Ensemble de guitares
3
Piano, Guitare (duo)
2
Dulcimer
1
Mandoline
1
Ukulele Baryton
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
203
Chorale TTBB
56
Chorale SSAA
44
Chorale 2 parties
33
Chorale 3 parties
31
Chorale Unison
25
Voix duo
5
Voix Soprano, Piano
2
Chorale
2
Voix moyenne, Piano
2
Chorale SSAATTBB
1
Voix basse, Piano
1
Voix et basse continue
1
Voix haute
1
Voix Soprano, Orchestre
1
Chorale SSATB
1
Voix duo, Piano
1
+ 12 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
109
Quatuor de Clarinettes: 4 clarinettes
98
Saxophone Alto et Piano
75
Quatuor de Saxophones: 4 saxophones
69
Flûte traversière et Piano
59
2 Flûtes traversières (duo)
58
Hautbois, Piano (duo)
57
2 Saxophones (duo)
55
Quintette de Saxophone: 5 saxophones
45
Flûte, Hautbois, Clarinette, Basson
44
2 Clarinettes (duo)
43
Clarinette
43
Quatuor de Flûtes : 4 flûtes
43
Clarinette et Piano
40
Saxophone Tenor et Piano
38
Quintette de Clarinettes: 5 clarinettes
34
Flûte et Guitare
33
Saxophone, Clarinette (duo)
29
Ensemble de Clarinettes
28
Flûte, Clarinette (duo)
25
Trio de Flûtes: 3 flûtes
24
Saxophone (partie séparée)
24
Flûte traversière
21
Ensemble de Flûtes
21
3 Saxophones (trio)
19
3 Clarinettes (trio)
19
Hautbois, Basson (duo)
18
Clarinette, Violon (duo)
16
Hautbois, Flûte
14
Clarinette, Trompette (duo)
13
Hautbois, Clarinette (duo)
13
2 Hautbois (duo)
13
Flûte, Violon, Piano
13
Flûte, Violon et Violoncelle
12
Flûte, Violon
12
Saxophone Soprano et Piano
11
2 Flûte à bec (duo)
11
Quintette de Flûte : 5 flûtes
11
Flûte, Saxophone (duo)
11
Clarinette, Basson (duo)
10
Ensemble de saxophones
9
Clarinette et Alto
9
Flûte, Trompette (duo)
8
Flûte, Clarinette et Basson
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Alto (duo)
6
Clarinette Basse, Piano
5
Quatuor de Flûtes à bec
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Violoncelle
4
Clarinette, Guitare (duo)
4
2 Cors Anglais Et Pianoforte
4
Cor anglais, Piano
4
Flûte, Clarinette, Piano (trio)
4
2 Clarinettes, Piano
4
Clarinette, Harpe (duo)
3
Saxophone Baryton, Piano
3
Flûte, Hautbois, Basson
3
Hautbois, Guitare (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Quatuor à cordes
3
Hautbois
3
Flûte à Bec, Piano
3
Hautbois (partie séparée)
3
2 Saxophones, Piano
3
Flûte, Hautbois (duo)
3
Flute (partie séparée)
3
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Basson et Piano
2
Saxophone et Guitare
2
Ensemble à vent
2
Hautbois, Harpe
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Basson, Piano (trio)
2
Clarinette, Violoncelle (duo)
1
Piccolo
1
Flûte à bec, Harpe
1
Flûte, Harpe et Violoncelle
1
Saxophone Soprano
1
Clarinette (partie séparée)
1
Ensemble de Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone Alto
1
Flûte à bec Soprano
1
2 Flûtes traversières, Piano
1
2 clarinettes, 2 bassons
1
Flûte à bec Alto
1
Flûte, Alto et Piano
1
5 Flûtes à bec
1
Clarinette, Trombone (duo)
1
Cor Anglais
1
Flûte et Quatuor à Cordes
1
Flûte, alto et harpe
1
3 Hautbois
1
Saxophone et Harpe
1
Flûte à bec Tenor
1
Flute, harpe et violon
1
Cor anglais, Guitare (duo)
1
Saxophone et Piano
1
+ 95 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
262
Quatuor de Cuivres : 2 trompettes, trombone, tuba
156
Quatuor de cuivres: 4 trombones
