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TRI ET FILTRES
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PIANO & CLAVIERS
Piano seul
450
Piano Facile
236
Piano, Voix
202
Orgue
138
Instruments en Do
27
Piano, Voix et Guitare
27
Accompagnement Piano
15
Orgue, Trompette (duo)
14
1 Piano, 4 mains
14
Accordéon
10
Piano Trio: piano, violon, violoncelle
8
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue, Piano (duo)
4
Clavecin
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Piano Quatuor: piano, 2 violons, violoncelle
3
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116
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107
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39
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35
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24
Ukulele Baryton
15
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8
Dulcimer
2
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2
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2
Banjo
2
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1
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1
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1
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VOIX
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88
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71
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70
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68
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61
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23
Chorale SAATB A Cappella
22
Voix seule
19
Chorale Unison
17
Chorale SSAATTBB
15
Voix duo, Piano
10
Voix duo
10
Chorale SATTBB, Clavier
8
Voix Soprano, Piano
6
Voix Alto, Piano
4
Voix haute
3
Voix, Guitare
3
Voix moyenne, Piano
3
Chorale SSATTB
2
Voix Baryton, Piano
1
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1
Chorale SSAB a cappella
1
Voix basse
1
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1
Chorale SSATB
1
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VENTS
Quatuor de Flûtes à bec
178
Quatuor de Clarinettes: 4 clarinettes
144
Quatuor de Saxophones: 4 saxophones
142
Flûte, Hautbois, Clarinette, Basson
138
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
115
Quatuor de Flûtes : 4 flûtes
112
Flûte et Guitare
84
Ensemble de Clarinettes
69
3 Flûtes à bec (trio)
64
Flûte à bec Soprano
56
2 Saxophones (duo)
54
Flûte traversière
53
Flûte à bec Alto
51
Flûte traversière et Piano
48
Trio de Flûtes: 3 flûtes
47
5 Flûtes à bec
44
2 Flûtes traversières (duo)
44
Ensemble De Flûte à bec
42
Ensemble de Flûtes
42
Quintette de Saxophone: 5 saxophones
41
Quintette de Clarinettes: 5 clarinettes
40
3 Clarinettes (trio)
40
3 Saxophones (trio)
38
Saxophone Alto et Piano
37
2 Clarinettes (duo)
35
Clarinette et Piano
34
Clarinette, Guitare (duo)
33
Hautbois, Piano (duo)
29
Saxophone (partie séparée)
29
Quintette de Flûte : 5 flûtes
28
Flûte à Bec
25
Clarinette (partie séparée)
25
Ensemble de saxophones
24
Clarinette
23
Saxophone Tenor et Piano
22
Cor anglais, Guitare (duo)
21
Saxophone et Guitare
19
2 Flûte à bec (duo)
18
Flûte, Clarinette (duo)
17
Cor anglais, Piano
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Flute (partie séparée)
11
Flûte, Hautbois, Basson
10
2 Hautbois (duo)
10
Hautbois (partie séparée)
10
Flûte, Hautbois (duo)
9
Clarinette, Harpe (duo)
8
Flûte à bec, Guitare (duo)
8
Hautbois, Basson (duo)
7
Saxophone Soprano et Piano
7
Flûte, Violoncelle
7
Flûte à bec Alto, Piano
7
Saxophone Alto
7
Clarinette, Basson (duo)
6
Flûte à bec, Harpe
6
Cor anglais et Harpe (duo)
6
Flûte à bec Soprano, Piano
6
Hautbois, Guitare (duo)
5
Flûte, Clarinette et Basson
5
Hautbois, Basson et Piano
4
Flûte, Violon et Violoncelle
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Hautbois, Clarinette (trio)
4
Hautbois, Clarinette (duo)
3
Saxophone Baryton, Piano
3
Hautbois, Flûte
2
Ensemble de Hautbois
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Flûte, Clarinette, Cor, Basson (Quartet)
2
Hautbois
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Violoncelle (duo)
1
Flûte, Trombone (duo)
1
2 Flûtes traversières, Guitare
1
Flûte, Violon, Piano
1
Cor Anglais
1
