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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
AS
Non classifié
23 954
Piano & claviers
Piano seul
16 527
Piano, Voix
5 844
Piano Facile
3 624
Piano grosses notes
3 323
Orgue
3 048
Piano, Voix et Guitare
2 567
Instruments en Do
1 189
1 Piano, 4 mains
486
Piano Trio: piano, violon, violoncelle
436
Accompagnement Piano
392
Piano Quatuor: piano, 2 violons, violoncelle
177
Accordéon
166
2 Pianos, 4 mains
130
Piano Quatuor: piano, violon, alto, violoncelle
83
Piano (partie séparée)
67
Clavier
66
Orgue, Piano (duo)
43
Piano Quintette: piano, 2 violons, alto, violoncelle
42
Orgue, Trompette (duo)
42
Clavecin
30
1 Piano, 6 mains
28
2 Pianos, 8 mains
6
Ligne De Mélodie, Piano
3
2 Accordéons
3
Ensemble d'Accordéons
2
Accordéon et Orchestre
2
Accordéon, Voix
1
Fake Book
1
Orgue et Orchestre
1
+ 24 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 907
Guitare
1 562
Ligne De Mélodie, (Paroles) et Accords
616
Basse electrique
486
Mandoline
325
Ukulele
308
2 Guitares (duo)
223
Piano, Guitare (duo)
192
Guitare (partie séparée)
135
Paroles et Accords
116
4 Guitares (Quatuor)
89
Dulcimer
63
Banjo
44
3 Guitares (trio)
41
Ensemble de guitares
26
2 Dulcimers (duo)
8
Ukulele Baryton
6
Mandoline, Guitare (duo)
5
Guitare, Violon, Violoncelle (trio)
4
2 Ukuleles
4
2 Mandolines (duo)
3
Mandoline, Piano (duo)
3
Guitare Pedal Steel
3
Guitare, Orchestre
2
Guitare, Quatuor à cordes
2
Cithare
1
Dobro
1
Orchestre à Plectres
1
Ensemble de Ukulélés
1
Luth
1
+ 25 instrumentations
Retracter
Voix
Chorale SATB
7 396
Voix duo, Piano
2 327
Chorale 3 parties
2 043
Chorale 2 parties
1 584
Chorale TTBB
1 200
Chorale Unison
919
Voix duo
814
Chorale SSAA
636
Voix Soprano, Piano
187
Voix Alto, Piano
119
Voix Tenor, Piano
110
Voix haute
95
Voix seule
86
Voix Baryton, Piano
83
Pack Instrumental pour Chorale
78
Chorale
56
Voix moyenne, Piano
29
Voix basse, Piano
28
Chorale SSAATTBB
23
Voix Tenor
16
Voix basse
15
Chorale SSATTB
12
Chorale SSATB
12
Voix Mezzo-Soprano, Piano
10
Soli, choeur mixte et accompagnement
7
Voix, Guitare
5
Voix Soprano
4
Chorale SSAB, Piano
3
Chorale SSAB a cappella
2
Chorale SATTBB A Cappella
2
Male Voice
2
Chorale SAATB A Cappella
1
Voix Baryton
1
Chorale SSATBB
1
Chorale, Orgue
1
+ 30 instrumentations
Retracter
Vents
Flûte traversière et Piano
2 075
2 Saxophones (duo)
1 745
Quatuor de Saxophones: 4 saxophones
1 675
Clarinette et Piano
1 548
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 537
Hautbois, Piano (duo)
1 514
Flûte, Hautbois, Clarinette, Basson
1 321
Saxophone Alto et Piano
1 314
Quatuor de Clarinettes: 4 clarinettes
1 082
Saxophone Tenor et Piano
1 067
2 Flûtes traversières (duo)
930
Flûte traversière
866
2 Clarinettes (duo)
840
Quintette de Saxophone: 5 saxophones
784
Saxophone Soprano et Piano
756
Clarinette
691
Saxophone (partie séparée)
657
Saxophone Alto
654
Flûte, Clarinette (duo)
553
Saxophone Tenor
476
Quatuor de Flûtes : 4 flûtes
467
Ensemble de Clarinettes
403
