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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Renaissance
Non classifié
2 151
Piano & claviers
Piano seul
389
Piano, Voix
257
Piano Facile
252
Orgue
155
Piano, Voix et Guitare
32
Instruments en Do
29
Accompagnement Piano
15
Orgue, Trompette (duo)
14
Accordéon
10
Piano Trio: piano, violon, violoncelle
9
1 Piano, 4 mains
6
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
4
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Tous Les Instruments
1
Clavier
1
1 Piano, 6 mains
1
Piano (partie séparée)
1
Piano grosses notes
1
2 Orgues (duo)
1
+ 17 instrumentations
Retracter
Guitares
Guitare
373
Guitare notes et tablatures
232
Ukulele
121
Mandoline
107
4 Guitares (Quatuor)
41
2 Guitares (duo)
40
Ensemble de guitares
25
Ukulele Baryton
15
Ligne De Mélodie, (Paroles) et Accords
10
Paroles et Accords
8
3 Guitares (trio)
3
Banjo
2
Dulcimer
2
Piano, Guitare (duo)
2
Guitare, Flûte, Clarinette
2
Mandoline, Guitare (duo)
1
Luth
1
Guitare, Violon, Violoncelle (trio)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
835
Chorale 3 parties
277
Chorale SATTB
88
Chorale 2 parties
74
Chorale
70
Chorale SSATBB
68
Chorale TTBB
63
Voix haute
44
Chorale SSAA
23
Chorale SAATB A Cappella
22
Voix seule
22
Chorale Unison
17
Chorale SSAATTBB
15
Pack Instrumental pour Chorale
14
Voix duo
11
Voix duo, Piano
11
Chorale SATTBB, Clavier
8
Voix Soprano, Piano
6
Voix moyenne, Piano
5
Voix Alto, Piano
4
Voix Baryton, Piano
3
Voix, Guitare
3
Voix basse, Piano
2
Chorale SSATTB
2
Voix Tenor, Piano
1
Voix basse
1
Voix Tenor
1
Chorale SSATB
1
Chorale SSAB a cappella
1
Male Voice
1
+ 25 instrumentations
Retracter
Vents
Quatuor de Flûtes à bec
187
Quatuor de Clarinettes: 4 clarinettes
154
Quatuor de Saxophones: 4 saxophones
153
Flûte, Hautbois, Clarinette, Basson
143
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
119
Quatuor de Flûtes : 4 flûtes
115
Flûte à bec Soprano
93
Flûte et Guitare
84
Ensemble de Clarinettes
70
3 Flûtes à bec (trio)
64
Flûte traversière
58
Flûte traversière et Piano
58
2 Saxophones (duo)
54
Flûte à bec Alto
51
Clarinette et Piano
48
Trio de Flûtes: 3 flûtes
47
Ensemble De Flûte à bec
46
2 Flûtes traversières (duo)
46
5 Flûtes à bec
45
Ensemble de Flûtes
43
Quintette de Clarinettes: 5 clarinettes
40
Ocarina
40
3 Clarinettes (trio)
40
Saxophone Alto et Piano
40
Quintette de Saxophone: 5 saxophones
40
3 Saxophones (trio)
38
2 Clarinettes (duo)
35
Hautbois, Piano (duo)
34
Clarinette, Guitare (duo)
33
Quintette de Flûte : 5 flûtes
28
Saxophone (partie séparée)
27
Ensemble de saxophones
26
Flûte à Bec
25
Clarinette (partie séparée)
24
Saxophone Tenor et Piano
23
Cor anglais, Guitare (duo)
21
2 Flûte à bec (duo)
21
Saxophone et Guitare
19
Flûte, Clarinette (duo)
17
Clarinette
16
Cor anglais, Piano
14
Hautbois, Clarinette, Basson (trio d'anches)
12
Hautbois (partie séparée)
11
Flute (partie séparée)
11
2 Hautbois (duo)
11
Flûte, Hautbois (duo)
10
Flûte, Hautbois, Basson
10
Flûte, Violoncelle
9
Saxophone Alto
9
Flûte à bec, Guitare (duo)
8
Saxophone Soprano et Piano
8
Hautbois, Basson (duo)
8
Clarinette, Harpe (duo)
8
Flûte à bec Alto, Piano
7
Clarinette, Basson (duo)
6
Cor anglais et Harpe (duo)
6
Flûte à bec, Harpe
6
Flûte à bec Soprano, Piano
6
Flûte, Clarinette et Basson
5
Flûte, Violon et Violoncelle
5
Hautbois, Guitare (duo)
5
Hautbois, Basson et Piano
4
Hautbois
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Hautbois, Clarinette (trio)
4
Hautbois, Clarinette (duo)
3
Saxophone Baryton, Piano
3
Flûte, Hautbois, Piano (trio)
2
Hautbois, Flûte
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Ensemble de Hautbois
2
Flûte, Trombone (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Violon, Piano
1
Flûte à bec Tenor
1
2 Flûtes traversières, Piano
1
2 Hautbois, Piano
1
