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PIANO & CLAVIERS
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1244
Piano, Voix et Guitare
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Piano, Voix
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Orgue
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30
1 Piano, 4 mains
27
2 Pianos, 4 mains
21
Accompagnement Piano
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Piano Quintette: piano, 2 violons, alto, violoncelle
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VOIX
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67
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20
Voix haute
18
Chorale 2 parties
16
Voix seule
14
Voix duo
14
Voix duo, Piano
12
Chorale Unison
10
Voix moyenne, Piano
9
Voix basse
5
Voix Tenor
5
Voix Tenor, Piano
4
Voix Soprano
3
Voix Alto, Piano
2
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
249
Quatuor de Saxophones: 4 saxophones
129
Flûte traversière et Piano
113
Quatuor de Clarinettes: 4 clarinettes
112
Ensemble de Clarinettes
83
Saxophone Alto et Piano
79
Ensemble de saxophones
77
2 Saxophones (duo)
75
Flûte, Hautbois, Clarinette, Basson
74
Clarinette et Piano
74
Quintette de Saxophone: 5 saxophones
67
Saxophone (partie séparée)
57
Quatuor de Flûtes : 4 flûtes
52
Hautbois, Piano (duo)
49
Flûte traversière
48
2 Flûtes traversières (duo)
46
2 Clarinettes (duo)
46
Clarinette
44
Quintette de Clarinettes: 5 clarinettes
43
Saxophone Tenor et Piano
40
Ensemble de Flûtes
40
Saxophone, Clarinette (duo)
38
Saxophone Soprano et Piano
33
Flûte, Clarinette (duo)
30
Clarinette, Guitare (duo)
28
Clarinette, Violon (duo)
25
2 Flûtes traversières, Piano
24
Saxophone Alto
23
Flûte et Guitare
23
Clarinette, Trompette (duo)
22
Flûte, Violon
18
Hautbois (partie séparée)
18
2 Hautbois (duo)
17
Clarinette et Alto
15
Flûte, Alto (duo)
14
Flûte, Saxophone (duo)
13
Clarinette Basse, Piano
12
Cor anglais, Piano
12
3 Clarinettes (trio)
12
Hautbois, Basson (duo)
12
Quintette de Flûte : 5 flûtes
11
Hautbois, Clarinette (duo)
11
Flûte, Trompette (duo)
10
Hautbois, Flûte
9
Saxophone Baryton, Piano
9
Clarinette (partie séparée)
8
3 Saxophones (trio)
8
Trio de Flûtes: 3 flûtes
6
Flûte, Violoncelle, Piano (trio)
5
Clarinette, Basson (duo)
5
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4
Flûte à bec Soprano
4
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4
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2
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2
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2
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Flûte à bec, Guitare (duo)
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Hautbois, Guitare (duo)
2
Saxophone Soprano
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
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2 Flûte à bec (duo)
2
2 Clarinettes, Basson
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Ensemble à vent
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Flûte, Violon, Violoncelle et Piano
1
Flûte à Bec
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Saxophone et Orgue
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Saxophone Tenor
1
Saxophone et Guitare
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1
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1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Piano
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2 Cors Anglais Et Pianoforte
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Saxophone et Harpe
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Flûte à bec Alto
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Flûte, alto et harpe
1
Quatuor de Flûtes à bec
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Hautbois, Violoncelle
1
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1
Hautbois, Violoncelle et Piano
1
Flûte, Clarinette, Piano (trio)
1
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216
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140
Trombone et Piano
66
Trompette (partie séparée)
43
Trompette
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Trompette, Piano
38
Ensemble de Trombones
37
Trombone (partie séparée)
37
2 Euphoniums et 2 Tubas
32
Quatuor de cuivres: 4 trombones
32
Cor et Piano
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Tuba et Piano
29
Trompette, Saxophone (duo)
25
Quatuor de Cuivres
21
Euphonium, Piano (duo)
21
2 Trompettes (duo)
16
Trombone
16
Trompette, Trombone (duo)
16
Ensemble de Trompettes
15
2 Trombones (duo)
15
Quatuor de cuivres: 4 cors
12
Cor anglais, Piano
12
Cor
10
2 Cors (duo)
9
Ensemble de Cors
7
Cor et Basson (duo)
5
4 Tubas
5
Tuba
5
Euphonium
4
Cor (partie séparée)
4
Trio de Cuivres
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Trombones (trio)
2
Cor et Orgue
2
Trombone et orchestre
2
Euphonium, Tuba (duo)
2
4 Euphoniums
1
Quatuor de cuivres: 4 trompettes
1
Bass Clef Instruments
1
3 Trompettes (trio)
1
Cor et Harpe
1
Cor, Violoncelle (duo)
1
Trombone basse et Piano
1
2 Cors Anglais Et Pianoforte
1
Trombone, Tuba (duo)
1
Cornet et orchestre
1
2 Euphoniums (duo)
1
Trombone basse
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
475
Violon et Piano
167
Violoncelle, Piano
108
Violon, Violoncelle (duo)
97
Alto, Piano
89
Trio à Cordes: violon, alto, violoncelle
69
Violon
66
2 Violoncelles (duo)
53
Trio à Cordes: 2 violons, violoncelle
45
Harpe
42
2 Violons (duo)
40