Saxophone, Clarinette (duo)
378
3 Saxophones (trio)
336
Ensemble de saxophones
324
Hautbois (partie séparée)
311
Saxophone Baryton, Piano
311
Clarinette, Violon (duo)
307
2 Hautbois (duo)
274
Ensemble de Flûtes
256
3 Clarinettes (trio)
244
Hautbois, Basson (duo)
219
Clarinette, Trompette (duo)
214
Cor anglais, Piano
211
Flûte et Guitare
208
Flûte, Violon
203
Trio de Flûtes: 3 flûtes
197
Quintette de Clarinettes: 5 clarinettes
196
Hautbois, Clarinette (duo)
170
Clarinette et Alto
146
Hautbois, Flûte
137
Flûte, Saxophone (duo)
137
Clarinette Basse, Piano
130
Clarinette (partie séparée)
126
Flûte, Violon, Piano
123
2 Flûte à bec (duo)
121
Flûte, Alto (duo)
119
Flûte, Trompette (duo)
116
Quatuor de Flûtes à bec
107
Quintette de Flûte : 5 flûtes
107
Clarinette, Basson (duo)
102
Hautbois
100
Saxophone Soprano
100
Flûte, Hautbois, Clarinette (trio)
91
Flûte, Clarinette et Basson
88
2 Flûtes traversières, Piano
88
Flûte à bec Soprano
83
Flûte, Violoncelle
80
Flute (partie séparée)
78
Flûte, Clarinette, Piano (trio)
74
Ensemble De Flûte à bec
69
Saxophone
67
Hautbois, Clarinette, Basson (trio d'anches)
67
Flûte, Violon et Violoncelle
66
Clarinette, Violoncelle (duo)
66
Clarinette, Guitare (duo)
66
Flûte à Bec
59
Flûte, Violoncelle, Piano (trio)
54
Saxophone Baryton
54
2 Clarinettes, Piano
53
Flûte, Hautbois (duo)
48
Clarinette, Violoncelle, Piano (trio)
46
Hautbois, Violoncelle
43
Cor Anglais
42
5 Flûtes à bec
40
Flûte à bec Alto
39
Flûte, Hautbois, Basson
37
Flûte, Basson et Piano
36
Flûte à bec Soprano, Piano
36
3 Flûtes à bec (trio)
34
Flûte, Alto et Piano
32
Flûte, trombone et piano
30
Flûte, Hautbois, Piano (trio)
29
Flûte à bec Alto, Piano
25
Flûte, Trombone (duo)
24
Flûte à bec Tenor
23
2 Saxophones, Piano
19
Hautbois, violon (duo)
19
Flûte, Clarinette, Cor, Basson (Quartet)
18
Cor anglais, Guitare (duo)
17
Clarinette, Harpe (duo)
17
Flute, harpe et violon
16
Saxophone et Guitare
16
Flûte, Violon, Violoncelle et Piano
15
Hautbois et alto (duo)
15
Clarinette, Trombone (duo)
13
Ocarina
13
Piccolo, Piano
13
Clarinette, Basson, Piano (trio)
12
Saxophone et Harpe
12
Clarinette, trompette et piano
12
Flûte traversière, Orgue (duo)
11
Clarinette, Alto et Piano (trio)
10
Hautbois, Guitare (duo)
10
Harmonica
10
Hautbois, Harpe
10
Flûte, Tuba (duo)
9
Hautbois, Clarinette et Piano (Trio)
9
Flûte et Trio à cordes
9
2 Clarinettes, Basson
9
Ensemble à vent
9
Clarinette, Contrebasse (duo)
8
Flûte, Violoncelle, Guitare
8
Flûte, Harpe et Violoncelle
7
2 Cors Anglais Et Pianoforte
7
Piccolo
7
4 Hautbois
7
Clarinette Basse
6
Hautbois, Violon, Piano
6
Hautbois, Basson et Piano
5
Flûte irlandaise
5
Hautbois, Violoncelle et Piano
5
Saxophone, Violon (duo)
5
Ensemble de Hautbois
5
Saxophone et Orgue
5
Clarinette, Tuba
5
3 Hautbois
4
Flûte à bec, Guitare (duo)
4
Flute, Cor (duo)
4
Flûte traversière, Basse continue
4
Instruments en Mib
4
Hautbois, trombone (duo)
4
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Flûte de Pan
3
Cornemuse
3
Clarinette, Orgue
