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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
sing with Choir
Non classifié
2 033
Piano & claviers
Piano, Voix
212
Piano, Voix et Guitare
147
Piano seul
63
Accompagnement Piano
42
Instruments en Do
24
Piano Facile
21
Orgue
15
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
2
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
Orgue, Piano (duo)
1
+ 8 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
5
Guitare
3
Guitare notes et tablatures
3
Basse electrique
2
Voix
Chorale SATB
4 298
Chorale 3 parties
1 669
Chorale 2 parties
1 526
Chorale Unison
758
Chorale TTBB
626
Chorale SSAA
445
Voix duo, Piano
22
Chorale
17
Chorale SSAATTBB
12
Voix seule
8
Voix haute
6
Voix duo
6
Chorale SSATB
4
Chorale SSATTB
4
Soli, choeur mixte et accompagnement
3
Voix basse, Piano
2
Chorale SATBB
2
Voix moyenne, Piano
2
Chorale SSAB, Piano
2
Chorale SATTBB A Cappella
1
Voix Soprano, Piano
1
Chorale SSAATB
1
Voix Alto, Piano
1
+ 18 instrumentations
Retracter
Vents
Ensemble de Flûtes
52
Ensemble de Clarinettes
44
Quatuor de Clarinettes: 4 clarinettes
16
Flûte, Hautbois, Clarinette, Basson
14
Quatuor de Saxophones: 4 saxophones
14
Flûte traversière
11
Clarinette et Piano
9
Ensemble de saxophones
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
2 Saxophones (duo)
6
Saxophone (partie séparée)
6
Quintette de Saxophone: 5 saxophones
5
Quatuor de Flûtes : 4 flûtes
4
Hautbois, Piano (duo)
4
Saxophone Tenor et Piano
4
3 Saxophones (trio)
4
Saxophone Alto et Piano
4
Clarinette (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Saxophone Baryton, Piano
3
Flûte traversière et Piano
3
Saxophone Alto
3
Hautbois (partie séparée)
3
Flute, harpe et violon
2
Flûte, Clarinette (duo)
2
2 Clarinettes (duo)
2
Saxophone Soprano et Piano
2
Quintette de Flûte : 5 flûtes
2
Ensemble à vent
2
Saxophone Tenor
2
Flûte et Guitare
2
Cor anglais, Piano
2
2 Flûtes traversières (duo)
2
Quatuor de Flûtes à bec
2
Flûte, Hautbois, Clarinette (trio)
1
3 Clarinettes (trio)
1
Flûte à bec Soprano
1
Flûte à Bec
1
Flûte à bec Alto
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor Anglais
1
Clarinette
1
Clarinette, Basson (duo)
1
2 Flûte à bec (duo)
1
5 Flûtes à bec
1
3 Flûtes à bec (trio)
1
+ 42 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trompette (partie séparée)
9
Trombone (partie séparée)
7
Trompette
6
Ensemble de Trompettes
5
Quatuor de Cuivres
5
Trompette, Piano
4
2 Trompettes (duo)
4
Trompette, Trombone (duo)
3
Trombone et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Trombones (duo)
3
Quatuor de cuivres: 4 trombones
2
Cor (partie séparée)
2
3 Cors (trio)
2
Trombone
2
3 Trombones (trio)
2
Cor
2
Ensemble de Trombones
2
Cor anglais, Piano
2
3 Tubas (trio)
2
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 cors
1
Trombone, Cor (duo)
1
2 Cors (duo)
1
Euphonium, Tuba (duo)
1
Tuba (partie séparée)
1
Ensemble de Cors
1
4 Tubas
1
Cor Anglais
1
Tuba
1
Quatuor de cuivres: 4 trompettes
1
Tuba et Piano
1
Trio de Cuivres
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon
22
Alto seul
14
Alto (partie séparée)
9
Violon et Piano
8
Alto, Piano
7
Violoncelle
7
Violon (partie séparée)
5
Contrebasse (partie séparée)
5
4 Violoncelles
3
2 Violons (duo)
3
Violoncelle, Piano
3
Violon, Violoncelle (duo)
2
2 Altos (duo)
2
Contre Basse
2
Trio à cordes: 3 violins
2
Violoncelle (partie séparée)
2
Violon, Alto (duo)
2
Harpe et mandoline
1
Alto, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
2 Violoncelles (duo)
1
Harpe
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Cloches
319
Orchestre d'harmonie
124
Orchestre
99
Orchestre de chambre
32
Orchestre à Cordes
32
Ensemble de cuivres
19
Ensemble Jazz
12
Jazz combo
11
Percussion (partie séparée)
2
Batterie
2
Fanfare
1
Ensemble de Percussions
1
Percussion
1
Instrumentation Flexible
1
+ 9 instrumentations
Retracter
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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Vous avez sélectionné:
sing with Choir
Orchestre de chambre
Partitions à imprimer
32 partitions trouvées
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26
On Christmas Night All Christians Sing
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296812 Composed by Traditio…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296812 Composed by Traditional English Carol. Arranged by David Lantz. Advent,Christmas,Sacred. Score and Parts. 40 pages. Lantz Choral Publications #886982. Published by Lantz Choral Publications (A0.1296812). Chamber orchestration accompaniment to the SSA octavo arranged by David Lantz III and published by Lantz Choral Publications. (Score and parts included.) NOTE: The SSA Choir parts and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies for your chorus ensemble of the SATB Choir part (with piano accompaniment), available at Sheet Music Direct and Sheet Music Plus. Instrumentation: SSA (for reference only)Piano (for reference only)Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IIOrchestra BellsViolin IViolin IIViolaCelloContrabass(NOTE: Larger 8.5 x 14 score is available at Sheet Music Direct and Sheet Music Plus.)For comments, questions, or special requests, please email me at davidlantziii@gmail.com
$60.00
55.31 €
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Orchestre de chambre
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Traditional English Carol
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David Lantz
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On Christmas Night All Christians Sing
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Lantz Choral Publications
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
