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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
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TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
720
Piano & claviers
Piano Facile
1 110
Piano seul
265
Piano, Voix
137
Piano, Voix et Guitare
133
Instruments en Do
73
Piano grosses notes
41
1 Piano, 4 mains
24
Orgue
9
Piano Quatuor: piano, violon, alto, violoncelle
5
Accompagnement Piano
5
Accordéon
5
Piano Trio: piano, violon, violoncelle
3
Clavecin
2
2 Accordéons
1
+ 9 instrumentations
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Guitares
Ukulele
149
Guitare notes et tablatures
82
Guitare
81
Mandoline
69
Basse electrique
44
Ligne De Mélodie, (Paroles) et Accords
44
2 Guitares (duo)
8
4 Guitares (Quatuor)
3
Dulcimer
3
Banjo
2
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2
2 Ukuleles
2
Piano, Guitare (duo)
1
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Chorale 2 parties
92
Chorale SATB
89
Chorale Unison
69
Voix Alto, Piano
57
Voix Tenor, Piano
53
Voix Soprano, Piano
52
Chorale 3 parties
52
Voix Baryton, Piano
26
Chorale TTBB
24
Chorale SSAA
11
Voix seule
9
Voix duo, Piano
9
Voix moyenne, Piano
1
Chorale
1
Voix haute
1
Voix duo
1
+ 11 instrumentations
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Vents
Flûte traversière
167
Flûte à bec Soprano
148
Saxophone Alto
146
Saxophone Tenor
115
Flûte traversière et Piano
112
Saxophone (partie séparée)
105
Clarinette
99
Clarinette et Piano
93
Saxophone Alto et Piano
76
Saxophone Tenor et Piano
69
Quatuor de Saxophones: 4 saxophones
60
2 Saxophones (duo)
60
Flûte à bec Alto
58
Hautbois, Piano (duo)
53
Flûte, Hautbois, Clarinette, Basson
50
Hautbois (partie séparée)
45
Harmonica
41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Ocarina
33
2 Flûtes traversières (duo)
31
2 Clarinettes (duo)
31
Quintette de Saxophone: 5 saxophones
29
Saxophone Soprano et Piano
25
Quatuor de Clarinettes: 4 clarinettes
22
Saxophone Baryton, Piano
17
Quatuor de Flûtes à bec
16
Flûte à Bec
14
Cor anglais, Piano
14
Saxophone
12
Quatuor de Flûtes : 4 flûtes
12
2 Flûte à bec (duo)
12
2 Hautbois (duo)
12
Saxophone Soprano
12
Clarinette, Basson (duo)
11
5 Flûtes à bec
10
3 Saxophones (trio)
9
Flûte, Clarinette (duo)
8
Hautbois
8
3 Clarinettes (trio)
7
Flûte, Hautbois (duo)
7
Hautbois, Basson (duo)
6
Hautbois, Clarinette (duo)
6
Trio de Flûtes: 3 flûtes
6
Flûte à bec Soprano, Piano
5
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de Clarinettes
5
Clarinette Basse, Piano
5
Quintette de Flûte : 5 flûtes
4
2 Saxophones, Piano
4
4 Hautbois
4
Saxophone Baryton
3
Clarinette, Violoncelle (duo)
3
Flûte, Violoncelle
2
Flûte et Guitare
2
3 Flûtes à bec (trio)
2
Flûte à bec Alto, Piano
2
Flûte, Trombone (duo)
2
Clarinette, Trompette (duo)
2
Flûte à bec Tenor
2
3 Hautbois
2
Cor Anglais
2
Ensemble de Hautbois
2
Piccolo, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois, Basson
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble de saxophones
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flute (partie séparée)
1
Flûte irlandaise
1
Flûte, Violon et Violoncelle
1
Flûte et Trio à cordes
1
Hautbois, Guitare (duo)
1
Flûte, Clarinette et Basson
1
+ 69 instrumentations
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Trompette
146
Trombone
118
Trombone et Piano
64
Trompette, Piano
63
Quatuor de Cuivres
57
Cor et Piano
34
Cor
33
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Tuba
25
2 Cors (duo)
18
2 Trombones (duo)
15
2 Trompettes (duo)
14
Cor anglais, Piano
14
Tuba et Orgue
11
Tuba et Piano
11
2 Tubas (duo)
11
Trompette, Trombone (duo)
9
Quatuor de cuivres: 4 trompettes
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette, Cor (duo)
5
Euphonium
5
Euphonium, Piano (duo)
4
Trio de Cuivres
3
Quatuor de cuivres: 4 trombones
2
Cor, Violoncelle (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone, Cor (duo)
2
Quatuor de cuivres: 4 cors
2
Cor Anglais
2
Trombone basse
1
3 Cors (trio)
1
3 Trompettes (trio)
1
3 Trombones (trio)
1
4 Euphoniums
1
Trombone, Tuba (duo)
1
Trompette (partie séparée)
1
+ 31 instrumentations
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Cordes
Violon
188
Violoncelle
161
Violon et Piano
135
Violoncelle, Piano
76
Alto, Piano
66
Quatuor à cordes: 2 violons, alto, violoncelle
59
Alto seul
54
2 Altos (duo)
32
2 Violons (duo)
28
Violon, Violoncelle (duo)
22
Alto (partie séparée)
21
Contre Basse
20
2 Violoncelles (duo)
20
Harpe
19
Violon, Alto (duo)
18
Contrebasse, Piano (duo)
12
Trio à cordes: 3 violins
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à Cordes: violon, alto, violoncelle
7
Trio à Cordes: 3 violoncelles
5
Alto, Violoncelle (duo)
5
Trio à cordes: 3 altos
5
Quatuor à cordes: 4 violons
4
4 Violoncelles
4
Quatuor à cordes : 4 altos
4
Violoncelle, Contrebasse (duo)
3
Violon, Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Harpes (duo)
1
Harpe, Violon (duo)
1
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
Piano Trio: Violon, Alto, Piano
1
+ 30 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
91
Orchestre à Cordes
42
Ensemble de cuivres
27
Batterie
22
Cloches
13
Ensemble de Percussions
8
Ensemble Jazz
6
Orchestre de chambre
5
Orchestre
4
Vibraphone
3
Marimba
2
Xylophone
2
Jazz combo
1
Fanfare
1
Quintette de Cuivres: autres combinaisons
1
Xylophone, Piano
1
Bongos
1
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--INSTRUMENTS--
ACCORDEON
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BANJO
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CHORALE - CHAN…
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Piano Quatuor: piano, violon, alto, violoncelle
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Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
Away In A Manger for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger for Piano Qua
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Silent Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548633 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. 11 pages. Jmsgu3 #3405403. Published by jmsgu3 (A0.548633). Silent Night for piano quartet. The final verse features a surprise re-harmonization of the melody. Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to accompany the lyrics. The result is probably the most famous Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs or to ensure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and Mohr's name was largely forgotten.  Though the public initially recognized Gruber as the composer, many people began rumors that a more famous composer was responsible over time. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.
$32.95
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu...
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Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
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