3
Flûte, Violon, Guitare
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte, Alto et Violoncelle
2
Flûte, alto et harpe
2
2 Flûtes à bec, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte à Bec, Piano
2
Flûte, Hautbois, Violon
2
Flûte à bec Alto, Basse continue
2
Cor anglais et Harpe (duo)
1
Flûte à bec Soprano, Basse continue
1
2 Flûtes traversières, Harpe
1
Flute, alto, violoncelle et guitare
1
Clarinette, Orchestre
1
Flûte et Quatuor à Cordes
1
Hautbois, Trompette (duo)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte à bec, Harpe
1
Flûte traversière, Orchestre
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Saxophone, Piano
1
2 Flûtes à bec, Guitare
1
2 Hautbois et Basson
1
Saxophone, Tuba (duo)
1
+ 155 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 742
Trombone et Piano
1 296
Trompette, Piano
1 168
Quatuor de Cuivres : 2 trompettes, trombone, tuba
958
Trompette
899
Cor et Piano
683
2 Trompettes (duo)
522
Trombone
508
2 Trombones (duo)
492
Trombone (partie séparée)
423
Trompette (partie séparée)
408
Tuba et Piano
359
Quatuor de Cuivres: 2 trompettes, Cor, trombone
353
Quatuor de Cuivres
326
Cor
326
Trompette, Saxophone (duo)
273
Trompette, Trombone (duo)
264
2 Cors (duo)
251
Euphonium, Piano (duo)
238
Trompette, Cor (duo)
237
Quatuor de cuivres: 4 trombones
229
Tuba
218
Cor anglais, Piano
211
Ensemble de Trompettes
131
Ensemble de Trombones
129
Quatuor de cuivres: 4 cors
121
Cor (partie séparée)
91
2 Tubas (duo)
76
Tuba (partie séparée)
59
Quatuor de cuivres: 4 trompettes
56
Ensemble de Cors
51
2 Euphoniums et 2 Tubas
51
Euphonium
47
4 Tubas
47
3 Trombones (trio)
47
Cor Anglais
42
Trio de Cuivres
33
Euphonium, Tuba (duo)
32
3 Trompettes (trio)
28
Quatuor de cuivres: 2 trompettes, 2 trombones
27
Trompette, Violoncelle et Piano
24
Trompette, Violoncelle (duo)
22
Trombone, Orgue
22
Cor, Violoncelle (duo)
21
Tuba et Orgue
20
Trombone, Cor (duo)
19
Cor anglais, Guitare (duo)
17
Trombone, Tuba (duo)
17
Trompette, Tuba (duo)
16
Trompette, violon (duo)
14
3 Cors (trio)
14
Cor, Tuba (duo)
13
3 Tubas (trio)
12
Trombone basse
11
Cor et Harpe
11
Bass Clef Instruments
10
Trompette, Basson (duo)
10
Trombone basse et Piano
10
Trompette, Harpe
8
Trompette et Guitare
8
2 Trompettes, Clavier (piano ou orgue)
8
3 Euphoniums
7
2 Cors Anglais Et Pianoforte
7
2 Euphoniums (duo)
7
Clarinette, Cor (duo)
6
Instruments en Sib
6
Trombone et orchestre
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Trompette, Trombone, Piano
5
Cor et Basson (duo)
5
Trombone, Violon (duo)
4
2 Trombones, Piano
4
Cor et Orgue
4
2 Cors, Piano
2
Cor anglais et Harpe (duo)
1
Trompette, Euphonium (duo)
1
Cornet et orchestre
1
Cor, Trompette, Trombone (trio)
1
Ensemble de Tubas
1
Instruments en Fa
1
Cor, Violoncelle et Piano
1
+ 76 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4 025
Violon et Piano
2 629
Violoncelle, Piano
1 540
Alto, Piano
1 508
Violon
1 318
Violon, Violoncelle (duo)
1 120
Violoncelle
866
Harpe
778