2 Clarinettes, Piano
1
Clarinette, Violoncelle (duo)
1
Clarinette, Tuba
1
Clarinette, Trombone (duo)
1
Ensemble à vent
1
Flûte, Saxophone (duo)
1
4 Hautbois
1
Cor Anglais
1
Flûte et Quatuor à Cordes
1
Flûte, Violon
1
2 Flûtes traversières, Guitare
1
2 Saxophones, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Trompette (duo)
1
Hautbois, Violoncelle
1
Clarinette, Contrebasse (duo)
1
Flûte irlandaise
1
Flute, harpe et violon
1
Cornemuse
1
+ 91 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
371
Quatuor de Cuivres : 2 trompettes, trombone, tuba
79
Quatuor de cuivres: 4 trombones
58
Quatuor de cuivres: 4 cors
56
Quatuor de Cuivres: 2 trompettes, Cor, trombone
46
Ensemble de Trombones
39
Trompette, Piano
38
Trombone
33
Ensemble de Trompettes
30
Quatuor de Cuivres
29
Trombone et Piano
28
Trompette, Trombone (duo)
23
Trompette
23
Cor et Piano
23
2 Trombones (duo)
23
Cor anglais, Guitare (duo)
21
2 Trompettes (duo)
19
Trio de Cuivres
18
Tuba et Piano
18
Trompette (partie séparée)
17
Trombone (partie séparée)
15
4 Tubas
15
Cor anglais, Piano
14
3 Trombones (trio)
13
Cor
13
2 Euphoniums et 2 Tubas
11
Ensemble de Cors
10
Tuba
10
2 Cors (duo)
10
Quatuor de cuivres: 4 trompettes
8
Tuba (partie séparée)
8
Cor (partie séparée)
8
Cor anglais et Harpe (duo)
6
Euphonium
5
Euphonium, Tuba (duo)
4
3 Trompettes (trio)
3
2 Trompettes, Clavier (piano ou orgue)
3
Cor et Harpe
3
2 Tubas (duo)
3
Trombone, Cor (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
Trompette, Harpe
1
Tuba et Orgue
1
3 Euphoniums
1
Cor Anglais
1
Trompette, violon (duo)
1
Trombone, Orgue
1
Trombone basse et Piano
1
Trombone basse
1
3 Cors (trio)
1
Trompette, Cor (duo)
1
Cor, Violoncelle (duo)
1
4 Euphoniums
1
+ 50 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
279
Violon et Piano
81
Harpe
80
Trio à Cordes: violon, alto, violoncelle
68
Violoncelle, Piano
64
Violon
49
Alto, Piano
43
Violon, Violoncelle (duo)
41
2 Violoncelles (duo)
40
Violoncelle
37
2 Violons (duo)
34
Violoncelle , Guitare (duo)
29
4 Violoncelles
21
Violon (partie séparée)
20
Violon, Guitare (duo)
20
Violon, Alto (duo)
20
Trio à Cordes: 3 violoncelles
18
Alto, Guitare (duo)
17
Alto seul
17
Harpe, Flûte (duo)
17
Trio à cordes
16
2 Altos (duo)
16
Alto, Violoncelle (duo)
15
2 Harpes (duo)
14
Trio à cordes: 3 violins
14
Contrebasse, Piano (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Harpe, Violoncelle (duo)
11
Alto (partie séparée)
9
Contre Basse
8
Trio à cordes: 3 altos
8
Quatuor à cordes: 4 violons
7
Harpe, Violon (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Alto et Harpe
7
Violoncelle (partie séparée)
7
Contrebasse (partie séparée)
7
2 Contrebasses (duo)
7
Quatuor à cordes : 4 altos
6
Harpe, Voix
6
Violoncelle, Contrebasse (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Ensemble de Violoncelles
3
Violon, Basse continue
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Orgue
2
Violon, Basson (duo)
1
Ensemble d'Altos
1
Ensemble de Violons
1
Harpe et Piano
1
4 Contrebasses
1
Flûte, Contrebasse (duo)
1
Violon, Orgue
1
Alto et Basson
1
2 Altos, Piano
1
2 Violons et Basse continue
1
2 Violoncelles, Piano
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
289
Orchestre d'harmonie
221
Orchestre à Cordes
166
Orchestre
45
Orchestre de chambre
24
Quintette à Vent
19
Cloches
15
Percussion (partie séparée)
15
Ensemble Jazz
11
Quatuor à Vent : 4 instruments à vents
8
Fanfare
8
Marimba
5
Timbales (partie séparée)
4
Ensemble de Percussions
3
Batterie
2
Percussion
2
Xylophone
2
Orchestre Symphonique
1
Quintette de Cuivres: autres combinaisons
1
Ensemble d'École
1
Trio à Vent: 3 instruments à vents
1
Vibraphone
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
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Renaissance
Piano Quatuor: piano, violon, alto, violoncelle