55.31 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
Now We Are Free
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1441803 By Hans Zimmer. By H…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1441803 By Hans Zimmer. By Hans Zimmer, Klaus Badelt, and Lisa Gerrard. Arranged by Charles Effiong Otok (C violin). Classical,Contemporary,Film/TV,Multicultural,Sacred,World. 61 pages. Charles Effiong Otok (C violin). #1021789. Published by Charles Effiong Otok (C violin). (A0.1441803). A beautiful Solo Voice, Choir and Orchestral Sheet Music Score for Now we are free, Gladiator Movie Theme Song by Hans Zimmer . This Sheet Music Score features the Solo vocalist with Choir S A T B Backups with the individual parts lyrics to the song, Plus the Strings Orchestral instruments Music Parts all separately embeded. Mastered for the singing and playing pleasure of Professional/ Beginner Musicians or Music Students. See Youtube Video below or above here in this Site page or click the Watch Button for the Sheet Music Content Preview.
$49.99
46.09 €
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Orchestre de chambre
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Hans Zimmer
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Now We Are Free
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Charles Effiong Otok
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SheetMusicPlus
Gladiator Main Theme
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1441785 Composed by Hans Zim…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1441785 Composed by Hans Zimmer. Arranged by Charles Effiong Otok (C violin). Chamber,Classical,Film/TV,Multicultural,Spiritual,World. 61 pages. Charles Effiong Otok (C violin). #1021770. Published by Charles Effiong Otok (C violin). (A0.1441785). A beautiful Solo Voice, Choir and Orchestral Sheet Music Score for Now we are free, Gladiator Movie Theme Song by Hans Zimmer . This Sheet Music Score features the Solo vocalist with Choir S A T B Backups with the individual parts lyrics to the song, Plus the Strings Orchestral instruments Music Parts all separately embeded. Mastered for the singing and playing pleasure of Professional/ Beginner Musicians or Music Students. See Youtube Video below or above here in this Site page or click the Watch Button for the Sheet Music Content Preview.
$49.99
46.09 €
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Orchestre de chambre
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Hans Zimmer
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Gladiator Main Theme
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Charles Effiong Otok
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.62 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Stefano Maria Torchio: En Arche en o Logos - Full score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #3142405. Published by Stefano Torchio (A0.1022761). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$19.50
17.98 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arche en o Logos - Full score
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Arche en o Logos - Vocal score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano Torchio #3142459. Published by Stefano Torchio (A0.1022760). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter
$11.00
10.14 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arche en o Logos - Vocal score
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871. Published by Stefano Torchio (A0.1022759). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comYou can find me also on: facebook, instagram and twitter.
$4.00
3.69 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Violin 2 part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022758 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875. Published by Stefano Torchio (A0.1022758). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
3.69 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Violin 2 part
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Viola part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022762 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022762 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 5 pages. Stefano Torchio #3142879. Published by Stefano Torchio (A0.1022762). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
3.69 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Viola part
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Double bass part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022765 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887. Published by Stefano Torchio (A0.1022765). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
3.69 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Double bass part
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Stefano Torchio
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.92 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Away In A Manger
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1150288 Composed by Traditio…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1150288 Composed by Traditional. Arranged by James C. Ivy. Christmas,Holiday,Praise & Worship,Religious,Traditional. Score and Parts. 29 pages. Jim Ivy #750464. Published by Jim Ivy (A0.1150288). A charming setting of one of the most loved Christmas carols for Chamber Orchestra with optional SATB choir parts. It can also be performed without the voices or even as an audience sing-along. It is easy to play but sounds full and has enough interest to set it apart. It will surely become a tradition for your Winter and Holiday season concerts.