Trio à Cordes: violon, alto, violoncelle
776
2 Violons (duo)
734
2 Violoncelles (duo)
618
Violon, Alto (duo)
492
Quintette à cordes: 2 violons, alto, violoncelle, basse
473
Alto seul
429
2 Altos (duo)
396
Piano Trio: Violon, Alto, Piano
320
Contrebasse, Piano (duo)
296
Trio à Cordes: 2 violons, violoncelle
285
Violon (partie séparée)
211
Contre Basse
199
Alto (partie séparée)
169
Contrebasse (partie séparée)
158
4 Violoncelles
134
Violon, Guitare (duo)
123
2 Harpes (duo)
110
Alto, Violoncelle (duo)
106
Trio à cordes: 3 violins
105
Quatuor à cordes: 4 violons
82
Trio à cordes
65
Trio à Cordes: 3 violoncelles
63
Violoncelle, Contrebasse (duo)
58
Harpe, Violon (duo)
56
Harpe, Flûte (duo)
54
Violoncelle , Guitare (duo)
52
Violoncelle (partie séparée)
48
Quatuor à cordes : 4 altos
48
2 Contrebasses (duo)
46
Violon, Basson (duo)
44
Alto, Guitare (duo)
44
Trio à cordes: 3 altos
39
Ensemble de Violons
32
Harpe, Violoncelle (duo)
31
Trio à Cordes: 2 violons, alto
28
Ensemble d'Altos
28
4 Contrebasses
28
Alto et Harpe
27
Violon, Clarinette, Piano (trio)
26
Harpe, Voix
26
Quintette à cordes: 2 violons, 2 altos, violoncelle
23
Flûte, Contrebasse (duo)
21
Alto et Basson
17
3 Contrebasses
13
2 Violons, Piano
11
Harpe, Violon, Violoncelle
10
Violon, Orgue
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Violoncelle, Orgue
9
Ensemble de Violoncelles
8
2 Violoncelles, Piano
7
Violoncelle, Orchestre
6
Violon, Tuba (duo)
6
Violon, Violoncelle, Clarinette
4
Violon, Basse continue
4
Alto, Orgue
4
Violoncelle, Basse continue
4
Autoharp
3
Harpe, Trombone (duo)
3
Harpe (partie séparée)
3
Harpe et Piano
3
Harpe et mandoline
3
Violon, Trompette et Piano
3
Alto et orchestre
1
2 Altos, Piano
1
Harpe, Quatuor à cordes
1
2 Violons et Basse continue
1
3 Harpes
1
4 Harpes
1
+ 72 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6 858
Orchestre à Cordes
2 046
Orchestre
1 618
Ensemble Jazz
1 387
Ensemble de cuivres
1 134
Cloches
1 113
Orchestre de chambre
627
Fanfare
509
Jazz combo
436
Batterie
208
Ensemble de Percussions
183
Batterie (partie séparée)
85
Percussion (partie séparée)
75
Marimba
69
Xylophone, Piano
48
Vibraphone
23
Xylophone
19
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
15
Piano et Orchestre
12
Big band
10
2 Xylophones
10
Percussion
8
Ensemble d'École
8
Timbales (partie séparée)
7
Orchestre, Violon
6
Instrumentation Flexible
6
Vibraphone et Marimba
5
Quintette de Cuivres: autres combinaisons
3
Marimba, Piano (duo)
2
Caisse Claire
2
2 Marimbas
1
Quintette à Vent
1
Quatuor à Vent : 4 instruments à vents
1
Trio à Vent: 3 instruments à vents
1
Conga
1
Bongos
1
2 Caisses Claires (duo)
1
+ 32 instrumentations
Retracter
Autres
Théorie de la musique
7
Formation musicale - Solfège
3
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Piano Quatuor: piano, violon, alto, violoncelle
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Pachelbel: Canon in D for Piano Quartet
#
Piano Quatuor: piano, violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Pu...