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1
The First Noel for Piano Quartet
#
Piano Quatuor: piano, violon, alto, violoncelle
#
DÉBUTANT
#
Noël
#
Traditional
#
James M
#
The First Noel for Piano Quart
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu...
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Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
The First Noel for Piano Quartet
#
Piano Quatuor: piano, violon, alto, violoncelle
#
FACILE
#
Noël
#
Traditional
#
James M
#
The First Noel for Piano Quart
#
jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Pu...
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Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Greensleeves - English traditional folk song arr. for piano quartet (score and parts)
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
#
Traditional
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Maksym Kravchenko
#
Greensleeves - English traditi
#
Julia Samarska
#
SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.816356 Composed by Traditional. Arranged by Maksym Kravchenko. Folk,Renaissan...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.816356 Composed by Traditional. Arranged by Maksym Kravchenko. Folk,Renaissance. Score and parts. 12 pages. Julia Samarska #5347779. Published by Julia Samarska (A0.816356). Greensleeves - English traditional folk song arranged for piano quartet - piano, violin, viola, cello (score and parts).
$30.00
Fauré: Sicilienne for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
Gabriel Faure
#
James M
#
Fauré: Sicilienne for P
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 2...
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Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 21 pages. Jmsgu3 #3449745. Published by jmsgu3 (A0.549058). Gabriel Fauré: Sicilienne Op. 78. Nice recital encore piece. It is very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity. Significant Aspects of Faure's Sicilienne Gabriel Fauré's Sicilienne, Op. 78 is significant due to its history, influence, and musical characteristics. Historical Significance The piece was initially composed in 1893 as part of incidental music for a theatrical production that was later abandoned. Fauré reused the Sicilienne in 1898 when he wrote incidental music for the English translation of Maeterlinck's play Pelléas et Mélisande. This piece was later extracted and formed into an orchestral suite for concerts, known as the Pelléas et Mélisande Suite, Op. 80. Influence and Popularity Fauré's harmonic richness and melodic innovations in the Sicilienne influenced other composers. The Sicilienne is the most famous piece from the Pelléas et Mélisande Suite and is frequently played by significant orchestras today. Musical Characteristics The piece is known for its conversational style for both cello and piano, and it exhibits chromatic movement to evoke a Renaissance aesthetic with the Sicilienne dance. It is also more complex than the typical song in terms of chords and melody, with above-average scores in chord and melodic complexity. In conclusion, Faure's Sicilienne is significant due to its historical background, influence on other composers, and unique musical characteristics. Dance and Fabric The term Sicilienne is derived from the French word Sicilienne, which means Sicilian. It is associated with a dance called the Siciliana and a kind of rich poplin fabric. Musical Style Sicilienne refers to a musical style or genre often included as a movement within more significant pieces of music, starting in the Baroque period. It is associated with a pastoral mood and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale.
$43.95
Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
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