Clarinette, Contrebasse (duo)
1
Flûte et Quatuor à Cordes
1
Hautbois, Clarinette et Piano (Trio)
1
Cornemuse
1
Flûte à bec Tenor
1
2 Hautbois, Piano
1
2 Clarinettes, Piano
1
4 Hautbois
1
Flute, harpe et violon
1
Hautbois, Violoncelle
1
2 Saxophones, Piano
1
Ensemble à vent
1
Flûte, Saxophone (duo)
1
2 Flûtes traversières, Piano
1
Flûte irlandaise
1
Clarinette, Tuba
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
363
Quatuor de Cuivres : 2 trompettes, trombone, tuba
77
Quatuor de cuivres: 4 trombones
58
Quatuor de cuivres: 4 cors
49
Quatuor de Cuivres: 2 trompettes, Cor, trombone
44
Ensemble de Trombones
38
Trompette, Piano
35
Trombone
31
Ensemble de Trompettes
30
Quatuor de Cuivres
29
Trombone et Piano
25
Trompette, Trombone (duo)
21
Trompette
21
Cor anglais, Guitare (duo)
21
Trompette (partie séparée)
20
2 Trombones (duo)
20
Cor et Piano
20
Trio de Cuivres
18
2 Trompettes (duo)
17
Trombone (partie séparée)
17
4 Tubas
15
Tuba et Piano
15
Cor anglais, Piano
13
2 Euphoniums et 2 Tubas
11
Cor
11
3 Trombones (trio)
11
2 Cors (duo)
9
Tuba
8
Cor (partie séparée)
8
Ensemble de Cors
8
Quatuor de cuivres: 4 trompettes
8
Tuba (partie séparée)
7
Cor anglais et Harpe (duo)
6
Euphonium
5
Euphonium, Tuba (duo)
4
3 Trompettes (trio)
3
2 Tubas (duo)
3
Cor et Harpe
3
2 Trompettes, Clavier (piano ou orgue)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor, Tuba (duo)
2
3 Euphoniums
1
Cor Anglais
1
Cor, Violoncelle (duo)
1
Trompette, Tuba (duo)
1
Trombone basse
1
Tuba et Orgue
1
Trompette, Cor (duo)
1
Trombone, Orgue
1
Trompette, Harpe
1
3 Cors (trio)
1
Trombone basse et Piano
1
Trombone, Cor (duo)
1
4 Euphoniums
1
Trompette, violon (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
265
Harpe
81
Violon et Piano
69
Trio à Cordes: violon, alto, violoncelle
66
Violoncelle, Piano
55
Violon
46
Violon, Violoncelle (duo)
38
2 Violoncelles (duo)
38
2 Violons (duo)
33
Alto, Piano
32
Violoncelle , Guitare (duo)
29
Violoncelle (partie séparée)
28
4 Violoncelles
21
Violon, Alto (duo)
20
Violon, Guitare (duo)
20
Violon (partie séparée)
19
Trio à Cordes: 3 violoncelles
18
Alto, Guitare (duo)
17
Harpe, Flûte (duo)
17
Trio à cordes
16
2 Altos (duo)
16
2 Harpes (duo)
14
Alto seul
14
Alto, Violoncelle (duo)
14
Violoncelle
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Trio à cordes: 3 violins
10
Harpe, Violoncelle (duo)
10
Alto (partie séparée)
9
Contrebasse, Piano (duo)
8
Contrebasse (partie séparée)
8
Trio à Cordes: 2 violons, violoncelle
7
Harpe, Violon (duo)
7
Alto et Harpe
7
Trio à cordes: 3 altos
7
Harpe, Voix
6
Quatuor à cordes : 4 altos
6
Contre Basse
6
Violoncelle, Contrebasse (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Quatuor à cordes: 4 violons
5
2 Contrebasses (duo)
5
Ensemble de Violoncelles
4
Violon, Basse continue
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Orgue
2
Ensemble d'Altos
1
2 Violoncelles, Piano
1
Violon, Basson (duo)
1
4 Contrebasses
1
Harpe et Piano
1
Flûte, Contrebasse (duo)
1
2 Violons et Basse continue
1
Ensemble de Violons
1
Violon, Orgue
1
Alto et Basson
1
2 Altos, Piano
1
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PERCUSSIONS & ORCHESTRES
Ensemble de cuivres
278
Orchestre d'harmonie
217
Orchestre à Cordes
156
Orchestre
42
Orchestre de chambre
23
Quintette à Vent
19
Percussion (partie séparée)
16
Cloches
14
Ensemble Jazz
11
Fanfare
8
Quatuor à Vent : 4 instruments à vents
8
Marimba
4
Timbales (partie séparée)
4
Ensemble de Percussions
3
Percussion
2
Xylophone
2
Batterie
2
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
Batterie (partie séparée)
1
Trio à Vent: 3 instruments à vents
1
Ensemble d'École
1
Big band
1
Orchestre Symphonique
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Renaissance
Piano Quatuor: piano, violon, alto, violoncelle
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The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. …
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Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
23.07 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. …
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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.07 €
#
Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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James M