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Piano Quartet - Level 2 - SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
In The Land of Wonder-Wander for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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In The Land of Wonder-Wander f
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Sy Brandon
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.755009 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 49...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.755009 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 49 pages. Sy Brandon #3239669. Published by Sy Brandon (A0.755009). In The Land of Wonder-Wander attempts to capture the essence of both Maxfield Parrish’s illustration and Eugene Fields’ poem The Dinkey-Bird. Both the painting and the poem create the feeling of a magical place where beauty, joy and pleasure abound. It is a mysterious place, perhaps as occurring in a dream, yet a place where one does not wish to leave. In The Land of Wonder-Wander begins quietly with vague tonality and sparse instrumentation as it transports the listener into this mystical land. As the tempo becomes stricter and the instrumentation fuller, the beauty of this place is apparent. A change to a triple meter and a faster tempo creates a joyous and wondrous section as there are many sweet treats growing to satisfy the soul. Children scampering and playing are represented by an allegro section with playful melodies and slight dissonance. The Dinkey Bird becomes the focus of the next section, which uses a staccato motif surrounded by rapid scales and arpeggios. These ideas build in intensity, expressing the wonder and beauty of this far away land, until they begin to fade away as the land recedes into the sea. A last flourish occurs as if one is trying to hold on to the experience before one wakes up from this marvelous dream.
$9.99
The Water is Wide (Piano Quartet): Violin, Viola, Cello and Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Celtique/Irlandais
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Traditional Scottish Melody
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John A
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.525137 Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Easter,Ir...
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Piano Quartet Cello,Piano,Viola,Violin - Level 3 - SKU: A0.525137 Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditional,Wedding. 18 pages. John A. Dempsey #6323387. Published by John A. Dempsey (A0.525137). Give me a boat that can carry two and both shall row, my love and I. From a rich, vibrant Celtic tradition comes the classic The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather). This unabashedly romantic piano quartet for violin, viola, cello and piano is perfect for weddings and ceilidhs (or any Celtic-themed music event) as well as recitals and concerts. As wedding music, The Water is Wide stirs the heart as a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional. Since the melody (O Waly Waly) has been used in multiple hymn settings, including The Gift of Love, Though I May Speak with Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross, this piano quartet is also effective for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, special music and silent prayer accompaniment. 14 pages of music (that includes separate two-page pullout parts for violin, viola and cello). Key: G major.
$14.00
Mozart: Romanze from K. 525 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sac...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
Funny Like a Monkey for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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Funny Like a Monkey for piano
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Robert M. Greenberg
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
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Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
Fauré: Sicilienne for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Sicilienne for P
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 2...
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Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 21 pages. Jmsgu3 #3449745. Published by jmsgu3 (A0.549058). Gabriel Fauré: Sicilienne Op. 78. Nice recital encore piece. It is very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity. Significant Aspects of Faure's Sicilienne Gabriel Fauré's Sicilienne, Op. 78 is significant due to its history, influence, and musical characteristics. Historical Significance The piece was initially composed in 1893 as part of incidental music for a theatrical production that was later abandoned. Fauré reused the Sicilienne in 1898 when he wrote incidental music for the English translation of Maeterlinck's play Pelléas et Mélisande. This piece was later extracted and formed into an orchestral suite for concerts, known as the Pelléas et Mélisande Suite, Op. 80. Influence and Popularity Fauré's harmonic richness and melodic innovations in the Sicilienne influenced other composers. The Sicilienne is the most famous piece from the Pelléas et Mélisande Suite and is frequently played by significant orchestras today. Musical Characteristics The piece is known for its conversational style for both cello and piano, and it exhibits chromatic movement to evoke a Renaissance aesthetic with the Sicilienne dance. It is also more complex than the typical song in terms of chords and melody, with above-average scores in chord and melodic complexity. In conclusion, Faure's Sicilienne is significant due to its historical background, influence on other composers, and unique musical characteristics. Dance and Fabric The term Sicilienne is derived from the French word Sicilienne, which means Sicilian. It is associated with a dance called the Siciliana and a kind of rich poplin fabric. Musical Style Sicilienne refers to a musical style or genre often included as a movement within more significant pieces of music, starting in the Baroque period. It is associated with a pastoral mood and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale.
$43.95
Beethoven - Rondo Op.49 - Piano Quartet Violin, Viola, Cello, Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Tim TK Murray
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Beethoven - Rondo Op.49 - Pian
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TK
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.823998 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert,Standards. Score...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.823998 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert,Standards. Score and parts. 28 pages. TK (Tim) Murray #4783589. Published by TK (Tim) Murray (A0.823998). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Violin, Viola, Cello, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
Angels We Have Heard on High (Piano Quartet): Violin, Viola, Cello and Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Traditional French Carol
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John A
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Angels We Have Heard on High
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John A. Dempsey
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.612672 Composed by Traditional French Carol. Arranged by John A. Dempsey. Chr...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.612672 Composed by Traditional French Carol. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #221864. Published by John A. Dempsey (A0.612672). Arranged as a lively piano quartet for violin, viola, cello and piano, this exultant arrangement of a traditional French Christmas carol contains variation in all parts as well as dynamic shading, embellishments and incidental music by Grieg, all adding to the joyful atmosphere of praise and thanksgiving. Â Gloria in excelsis Deo is Latin for Glory to God in the Highest. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Â Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture and special music. Â Key: C major. Â 18 pages of music (that includes the score and separate two-page parts for violin, viola and cello).