50
Trombone (partie séparée)
41
Trompette, Piano
29
Quatuor de Cuivres
27
Trombone et Piano
26
Trompette
26
Trompette, Trombone (duo)
25
2 Cors (duo)
24
Quatuor de cuivres: 4 cors
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Trompette, Saxophone (duo)
19
Ensemble de Trombones
18
Cor et Piano
17
Trompette (partie séparée)
16
2 Trombones (duo)
15
2 Trompettes (duo)
14
3 Trombones (trio)
12
Trio de Cuivres
12
Cornet et Piano
11
Tuba et Piano
10
Euphonium, Piano (duo)
8
Trompette, Cor (duo)
7
Trombone
7
3 Tubas (trio)
6
Quatuor de cuivres: 4 trompettes
6
3 Trompettes (trio)
6
2 Tubas (duo)
6
Ensemble de Trompettes
5
Ensemble de Cors
5
Tuba
5
Euphonium, Tuba (duo)
5
2 Euphoniums et 2 Tubas
5
2 Cors Anglais Et Pianoforte
4
Cor anglais, Piano
4
Cor (partie séparée)
3
3 Cors (trio)
3
Cor
3
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Clarinette, Cor (duo)
2
4 Tubas
2
Trombone, Orgue
2
Tuba (partie séparée)
2
Cor, Tuba (duo)
1
Trombone basse et Piano
1
Trompette, Tuba (duo)
1
Trombone basse
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors, Piano
1
Tuba et Orgue
1
Trompette, Trombone, Piano
1
Cor et Harpe
1
Euphonium
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
632
Trio à Cordes: violon, alto, violoncelle
270
Violon, Violoncelle (duo)
243
Violon et Piano
157
Violon
127
Violoncelle, Piano
83
Alto, Piano
55
2 Violons (duo)
53
Quintette à cordes: 2 violons, alto, violoncelle, basse
46
Alto, Violoncelle (duo)
44
Violon, Alto (duo)
41
2 Violoncelles (duo)
31
Trio à Cordes: 2 violons, violoncelle
24
Violoncelle
24
Harpe
18
Trio à cordes
17
Trio à Cordes: 3 violoncelles
16
2 Harpes (duo)
13
4 Violoncelles
13
Piano Trio: Violon, Alto, Piano
12
2 Altos (duo)
11
Violoncelle, Contrebasse (duo)
11
Harpe, Flûte (duo)
9
Violon, Guitare (duo)
9
Violon (partie séparée)
8
Alto seul
8
Violoncelle , Guitare (duo)
7
Trio à cordes: 3 violins
7
Contrebasse (partie séparée)
6
Harpe, Violon (duo)
6
Quatuor à cordes: 4 violons
6
Alto (partie séparée)
5
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Contrebasses (duo)
4
Trio à Cordes: 2 violons, alto
4
Ensemble de Violons
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 altos
3
2 Violons, Piano
3
3 Harpes
2
5 Harpes
2
Alto, Guitare (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Altos, Piano
2
Contre Basse
2
Harpe et Piano
1
Harpe, Trombone (duo)
1
Violoncelle (partie séparée)
1
Ensemble d'Altos
1
Harpe, Violoncelle (duo)
1
Flûte, Contrebasse (duo)
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
519
Orchestre à Cordes
376
Orchestre
277
Ensemble de cuivres
254
Orchestre de chambre
122
Ensemble Jazz
117
Ensemble de Percussions
61
Jazz combo
38
Fanfare
31
Cloches
20
Quintette à Vent
5
Batterie
5
Batterie (partie séparée)
4
Vibraphone
2
Piano et Orchestre
2
Orchestre, Violon
2
Marimba
1
Big band
1
Quatuor à Vent : 4 instruments à vents
1
Ensemble d'École
1
Percussion (partie séparée)
1
Percussion
1
Xylophone, Piano
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
878
Partitions Numériques
122
Librairie Musicale
0
Matériel de Musique
115
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
second parts
Orchestre de chambre
Partitions à imprimer
122 partitions trouvées
<
1
26
51
....