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The First Noel for Piano Quartet
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jmsgu3
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SheetMusicPlus
Greensleeves - English traditional folk song arr. for piano quartet (score and parts)
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.816356 Composed by Traditional. Arranged by Maksym Kravchenko. Folk,Renaissance. Score and parts. 12 pages. Julia Samarska #5347779. Published by Julia Samarska (A0.816356). Greensleeves - English traditional folk song arranged for piano quartet - piano, violin, viola, cello (score and parts).
$30.00
27.74 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Traditional
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Maksym Kravchenko
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Greensleeves - English traditional folk song arr. for piano quartet
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Julia Samarska
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SheetMusicPlus
Fauré: Sicilienne for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 4 - Digital Download SKU: A0.549058 Composed by Gabriel Faure…
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Piano Quartet - Level 4 - Digital Download SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 21 pages. Jmsgu3 #3449745. Published by jmsgu3 (A0.549058). Gabriel Fauré: Sicilienne Op. 78. Nice recital encore piece. It is very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity. Significant Aspects of Faure's Sicilienne Gabriel Fauré's Sicilienne, Op. 78 is significant due to its history, influence, and musical characteristics. Historical Significance The piece was initially composed in 1893 as part of incidental music for a theatrical production that was later abandoned. Fauré reused the Sicilienne in 1898 when he wrote incidental music for the English translation of Maeterlinck's play Pelléas et Mélisande. This piece was later extracted and formed into an orchestral suite for concerts, known as the Pelléas et Mélisande Suite, Op. 80. Influence and Popularity Fauré's harmonic richness and melodic innovations in the Sicilienne influenced other composers. The Sicilienne is the most famous piece from the Pelléas et Mélisande Suite and is frequently played by significant orchestras today. Musical Characteristics The piece is known for its conversational style for both cello and piano, and it exhibits chromatic movement to evoke a Renaissance aesthetic with the Sicilienne dance. It is also more complex than the typical song in terms of chords and melody, with above-average scores in chord and melodic complexity. In conclusion, Faure's Sicilienne is significant due to its historical background, influence on other composers, and unique musical characteristics. Dance and Fabric The term Sicilienne is derived from the French word Sicilienne, which means Sicilian. It is associated with a dance called the Siciliana and a kind of rich poplin fabric. Musical Style Sicilienne refers to a musical style or genre often included as a movement within more significant pieces of music, starting in the Baroque period. It is associated with a pastoral mood and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale.
$43.95
40.64 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gabriel Faure
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James M
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Fauré: Sicilienne for Piano Quartet
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed …
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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
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Piano Quatuor: piano, violon, alto, violoncelle
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Martin Luther
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James M
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Luther: Out of the Depths for Piano Quartet
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jmsgu3
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SheetMusicPlus
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