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11
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4
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Piano Trio: piano, violon, violoncelle
2
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86
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47
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23
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4
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Dulcimer
3
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3
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2
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1
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1
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101
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72
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55
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38
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35
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28
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27
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26
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10
Voix seule
9
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5
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4
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3
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2
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34
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30
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25
Clarinette et Piano
24
Saxophone Alto et Piano
24
Saxophone Alto
24
Saxophone Tenor et Piano
21
Hautbois, Piano (duo)
20
Clarinette
20
Saxophone Tenor
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Saxophone Soprano et Piano
14
Saxophone Baryton, Piano
13
Hautbois (partie séparée)
12
Saxophone (partie séparée)
12
2 Flûtes traversières (duo)
7
Flûte et Guitare
7
Saxophone et Guitare
6
Hautbois, Guitare (duo)
6
Flûte à bec Soprano
5
Quintette de Saxophone: 5 saxophones
5
Quatuor de Saxophones: 4 saxophones
5
Quatuor de Clarinettes: 4 clarinettes
4
Hautbois
4
Quatuor de Flûtes : 4 flûtes
3
Hautbois, Basson (duo)
3
2 Clarinettes (duo)
2
Saxophone Soprano
2
Flûte, Clarinette et Basson
2
Flûte, Hautbois, Violon
2
2 Saxophones (duo)
2
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2
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2
Clarinette, Basson (duo)
2
Ocarina
2
Cor anglais, Piano
2
2 Flûte à bec (duo)
1
Flûte, Violon
1
Ensemble de Hautbois
1
3 Saxophones (trio)
1
Clarinette, Violon (duo)
1
Saxophone Baryton
1
3 Clarinettes (trio)
1
Clarinette, Harpe (duo)
1
Clarinette, Trompette (duo)
1
Hautbois, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone
1
Flûte à bec Alto
1
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1
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1
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1
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28
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26
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18
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15
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14
Cor
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
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3
Quatuor de Cuivres
3
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2
2 Trombones (duo)
2
Cor anglais, Piano
2
Tuba et Orgue
2
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1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums (duo)
1
Tuba
1
Trompette, Trombone (duo)
1
Trompette (partie séparée)
1
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1
Trompette et Guitare
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38
Violon
37
Violoncelle, Piano
20
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18
Alto, Piano
17
Quatuor à cordes: 2 violons, alto, violoncelle
12
Contrebasse, Piano (duo)
11
Alto seul
10
2 Violons (duo)
9
Violon, Guitare (duo)
7
Violoncelle , Guitare (duo)
6
2 Violoncelles (duo)
5
Harpe
5
2 Altos (duo)
5
Violon, Violoncelle (duo)
4
Alto, Violoncelle (duo)
2
Violon, Basson (duo)
2
Violon, Alto (duo)
2
Trio à Cordes: violon, alto, violoncelle
1
Alto, Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Contre Basse
1
Alto (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
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24
Cloches
23
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9
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8
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5
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4
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3
Xylophone, Piano
2
Xylophone
1
Vibraphone
1
Orchestre
1
Conga
1
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1
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Vous avez sélectionné:
Son Of Man*
débutant
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
Away In A Manger for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger for Piano Qua
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Silent Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jmsgu3 (A0.548633). Silent Night for piano quartet. The final verse features a surprise re-harmonization of the melody. Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to accompany the lyrics. The result is probably the most famous Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs or to ensure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and Mohr's name was largely forgotten.  Though the public initially recognized Gruber as the composer, many people began rumors that a more famous composer was responsible over time. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.
$32.95
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
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