101
One Second to the Future - Guitar Orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Brent C Robitaille
#
One Second to the Future - Gui
#
Brent C Robitaille
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
Opus 96, Second Israeli Suite for Orchestra (Parts)
#
Orchestre de chambre
#
AVANCÉ
#
Henry Pool
#
Opus 96, Second Israeli Suite
#
Viola Editions
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.976272 Composed by Henry Pool. 20th Century,Contemporary,World. Score and parts. 103 pages. Viola Editions #285923...
(+)
Chamber Orchestra - Level 5 - SKU: A0.976272 Composed by Henry Pool. 20th Century,Contemporary,World. Score and parts. 103 pages. Viola Editions #2859233. Published by Viola Editions (A0.976272). These are the parts for the beautiful second suite of Israeli dances.
$15.30
Piano Concerto No. 1 - SECOND movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - SECOND
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Second Israeli Suite for Orchestra (Parts)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Henry Pool
#
Second Israeli Suite for Orche
#
Viola Editions
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.976214 Composed by Henry Pool. 20th Century,Contemporary,World. Score and parts. 102 pages. Viola Editions #238523...
(+)
Chamber Orchestra - Level 4 - SKU: A0.976214 Composed by Henry Pool. 20th Century,Contemporary,World. Score and parts. 102 pages. Viola Editions #238523. Published by Viola Editions (A0.976214). This is the Second of two Suites of six Israeli dances each, which are partly existing dance forms, partly new invented dance forms.
$15.30
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Georg Philipp Telemann
#
Sneakwood Editions
#
TELEMANN – VIOLIN CONCER
#
Sneakwood Editions
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Exultate jubilate Second Movement Alleluia
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
#
Nick Lacanski
#
Exultate jubilate Second Movem
#
theupperstaff
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.646706 Composed by Wolfgang Amadeus Mozart. Arranged by Nick Lacanski. Classical. Score and parts. 33 pages. Theup...
(+)
Chamber Orchestra - Level 3 - SKU: A0.646706 Composed by Wolfgang Amadeus Mozart. Arranged by Nick Lacanski. Classical. Score and parts. 33 pages. Theupperstaff #1911769. Published by theupperstaff (A0.646706). The second movement of Mozart's Exultate arranged for solo clarinet and string orchestra. B flat and A clarinet parts are included. This movement may be performed attaca into the Alleluia or as a stand alone movement with an ending that has been written.
$14.95
Concerto for Kientzy (Parts)
#
Orchestre de chambre
#
AVANCÉ
#
Contemporain
#
Drake Mabry
#
Concerto for Kientzy
#
Drake Mabry
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.799389 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #2022223. Published by Drake ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.799389 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #2022223. Published by Drake Mabry (A0.799389). Concerto for Kientzy was written for the french saxophone virtuoso, Daniel Kientzy. The solo part for bass saxophone highlights the tonal variations of this instrument in it's various registers. The slow first movement is followed by a rapid and invigorating second movement. This is the first part of a trilogy of works based on this concerto. The other works are Silent Durations XXII (with the composer's usual application of silence as an architectural device) and Silent Concerto Durations which brings together the previous two compositions as one work. It would be conceivable to play Concerto for Kientzy on other Bb saxophones. The soundclip is of the second movement.
$9.99
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Karl Friedrich Abel
#
Guido Menestrina
#
Karl Friedrich Abel - Sinfonia
#
Guido Menestrina
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
(+)
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
Concerto for Trumpet and Orchestra (score, piano reduction, solo trumpet parts)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Gary Friedman
#
Concerto for Trumpet and Orche
#
Gary Friedman
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.889880 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 87 pages. Gary Friedman #12841. P...
