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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ain Secular
Non classifié
373
Piano & claviers
Piano, Voix et Guitare
447
Piano, Voix
371
Piano Facile
216
Piano seul
212
Piano grosses notes
83
1 Piano, 4 mains
55
Instruments en Do
26
Instrument seul et Orgue
18
Accordéon, Voix
8
2 Pianos, 4 mains
7
Accordéon
7
Piano Quatuor: piano, violon, alto, violoncelle
3
Ligne De Mélodie, Piano
2
Orgue
2
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
1 Piano, 6 mains
1
Piano (partie séparée)
1
+ 13 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
144
Guitare notes et tablatures
78
Ukulele
65
Banjo
10
Guitare (partie séparée)
2
Guitare
1
Piano, Guitare (duo)
1
Mandoline
1
+ 3 instrumentations
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Voix
Chorale SATB
223
Chorale 3 parties
177
Chorale 2 parties
119
Chorale
39
Chorale TTBB
27
Chorale SSAA
19
Chorale Unison
6
Voix haute
6
Voix duo, Piano
4
Voix basse
3
Voix duo
3
Voix Soprano, Piano
3
Chorale SSAATTBB
3
Voix basse, Piano
3
Chorale SATTB
1
Voix Baryton, Piano
1
Chorale SATTBB A Cappella
1
Chorale SSAB, Piano
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
Chorale SSATBB
1
+ 16 instrumentations
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Vents
Saxophone Alto
116
Clarinette
91
Flûte traversière
85
Saxophone Tenor
83
Clarinette et Piano
29
Flûte traversière et Piano
27
Saxophone Alto et Piano
14
Hautbois, Piano (duo)
13
Saxophone Soprano et Piano
13
2 Saxophones (duo)
9
Saxophone (partie séparée)
9
Instruments en Mib
7
3 Clarinettes (trio)
7
Saxophone Tenor et Piano
6
Saxophone Baryton, Piano
6
Cor anglais, Piano
6
2 Flûtes traversières (duo)
6
Flute (partie séparée)
5
2 Clarinettes (duo)
4
Clarinette (partie séparée)
4
Quatuor de Flûtes : 4 flûtes
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone, Clarinette (duo)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Clarinette, Trompette (duo)
2
Flûte à bec Soprano
2
Hautbois, Basson (duo)
2
Clarinette, Violon (duo)
2
2 Hautbois (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Cor anglais et Harpe (duo)
1
Ensemble de Flûtes
1
3 Saxophones (trio)
1
Flûte, Clarinette (duo)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Flûte
1
Quatuor de Saxophones: 4 saxophones
1
Flûte, Saxophone (duo)
1
Flûte, Alto (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois (duo)
1
Saxophone et Piano
1
Hautbois, Violoncelle
1
Clarinette Basse, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon
1
Saxophone
1
Clarinette et Alto
1
Flûte à bec, Guitare (duo)
1
+ 45 instrumentations
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Cuivres
Trompette
111
Cor
97
Trombone
82
Bass Clef Instruments
28
2 Trombones (duo)
16
Trompette, Piano
14
Instruments en Sib
12
Trombone et Piano
11
Cor et Piano
9
Trompette (partie séparée)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Tuba et Piano
8
Cor anglais, Piano
6
Trombone (partie séparée)
6
Cor (partie séparée)
3
2 Cors (duo)
2
Quatuor de Cuivres
2
Tuba et Orgue
2
Trompette, Saxophone (duo)
2
Trompette, Trombone (duo)
2
Euphonium, Piano (duo)
2
Cor anglais et Harpe (duo)
1
3 Trombones (trio)
1
2 Trompettes (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba (partie séparée)
1
+ 23 instrumentations
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Cordes
Alto seul
109
Violon
85
Violoncelle
83
Alto, Piano
27
Violon et Piano
24
Alto (partie séparée)
19
Violoncelle, Piano
17
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon (partie séparée)
6
Contrebasse, Piano (duo)
5
Violoncelle (partie séparée)
3
2 Violons (duo)
3
2 Violoncelles (duo)
3
Violon, Alto (duo)
3
Violon, Violoncelle (duo)
3
Harpe, Flûte (duo)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: 3 violoncelles
2
2 Altos (duo)
2
Contrebasse (partie séparée)
2
Harpe
2
4 Violoncelles
1
Violon, Guitare (duo)
1
+ 19 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
92
Cloches
30
Orchestre à Cordes
8
Orchestre
7
Orchestre de chambre
6
Ensemble de cuivres
5
Ensemble Jazz
3
Percussion (partie séparée)
2
Batterie
1
Batterie (partie séparée)
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Vous avez sélectionné:
Ain Secular
Piano Quatuor: piano, violon, alto, violoncelle
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Pachelbel: Canon in D for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
Jingle Bells for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...
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Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
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