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ACCORDEON
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97
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14
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1
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4 Guitares (Quatuor)
3
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2
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1
Guitare
1
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32
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28
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14
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10
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9
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8
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8
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7
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5
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1
3 Saxophones (trio)
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24
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13
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9
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4
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4
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4
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3
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2
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Cor
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2 Trompettes (duo)
1
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33
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11
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Trio à Cordes: violon, alto, violoncelle
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4
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1
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1
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Harpe, Voix
1
Violoncelle, Orchestre
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Alto (partie séparée)
1
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Ensemble de cuivres
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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Piano Quatuor: piano, violon, alto, violoncelle
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1 partition trouvée
Fauré: Élégie Op. 24 for Piano Quartet
#
Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Gabriel Faure
#
James M
#
Fauré: Élé
#
jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...
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Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
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