(+)
Chamber Orchestra - Level 4 - SKU: A0.889880 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 87 pages. Gary Friedman #12841. Published by Gary Friedman (A0.889880). Concerto for Trumpet and Orchestra The first and third movements are lively, the second is reflective. There are several solo passages for other players. This was first performed by professional musicians including John Thomas, trumpet soloist, at a composers' workshop at Bard College on August 1, 2003. The orchestra was tiny, with only one player per string part, one each of flute, oboe/English horn, clarinet, bassoon, French horn, trombone, and two percussionists and very little rehearsing was possible. The audio clip is of that performance, 3rd movement. Please listen to the other movements at my website, www.garyfriedmanmusic.net. Provided here are the complete orchestra score, a piano reduction of the orchestra, and the solo trumpet parts for both B flat and E flat trumpet. Each has been preferred by some soloists. A complete set of parts is available separately for $20. Also available separately for $20 is an arrangement for brass septet with the 2 trumpet players sharing the solo part. Included with the septet is an arrangement of the 3rd movement for brass dectet. Duration: about 15 minutes Year: 2003.
$20.00
The Fallen – Flute Concerto (string parts – flute and string orchestra)
#
Orchestre de chambre
#
AVANCÉ
#
transforming the tragic and da
#
Mark O'Connor
#
The Fallen – Flute Conce
#
Mark O'Connor Musik International
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik I...
(+)
Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
Silent Durations XXII (Parts) (a Zen experience)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Drake Mabry
#
Silent Durations XXII
#
Drake Mabry
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.799391 Composed by Drake Mabry. Contemporary. Score and parts. 22 pages. Drake Mabry #2022225. Published by Drake ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.799391 Composed by Drake Mabry. Contemporary. Score and parts. 22 pages. Drake Mabry #2022225. Published by Drake Mabry (A0.799391). Silent Durations XXII (a Zen experience) was written for the French saxophone virtuoso, Daniel Kientzy. It features Drake Mabry's usage of silence as a musical architectural device. The solo part for bass saxophone highlights the tonal variations of this instrument in its various registers. The slow first movement is followed by a rapid and invigorating second movement. This is the first part of a trilogy of works based on the same source material. The other works are Concerto for Kientzy and Silent Concerto Durations which brings together the previous two compositions as one work. It would be conceivable to play Silent Durations XXII on other Bb saxophones. The solo part is included with the parts. The duration is 20'40.
$4.99
Ignotis Manibus (The Unseen Hand) - complete score and parts
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Hasper
#
Ignotis Manibus
#
Joseph Hasper
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.734877 Composed by Joseph Hasper. 20th Century,Contemporary. Score and parts. 137 pages. Joseph Hasper #4293601. P...
(+)
Chamber Orchestra - Level 4 - SKU: A0.734877 Composed by Joseph Hasper. 20th Century,Contemporary. Score and parts. 137 pages. Joseph Hasper #4293601. Published by Joseph Hasper (A0.734877). A contemporary classical piece for small orchestra (2-0-2-2, 2-2-2-0, timp, 3 percussion, strings) with a duration of 11'00.The score uses a number of indeterminate techniques that make each performance a one-of-a-kind experience, but is structured with enough guidelines that beginners to modern music will feel comfortable.Moderate woodwind and brass ranges throughout. First violin goes to high G, second violin to high D. A complete set of printed parts in 9x12 concert size, sent by US mail, are available from the composer. Please inquire at info@jazz-charts.com.
$65.00
Jan Freidlin: Contemplation for solo piano and string orchestra, score and complete parts
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Jan Freidlin
#
Jan Freidlin: Contemplation fo
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534079 Composed by Jan Freidlin. 20th Century,Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishi...
(+)
Chamber Orchestra - Level 4 - SKU: A0.534079 Composed by Jan Freidlin. 20th Century,Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing #3108261. Published by Musik Fabrik Music Publishing (A0.534079). A one-movement extended meditation for solo piano and string orchestra. https://www.youtube.com/watch?v=M0jzO4u2oyM The is the scoore, the complete parts including the solo part with a second rehearsal piano. The score and the two piano version are also available for sale on this site.