2 Harpes (duo)
36
Violoncelle (partie séparée)
35
Violon, Guitare (duo)
34
Violon, Alto (duo)
25
2 Altos (duo)
20
Alto, Guitare (duo)
17
Contrebasse, Piano (duo)
16
Violoncelle , Guitare (duo)
16
Alto seul
15
Alto (partie séparée)
12
Violoncelle
12
Trio à Cordes: 2 violons, alto
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Contre Basse
9
Harpe, Flûte (duo)
8
Ensemble de Violons
7
Ensemble d'Altos
7
Alto, Violoncelle (duo)
7
4 Violoncelles
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Violon (partie séparée)
5
Harpe, Violoncelle (duo)
4
Harpe, Violon (duo)
4
Trio à cordes: 3 violins
3
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 3 violoncelles
3
Alto et Harpe
3
4 Contrebasses
3
Harpe, Voix
3
Quatuor à cordes: 4 violons
2
Harpe et mandoline
2
Violoncelle, Orgue
2
Ensemble de Violoncelles
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto et Basson
1
Violon, Tuba (duo)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Trombone (duo)
1
Violon, Orgue
1
2 Contrebasses (duo)
1
Violoncelle, Contrebasse (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
323
Orchestre
304
Orchestre à Cordes
234
Ensemble de cuivres
160
Ensemble Jazz
157
Orchestre de chambre
132
Jazz combo
29
Ensemble de Percussions
24
Batterie
18
Fanfare
16
Cloches
14
Vibraphone
9
Percussion (partie séparée)
7
Marimba
6
Batterie (partie séparée)
3
Orchestre, Violon
1
Quatuor à Vent : 4 instruments à vents
1
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AUTRES
Formation musicale - Solfège
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Piano Quatuor: piano, violon, alto, violoncelle
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Fauré: Élégie Op. 24 for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure…
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Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
39.34 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Piano Quartet
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jmsgu3
#
SheetMusicPlus
Fauré: Sicilienne for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 4 - Digital Download SKU: A0.549058 Composed by Gabriel Faure…
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Piano Quartet - Level 4 - Digital Download SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 21 pages. Jmsgu3 #3449745. Published by jmsgu3 (A0.549058). Gabriel Fauré: Sicilienne Op. 78. Nice recital encore piece. It is very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity. Significant Aspects of Faure's Sicilienne Gabriel Fauré's Sicilienne, Op. 78 is significant due to its history, influence, and musical characteristics. Historical Significance The piece was initially composed in 1893 as part of incidental music for a theatrical production that was later abandoned. Fauré reused the Sicilienne in 1898 when he wrote incidental music for the English translation of Maeterlinck's play Pelléas et Mélisande. This piece was later extracted and formed into an orchestral suite for concerts, known as the Pelléas et Mélisande Suite, Op. 80. Influence and Popularity Fauré's harmonic richness and melodic innovations in the Sicilienne influenced other composers. The Sicilienne is the most famous piece from the Pelléas et Mélisande Suite and is frequently played by significant orchestras today. Musical Characteristics The piece is known for its conversational style for both cello and piano, and it exhibits chromatic movement to evoke a Renaissance aesthetic with the Sicilienne dance. It is also more complex than the typical song in terms of chords and melody, with above-average scores in chord and melodic complexity. In conclusion, Faure's Sicilienne is significant due to its historical background, influence on other composers, and unique musical characteristics. Dance and Fabric The term Sicilienne is derived from the French word Sicilienne, which means Sicilian. It is associated with a dance called the Siciliana and a kind of rich poplin fabric. Musical Style Sicilienne refers to a musical style or genre often included as a movement within more significant pieces of music, starting in the Baroque period. It is associated with a pastoral mood and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale.
$43.95
40.26 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gabriel Faure
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James M
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Fauré: Sicilienne for Piano Quartet
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jmsgu3
#
SheetMusicPlus
Regina
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.555663 By Mary Rounsavall. By Mary Rounsavall. Arranged by Mary Rounsavall. Classical,Instructional. Score and parts. 9 pages. Mary Rounsavall #165233. Published by Mary Rounsavall (A0.555663). This lovely theme was inspired by Queen Elizabeth II and was composed for Piano Quartet. It is also arranged for various other ensembles or solos.
$14.99
13.73 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Mary Rounsavall
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Mary Rounsavall
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Regina
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Mary Rounsavall
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SheetMusicPlus
Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.31 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
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