$35.00
32.27 €
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Orchestre de chambre
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Traditional
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James C
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Away In A Manger
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Jim Ivy
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SheetMusicPlus
AVE MARIA
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1348878 Composed by Charles …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1348878 Composed by Charles Francois Gounod. Arranged by Marcos Barilari. 19th Century,Chamber,Christmas,Religious,Wedding. 43 pages. Marcos Barilari #933612. Published by Marcos Barilari (A0.1348878). This unique arrangement of the famous Ave Maria by Charles Gounod features a different structure and a much more modern aesthetic, with minor seventh chord harmonizations and colorful playing techniques for strings.While the arrangement is truly beautiful with the addition of the SATB choir and percussion, both parts can be omitted if necessary without the arrangement losing its balance.
$40.00
36.88 €
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Orchestre de chambre
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Charles Francois Gounod
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Marcos Barilari
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AVE MARIA
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Marcos Barilari
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SheetMusicPlus
AVE MARIA - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1348387 Composed by Charles …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1348387 Composed by Charles Francois Gounod. Arranged by Marcos Barilari. 19th Century,Chamber,Christmas,Religious,Wedding. 16 pages. Marcos Barilari #933159. Published by Marcos Barilari (A0.1348387). This unique arrangement of the famous Ave Maria by Charles Gounod features a different structure and a much more modern aesthetic, with minor seventh chord harmonizations and colorful playing techniques for strings.While the arrangement is truly beautiful with the addition of the SATB choir and percussion, both parts can be omitted if necessary without the arrangement losing its balance.
$20.00
18.44 €
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Orchestre de chambre
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Charles Francois Gounod
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Marcos Barilari
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AVE MARIA - Score Only
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Marcos Barilari
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SheetMusicPlus
AVE MARIA in C MAJOR
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1356096 Composed by Charles …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1356096 Composed by Charles Francois Gounod. Arranged by Marcos Barilari. Chamber,Christian,Christmas,Religious,Wedding. 43 pages. Marcos Barilari #940795. Published by Marcos Barilari (A0.1356096). This unique arrangement of the famous Ave Maria by Charles Gounod features a different structure and a much more modern aesthetic, with minor seventh chord harmonizations and colorful playing techniques for strings.While the arrangement is truly beautiful with the addition of the SATB choir and percussion, both parts can be omitted if necessary without the arrangement losing its balance.
$40.00
36.88 €
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Orchestre de chambre
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Charles Francois Gounod
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Marcos Barilari
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AVE MARIA in C MAJOR
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Marcos Barilari
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SheetMusicPlus
AVE MARIA in C MAJOR - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1356094 Composed by Charles …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1356094 Composed by Charles Francois Gounod. Arranged by Marcos Barilari. Chamber,Christian,Christmas,Religious,Wedding. 16 pages. Marcos Barilari #940793. Published by Marcos Barilari (A0.1356094). This unique arrangement of the famous Ave Maria by Charles Gounod features a different structure and a much more modern aesthetic, with minor seventh chord harmonizations and colorful playing techniques for strings.While the arrangement is truly beautiful with the addition of the SATB choir and percussion, both parts can be omitted if necessary without the arrangement losing its balance.
$20.00
18.44 €
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Orchestre de chambre
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Charles Francois Gounod
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Marcos Barilari
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AVE MARIA in C MAJOR - Score Only
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Marcos Barilari
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SheetMusicPlus
Shepherds, Run Along/Przybieżeli do Betlejem pasterze (Downloadable Choral Score)
Orchestre de chambre
SSA choir and piano, with optional brass ensemble or chamber orchestra - Medium - Digital …
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SSA choir and piano, with optional brass ensemble or chamber orchestra - Medium - Digital Download SKU: MQ.50-1715-E Composed by Stephen Mager. University of Notre Dame Children's Choir Series. Christmas, 21st Century. Instrument parts. 12 pages. MorningStar Music Publishers - Digital Sheet Music #50-1715-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1715-E). UPC: 688670517150. English, Polish.A delightful treble setting of a familiar Christmas carol. The piece features a sparkling accompaniment and joyous choral parts. Fun to sing. Equally effective with brass, chamber orchestra, or with solo piano.Brass Ensemble Parts include: Horn in F, 3 Trumpets in C, 3 Trombones, Tuba, Percussion, and Harp.Chamber Orchestra Parts include: 2 Flutes, oboe, English Horn, Bassoon, 2 Horns in F, 2 Trumpets in C, Percussion, Harp, Strings.
$2.25
2.07 €
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Orchestre de chambre
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Stephen Mager
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Shepherds, Run Along/Przybieżeli do Betlejem pasterze
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
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