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PIANO & CLAVIERS
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145
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100
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89
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36
Accordéon
34
1 Piano, 4 mains
22
2 Pianos, 4 mains
12
Accompagnement Piano
9
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue, Piano (duo)
5
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 8 mains
2
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2
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2
Accordéon - Piano, Voix, Guitare
2
1 Piano, 6 mains
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6
Mandoline
5
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2
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1
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Chorale SATB
444
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123
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104
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66
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47
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36
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22
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16
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7
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6
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5
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3
Voix Alto, Piano
2
Chorale SSATB
2
Voix haute
1
Chorale
1
Voix Tenor, Piano
1
Chorale SSATTB
1
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1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
117
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69
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58
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47
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42
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38
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37
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37
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37
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35
Clarinette
35
Flûte traversière
32
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31
Saxophone Alto
27
2 Clarinettes (duo)
26
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20
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19
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18
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15
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15
2 Flûtes traversières (duo)
15
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14
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9
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8
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7
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7
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7
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7
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6
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5
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4
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145
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5
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Cor (partie séparée)
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2
2 Tubas (duo)
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Quatuor de cuivres: 4 trompettes
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Euphonium
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
138
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81
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62
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52
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45
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33
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26
Harpe
24
Trio à Cordes: violon, alto, violoncelle
19
Alto seul
17
2 Violoncelles (duo)
15
Violon (partie séparée)
15
2 Violons (duo)
14
Violoncelle
13
Trio à Cordes: 2 violons, violoncelle
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Alto (partie séparée)
12
Violon, Guitare (duo)
11
Violon, Alto (duo)
11
2 Altos (duo)
10
Contre Basse
9
4 Violoncelles
9
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7
Contrebasse, Piano (duo)
6
2 Harpes (duo)
5
Ensemble d'Altos
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5
Harpe, Flûte (duo)
4
Quatuor à cordes : 4 altos
4
Contrebasse (partie séparée)
4
Quatuor à cordes: 4 violons
3
Alto, Violoncelle (duo)
3
Alto, Guitare (duo)
2
Alto et Harpe
2
Trio à cordes: 3 altos
2
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Harpe, Violon (duo)
2
Violoncelle, Orgue
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Harpe, Voix
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Harpe, Violoncelle (duo)
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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Violon, Orgue
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
492
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133
Orchestre
121
Ensemble de cuivres
71
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42
Orchestre de chambre
35
Cloches
22
Jazz combo
20
Percussion (partie séparée)
9
Batterie
9
Ensemble de Percussions
8
Marimba
7
Instrumentation Flexible
5
Fanfare
3
Timbales (partie séparée)
2
Quintette de Cuivres: autres combinaisons
2
Percussion
1
Orchestre, Violon
1
Xylophone, Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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Away In A Manger for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arra…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
22.91 €
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Piano Quatuor: piano, violon, alto, violoncelle
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Away In A Manger for Piano Quartet
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jmsgu3
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SheetMusicPlus
Fauré: Élégie Op. 24 for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure…
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Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
39.44 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Piano Quartet
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jmsgu3
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SheetMusicPlus
Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.36 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Handel: Seven Pieces from Water Music for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.552117 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 36 pages. Jmsgu3 #6121085. Published by jmsgu3 (A0.552117). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 16 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents: 1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$36.95
33.93 €
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Piano Quatuor: piano, violon, alto, violoncelle
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George Friderick Handel
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James M
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Handel: Seven Pieces from Water Music for Piano Quartet
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jmsgu3
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SheetMusicPlus
Second Way for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1201355…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1201355 Composed by Tapio Sayppo. Chamber,Classical. 37 pages. MSTS Music Studio #800010. Published by MSTS Music Studio (A0.1201355). Second Way for piano quartet – Second Way per quartetto di pianoforte – Second Way pianokvartetilleTonal, melodic, light and easy to listen to music.The sheet music PDF contains BOTH the full score AND all the instrument parts. There are two piano parts with the exactly same music, but the first one (5 pages) is with chord symbols, the second one (4 pages) without chord symbols.37 pages, duration 3 minutes 5 seconds.ISMN 979-0-9001735-2-2 (PDF) – Registered internationally by The National Library of Finland, which stores quite a lot of Tapio Sayppo's music in its vast collections.
$15.00
13.77 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Tapio Sayppo
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Second Way for piano quartet
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MSTS Music Studio
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SheetMusicPlus
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