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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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UKULELE
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It's Time
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691
Piano & claviers
Piano seul
393
Piano, Voix
96
Piano, Voix et Guitare
56
Instruments en Do
47
Orgue
18
2 Pianos, 4 mains
5
Piano Trio: piano, violon, violoncelle
5
Piano Facile
4
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Accordéons
1
Orgue, Piano (duo)
1
Accompagnement Piano
1
+ 9 instrumentations
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Guitares
Guitare
42
Guitare notes et tablatures
15
Ligne De Mélodie, (Paroles) et Accords
8
Ukulele
5
2 Guitares (duo)
4
4 Guitares (Quatuor)
3
Basse electrique
3
Ensemble de guitares
1
Banjo
1
Mandoline, Guitare (duo)
1
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Voix
Chorale SATB
110
Chorale TTBB
23
Chorale 3 parties
15
Chorale SSAA
13
Chorale 2 parties
6
Voix Soprano, Piano
6
Voix duo, Piano
6
Chorale Unison
5
Voix Tenor, Piano
5
Voix haute
3
Voix duo
2
Voix seule
1
Voix moyenne, Piano
1
Voix Tenor
1
Chorale SATBB
1
+ 10 instrumentations
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Vents
Ensemble de saxophones
67
Quatuor de Saxophones: 4 saxophones
63
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
57
Quintette de Saxophone: 5 saxophones
50
2 Saxophones (duo)
26
Quatuor de Clarinettes: 4 clarinettes
24
Flûte, Hautbois, Clarinette, Basson
24
Ensemble de Clarinettes
23
Flûte traversière
19
Flûte traversière et Piano
17
Clarinette et Piano
17
2 Flûtes traversières (duo)
17
Hautbois, Piano (duo)
16
2 Clarinettes (duo)
15
Saxophone, Clarinette (duo)
14
Saxophone Alto et Piano
14
Ensemble de Flûtes
13
Saxophone Alto
12
Saxophone Soprano et Piano
12
Clarinette, Violon (duo)
10
Flûte, Clarinette (duo)
9
Clarinette, Trompette (duo)
9
Clarinette
9
Quintette de Flûte : 5 flûtes
9
Saxophone Tenor et Piano
8
Hautbois (partie séparée)
8
Saxophone Tenor
8
Quintette de Clarinettes: 5 clarinettes
7
Saxophone
6
Quatuor de Flûtes : 4 flûtes
6
Flûte, Violon
6
Hautbois, Basson (duo)
5
2 Hautbois (duo)
5
Flûte, Alto (duo)
5
Flûte, Saxophone (duo)
5
Clarinette Basse, Piano
5
Clarinette et Alto
5
Hautbois, Clarinette (duo)
4
Flûte, Trompette (duo)
4
Clarinette, Guitare (duo)
4
Hautbois, Flûte
4
Trio de Flûtes: 3 flûtes
3
Flûte et Guitare
3
Saxophone Baryton, Piano
3
Cor anglais, Piano
3
3 Clarinettes (trio)
3
Flute (partie séparée)
2
2 Flûtes traversières, Piano
2
3 Saxophones (trio)
2
Flûte irlandaise
2
Flûte, Violon, Piano
2
4 Hautbois
1
Ensemble De Flûte à bec
1
Flûte à bec Alto, Piano
1
5 Flûtes à bec
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violoncelle
1
Flûte à bec Soprano
1
Saxophone (partie séparée)
1
Flûte traversière, Orgue (duo)
1
+ 55 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
81
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Ensemble de Trompettes
28
Ensemble de Trombones
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de Cuivres
18
Trombone et Piano
17
Trombone
12
Trompette, Saxophone (duo)
10
Trompette
9
Trompette, Trombone (duo)
8
Trio de Cuivres
7
Euphonium, Piano (duo)
6
2 Trompettes (duo)
6
Trompette, Piano
6
Ensemble de Cors
5
Cor
5
Quatuor de cuivres: 4 cors
5
2 Trombones (duo)
5
Trompette (partie séparée)
4
Cor et Piano
3
Cor anglais, Piano
3
Quatuor de cuivres: 4 trombones
2
4 Tubas
1
Tuba
1
Tuba et Piano
1
2 Euphoniums (duo)
1
2 Cors (duo)
1
Trombone et orchestre
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
111
Violon et Piano
31
Violon, Violoncelle (duo)
30
Trio à Cordes: violon, alto, violoncelle
23
Alto, Piano
18
Violoncelle, Piano
18
Violon
11
Ensemble d'Altos
10
Ensemble de Violons
10
2 Violoncelles (duo)
8
Violoncelle
8
Harpe
8
Trio à Cordes: 2 violons, violoncelle
6
2 Harpes (duo)
6
Violon, Alto (duo)
6
2 Violons (duo)
6
2 Altos (duo)
5
Alto seul
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Harpe, Flûte (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
1
Ensemble de Violoncelles
1
Harpe, Voix
1
Contre Basse
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, alto
1
Violon (partie séparée)
1
Alto, Guitare (duo)
1
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Orchestre d'harmonie
88
Orchestre
70
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67
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43
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41
Orchestre de chambre
17
Jazz combo
11
Fanfare
9
Cloches
7
Batterie
4
Ensemble de Percussions
2
Marimba
1
Xylophone, Piano
1
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--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
It's Time
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Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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Fauré: Élégie Op. 24 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...
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Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Mussorgsky: Pictures at an Exhibition for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549937 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standar...
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Piano Quartet - Level 4 - SKU: A0.549937 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 208 pages. Jmsgu3 #4317807. Published by jmsgu3 (A0.549937). Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри) Score: 103 pages, 924 measures, duration: 34:30. Contents:  Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)    Allegretto non troppo, capriccioso  4. BYDLO (Cattle) Sempre moderato pesante  Promenade 4 Tranquillo  5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²   Scherzino  6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир Andante  Promenade 5 Allegro giusto, nel modo russico, poco sostenuto  7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)     Allegretto vivo, sempre scherzando  8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo     CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)     Andante non troppo, con lamento  9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле    Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezzaMussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$52.95
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