$14.00
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu...
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Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
Away In A Manger for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger for Piano Qua
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Fauré: Élégie Op. 24 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...
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Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
The Promise
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Various Artists
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Gavin Koh
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The Promise
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Gavin Koh
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.874476 By Various Artists. By Brendan Graham, Rolf Loevland, and Rolf Lovland...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.874476 By Various Artists. By Brendan Graham, Rolf Loevland, and Rolf Lovland. Arranged by Gavin Koh. Contemporary. Score and parts. 12 pages. Gavin Koh #5034185. Published by Gavin Koh (A0.874476). Here is the orchestral version of Secret Garden's lovely The Promise, scored for Piano, Violin, Viola, and Cello. This version stays true to the original as much as possible. I hope you will love it as much as I enjoyed arranging it.You can listen to Adagio on my Soundcloud channel at https://soundcloud.com/gavinkoh/secret-garden-the-promise-orchestral-versionListen to the composer's works and other arrangements at https://soundcloud.com/gavinkoh
$12.99
Jesu, Joy of Man's Desiring (Piano Quartet): Violin, Viola, Cello and Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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John A
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Jesu, Joy of Man's Desiring
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John A. Dempsey
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.524735 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroqu...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.524735 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Classical,Easter,Sacred,Wedding. Score and parts. 21 pages. John A. Dempsey #6261041. Published by John A. Dempsey (A0.524735). A musical oasis of beauty and tranquility, Bach's Jesu, Joy of Man's Desiring is arranged here as a piano quartet for violin, viola, cello and piano. Â The gentle, flowing nature of this music makes this Baroque piece a popular, traditional choice for weddings, as a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional. Â Moving as a performance piece for recitals and concerts, this arrangement is also recommended for traditional church services and other worship events, as a prelude, postlude, an offertory or silent prayer accompaniment. Â 17 pages of music (that includes separate two-page parts for violin, viola and cello). Â Key: G major.
$14.00
O Little Town of Bethlehem (Piano Quartet): Violin, Viola, Cello and Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Lewis H
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John A
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O Little Town of Bethlehem
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John A. Dempsey
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.525145 Composed by Lewis H. Redner, Edward MacDowell. Arranged by John A. Dem...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.525145 Composed by Lewis H. Redner, Edward MacDowell. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 21 pages. John A. Dempsey #6623463. Published by John A. Dempsey (A0.525145). Above thy deep and dreamless sleep the silent stars go by. Â A favorite Christmas carol with its everlasting light, O Little Town of Bethlehem is arranged here as a piano quartet for violin, viola, cello and piano. Â The incidental music, composed by Edward MacDowell, is the beautiful To a Wild Rose from his Woodland Sketches. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Â 17 pages of music (that includes separate two-page parts for violin, viola and cello). Â Key: G major
$14.00
Silent Night (Piano Quartet): Violin, Viola, Cello and Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Franz Xaver Gruber and Enrique
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John A
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Silent Night
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John A. Dempsey
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1104261 Composed by Franz Xaver Gruber and Enrique Granados. Arranged by John...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1104261 Composed by Franz Xaver Gruber and Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 21 pages. John A. Dempsey #707467. Published by John A. Dempsey (A0.1104261). A classic Christmas carol reimagined as a festive piano quartet for violin, viola, cello and piano, this arrangement begins simply but builds in intensity as it progresses, with an embellished piano part, dynamic shading and incidental music by Enrique Granados.  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  Key: D major. 17 pages of music (that includes separate two-page parts for violin, viola and cello       Silent night, holy night / All is calm, all is bright / Round yon virgin, mother and child / Holy infant so tender and mild / Sleep in heavenly peace / Sleep in heavenly peace.