$64.95
W.A. Mozart - Flute Concerto K.622g ( Berlin Manuscript) Full Score and parts
#
Orchestre de chambre
#
Classique
#
Wolfgang Amadeus Mozart
#
James Strauss
#
W.A. Mozart - Flute Concerto K
#
James Strauss
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.1035223 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Classical. Score and parts. 149 pages. James Strauss...
(+)
Chamber Orchestra - SKU: A0.1035223 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Classical. Score and parts. 149 pages. James Strauss #5349777. Published by James Strauss (A0.1035223). Toward the end of 1791 Mozart wrote his famous concerto for basset clarinet and orchestra, known today as the Clarinet Concerto, K.622. It appeared in print for the first time ten years later, when it was published simultaneously by Breitkopf Härtel, André and Sieber. In the same year, Breitkopf also published an arrangement for flute in G major by A. E. Müller, adding to the rich musical history of the early 19th century. Also was found a second source at the Berlin Staat Bibliotek by an anonymous arranger. This arrangement is now available for the first time in a modern edition, this edition has been based his edition on the Berlin Manuscript and the first edition of 1801.The piano reduction takes into account the performance practice of the time.- First modern edition- Important and welcome addition to the flute repertoire- Reliable edition by Christopher Hogwood.
$40.00
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Sér&eac
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score and parts
#
Orchestre de chambre
#
AVANCÉ
#
Contemporain
#
Carson Cooman
#
Carson Cooman: Piano Concerto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik Music Publishing...
(+)
Chamber Orchestra - Level 5 - SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik Music Publishing #3033835. Published by Musik Fabrik Music Publishing (A0.533631). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$64.95
SECONDO CONCERTO PER VIOLINO E ORCHESTRA
#
Orchestre de chambre
#
AVANCÉ
#
Contemporain
#
Luca Ficaio
#
Luca Ficaio
#
SECONDO CONCERTO PER VIOLINO E
#
luca ficaio
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1011378 Composed by Luca Ficaio. Arranged by Luca Ficaio. Contemporary. Score and parts. 232 pages. Luca ficaio #4...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1011378 Composed by Luca Ficaio. Arranged by Luca Ficaio. Contemporary. Score and parts. 232 pages. Luca ficaio #4365922. Published by luca ficaio (A0.1011378).
$20.00
Pianoforte a 4 mani Secondo volume
#
Orchestre de chambre
#
DÉBUTANT
#
Antonio Cericola
#
Pianoforte a 4 mani Secondo vo
#
Antonio Cericola
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.934244 Composed by Antonio Cericola. Children,Classical,Contemporary. Score and parts. 33 pages. Antonio Cericola ...
(+)
Chamber Orchestra - Level 1 - SKU: A0.934244 Composed by Antonio Cericola. Children,Classical,Contemporary. Score and parts. 33 pages. Antonio Cericola #3680213. Published by Antonio Cericola (A0.934244). 14 facilissimi pezzi melodici e progressivi (eseguibili anche con orchestra d’archi)
$9.99
MARCH FROM SECOND SUITE IN F
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Gustav Holst
#
PETER J
#
MARCH FROM SECOND SUITE IN F
#
PER Sonare Press
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1433841 Composed by Gustav Holst. Arranged by PETER J. PERRY. 20th Century,Classical,Contest,Festival. 130 pages. ...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1433841 Composed by Gustav Holst. Arranged by PETER J. PERRY. 20th Century,Classical,Contest,Festival. 130 pages. PER Sonare Press #1014055. Published by PER Sonare Press (A0.1433841). This is arrangement for Chamber Orchestra of the first movement of Gustav Holst's Second Suite in F for Military Band. It is written for strings, percussion, and flexible wind parts to meet different instructional needs. This is a great opener or consider using this as a graduation processional.
$80.00
Arizona Centennial Overture - Chamber Orchestra Version
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Sy Brandon
#
Arizona Centennial Overture -
#
Sy Brandon
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Pu...
(+)
Chamber Orchestra - Level 4 - SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99
John Field, Sonata II (Movement II) - orchestra by Scott Fields Davis
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
John Field
#
Scott Fields Davis
#
John Field, Sonata II
#
Scott Fields Davis
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.998515 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 64 pages. Scott F...
(+)
Chamber Orchestra - Level 3 - SKU: A0.998515 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 64 pages. Scott Fields Davis #6473129. Published by Scott Fields Davis (A0.998515). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the second movement of the second of four piano sonatas written by John Field and arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 4 minutes and 35 seconds. To download the other movement, click the following link: John Field, Sonata II (Movement I) arranged for orchestra by Scott Fields Davis Â
$14.75
John Field, Sonata I (Movement II) - orchestra by Scott Fields Davis
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
John Field
#
Scott Fields Davis
#
John Field, Sonata I
#
Scott Fields Davis
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.998482 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 71 pages. Scott F...
(+)
Chamber Orchestra - Level 3 - SKU: A0.998482 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 71 pages. Scott Fields Davis #6098865. Published by Scott Fields Davis (A0.998482). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was not only a phenomenal pianist, but a highly skilled composer. This is an orchestral arrangement of the first of four piano sonatas written by John Field. This download contains the conductor's score and all the parts to the second of the two movements of Field's first piano sonata.Instruments used: Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 4 minutes and 10 seconds. Â To download the other movement, please click the following link: John Field, Sonata I (Movement I) arranged for orchestra by Scott Fields Davis Â
$15.00
Entre Nous for Strings
#
Orchestre de chambre
#
DÉBUTANT
#
D
#
Entre Nous for Strings
#
D. M. Gardner Music
#
SheetMusicPlus
String Ensemble,String Quintet - Level 1 - SKU: A0.799652 Composed by D. M. Gardner. Concert. Score and parts. 25 pages. D. M. Gardner Music #481035. Pu...
(+)
String Ensemble,String Quintet - Level 1 - SKU: A0.799652 Composed by D. M. Gardner. Concert. Score and parts. 25 pages. D. M. Gardner Music #481035. Published by D. M. Gardner Music (A0.799652). This very popular piece has enjoyed performances across the country. Entre Nous was originally premiered in Omaha, Nebraska with the University of Nebraska Chamber Orchestra. Soon, Entre Nous made it's way to places such as Florida, Texas, and most recently, Iowa, where this newest revision was premiered. Entre Nous has faired well in competition and recital and is sure to be a great addition the repertoire of any chamber orchestra.Entre Nous (between me and thee) is a conversation between a man and his God. It is a single movement, ternary composition, mirroring the Holy Trinity. Beginning in a solemn g minor, it quickly moves forward with an endless flow of eighth note counterpoint, emerging enchantingly into the flowing melancholy melody of the B section. The second A surfaces in a minor with a sudden new energy and direction, slipping into a deeply contemplative, ethereally enchanting ending.Entre Nous is also a very unique and interesting piece, perhaps the reason for its popularity. Structurally, it turns upside-down a number of times, each line becoming the melody at some point. A very linear piece, melodic interweaving and predominance give Entre Nous a characteristic that can be best described as enchanting. Much of the melody being perceived is actually a combination of several lines of music at once, often in contrast to another melody or two beneath.Premiere: University of Nebraska at Omaha - Chamber Orchestra - April 30, 1997Difficulty: Moderate - A great piece for middle school or youth orchestras. Great for competition. Entre Nous has been performed for several competitions and a graduate audition at Florida State.Number of Pages: 25 total printed pagesApprox. 7 minutes and 34 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$19.99
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
#
Orchestre de chambre
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Cerulean: Doubl
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing...
(+)
Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
#
Orchestre de chambre
#
AVANCÉ
#
Contemporain
#
Carson Cooman
#
Carson Cooman: Cerulean: Doubl
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399....
(+)
Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
<
1
26
51
....
101
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
second parts