$14.00
Jingle Bells for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...
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Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
O Holy Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Adam
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James M
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O Holy Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #341156...
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Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
Arab Dance from The Nutcracker for Piano Quartet (Violin, Viola, Cello, PIano) Set of 4 Parts
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Peter Ilyich Tschaikovsky
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Daniel Kelley
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Arab Dance from The Nutcracker
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Viola,Violin - Level 3 - SKU: A0.530062 Composed by Peter Ilyich Tschaikovsky. Arranged by Daniel Kelley. ...
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Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Viola,Violin - Level 3 - SKU: A0.530062 Composed by Peter Ilyich Tschaikovsky. Arranged by Daniel Kelley. Christmas,Concert,Romantic Period,Standards. Score and parts. 12 pages. Last Resort Music Publishing #506317. Published by Last Resort Music Publishing (A0.530062). Arab Dance from the Nutcracker brilliantly arranged for Piano Quartet (Violin, Viola, Cello, Piano). Part 1 is also playable by Flute or Oboe. Part 3 is also playable by Bassoon. The Piano Part (Keyboard or Guitar) encompasses Part 2 and Part 3. Therefore, the arrangements could be played as a piano trio or an entire trio could play with a pianist - as long as Part 1 is being played. 7 more movements from the Nutcracker are also available: Chinese Dance, March, Dance of the Reed Flutes, Dance of the Sugar Plum Fairy, Overture, Scene in the Snowy Pine Forest & Trepak. Don't miss our other fabulous arrangements for trio. www.lastresortmusic.com.
$6.95
Overture from The Nutcracker for Piano Quartet (Violin, Viola, Cello, Piano) Set of 4 Parts
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Peter Ilyich Tschaikovsky
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Daniel Kelley
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Overture from The Nutcracker f
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.530077 Composed by Peter Ilyich Tschaikovsky. Arranged by Daniel Kelley. ...
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Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.530077 Composed by Peter Ilyich Tschaikovsky. Arranged by Daniel Kelley. Christmas,Concert,Romantic Period,Standards. Score and parts. 18 pages. Last Resort Music Publishing #506397. Published by Last Resort Music Publishing (A0.530077). Overture from the Nutcracker brilliantly arranged for Piano Quartet (Violin, Viola, Cello, Piano). Part 1 is also playable by Flute or Oboe. Part 3 is also playable by Bassoon. The Piano Part (Keyboard or Guitar) encompasses Part 2 and Part 3. Therefore, the arrangements could be played as a piano trio or an entire trio could play with a pianist - as long as Part 1 is being played. 8 from the Nutcracker are available: Chinese Dance, Arab Dance, March, Dance of the Reed Flutes, Dance of the Sugar Plum Fairy, Overture, Scene in the Snowy Pine Forest & Trepak. Don't miss our other fabulous arrangements for trio. www.lastresortmusic.com.
$6.95
We Three Kings (Piano Quartet): Violin, Viola, Cello and Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1104206 Composed by John Henry Hopkins, Jr. and Enrique Granados. Arranged by...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1104206 Composed by John Henry Hopkins, Jr. and Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #707422. Published by John A. Dempsey (A0.1104206). This piano quartet for violin, viola, cello and piano of the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for Christmas pageants, plays and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  18 pages of music (that includes separate two-page parts for violin, viola and cello).  Concert Key: A minor   We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$14.00
A long day
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Ciro Hernández
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A long day
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Ciro Hernández
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1408618 Composed by Ciro Hernández. 21st Century,Chamber,Contemporary,Film/TV,Punk. 30 pag...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1408618 Composed by Ciro Hernández. 21st Century,Chamber,Contemporary,Film/TV,Punk. 30 pages. Ciro Hernández #991214. Published by Ciro Hernández (A0.1408618). A work written for piano and string trio. As a closing and to conclude a concert, as an encore. The piano part is perhaps the most complicated, although the rhythm of the string instruments is not simple. It is written to be fast-paced and with many contrasts. For the musicians to demonstrate in a concise way their dynamic capacity and their ability to make chamber music.
$17.50
Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1398434 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,C...
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Piano Quartet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1398434 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 219 pages. Jmsgu3 #981709. Published by jmsgu3 (A0.1398434). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874(МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.
$49.95
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